Professional Documents
Culture Documents
Esp1404 Booklet
Esp1404 Booklet
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ESP Sound
engineering guide
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Prologue
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Let's talk
Personality traits
Choose the suitable personality traits based on your own opinion. Are they
useful? Why? Why not?
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Skills
1) Audio Mixing:
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2) Reverberation:
3) Signal-to-noise ratio:
4) Pitch:
5) Panning:
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Audio producers and engineers can also put their own creative
skills to use by making original sounds or music. For example,
they may use computer programs and an assortment of other
tactile objects or musical instruments to create customized
sound effects.
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A producer’s versatility
c) What do you think of the final mix? What's the main focus of the
song (rage, aggressiveness, point out an instrument, etc.)?
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Attenuators: Is an electronic
device that reduces the power
of a signal without appreciably
distorting its waveform, for
example an amplifier works
with s ound g a i n i n g , the
attenuator works with loss or,
in other words, works with gain
less than 1; they are essentials
in home recordings.
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Activities
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There are a lot of different hardware units which can make your
life easier (or sometimes more difficult), but in most of the cases
we can work with the basic things and imaginatively use them
as if it were a professional studio. Here you have the basics and
probably a little bit more:
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Activities
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1) Look at these logos; do you recognize them? Name the ones you know.
a) b)
c) d)
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Talking time!!
Functional English
Do you have ?
Can I have ?
What do you suggest for ?
Giving suggestions:
I suggest that
I recommend this one because
You should try this one because
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1:
2:
3:
4:
5:
Do’s and
Don’ts
In order to give advice and explain the right
and wrong things you can do in a situation,
we use the do’s and don’ts.
Examples:
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Video time!
Watch the following video “home studio gear” and answer the
following questions:
4) Do you think these aspects mentioned in the video are essential? would you add
another one?
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Let’s talk
Editing: vocabulary
Here you have some software’s basic functions. Write down your
own definition of each one.
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2) Bit rate:
3) Input/ output:
4) Multi tracks:
5) Export (Mix):
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Editing
Pro Tools' "Bounce to Disk" function provides very limited options for
conversion to other formats. We strongly recommend bouncing to
uncompressed AIFF format, and then using QuickTime Pro or iTunes to
convert the AIFF to another format.
First, make sure your Pro Tools project has been saved.
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Then use the selector tool to select all the regions of your audio that
you want to export (see the section on selecting multiple regions).
In the top section of the Bounce panel, leave the Bounce Source
unchanged.
Set the Sample Rate to 44100 (44.1KHz) unless you plan to integrate
your audio back into a digital video project, in which case you should
use 48000 (48KHz).
Click OK and select an output destination for your AIFF file. Click Save
and your project will be exported to AIFF.*
*: taken from http://multimedia.journalism.berkeley.edu/tutorials/protools/exporting/
As you see in the description above, you can explain certain basic
“software moves” knowing some specific vocabulary words (the ones
you can find in the software) and , besides of that, we can add some
sequence adverbs like: first, then, next, after that, finally, in the end.
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Activity: Choose one of the projects below and explain it with simple
words using frequency adverbs.
b) Equalize a track
Project:
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Talking time!!
Functional English
B) In groups, discuss the following ideas related to the recording processes in studio. Once you
have it done present your idea in front of the whole class.
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I think....
I feel....
I guess....
Personally, I think....
What I mean is....
I’m of the opinion that....
I believe....
I suppose....
According to me....
From my point of view....
As far as I’m concerned....
I’d like to point out that….
In my opinion…
c) In pairs, Look at the mac and windows keyboards below; based on the software you use
(protools) discuss and present 5 different shortcuts including the usage of each one of them.
Choose the keyboard you feel more comfortable with.
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Used for
When we use “used for”, the format of a sentence is created like this:
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Video time!
c) Which other software did they mention in the video besides pro tools?
d) Do you agree with these tips? would you add another one based on your experience?
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Activities:
b) What’s the main role of the record label in the rights of the master
recordings?
c) How could you explain the remastering process with your own
words? Have you ever done that before?
Post production: Is the final part of the whole project. is often referred
to as mixing, as this process happens after recording the musicians, is
where most of your skills in terms of editing and mixing are required to
point out the recorded tracks in the best possible way.
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Activity:
Look at these words; which items are more related to the pre
production, production, post production area? Complete the chart.
Wires - Pro tools - convert audio - amplifiers - Masters - budget - tracks - monitors -
sound board - panning - Demo tape - export project
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- Noise reduction.
- Record quality.
- Equipment in general.
E a c h o f th e s e
features can make
you decide if a
project is well-
made based on
the pre
production,
production and
post production
process because
is any of these
steps are made in a bad way or lightly, you can notice it in the final
product.
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Activity: Choose a song you are really into and analyze it as objective
as possible, involving the aspects previously mentioned.
Song:
Artist:
Analysis:
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Tips to consider
Discussion:
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Sharp (#)
Flat (b)
(DO MI DO)
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As we move towards the right the note’s pitch goes up (higher) therefore we
refer to them as sharps.
When moving towards the left the note’s pitch goes down (lower) therefore
we call them flats.
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Let's talk
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Activities:
b) Name the typical problems you can have while you are setting a
stage. How can you solve them?
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Stage plot:
Activities:
a) Have you ever done one of these things? Do you find them useful?
b) Look at the picture above (stage plot), do you think the stage is well
distributed? What kind of things would you add or take out?
Member 2: drums
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Member 5: Keyboards
Stage plot
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Talking time!!
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1:
2:
3:
4:
5:
c) What are the typical problems you could face in live concerts? How can you solve
them? work in pairs.
Vocabulary words
- Blackout: when all lights must be hidden by law, or when there is no light or power because of an
electricity failure.
- Feedback: a rumbling, whining, or whistling sound resulting from an amplified or broadcast signal (as
music or speech) that has been returned as input and retransmitted.
- Buzz: to make a continuous, low sound such as the one a bee makes.
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Video time!
Watch the following video “How to do a Soundcheck” and
2) Do you agree with all these steps? would you add more?
3) write down some vocabulary words that are new for you. what do you think they mean?
Post viewing:
1) Based on your opinion, which of all of the instructions presented in the video is
essential?
2) What are the main problems when it comes working in the console live?
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How to…
Once you have the input list or the stage plot, your main duty is to
amplify these instruments; it is not only to put a microphone in the
amplifier and catch the sound; it needs some steps and advices in
order to make is as good as possible.
- Be sure to get a
microphone in every
instrument in order to
get the signal in the mixing board
- Don’t forget the mixer allows you to adjust the sound volume of each
source compared to the other, and their distribution in the acoustic
space (left / right stereo) for the final mix, also it can be used in the
sound monitors too.
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Activities:
a) What do you think about these advices? Do you agree with them?
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- Check the Backline: analyze the place, context and kind of thing you
are going to do. Identify your own equipment and use the right one
based on the things the performance wants to achieve.
- Ask for the input list/stage plot: These papers can help you a lot
before you start working in the band’s settings. It can help you to
organize the stage and equalize basic things like the sound monitors
and the instruments according the performers’ needs.
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- Chamber music: Any music written for a chamber ensemble—a string quartet,
a piano trio, a chamber orchestra, etc. Music for a soloist, or for a soloist with
accompanist, may or may not be chamber music.
- Choral, chorus: Choral means of a choir; a choral work is a work for choir, and
a chorus is a relatively large choir, or group of singers.
- Elements of music: Melody, harmony, rhythm, and form and the expressive
elements of dynamics, tempo, and timbre (tone color).
- Ensemble: Any group of performers, but it is most commonly used for smaller
groups. A large group would be referred to as an orchestra, chorus, or band.
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- Opera: A drama set to music for voices and orchestra and presented with
costumes and sets.
- Program: (1) An entire concert or recital (2) The printed booklet given to
audience members at a concert, opera, recital, etc. (3) A literary text, a place, an
event, or the like, on which a musical composition is based.
- Score: The organized notation of all of the instrumental and/or vocal parts of a
composition.
- Tempo: The pace at which music moves according to the speed of the
underlying beat.
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- Texture: The character of the different layers of horizontal and vertical sounds.
- Twelve-bar blues: A chord pattern often used in blues music based on the 1st,
4th, and 5th chords and the blues scale in specific order within twelve bars.
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