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Ex. To err is human. To forgive is divine. all, she lives near a train that crosses a bridge, and when
TYPES OF STAGES she hears that her husband has left town on business, she
Thrust Stage - The thrust configuration is the oldest knows that she will be at home alone at the designated
known fixed type of staging in the world. time for the attack. In the final minutes she hears an
Proscenium Stage - A stage where the audience sits on intruder listening on the downstairs phone, and then she
one side only. picks out footsteps coming up the stairs. She hastily calls
the police for help, and just before they answer the
In-the-round Stage - An in-the-round stage is positioned
phone, her terrified screams let the audience know that
at the center of the audience. There is audience around
she has been caught by the killer.
the whole stage.
The drama ends when the killer picks up the phone,
Traverse - A stage where the audience sits on two sides.
explains to the phone operator that he's fine, and says
THEATER TERMINOLOGIES
“Sorry, wrong number”.
Blocking - The planning and working out of the
movements of actors on stage.
Cross - A movement from one part of the stage to
another.
Position - The direction an actor is facing relative to the
audience, but from actor’s perspective.
Gesture - An expressive movement of the body or limbs.
Tableau - A silent and motionless depiction of a scene
created by actors, often from a picture.
SORRY, WRONG NUMBER
Lucille Fletcher is the author of the play Sorry, Wrong
Number.
She is best known for her suspense classic “Sorry, Wrong
Number”, originally a radio play, later a novel, TV play and
motion picture.
There are 4 main characters in the story and these are:
Mrs. Stevenson – a bedridden, querulous, self-centered
neurotic woman.
Mr. Stevenson – the husband of Mrs. Stevenson.
Operator – the one she calls to help her out contact his
husband’s office.
Sergeant Duffy – the policeman.
George – the hit man.
The drama begins with Mrs. Stevenson attempting to call
her husband, who is working late. Frustrated with the
busy signal, she seeks the help of the operator who
connects her through to what she assumes is her
husband's office phone. Instead of hearing his familiar
voice, she listens in on a conversation where two men are
plotting a murder. The victim is a woman, home alone,
who lives near a bridge. The men plan for the attack to
take place just as the train crosses the bridge at exactly
11:15pm, so the sound will mask any screams from the
victim.
Horrified by what she hears, Mrs. Stevenson calls the
operator to demand that she trace the source of this call.
The operator explains that only the police can push
through a request like that, and so begins 20 minutes of
calls to the police, telephone operators, and even to the
phone company's Chief Operator.
The drama culminates in a scene where Mrs. Stevenson
becomes certain that she's the target of the murder; after