Music of Mindanao

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Music of mindanao
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Music of mindanao
1. MUSIC OF MINDANAO
2. ABOUT MINDANAO
3. MINDANAO • Second largest island of the Philippines • At the
southern end of the archipelago Culture • Consists of mostly
MUSLIM or MORO people. • It also composed of ethnic group
Ethnic Group • Maranao,Tausug, Banguingi and indigenous tribe •
Known as Lumad.
4. Philippine Eagle MARAWIMangosteen Pacquiao SARIMANOK
8. 1.Badjao Tribe - Sulu 2. Ilanun Tribe - Sulu 3. Jama Mapun
Tribe - Sulu 4.Maguindanao Tribe – Cotabato, SK
9. 5.Maranao Tribe - Lanao, Bukidnon 6. Samal Tribe - Sulu 7.
Tausug Tribe - Sulu 8. Yakan Tribe - basilan
10. Characteristics of Music of Islamic
11. Vocal Music (LIFE CYCLE) 1.Langan Bata Bata - Lullabye of
Tausug. 2.Tarasul - Tausug song of advice to wedded couple.
3.Dekir- death song of Maranao. 4.Dekil- Maguindanao dirge in
vigil.
12. Religious Chant 1. Salathul Juma- Friday prayer chant 2.
Tarawe - chant during the Ramadan Folk Epic Rajah 3.
Indarapatra - Maguindanao 4Darangen - Maranao
14. BAGOBO TRIBE – Davao Gulf and Davao Region BILAAN –
Davao Gulf NON-ISLAM CULTURAL GROUP
15. KALAGAN – Davao Gulf MANDAYA – Davao Region
16. MANSAKA – Davao Region MANOBO – Bukidnon, Agusan del
Sur, Cotabato
17. MATIGSALUG – Bukidnon SUBANON – Zamboanga Peninsula
18. TIRURAY– SOCCSARGEN Region T’BOLI – South Cotabato
19. LIFE CYCLE 1.Sinda-ay- Wedding chant sung before inviting
the groom’s party to enter the bride’s house. 2.Balow– song for a
dead husband of Matigsalug. 3.Iring Iring- Manobo song sung on
wakes 4.Ulag Ing- lament song of Manobo
20. OCCUPATIONAL SONG 1. Gago Napu- song for either hunting
or fishing of Subanon 2. Balatuking– Manobo harvest song Ritual
Song 3. Diwata- for curing ceremony of Subanon 4. Pamasag- for
victory celebration of Manobo 5. Pangan - Do- for thanksgiving of
Manobo
22. CHORDOPHONES (STRINGED INSTRUMENTS) A
chordophone is any musical instrument which makes sound by
way of a vibrating string or strings stretched between two
points
23. • Mansaka-Binarig • Bilaan-Faglong • T'boli-Hagelong or
hegalong • Mansaka -Kudlong • Manobo - Kudlong, kdlung,
kutyapi • Maranao-Kutyapi • Bukidnon – “katyapi” • Subanen –
“kutapi” • Tiruray -“fegerong” • Ata – “kudlung” • Bagobo –
“kodlong” • Maguindanao- Kudyapi TWO STRINGED-LUTE
24. Kudyapi - is a guitar with two strings. It is about 1 1/2 m long
and made of wood. It has a stick to support in its lower end and is
played in the same position as cello.
26. KUDLONG Two stringed lute made of wood, one string for
the melody, one for the drone. Eight frets are glued on the neck of
the lute. The body of the instrument is carved with geometric
patterns. The neck and the head are adorned with horse hair; the
tail has two (originally three) pieces of Carabao skin; the strap is
adorned with bead work. Dimensions: length: 98 cm., width: 8,5
cm., height: 5,5 cm.
28. SALUROY - is a bamboo poly chordal tube zither of Bagobo . It
is called as kolitong in Cordillera region.
30. Aduwag-ay -one - stringed fiddle instrument of Bilaans also
called Kugot (Agusan-Manobo) and Duwagey (T'boli)
31. AEROPHONES (WIND INSTRUMENTS) is any musical
instrument which produces sound primarily by causing a body of
air to vibrate without the use of strings or membranes and
without the vibration of the instrument itself adding considerably
to the sound.
32. Sahunay - is a bamboo flute, leaving six holes for the fingers
and trumpet made of coconut leaf. It is about 50 cm long and 3
cm in diameter. This is a bamboo flute of the Tausugs in Sulu.
33. Palendag A lip-valley flute, it is considered the toughest of
the three bamboo flutes (the others being the tumpong and the
suling) to use because of the way one must shape one's lips
against its tip to make a sound. The construction of the
mouthpiece is such that the lower end is cut diagonally to
accommodate the lower lip and the second diagonal cut is make
for the blowing edge.
34. a type of Philippine bamboo flute, the largest one used by
the Maguindanaon, a smaller type of this instrument is called the
Hulakteb (Bukidnon). Other names: Bunabon- Mandaya
Hlandag- T’boli Palundag- Bilaan Tanggab and Tulali- Subanon
Pulalu – Manobo and Mansaka Palandag- Bagobo Pulala-
Bukidnon
35. Suling - ring flute of Bilaan and Tiruray, Maguindanao, Samal,
Tausug and Yakan -is the smallest bamboo flute of the
Maguindanaon and the only one classified as a ring-flute (the
other two bamboo flutes of the Maguindanaon, the tumpong and
the palendag are both lip-valley flutes). Other names for the
suling include: Lantey (Ata), Kinsi (Bukidnon), Dagoyong
(Higanon) Babarak (Palawan)
36. IDIOPHONES (PERCUSSION INSTRUMENTS) An idiophone
is any musical instrument which creates sound primarily by way
of the instrument's vibrating, without the use of strings or
membranes Most percussion instruments which are not drums
are idiophones.
37. Kulintang is a term with various meanings, all related to the
melody-playing gong row. Technically, the term kulintang is the
Maguindanao word for eight gong kettles which are laid
horizontally upon a rack creating an entire kulintang set called
apasangan.
38. This idiophone functions as a lead/central melodic
instrument for the entire ensemble. Other names: Kulintang -
Bilaan, Subanon, Maguindanao, Maranao, Samal, and Jama
Klintang- T’boli Kwintangan- Yakan
39. Kulintang - is a set of eight knobbed gongs in graduated sizes
from largest to smallest mounted in a wooden frame, about a
meter long. Muslim carvings decorated the frame. The
kulintang is played by striking the gongs with two pieces of wood,
about 12 inches long while the player squats on the floor. The
instruments is popular in Sulu.
41. Gabbang - is similar to a xylophone. It is made of wooden box
with one end wider than the other, and with an open top. Across
top, wooden bars of di!erent lengths are placed to fit the shape
of the box, about 1 cm from each other. It is played by striking the
wooden bars with a wooden hammer. This instruments is popular
in Sulu.
42. Gabbang Description Xylophone with 17 keys made of
bamboo, separated by metal nails. The resonating case is
dcorated with floral motives. At the sides are two mirrors. The
beaters are made of wood with a piece of tube rubber
Dimensions: length: 102 cm., width: 51 cm. height: 37 cm.
43. The Gabbang can be played as a solo instrument. Sometimes
a duo is formed with a 'biula', a local violin. A Taosug woman
plays the gabbang. The resonating case, decorated with floral
motives
44. Gandingan a Kayo (translated means, “wooden gandingan,”
or “gandingan made of wood”) is a Philippine xylophone and
considered the wooden version of the real gandingan. This
instrument is a relatively new instrument coming of age due to
the increasing popularity of the “wooden kulintang ensemble,”
45. Kulintang a Kayo This is a wooden xylophone of the
Maguindanao people. Kulintang a Kayo (literally, “wooden
kulintang”) is a Philippine xylophone of the Maguindanaon
people with eight tuned slabs arranged horizontally atop a
wooden antangan (rack). Made of so" wood such as bayug, the
kulintang a kayo is a common found among Maguindanaon
households with a musical background.
46. Traditionally, it was used for self- entertainment purpose
inside the house, so beginners could practice kulintang pieces
before performing them on the real kulintang and only recently
have they been performed as part of a “wooden kulintang
ensemble.”
47. Agung – is a set a two wide rimmed bossed- gongs hangs
from horizontal pole or wooden frame. It is used by the
Maguindanao, Maranao, Samal- Bajau and Tausug people of the
Philippines
48. The larger, lower pitched gong of the two is called the
pangandungan by the Maguindanao and the p'nanggisa- an by
the Maranao. Played on the musician's right, it provides the main
part, which it predominantly played on the accents of the
rhythmic structure. The smaller, higher pitched gong, the thicker
of the two, is called the panentekan by the Maguindanao and the
p'malsan or pumalsan by the Maranao.
49. The Agung is usually performed while standing beside the
instrument, holding the upper edge of its flange between the
thumb and other fingers with the le" hand while striking the
knob with the right hand. The mallets, called balu, are made
from short sticks about half a foot in length and padded with so"
but tough material such as rubber at one end.
50. Gandingan - is a set of four small narrow- rimmed and
suspended gongs. They hang in pairs with the knobs of the
lower pitched gongs facing each other. The same with the two
higher pitched gongs. The pair of lower pitched gongs is
positioned on the player's le" side while the pair of the higher
pitched gongs is on the right.
51. The player usually a woman who stands between the two
pair of gongs. Her body touches slightly the gong in the middle to
prevent from swinging. She uses two padded mallets
52. Gandingan When integrated into the ensemble, it functions
as a secondary melodic instrument a"er the main melodic
instrument, the kulintang. When played solo, the gandingan
allows fellow Maguindanao to communicate with each other,
allowing them to send messages or warnings via long distances.
This ability to imitate tones of the Maguindanaolanguage using
this instrument has given the gandingan connotation: the
“talking gongs.
53. Babandil- is a single, narrow- rimmed Philippine gong used
primarily as the “timekeeper” of the Maguindanao kulintang
ensemble.
54. Also called: Babendir- (Maguindanao) Babandir -
(Maranao), Babandir - (Tagbanwa,Batak, Palaw’an), Banendir and
Tungtung,- (Tausug), Salimbal - (Samal) Mapindil - (Yakan)
Bubundi -(Mansaka)
55. Babandil It is struck with thin bamboo sticks to produce a
metallic sound. There are three ways to play the babendil. 1.by
striking the rim of the suspended gong with a pair of sticks on the
le" hand. 2.by striking the gong's rim with the right hand using
one stick while the le" hand grasps the rim. 3. by laying the
instruments upside and striking the gong's rim with the two
sticks.
56. Kagul - is a type of Philippine bamboo scraper gong/slit drum
of the Maguindanaon and Visayans with a jagged edge on one
side, played with two beaters, one scarping the jagged edge and
the other one making a beat.
57. The Maguindanaon and the Banuwaen use it in the rice
paddies to guard against voracious birds, using the sound it
produces to scare them away.The Maguindanaon and
theBukidnon also use it for simple dance rhythms during social
occasions. It is also called: Garakot ( Maranao) Tagutok (Yakan)
Bantula or Tagungtung –(Bukidnon)
59. Kulintang aTiniok is a type of Philippine metallophone with
eight tuned knobbed metal plates strung together via string atop
a wooden antangan (rack). Kulintang a tiniok is a
Maguindanaon term meaning “kulintang with string” but they
also could call them kulintang a putao, meaning “kulintang of
metal.” The Maranao refer to this instrument as a sarunay (or
salunay, salonay, saronay, saronai, sarunai), terminology which
has become popular for this instrument in America.
60. Kubing –it is a bamboo jaw harp of Tiruray. These have
become one of the most popular jaw harps internationally due to
their highly responsive sound and ornate designs. In the hands of
a good player the kubing is capable of a vast number of sounds
and timbres. This kubing was collected in Manila in 1987. Other
names: Kumbing –Bagobo Lideng- Bilaan Kobing- Maranao and
Samal Kulaing – Tausug and Yakan
62. MEMBRANOPHONES (DRUM INSTRUMENTS) A
membranophone is any musical instrument which produces
sound primarily by way of a vibrating stretched membrane
63. Dabakan - is a goblet -shaped drum of Maguindanao and
Maranao, which has a single head covered with goat, lizard or
snakeskin. It is struck with two thin bamboo sticks about 18
inches in length. primarily used as a supportive instrument in
the kulintang ensemble
64. Dadabuan Ethnic group: Maranao Location: West central
Mindanao (muslim south) Classification Membranophone, hour
glass shaped drum Description Hour glass shaped drum made of
wood; the membrane is made of carabao skin. Decorated with
carvings and painted. The drum is part of the Kulintang
ensemble. Dimensions: height: 59 cm. diameter (membrane): 19
cm.
65. Gandang - is a two-headed cylindrical drum of Tausug,
Samal, Badjao, Maranao and Maguindanao. Called as Kendang in
other South East Asian countries. It is one of the primary
instruments used in the Gamelan ensembles of Java, Bali and
Terengganu.
67. Ensemble – small groups of instrument played
simultaneously. Pala Buni Bunyan- Maguindanao ensemble
consisted of five instruments the kulintang, agung, gandingan,
dabakan and babendil/ babandir
68. The complete ensemble Kulintang ensemble Tagunggo –
Yakan ensemble is made up of brass kwintangan, gabbang, set of
3 agung and bamboo slit drum called Tagutok.
70. JOEY AYALA (BUKIDNON) is a Filipino singer, songwriter and
former chairman of the music committee of the National
Commission for Culture and the Arts. He is well known for his
style of music that combines the sounds of Filipino ethnic
instruments with modern pop music.
71. Reported by: Ma.Lourdslyn F. Vitto BEED –III Joliver P.
Custoddi BEED – III Alliah Lalata BEED – II
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