Violin 1 02.

Cavatina: "Se vuol ballare"

(from The Marriage of Figaro, Act 1) W.A. Mozart
(1756-1791)

                       
Allegretto

     
 
pizz.

   

               
         
11

                       

 
arco
21

        

   
            


          
       
29

       
 
       

                       
  

38

   
     
             
          
46

    
             
                    
  
51

  
            Presto  
                   
58


       
                       
65

  

                     
  
    
73

  
cresc.  
Public Domain; First performance May 1, 1786 at the Burgtheater, Vienna, Austria
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.
To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/.
This engraving done by Marty Strasinger, based on source material available at http://imslp.org.
        
    
                     
84

  

 
  
                      
95

 cresc. 

                
Tempo I

       
    
pizz.

 
104

                 Presto

 
         
114

                   
  
  
arco

  
124

2
 Violin 1 03. Cavatina: "Porgi, Amor"
(from The Marriage of Figaro, act 2)
Wolfgang Amadeus Mozart

                        
        
Larghetto

  
    


                
                      
7

   
 
                        
    
11

 

        
                            
16

                 
      
         
      
 
21

              
                     
28

     
                  
         
34

cresc. 

              
              
 
40

 

       
     
                        
47
Violin 1 04. Aria: "Voi, che sapete"
(from The Marriage of Figaro, act 2)
Wolfgang Amadeus Mozart

   pizz.
Violino I                  
Andante con moto

 
        
        
Cherubino

7    
                              
Vlns.I 
           
  
            
    
     
Cherubino:
Che.

14      

Voi, che sa pe te che co sa è a mor, don ne. ve

Vlns.I              

   
                
      
Che.
    

 
de te. s'io l'ho nel cor, don ne, ve de te, s'io l'ho nel

                                                
20

 
Vlns.I

        
              
Che.
      

26 
cor. Quel lo ch'io pro vo, vi ri di rò; è per me

Vlns.I                   

               
        
             
Che.
      

32 
muo vo, ca pir nol so. Sen to un af fet to pien di de

Vlns.I                                       
        
          

            
Che.
     

 
                                              
sir, ch'o ra è di let to, ch'o ra è mar tir. Ge lo, e poi

38

  
Vlns.I

       
  
 
           
Che.
      

44  
                                      
sen to l'al ma av vam par, e in un mo men to tor no a ge

Vlns.I  
  
          
       
Che.
     
lar. Ri cer co un be ne fuo ri di me non so chi il
 50  
                                    
2

Vlns.I   
      

        
                     
Che.
               
tie ne, non so cos' è. So spi ro e ge mo sen za vo ler; pal pi to e tre mo sen za sa

56                                 
Vlns.I           
     
  
             
     
Che.
             
per. Non tro vo pa ce not te nè dì, ma pur mi pia ce lan guir co sì.

62        
   
Vlns.I               
  

              
       
    

Che.

Voi, che sa pe te che co sa è a mor, don ne. ve de te.

68             
Vlns.I                
     
           

     
Che.
      
s'io l'ho nel cor, don ne, ve de te, s'io l'ho nel cor;

74 
Vlns.I               
     
 
           

   
Che.  
don ne, ve de te, s'io l'ho nel cor.
 Violin 1 05: Duet: "Là ci darem la mano"
(from Don Giovanni, Act 1)
W. A. Mozart
(1756-1791)

  Andante
             
           
             
           
  


                                         
             
 
11

  
 

                   
                     
22

  
   3
         
          
                

30

                 
  
        
            
  
40

  
   
                          
         
         

49

          
           
   
57

                
                    
         
   
64

            
3

                     
    
70


3 3 3

                             
        
  
pizz. arco

 
75

  
    
3

   
   
81

Public Domain; First performance October 29, 1787 at the Teatro di Praga, Prague (Czech Republic, former Kingdom of Bohemia/HRE)
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.
To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/.
This engraving done by Marty Strasinger, based on source material available at http://imslp.org.
 Violin 1 06. Canzonetta: Deh vieni alla finestra
(from Don Giovanni, Act 2)

Lorenzo da Ponte Wolfgang Amadeus Mozart

 5
                       
Allegretto

        

pizz. 2 3 4 6

                                
                        
7 8 9 10 11 12

   14   15   16      17        18      
                        
13

      



                                    
    
19 20 21 22 23 24

                                    
            
25 26 27 28 29 30

       32   33  
                                
31 34 35 36


                              
  
        
37 38 39 40 41 42


   
      


    
43 44
 Violin 1 07. Aria: "Dalla sua pace"
(from Don Giovanni, act 1)

Lorenzo Da Ponte
Wolfgang Amadeus Mozart

  = 76 2 9       
             
          
3 4 5 6 7 8 10 11 12

 cresc.  
  17= 84   18    19      
                     

13 14 15 16

   
 cresc. 
        21
                                           
20 22 23

 
          
  
24 25 26 27

                             
 
  
 =3876
                        
29 = 76 30

    
28 31 32 33 34 35 36 37

            
  
  44   
cresc.

    
                        
39 40 41 42 43 45 46 47 48

 
   50    51    52    53    54     55    56  57  
cresc.

 
  
49

     
 cresc. 
 70     

             
cresc.

         
  
58 59 60 61 62 63 64 65

   
   cresc.  
      72  
        

   
71 73 74

  
Violins 1 08. Duettino: "Crudel, perche finora?"
(from The Marriage of Figaro, act 3)

 
Wolfgang Amadeus Mozart

     
 
                            
Andante

 
    
  
   
    
    

                        
 
7


        
cresc.

 
     
  
         
    
 
14

   
   


               
       
    
    
18

             
              
  

           
21

 
     
           
     
25

 cresc.

     
                            
31


 
                                

  
36

                 

 

       
41

 
                   

 

       
46


W.A.M. 492.
                      
           
52

  cresc. 

                          
        
58

  


                             
     
63



cresc.

   
               
               

    
68

 



73
Recitative

W.A.M. 492.
Violins 1 Act IV
(a garden with two pavilions
to the right and left, night.)

  
No. 23 - Cavatina

       con
             
         
 
Andante

  
sordino

 
                                   

7

 


                                     
   
13

  

                                    
   
20

                                     
       
 
26

     
    



          
32

W.A.M. 492.
Violins 1 14. Aria: "Il capro e la capretta"
(from The Marriage of Figaro, act 4)

                  
                
No. 24 - Aria

      
Tempo di Menuetto

 
   
                                          

  
          
  
8

 
                                             
 

14


                
                       
       

22

   
 

               
                        
29


                                           
    
38


             
                                              
  
 
46

 
   
    Allegro             
           
53


      
             
         
     
61

       
                                               
     
     
66

 

                          
               
    
72

cresc.      
                                              
 
    
79

 

                                    
     
    
87

cresc. 

W.A.M. 492.
 343

Violins 1 15. Recitative and Aria: "Deh vieni, non tardar"

(from The Marriage of Figaro, Act 4)
Wolfgang Amadeus Mozart


                              
No. 27 - Recitative and Aria


   
Allegro vivace assai

   

Violins 1

            
                

Susanna

 
                              
Giun se al fin il mo men to, che go drò sen za af fan no in

      
7

Vlns. 1

                
Sus.             

 
brac cio all' i dol mi o. Ti mi de cu re! u

           
    
13


Vlns. 1

       
                                
            
Sus.

sci te dal mio pet to, a tur bar non ve ni te il mio di let to! Oh co me par che all' a mo ro so

             

19

 
Vlns. 1

   
                                        
Sus.

              
fo co l'a me ni tà del lo co, la ter ra e il ciel ri spon da, co me la not te i fur ti miei se con da!

             
        
Andante

          
                    

pizz.

       
Violins 1

    
Susanna       


 



      
Deh vie ni, non tar

          

                 
    
      
9

        
 
Vlns. 1

    
      
  
          
   
     

   
  



Sus.

   
dar, o gio ja bel la. Vie ni o ve a mo re per go der t'ap pel la. Fin chè non splen de in ciel not tur na

          
                           
16

           
Vlns. 1

      
        
         

 

 
    
 
Sus.

   
fa ce, fin chè l'a ria è an cor bru na, e il mon do ta ce. Qui mor mo ra il ru

                               
23

               
Vlns. 1

         
    
   
  

 
         
  

      
   
Sus.

scel, qui scher za l'au ra, che col dol ce su sur ro il cor ri stau ra, qui ri do no i fio ret ti e l'er ba è

W.A.M. 492.
344


 
     arco                       
         
        
30


Vlns. 1

    
     

           

                    
     
Sus.

fre sca, ai pia ce ri d'a mor qui tut to a de sca. Vie ni, ben mi o, tra que ste pian te a sco se,

     
  

                                    
38


Vlns. 1

     
                        

                     
Sus.
    
vie ni, vie ni! Ti vo' la fron te in co ro nar di ro se, to vo' la fron te in co ro

        
    
     
        
   
45 pizz.

  
Vlns. 1


            
Sus.           
nar, in co ro nar di ro se.

W.A.M. 492.
 Violins 1 20a. Finale: "Contessa perdono!"
(from The Marriage of Figaro, act 4)
Wolfgang Amadeus Mozart

   
                 
Andante

 


           
          
7

cresc.

    

                    

12

 cresc.  cresc. 

         
  
 

    

  
17

 dim.   

                   

     
22


  

  
           
Allegro assai

     
27

 
