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  • Fantasie No 7 Telemann (Arr. Saxophone)

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    kazarinski
    27 views3 pages
    This document appears to be a musical score titled "Fantasie no. 7" composed by G. Telemann. It consists of 74 lines of musical notation written using symbols. The score moves through different sections with shifts in time signature, key, and tempo instructions provided throughout.

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    Fantasie no 7 Telemann (arr. saxophone)

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    This document appears to be a musical score titled "Fantasie no. 7" composed by G. Telemann. It consists of 74 lines of musical notation written using symbols. The score moves through different sections with shifts in time signature, key, and tempo instructions provided throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    27 views3 pages

    Fantasie No 7 Telemann (Arr. Saxophone)

    Uploaded by

    kazarinski
    This document appears to be a musical score titled "Fantasie no. 7" composed by G. Telemann. It consists of 74 lines of musical notation written using symbols. The score moves through different sections with shifts in time signature, key, and tempo instructions provided throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Fantasie no.

       
                          
    G. Telemann
    Dolce

        

          
                      
          
       

     
    3


    3

       
    3

       
    3 3

                 
      
    5

                   
                           
       
    6

                   
     
                
           
    8 3

                    
    3 3

      
    3

          
    10

           


    3 3 3 3

      
    3 3

              
    3 3

       

    11

           
                 
    3


    3

     
    3 3

                     
      
    13

     Allegro          


             
                  
    16

                                      
     
    21
                     
                        
    2


    24

              
                        
      
        
    27


                  
                       
         

    32

             
           
    3

          
                   
    38

                                  
     
      
    43

           
                      
      
    47

                                   

         
      
    51

                     
              
               
    54

        
                                   
    59

         
                            
            
    63

            
     
                  
           
      
    68

     3
         
    3

       
    74

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