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Storyboard Óga

Cortometraje

Duration: 00:01:01:00
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Scene Shot Panel


1 1 1 / 5

Framing/Action
Establishing Shot: Carcasses of animals that were affected by the drought are laying in a dry lagoon. The camera pans up
to the sky.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 2/61

Scene Shot Panel


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Framing/Action
Establishing Shot: Next to the burning Chaco's sun appears the title.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 3/61

Scene Shot Panel


1 1 3 / 5

Framing/Action
Establishing Shot: The title fades and turn into ashes that are drift away by the wind. The camera follows the ashes.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 4/61

Scene Shot Panel


1 1 4 / 5

Framing/Action
Establishing Shot: The camera pans to the right where there is a forest. In the back it's visible a big smoke cloud
rising.

Por Estefania Acosta


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Scene Shot Panel


1 1 5 / 5

Framing/Action
Establishing Shot: A couple of birds flee the forest.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 6/61

Scene Shot Panel


2 2 1 / 1

Framing/Action
Insert Close-Up Shot: The feet of a big female Tapir run trough the tall grass.

Por Estefania Acosta


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Scene Shot Panel


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Framing/Action
Extreme Close-Up: The eyes of the Tapir look everywhere desperately.

Por Estefania Acosta


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Scene Shot Panel


2 4 1 / 1

Framing/Action
Full Shot: The Tapir runs trough some bushes while calling loudly.

Por Estefania Acosta


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Scene Shot Panel


2 5 1 / 1

Framing/Action
Zenith Shot: The Tapir runs trough the forest while on top or her a couple of monkeys leap from branch to branch in the
opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 10/61

Scene Shot Panel


2 6 1 / 1

Framing/Action
Two Shot (Counter-piked): The tapir notices the monkeys leaping on top of her.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 11/61

Scene Shot Panel


2 7 1 / 4

Framing/Action
Three Shot: At the ground level, a couple of armadillos run below the Tapir's legs also in the opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 12/61

Scene Shot Panel


2 7 2 / 4

Framing/Action
Three Shot: At the ground level, a couple of armadillos run below the Tapir's legs also in the opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 13/61

Scene Shot Panel


2 7 3 / 4

Framing/Action
Three Shot: At the ground level, a couple of armadillos run below the Tapir's legs also in the opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 14/61

Scene Shot Panel


2 7 4 / 4

Framing/Action
Three Shot: At the ground level, a couple of armadillos run below the Tapir's legs also in the opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 15/61

Scene Shot Panel


2 8 1 / 6

Framing/Action
Wide Shot (Lateral): The tapir enters the burning forest and comes across an anteater that looks at her worried and then
continues running in the opposite direction.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 16/61

Scene Shot Panel


2 8 2 / 6

Framing/Action
Wide Shot: The anteater runs to the left while the tapir goes towards the right. In the back appears an deer that also
jumps away to the left.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 17/61

Scene Shot Panel


2 8 3 / 6

Framing/Action
Wide Shot: The anteater runs to the left while the tapir goes towards the right. In the back appears an deer that also
jumps away to the left.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 18/61

Scene Shot Panel


2 8 4 / 6

Framing/Action
Wide Shot: The anteater runs to the left while the tapir goes towards the right. In the back appears an deer that also
jumps away to the left.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 19/61

Scene Shot Panel


2 8 5 / 6

Framing/Action
Wide Shot: The anteater runs to the left while the tapir goes towards the right. In the back appears an deer that also
jumps away to the left.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 20/61

Scene Shot Panel


2 8 6 / 6

Framing/Action
Wide Shot: The anteater runs to the left while the tapir goes towards the right. In the back appears an deer that also
jumps away to the left.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 21/61

Scene Shot Panel


2 9 1 / 2

Framing/Action
Close-Up Shot: The tapir observes the animals run away until suddenly she stumbles.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 22/61

Scene Shot Panel


2 9 2 / 2

Framing/Action
Close-Up Shot: The tapir observes the animals run away until suddenly she stumbles.

Por Estefania Acosta


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Scene Shot Panel


2 10 1 / 1

Encuadre
Plano Detalle

Por Estefania Acosta


Storyboard Óga Cortometraje Página 24/61

Scene Shot Panel


2 11 1 / 4

Framing/Action
Full Shot: The Tapir rolls forward until she falls flat to the ground.

Por Estefania Acosta


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Scene Shot Panel


2 11 2 / 4

Framing/Action
Full Shot: The Tapir rolls forward until she falls flat to the ground.

Por Estefania Acosta


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Scene Shot Panel


2 11 3 / 4

Framing/Action
Full Shot: The Tapir rolls forward until she falls flat to the ground.

Por Estefania Acosta


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Scene Shot Panel


2 11 4 / 4

Framing/Action
Full Shot: The Tapir rolls forward until she falls flat to the ground.

Por Estefania Acosta


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Scene Shot Panel


2 12 1 / 3

Framing/Action
Wide Shot: The tapir stays motionless on the ground.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 29/61

Scene Shot Panel


2 12 2 / 3

Framing/Action
Wide Shot: Suddenly a jaguar appears from the bushes in front of her.

Por Estefania Acosta


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Scene Shot Panel


2 12 3 / 3

Framing/Action
Wide Shot: Suddenly a jaguar appears from the bushes in front of her.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 31/61

Scene Shot Panel


2 13 1 / 1

Framing/Action
Two Shot (Lateral): The jaguar surrounds her menacingly.

Por Estefania Acosta


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Scene Shot Panel


2 14 1 / 1

Framing/Action
Close-up: The jaguar growls at her.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 33/61

Scene Shot Panel


2 15 1 / 2

Framing/Action
Close-up: The tapir makes an terrified face expression.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 34/61

Scene Shot Panel


2 15 2 / 2

Framing/Action
Close-up: Suddenly she notices something behind the jaguar.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 35/61

Scene Shot Panel


2 16 1 / 1

Framing/Action
Insert Close-up: The tale of the jaguar goes towards the fire and starts burning.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 36/61

Scene Shot Panel


2 17 1 / 1

Framing/Action
Medium Close-up: The jaguar notices that his tail is burning.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 37/61

Scene Shot Panel


2 18 1 / 3

Framing/Action
Wide Shot: The jaguar jumps away trying to put out the fire on his tail.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 38/61

Scene Shot Panel


2 18 2 / 3

Framing/Action
Wide Shot: The jaguar jumps away trying to put out the fire on his tail.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 39/61

Scene Shot Panel


2 18 3 / 3

Framing/Action
Wide Shot: The tapir gets up and leaves the frame.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 40/61

Scene Shot Panel


2 19 1 / 1

Framing/Action
Medium Shot: The tapir swoops across the pasture yelling desperately.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 41/61

Scene Shot Panel


2 20 1 / 1

Framing/Action
Insert Close-up: The tapir's legs come to a sudden stop when they reach the edge of a ravine.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 42/61

Scene Shot Panel


2 21 1 / 1

Framing/Action
Wide Shot (counter-piked): The tapir stops right at the edge of the ravine. A couple of small rocks fall from the cliff.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 43/61

Scene Shot Panel


2 22 1 / 1

Framing/Action
Extremely Wide Shot: The tapir watches in awe the burning forest for a couple of seconds and looses hope.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 44/61

Scene Shot Panel


2 23 1 / 2

Framing/Action
Close-up: Suddenly, she hears a cry of a baby calf.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 45/61

Scene Shot Panel


2 23 2 / 2

Framing/Action
Extreme Close-up: She raises her ear to hear the sound better.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 46/61

Scene Shot Panel


2 24 1 / 1

Framing/Action
Extreme Close-up: The burning forest reflects on her eyes that portray a determined expression.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 47/61

Scene Shot Panel


2 25 1 / 2

Framing/Action
Extreme Wide Shot: After a little run she leaps towards the burning forest and then everything starts moving in
slow-motion.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 48/61

Scene Shot Panel


2 25 2 / 2

Framing/Action
Cut to white.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 49/61

Scene Shot Panel


3 26 1 / 1

Framing/Action
Establishing Shot: After the fire has been put out, the forest has turned to ashes.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 50/61

Scene Shot Panel


3 27 1 / 1

Framing/Action
Insert Close-up: A person's bare feet walk on top of the ashes.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 51/61

Scene Shot Panel


3 28 1 / 1

Framing/Action
Wide Shot (Lateral): An Ayoreo Indigenous native walks somberly in the forest towards the right.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 52/61

Scene Shot Panel


3 29 1 / 1

Framing/Action
Close-up: The Ayoreo notices something in the forest floor.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 53/61

Scene Shot Panel


3 31 1 / 1

Framing/Action
Two Shot (Dutch Angle): The tapir lays lifeless on the ash ground.

Por Estefania Acosta


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Scene Shot Panel


3 32 1 / 1

Framing/Action
Medium Shot (Counter-piked): The Ayoreo approaches the body slowly.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 55/61

Scene Shot Panel


3 33 1 / 1

Framing/Action
Two Shot (Piked): The dead tapir is coiled up, partially covering her young calf.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 56/61

Scene Shot Panel


3 34 1 / 1

Framing/Action
POV Shot: The young calf looks up to the Ayoreo.

Por Estefania Acosta


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Scene Shot Panel


3 35 1 / 1

Framing/Action
Close-up: He looks at the baby with a gaunt expression.

Por Estefania Acosta


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Scene Shot Panel


3 36 1 / 2

Framing/Action
Insert Close-up: The ayoreo drops his spear.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 59/61

Scene Shot Panel


3 36 2 / 2

Framing/Action
Insert Close-up: The ayoreo drops his spear.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 60/61

Scene Shot Panel


3 37 1 / 1

Framing/Action
Wide Shot (Lateral): The ayoreo approaches the baby tapir slowly and then pets it on it's head.

Por Estefania Acosta


Storyboard Óga Cortometraje Página 61/61

Scene Shot Panel


3 38 1 / 1

Framing/Action
Ending Frame.

Por Estefania Acosta

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