FINAL 16th HAYAG Festivals GUIDELINES MECHANICS and CRITERIA February 26 28 2024

Republic of the Philippines
CAMARINES NORTE STATE COLLEGE

F. Pimentel Avenue, Brgy. 2, Daet, Camarines Norte – 4600, Philippines
CULTURE AND PERFORMING ARTS UNIT
16th CNSC HAYAG Festival

“A celebration of artistic, cultural and academic experience”
“Isang masining na pagdiriwang pang - akademiko, kultura - sosyal, ispiritwal”
LIST OF ACTIVITIES FOR COMPETITION AND PARTICIPATION
Theme: “ANI NG SINING Bayang Malikhain”
OPENING OF 2024 NAM and HAYAG FESTIVAL

HAYAG FESTIVAL PARADE – Parada Adbokasiya
KULTURANG KAMALAYAN (Kabanata VI)
INTERACTIVE BOOTH AND EXHIBITS – Presentasiyon ng Adbokasiya
BSUCCAF PRESENTATIONS AND AWARDING
GRAND FINALE PROGRAM
HAYAG ARTS COMPETITION AND LARO NG LAHI
LITERARY ARTS CONTEST VISUAL ARTS CONTEST

Filipino a) Slogan Making
a) Pagsulat ng Sanaysay b) On-the-Spot Poster Making
b) Spoken Word Poetry c) Charcoal Rendering
d) Digital Art
English
e) Digital Photography
a) Essay Writing f) Mural Art
b) Oratorical
LARO NG LAHI
MUSIC CONTEST
a) Pop Solo a.) Luksong Lubid
b) Vocal Duet b.) Sack Race
c) Live Band c.) Patintero
d.) Tug of War
DANCE CONTEST e.) Saluhan ng Itlog
f.) Maria Went to Market
a) Street Dance
g.) Batuhang Bola
Prepared by: Attested:
SILVESTRE E. ABORDE JR. ROLAND G. CAMANDERO

STPS, CPAU Head, CPAU
CNSC 16th HAYAG Festival’s LIST, GUIDELINES, MECHANICS and CRITERIA, POINTS SYSTEM Page 1 of 30 Pages

PROGRAM AND SCHEDULE OF ACTIVITIES
This year’s CNSC 16th HAYAG Festival in line with the celebration of National Arts
Month will have the following activities to be held on the whole month of February 2024 as
follows:
A. PROGRAM OF ACTIVITIES
1. HAYAG FESTIVAL PARADE

This activity is artistically, creatively, and uniquely depicting the unit/college identity
while parading around the town proper. The parade is much different from the usual parade,
participating units may use colorful hand props that will highlight their unit. Only 10 to 30
students are allowed to join the HAYAG Festival Parade plus the 5 to 15 employees from
teaching and non-teaching are required.
Parada Adbokasiya
It is an individual marketing effort that uses one or more advocacy tactics to get the
word out to your supporters with an appeal for them to take a specific action in support of a
larger goal. Each delivery unit will prepare street choreography to promote the advocacies
of their respective unit. They are allowed to execute simple steps, chant, yell, and give
brochures, pamphlets, and other promotional materials to the community while they are
participating in the parade. Only 10 to 20 participants are allowed in Parada Adbokasiya
which is composed of employees and students.
2. INTERACTIVE BOOTH AND EXHIBITS

Each delivery unit with its student organization will have its booth place in the
quadrangle that will showcase the advocacies, vision, mission, goal, achievements, and
accomplishments in the booth, they are allowed to sell various items or offer services for
their IGP’s and Exhibit of different types of promotional materials and artworks will be
conducted in designated Space Area, along the road from Graduates School to Student
Activity Center.
Presentasyon ng Adbokasiya
After the ribbon cutting each participating unit will showcase their advocacy through
an interactive presentation on their respective areas.

3. KULTURANG KAMALAYAN (Kabanata VI)

This is a symposium/forum relevant to the Culture and Arts. There will be an invited
speaker to share and discuss the latest trends, issues awareness, and development of the
cultural identity and heritage of the CNSC Community.
General Guidelines:
1. All employees and students of CNSC and other spectators are encouraged to participate in
the symposium/forum on February 26, 2024, from 1:00 pm to 5:00 pm at CNSC Covered
Court in a hybrid event. Those delivery unit coming from CBPA, CAS, CoEng, ICS, CoEd,
CoTT, CANR will participate in a face-to-face while those from IFMS and EC will participate
via Zoom Meeting. Fifty Percent (50%) of the total enrollees within this semester are required
to attend the said event.
2. The deans and directors of every delivery unit must provide participants from teaching and
non-teaching personnel and students who will register at the venue to be facilitated by the
CPAU In-Charge in each delivery unit.
3. The HAYAG Secretariat Committee will provide a copy of the Attendance Sheet for the
attendees (special format intended only for the Kulturang Kamalayan).
4. After the seminar, all registered participants shall fill out the evaluation form via Google
Form. Those who will submit an evaluation shall be given an e-Certificate.
4. HAYAG ARTS COMPETITION

A competition participated by the students to showcase their skills and talents in the
fields of Literary Arts, Visual Arts, Dance, and Music. It will be facilitated by the Culture and
Performing Arts Unit's designated personnel. Entry is taken to be an express agreement to
all guidelines by the participant, their coach, in charge, and their delivery unit.
General Guidelines:
1. There will be a local selection facilitated by the CPAU In Charge in every delivery unit who
will participate in this competition. Those selected students from their respective units are
the official participants in these competitions.
2. The CPAU In Charge in each participating delivery unit shall accomplish the 2024 CNSC
16th HAYAG Festival Registration through the Google Form provided by the CPAU Office.
The link will be sent to the CPAU Group Chat - CNSC CPAU (OSSD Director, CPAU Head,
STPS, In Charge, Trainers, and Staff with USSG and TLK).

3. The HAYAG Secretariat Committee shall facilitate the printing of the list of participants in
every contest category. The HAYAG Secretariat Committee will print two (2) sets of
registration, one (1) copy for the clerk of course, and one (1) copy for the committee
chairman of every contest category. An approved copy will be given to the Chairman in each
contest category for the validation of the participant.
4. All dully filled out Score Sheets and Tally Sheets should be submitted to the HAYAG
Secretariat Committee by the Committee Chairman of each contest category right after the
contest for tallying.
Rules, Regulations, and Guidelines for Different Contests:

1. Each contest/category is open to all bonafide students of Camarines Norte State College
enrolled during the 2nd Semester of the Academic Year 2023 to 2024 who are locally
selected by each delivery unit.
2. Every contest category has specific mechanics, and criteria for judging. No reserved
participants for each contest category. Each contest will have its program and be directed
by each committee chairman.
3. Participants are required to adhere to the guidelines and rules as provided by the Committee
in each contest category.
4. The result will be recorded in the “Tally Board” right after the contest. All manuscripts,
winning pieces, materials, and other proceedings were collected and filed at the CPAU
Office for reference. Winners of each contest category and the overall winners shall declare
during the Closing Program.
5. The Adjudicators/Judges are not students or employees of Camarines Norte State College.
6. Deliberation of the members of the board of judges will be done before the announcement
of winners.
7. No protest/complaint shall be entertained as judgments are done with finality. Only queries
and suggestions shall be entertained for future competition.
8. The decision of the board of judges is final and irrevocable.

Activities for Competition

HAYAG ARTS Competition
GUIDELINES, MECHANICS AND CRITERIA
A competition participated by the students to rival their skills and talents from their co-
students in different events for competition in the fields of Literary Arts Contest, Visual Arts
Contest, Dance Contest, and Music Contest. It will be facilitated by the accredited groups and
the Culture and Performing Arts Unit.
Entry is taken to be an express agreement to all guidelines by the participant, their
coach, in charge, and their delivery unit.
General Guidelines:
1. There will be a local selection facilitated by the CPAU In-Charge (former CPAU
Coordinator) in every delivery unit that will participate in this competition.
2. All filled Score Sheets and Tally Sheets with the signatures of adjudicators should be
submitted to the HAYAG Secretariat Committee by the Committee Chairman of each
event/contest category right after the contest for tallying.
3. Participating unit must complete the 2024 CNSC 16th HAYAG Festival Registration
Form provided by the CPAU Office and it will be disseminated by the CPAU In-Charge
in each unit. The HAYAG Secretariat Committee shall facilitate the printing of a list of
participants in every event/contest category. An approved copy will be given to the
Chairman in each event/contest category for the validation of participants. The link will
be sent to the CPAU Group Chat.
Rules, Regulations, and Guidelines of Different Contest Category:

1. Each contest category is open to all bonafide student of Camarines Norte State College
enrolled during the 2nd Semester of the Academic Year 2023 to 2024 and who is locally
selected or chosen by their delivery unit.
2. The list of participants in the HAYAG ARTS Competition should fill up the Entry Form
by the CPAU In-Charge of each delivery unit to be printed two (2) copies by the HAYAG
Secretariat Committee. One (1) copy for the Secretariat and one (1) copy for the
Committee Chairman of every event/contest category.
3. Participants are required to adhere to the guidelines and rules as provided by the
Committee in each contest category.

4. Every contest category has specific guidelines and criteria for judging.
5. Winners shall declare after the contest of each category and the overall winners during
the Grand Finale Program.
6. All manuscripts, winning pieces, materials, and other proceedings collected and filed
at the CPAU Office for references.
7. Each contest will have its program and be directed by each Committee Chairman.
8. No protest/complaint shall be entertained as judgment done with finality. Only queries
and suggestions shall be entertained for future competition.
9. No reserved participants in each contest category.
10. Adjudicators should not be students or employees of Camarines Norte State College.
11. Deliberation of the members of the Adjudicators will be done before the announcement
of winners.
12. The result will be recorded in the “Tally Board” right after the contest.
13. The adjudicators’ decision is final and irrevocable. No correspondence will be entered
into by the adjudicators about that decision.
14. A “Ranking System” will be used in the scoring of each contest category.

HAYAG ARTS COMPETITION

(Competition on Literary Arts, Visual Arts, Dance and Music)
A competition participated by the students to rival their skills and talents from their co-
students. It will be facilitated by the Culture and Performing Arts Unit.
Entry is taken to be express agreement to all guidelines by the participant, their coach,
and their college or unit.
LITERARY ARTS CONTEST (Filipino)

Pagsulat ng Sanaysay - (1 kalahok)
MEKANIKS
1. Ang bawat yunit ay may isang (1) kalahok.
2. Ang bawat kalahok ay magsusuot ng payak na puting polong damit (walang nakaimprinta)
at maong o itim na pantalon.
3. Ibibigay ng lupon ng inampalan ang paksa ng kompetisyon sa lugar na pagdarausan.
4. Ang dami ng salita ay hindi hihigit sa 1,500 at hindi naman kukulangin sa 1,000. May
karampatang bawas ng 2 puntos.
5. Bibigyan lamang ang kalahok ng 2 oras sa pagbuo ng diwa o komposisyon.
6. Ang kompetisyon ay gaganapin sa computer laboratory ng pagdarausang
unibersidad. Ang bawat kalahok ay may nakatalagang computer na kung saan ay
doon nila i-eencode ang kanilang sanaysay.
7. Hindi kailangang i-encode ang pangalan at paaralan ng kinatawan.
8. Ito ang susundang format:
a. 8.5 x 11 in. (short)
b. 1 inch all margin
c. Font size: 12; Font style: Times New Roman
d. 1.5 spacing
9. Kapag nagkaroon ng power failure o anumang technical glitches, ang

contestant ay bibigyan ng extension of time base sa oras na kailangan niyang
punuan.
10. Hindi pinahihintulutan ang pagdadala ng mga kalahok ng anumang aklat, diksyunaryo,
cellphone at iba pang material na maaring pagkukunan ng ideya.

11. Tanging ang mga miyembro ng komite at mga kalahok lang ang may karapatang pumasok
sa lugar na pagdarausan ng paligsahan.
12. Itatala sa” tally board” ang resulta ng paligsahan matapos mahatulan ng lupon ng
inampalan.
13. Pinal at hindi mababago ang hatol ng lupon ng inampalan.
PANUNTUNAN NG PAGHATOL
PANUNTUNAN NG PAGHATOL PORSIENTO ( % )

Nilalaman
Kaugnayan sa paksa 20
50
Kalinawan sa paglalahad 20
Orihinalidad 10
Organisasyon
Kaisahan 10
30
Pagkakaugnay 10
Diin/Empasis 10
Mekaniks
Wastong gamit ng mga salita 5
Bantas 5 20
Baybay 5
Pagpili ng mga wastong mga salita 5
Kabuuan 100
Spoken Word Poetry - (1 kalahok)
MECHANICS
1. Each participating unit shall be represented by only one (1) participant.
2. The spoken word piece must be in the Filipino language and not exceed 3 minutes.
3. The entry piece must be on the 2024 NAM and HAYAG theme:”Ani ng Sining Bayang
Malikhain”
4. The piece of the participant must be an original composition. A Copy of the composition
must be submitted on February 26, 2024.
5. Performers must recite their piece by memory. Copies of the contest piece will not be
allowed during the actual performance.
6. Contestants should be wearing plain white polo shirts (no print) and maong or black pants.
Costumes, props, music, and visual aids will not be allowed during the performance.
However, performers are welcome to use dialogue and act out characters. Non-
conformance to this rule will be grounds for a 1-point deduction of each adjudicator.

7. Judges will not be allowed access to the registry of participants to assure fairness in the
competition.
8. Contestants may seek the help of a faculty member when crafting the entry for the contest.
9. The writer retains the copyright for his or her spoken word.
10. The judges’ decision is final and irrevocable. No correspondence will be entered into by the
judges about that decision.
11. Entry is taken to be an express agreement to all guidelines by the participant, their coach,
and their college or campus.
CRITERIA FOR JUDGING

CRITERIA PERCENTAGE (% )
Delivery
30
(body language, stage presence, spontaneity of recitation)
Content (relevance to the topic, language use) 25
Poetic expression (structure, imagery) 25
Voice (clarity of spoken word, diction) 20
Total 100
LITERARY ARTS CONTEST (English)
Essay Writing – (1 contestant)
MECHANICS
2. The committee will provide the topics of the essay at the venue of the competition.
3. The essay shall be written in English in not less than 600 words but not more than 800
words. A deduction of two (2) points shall be applied when the words used are less than
600 or more than 800 words.
4. The contestants shall be given two (2) hours to develop the composition.
5. The competition will be held in a computer laboratory and will be given one (1) computer
set each. They are prohibited to write their names and school.
6. They will be encoding their essay using the prescribed format. The prescribed format
should be followed:
a. 8.5 x 11 in. (short)

b. 1 inch all margin
c. Font size: 12; Font style: Times New Roman
d. 1.5 spacing

7. No printed materials, electronic gadgets, or storage devices shall be utilized.

8. Each contestant shall be assigned a number.
10. The result of the contest will be posted on the tally board immediately after the judges
have finished rating the contestants’ manuscripts.
CRITERIA JUDGING
Content
(Relevance to the theme, Comprehensiveness, Originality, Insights)
 Relevance to the Theme 20
– connection, significance of the issue being discussed.
 Comprehensiveness 10
– how complete and detailed the writer’s exposition of the 50
topic.
 Originality 10
– Uniqueness, novelty, and authenticity of ideas.
 Insights 10
– a fresh way of looking at things, critical view of the subject.
Organization
(Clarity of Thoughts, Creativity, Unity, and Consistency)
 Clarity of thoughts 10
– use of simple and appropriate words to convey ideas or
issues.
30
 Creativity 10
– the use of appropriate devices and expressions in the
exposition of the subject.
 Unity and Consistency 10
– ability to highlight the focal point.
Mechanics
(Punctuation, Spelling, Capitalization, Grammar)
20
 Punctuation, Spelling, Capitalization, Grammar 20
– the correct use of punctuation, capitalization and grammar.
Total 100

Oratorical – (1 contestant)
MECHANICS
2. The participant has prepared an oration. A copy of their prepared oration must be
submitted to the HAYAG Secretariat Committee on or before February 26, 2024.
3. The oration must be all about our hero: Wenceslao Q. Vinzons Sr., with emphasis on his
contribution to the province of Camarines Norte, begins with the Title of Wenceslao Q.
Vinzons Sr: ___________________________.
4. The style of the delivery shall be oratorical.
5. The contestants shall be given seven (7) minutes to prepare and five (5) minutes to
deliver.
6. There shall be three areas (i.e. waiting, preparation, and delivery).
7. Contestants may have a copy of their prepared oration while waiting in the first holding area.
They may consult the copy until they exit to begin the contest. The copy will then be
surrendered to the contest official monitoring the first holding area.
8. Quotations must always be indicated as such. Where quotations are more than 10 words in
length, the author’s name must be given in the manuscript and cited orally.
9. It is acceptable to utilize or incorporate short phrases in a foreign language to develop the
argument, establish a point, etc. It should be understood that the vast majority of the
prepared oration and/or assigned topic must still be delivered in English. Singing is not
permitted and will result in immediate disqualification. The contestant may, however, quote
a verse(s) of a song(s) provided proper attribution is made.
10. The contestants are not allowed to have any gadget (e.g. cellphone, tablet, etc.)
11. The undertime and overtime deductions shall be applied. a. There shall be a one (1) point
deduction for every 30 seconds undertime or overtime for each judge’s score before
determining the rank of the contestants.
12. A timer accessible to the contestant, judges, and audience shall be provided.
13. The contest headmaster is accountable to the sanctity of the competition.
14. Contestants should be wearing an appropriate business attire. Uniforms are not permitted.
15. Use of sound effects, microphones, and props is disallowed.


Content, clear organization 35
Delivery 35
Pronunciation, enunciation, diction 20
Stage presence (eye contact, poise, personality) 10
Total 100
VISUAL ARTS CONTEST
Slogan Making – (1 contestant)
MECHANICS
2. Each participant should submit ONE entry only. The tagline/slogan must illustrate, interpret,
and emphasize the CNSC’s mission, vision, and goals.
3. It must be in the English Language using a maximum of 7 words.
4. Entries should have:
4.1. Participant’s number.
4.2. Brief explanation about the slogan (minimum of 100 and a maximum of 200 words)
5. The participant will be held accountable for any issues that may arise about the originality
and authenticity of the entry.
6. The contest duration is for a period of four (4) hours.
7. Contestants should be wearing plain white polo shirts (no print) and maong pants.
8. Only the contestants are allowed in the contest venue.
9. No distinguishing mark or name of the constant shall appear in the entry.
10. Contest output (artworks) will be the property of CPAU and proper labeling for recognition
will be given.
11. Judges’ decision is final.

Relevance to the vision, mission, and goals of CNSC 50
Originality 35
Impact and Presentation 15
Total 100
On-the-Spot Poster Making – (1 contestant)
MECHANICS
2. The poster must be based on the theme provided by the committee.
3. The contestant will use latex paint.
4. All poster materials will be provided by the contestants except the illustration board size of
15” x 20” and latex paint colors (red, yellow and blue plus black and white.
will be given.
10. The Judges’ decision is final.

CRITERIA POINTS
Concept, Objective / Intent, Knowledge of the Subject Matter,
10
Relevance to the theme
Techniques, Mastery of Specific Skills and Utilization of Media 10
Composition, Organization of Visual Space 10
Total 30

Charcoal Rendering – (1 contestant)
MECHANICS
2. All materials will be provided by the contestants. The illustration board size of 15”x20”.
3. Pantographs, airbrushes, rulers, and the like are not allowed.
4. The headmaster will decide on the subject (portrait picture).
5. All contestants will be given a portrait picture individually by the headmaster during the
contest proper.
10. Contest output (artworks) will be the property of CPAU and proper labeling for recognition.
11. The judges’ decision is final.

CRITERIA POINTS
Concept, Objective/Intent, Knowledge of the Subject Matter,
10
Similarity or Likeness
Total 30
Digital Art – (1 contestant)
MECHANICS
2. Only one entry is permitted per participant. Digital Art must be an original creation.
3. It must contain in the form of, but not limited to the following:
 2D or 3D Computer Graphics
 Dynamic Painting
 Photo Painting
 Any Computer-Generated Graphics

4. Entry should be submitted with the following specifications:
 High-resolution JPEG or PNG file

 At least 1080 x 1920 pixels, 300 ppi
 Maximum file size of 8MB for the output and 10MB for the raw file
 Must be a static digital image
5. The participant must bring his/her laptop for use in the contest.
6. The contest duration is for a period of four (4) hours
7. The art entries are restricted only to digital painting and all forms of computer-generated
graphics. Any computer software may be used to create the digital art that will be
submitted by the participants after the contest duration ends.
8. Entries will be printed on an A4 size photo paper.
9. The committee will provide the printing materials and services.
13. Disqualified entries:
 Animated or moving entries such as GIFs
 Manually drawn or painted and scanned into digital format
 Submitted in previous competitions or used for commercial purposes
 Artwork that infringes on the intellectual property rights of other individuals
will be given.
15. Judges’ decision is final.

CRITERIA POINTS
Originality/Creativity 10
Technical Execution and Techniques 10
Unity of Composition of Elements 5
Relevance to the Theme 5
Total 30

Digital Photography – (1 contestant)
MECHANICS
2. The committee will determine the shooting location and subject matter.
3. The contestant must bring his/her camera of choice for use in the contest. Only digital
photography techniques will be allowed.
4. The shooting will be limited to only 30 minutes.
5. One hour will be provided for editing and printing of the entry piece.
6. Entries will be printed on an A4 size photo paper.
7. The committee will provide the printing materials and services.
8. Contestant must provide their laptops for the editing.
9. Only the contestants are allowed in the shooting location and the editing and printing room.
will be given.
13. The judges’ decision is final.

CRITERIA POINTS
10
Relevance to the theme
Total 30
Mural Art – (3 contestants per team entry)
MECHANICS
1. Each participating unit shall be represented by only one (1) group. Each group must be
composed of three (3) participants.
2. The subject will be decided by the committee.

3. The contestant must bring his/her own painting brushes, easel, mixing plate/palette, and
rugs. Any kind of brush will be allowed. All materials will be provided by the contestant
except the plywood.
4. The contestants will use the 4ft. X 8ft. Plywood (3/4 thickness) provided by the committee.
5. The contestant will use water-based paint (acrylic). Only the three primary colors (red,
blue, and yellow) and two neutral colors (black and white) shall be allowed.
6. Mixing of colors is allowed.
7. The contest duration is for a period of six (6) hours.
8. Only the contestants are allowed in the contest area.
11. Contest output (artworks) will be the property of CNSC.

CRITERIA POINTS
10
Similarity or Likeness
Total 30
DANCE CONTEST
Street Dance – (3 to 6 members per entry)
MECHANICS
1. Each participating unit shall be represented by only one (1) group. A minimum of three
(3) and a maximum of six (6) dancers are allowed to participate.
2. Groups are permitted to mix and bring music of their choice on a standard CD (Original
Filipino Music).
3. The Routine must be performed, in its entirety to the music selected, prepared and
submitted by the group.
4. The contest piece must be three (3) minutes but not more than five (5) minutes.
5. Groups should include in their performance a broad selection of street dance styles (locking,
popping, buoying/burgling (breaking), watching/plunking, vogueing, house dance, party
dances or club – popular or trendy dances- hip hop dance/choreography, krumping,

steeping/gumboots, dancehall) without excessive use of the same move or pattern. A varied
range of styles should be shown in the choreography of arm, leg and body movement. No
body drop is allowed and all lifting should be supported.
6. Attire may include hats, caps, gloves, scarves, jewelry, etc. Removing pieces of clothing
during the performance is allowed provided it is not offensive or out of character. Appropriate
clothing should be observed in the competition.
7. Any move where the competitors’ weight is solely on the neck/ head i.e. head spins, head
stands, tumbling and tossing, etc. is not allowed.
8. Lifting is allowed up to the second level.
9. Music should not contain obscene lyrics or words.
10. Performers should not wear any identifying marks of their region.
11. A violation of any ground rules will result in disqualification.
12. Deliberation of the members of the board of judges will be done prior to the announcement
of winners.

Performance Creativity 10
Staging, Spacing, Formations, and Level Changes 10
Showmanship (intensity, confidence, projection and
10
presence)
Street Presence/ Attire 10
Entertainment Value/ Audience Appeal 10
Sub-Total 50
Skill Musicality 10
Synchronization/Timing 10
Execution / Controlled Mobility and Stabilization 10
Difficulty of Execution of Authentic Street Dance Styles 10
Variety of Street Dance Styles 10
Sub-Total 50
Total 100

MUSIC CONTEST
Pop Solo – (1 contestant)
MECHANICS
2. The contestant shall sing straight published Original Pilipino Music (OPM) songs in any
language (prepare translations as needed).
3. Revival or adaptations from foreign compositions is disallowed.
4. Singing shall be accompanied by a minus one. Multiplex and live accompaniment shall not
be allowed.
5. Soft/electronic copy (MP3/MP4 format) shall be provided to the CPAU Music Committee
before the contests for compilation.
6. Delivery is for three (3) to seven (7) minutes.
7. Criteria for judging are as follows.

Tone Quality (vocal technique / intonation) 40
Interpretation (Dynamics, Timing, Expressiveness) 25
Diction (Pronunciation, Enunciation, Articulation) 15
Mastery 10
Deportment (Presence must be relevant to the song) 10
Total 100
Vocal Duet – (2 contestants)
MECHANICS
1. Each participating unit shall be represented by two (2) participants.
2. There will be one song to be performed which is OPM.
3. Revival or adaptation from foreign composition is disallowed.
4. Contestants may be (a) both males, (b) both females or (c) a male and a female.
5. Singing shall be accompanied by a minus one (MP3 files). Multiplex shall not be allowed.
Minus one (Mp3 files must be tried out prior to the contest and a backup copy should be
available).

6. Delivery is for three (3) to seven (7) minutes.
Tone quality/Vocal Technique 35
Blending/Harmony 20
Musicianship (interpretation, dynamic phrasing) 20
Deportment 10
Diction 15
Total 100
Live Band – (4 to 7 members per entry)
MECHANICS
1. Each participating unit shall be represented by four (4) to nine (7) participants.
2. Each group will perform published (meaning: played live on-air.) Original Pilipino composed
music as long as there are no obscene, lewd or green words in the lyrics.
3. Each group will perform two (2) songs, first is the Chosen Piece of the group followed by a
song that promotes/encouragement to Social Unification in our Community (including set
up/ preparation time). A total of 10 minutes will be allotted. Beyond this, a total of five points
will be deducted from the group's total score from each judge.
4. Each group must provide their respective instrument except for the drum set which will be
provided by the host institution. Change of cymbals will be allowed. A minimum of 4
amplifiers shall also be provided by the CPAU Music Committee for one (1) lead guitar,
one (1) rhythm guitar, one (1) bass guitar, and one (1) keyboard.
5. The members of the band may be composed of all males, or all females, or mixed.
6. The use of pyrotechnic gadgets, smoke, or combustible materials as props is not allowed.
7. Medley arrangement of songs is not allowed.
8. Coaches/ trainers are allowed to guide the song technicians provided by the host institution
during the warm-up song only (Note: No more interference of coaches and trainers during
the delivery of the contest piece)
9. The Participants are encouraged to have their instruments during their performance.
10. An official time keeper will be assign to monitor and remind the performers. (Note: the timer
should be projected on the side of the stage).
11. Judges decisions are final and irrevocable.

Musicality (rhythm section, sound quality, ensemble) 30
Voice Rendition 20
Technical (playing technique) 20
Performance (stage presence, style) 15
Over-All Impact (includes interpretation) 15
Total 100
LARO NG LAHI
1. Luksong Lubid
Luksong Lubid is the tagalong term for jumping rope. The first concrete evidence of jump
rope comes from Medieval European paintings of kids jumping rope through the street. The exact
origin of the jump rope activity is unclear. The Jump Rope Institute notes that jumping rope dated
from ancient China and Westerners’ reports perhaps the game originated from Egyptian 1600 AD.
The game is traditionally played with two individuals swinging a rope in a circle while players take
turns jumping while singing or chanting. If a player is out to the rhythm of the steps hereby hitting
the rope, the next player will take a turn while the loser will be the one to swing the rope. Through
the evolution, there were techniques created in the procedure. Some of the techniques included
are jump forward, jump backward, alternating foot, double under, and many others. Jumping rope
can also be done alone while performing tricks.
Objective of the Game
The objective is for teams to score in skipping or jumping over the rope while singing
“BAHAY KUBO” and being turned continuously over the head and under the feet of players. The
two ends of the rope are held and turned the rope over by two people.
Equipment Needed
*Rope
Rules of the game

1. Each Delivery Unit of CNSC shall have a maximum member of 10 CNSC Students (5 Girls
and 5 boys)

2. They should sing along while playing it. (Bahay Kubo).

3. If one of them fails to sing, they will be eliminated from the game.
4. Two maximum people will hold the end of the rope.
5. Each Delivery Unit will be given 5 minutes to play the game. The DU’s that does not
complete the song automatically loses. However, if all teams do not complete the task after
five minutes, the team that sings the song the longest will be considered the winner.
6. Any Delivery Units who are not following the rules and mechanics of the game will be
Disqualified.
How to play the game

1. Two people will hold the end of the rope.
2. While the rest of the people will fall in a single line.
3. One person must go first then all of the people must follow what the first person did.
4. They should keep jumping until the song end.
2. Sack Race
GUIDELINES AND MECHANICS
1. Each delivery unit must have 10 participants (5 male and 5 female)

2. To play you need one burlap sack for each participant or team. The more people racing,
the more fun it is.
3. Each player puts both legs into the sack and hops around a cone, or some marked point,
and back, tagging the next person in line.
4. Then, the next person in line gets into the sack and repeats the once-around-the-cone
course.
5. The first team to the finish line wins.
3. Patintero
Patintero is a popular Filipino game that pulls one in from the word go. It is also known as
tubigan and has attracted the attention of many individuals all over the world. The super-popular
game applies to both children and adults, and it tests an individual’s awareness. agility and spatial
Pantintero is a native game in the Philippines that requires two teams. The objective of the
game is to block (harang) the players from the opposing team from passing. It is the best practice
for hand-eye coordination and strategic thinking.

Rules of the game and how to play Patintero
1. There will be massive rectangle on the ground using chalk for clarity and divided into 6
smaller rectangles.
2. Each delivery unit must form seven (7) members, where one team plays defensive and
guards the other team against passing the lines. The two teams make up the guards and
the runners (passers).
3. The defensive team will assign a player to the lateral lines of the rectangle and the other
player on horizontal line. START END
START
END

4. The objective of the runners is to get across to one end of the big rectangle and back to start
without being touched or tagged by a guard. The player/s who cross the end line will be
given a piece of paper with corresponding points of 10 and player/s who back on the Page
| 1 starting point will be given a piece of paper with corresponding points of 20, with the total
points of 30 points. 20 points START END 10 points
20 POINTS
START
END
10 POINTS
5. During the game, the guards should ensure they have both feet on the ground and line
before tagging their opponent; otherwise, it will not count.
6. Next, the teams trade places, with the runners taking on the role of the guards and vice
versa. Patintero rules apply across the board to all players.
The equipment required for the game includes chalk or paint, a score sheet, a whistle, and
a stopwatch. The playing court should be a rectangle of about _____ long and _____ wide divided
into six equal rectangles.

The rules of patintero are as follows:
1. The game starts with a toss of a coin to decide the team that becomes the passer(runner)
or defender(guards).
2. All team are given 3 sets of gameplays with a time limit of 2 minutes per set.
3. After the two minutes are up, the two teams switch roles, with the guards switching to
passers and vice versa.
4. The passers or runners are supposed to cross the lines from the starting point and back, to
earn a point. 10points after crossing end line, 20 points after crossing back to starting line.
5. The line guards are positioned on the vertical lines with one on the horizontal line of the grid,
making sure that their feet are always on the line.
7. We shall move on to the next opposing team once the two (2) teams have used up their
allotted time.
4. Tug of War
GUIDELINES AND MECHANICS

1. There shall be 8 participants per delivery unit (per category)
2. Two categories will be available which are male and female (biologically male and
biologically female).
3. All teams must present themselves fifteen (15) minutes before the orientation of the event.
Failure to do so will result to disqualification.
4. A line referred to as a center line is marked on the playing zone and the rope is placed in a
manner that its center mark should align the center marked on the ground. On either side of
the rope at the distance of 4 m from the center line, 2 more marks need to be made. This is
the point where in the first member of each team will stand.
5. Below is the flow of the game
a. An equal number of players pick up each end of the rope.
b. The players begin tugging the rope when the facilitator gives the signal.
c. Each player pulls backwards as hard as they can.
d. As soon as the second mark on the rope from the center mark crosses over to center
line, the team to pull the rope to their area wins the game
6. The order of the competition will be based on the bracketing system that will be determined
before the competition proper.

7. The winning team will proceed to the next bracket. This will be a single elimination
competition.
8. Changes and additional information may apply before the competition proper.
FOULS
1. Intentionally letting go of the of the rope.

2. Lowering your elbow below the knee level while pulling the rope.
5. Saluhan ng Itlog
Guidelines and Mechanics:
1. Each delivery unit must have 2 pairs (male and female)

2. Each pair has only one egg to play
3. The goal is to throw the egg to the receiver without breaking it or falling to the ground.
4. After a successful catch, the player will move 1 meter backward away from each other.
5. The last surviving delivery unit will be declared as the winner.
6. Maria Went to Market
Materials:
1. Duster Dress
2. Bandana
3. Basket
4. Slippers
5. Traditional fan (pamaypay)
6. Umbrella
7. Red Lipstick
8. Tomato
1. Each participating unit shall be represented by one (1) group.

2. Each group must consist of five (5) male contestants.

3. Contestants must bring their own bandana, duster dress, basket, slippers, traditional fan
(pamaypay), and umbrella. All materials must be provided by the contestants.
4. One member per group shall be dressed as Maria, specifically wearing a duster dress,
bandana, slippers, traditional fan (pamaypay), and carrying an umbrella.
5. The member will wear the costume by themselves; teammates are not allowed to help in
the process.
6. After wearing all the materials, the member must travel to a designated area and pass the
costume to the next member.
7. Members must ensure they wear all the costume properly; if not, they must repeat the
process.
8. The member must walk with a tomato positioned between their knees as they traverse the
designated area. If the tomato falls off, they must start again from the base before passing
the costume to the next member.
9. Repeat the process until everyone in each group has participated.
10. The first group to finish shall be declared the winner.
7. Batuhang Bola
1. A team is composed of only ten (10) members – 5 from biologically male and 5 from
biologically female.
2. All teams must present themselves fifteen (15) minutes before the orientation of the event.
Failure to do so will result to disqualification.
3. The Batuhang Bola Game will have the following mechanics:
a. The order of the competition will be based on the bracketing system that will be
determined before the competition proper.
b. Two teams will compete between each other. The 1st team two win the Rock-Paper-
Scissor will stand in the middle. The 2nd team should be divided into two and should
stand at both sides of the 1st team.
c. The 2nd team should hit the players of the 1st team. If you hit a player, that player is out.
d. If a player catches the ball, their team will gain a “life” and can be used to revive another
player or be used to continue to play on if the ball hits them.
e. The team will gain one point if you have hit all the players and none of the players are
left.
f. The duration of game per team will only be 2 minutes.

g. There will be three set to determine who will win. The winning team will proceed to the
next bracket. This will be a single elimination competition.
5. If there is any conflict that might happen, the committee-in-charge shall decide.


POINTS SYSTEM – CNSC 16th HAYAG FESTIVAL

BASEHAN NG TATANGHALING KAMPEON NGAYONG 2024
ACTIVITIES FOR COMPETITION POINTS
Participation
Participation
TITLE OF ACTIVITIES
With
1st 2nd 3rd
No
(Number of Participants)
INDIVIDUAL EVENTS and DUO EVENTS

For One (1) to TWO (2) Number of Participants
LITERARY ARTS CONTEST (Filipino)
 Pagsulat ng Sanaysay
 Spoken Word Poetry
LITERARY ARTS CONTEST (English)
 Essay Writing
 Oratorical
VISUAL ARTS CONTEST 10 7 5 3 0
 Slogan Making
 On-the-Spot Poster Making
 Charcoal Rendering
 Digital Art
 Digital Photography
MUSIC CONTEST
 Pop Solo
 Vocal Duet

GROUP EVENTS
For THREE (3) to TEN (10) Number of Participants
VISUAL ARTS CONTEST
 Mural Art
DANCE CONTEST
 Street Dance
MUSIC CONTEST
 Live Band 15 10 7 5 0
LARO NG LAHI
 Luksong Lubid
 Sack Race
 Patintero
 Tug of War
 Sambutan ng Itlog
 Goes to Market
 Batuhan ng Bola
HAYAG FESTIVAL PARADE
“Parada Adbokasiya”
20 15 12 8 0
INTERACTIVE BOOTH AND EXHIBITS
“Presentasiyon ng Adbokasiya”
ACTIVITIES FOR PARTICIPATION

No
TITLE OF ACTIVITIES With Participation
Participation
KULTURANG KAMALAYAN (Kabanata VI) 20 0


FINAL 16th HAYAG Festivals GUIDELINES MECHANICS and CRITERIA February 26 28 2024

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Republic of the Philippines

CAMARINES NORTE STATE COLLEGE

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

LIST OF ACTIVITIES FOR COMPETITION AND PARTICIPATION

Theme: “ANI NG SINING Bayang Malikhain”

OPENING OF 2024 NAM and HAYAG FESTIVAL

LITERARY ARTS CONTEST VISUAL ARTS CONTEST

SILVESTRE E. ABORDE JR. ROLAND G. CAMANDERO

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

PROGRAM AND SCHEDULE OF ACTIVITIES

1. HAYAG FESTIVAL PARADE

2. INTERACTIVE BOOTH AND EXHIBITS

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

3. KULTURANG KAMALAYAN (Kabanata VI)

4. HAYAG ARTS COMPETITION

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

Rules, Regulations, and Guidelines for Different Contests:

8. The decision of the board of judges is final and irrevocable.

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

Activities for Competition

Rules, Regulations, and Guidelines of Different Contest Category:

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

HAYAG ARTS COMPETITION

LITERARY ARTS CONTEST (Filipino)

9. Kapag nagkaroon ng power failure o anumang technical glitches, ang

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

PANUNTUNAN NG PAGHATOL PORSIENTO ( % )

Spoken Word Poetry - (1 kalahok)

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

CRITERIA FOR JUDGING

LITERARY ARTS CONTEST (English)

Essay Writing – (1 contestant)

a. 8.5 x 11 in. (short)

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

7. No printed materials, electronic gadgets, or storage devices shall be utilized.

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

CRITERIA FOR JUDGING

VISUAL ARTS CONTEST

Slogan Making – (1 contestant)

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

CRITERIA FOR JUDGING

On-the-Spot Poster Making – (1 contestant)

CRITERIA FOR JUDGING

CULTURE AND PERFORMING ARTS UNIT

16th CNSC HAYAG Festival

Charcoal Rendering – (1 contestant)

CRITERIA FOR JUDGING