Professional Documents
Culture Documents
G4 Mamanwa
G4 Mamanwa
G4 Mamanwa
The Mamanwas are part of the bigger Aeta communities. Their name is derived
from the terms man which means “first” and banwa which means “forest,” which
together translates to “first forest dwellers.”
Before the Mamanwas arrived in central Samar Island, it is said that there had
been an earlier Samar Agta Negrito group residing there. However, once the
Mamanwas came, the Samar Agta switched to Waray-Waray or Northern Samarenyo,
possibly even integrated with the Mamanwa tribe (Mamanwa, ND)
More recent history, for instance, describes that for the whole duration of
Spanish rule in the 1500s, indigenous populations in the Philippines, including the
Mamanwa, endeavored to avoid colonization by resettling in more inaccessible and
mountainous regions and practicing slash-and-burn farming along with hunting and
foraging (Burton, 2003). Pockets of the Philippine Negritos remain to this day in
remote areas mostly along the Sierra Madre mountain range that extends along the
entire eastern side of Luzon island in the northern Philippines (Headland, 2002). The
Mamanwa is the only Negrito group in the southern Philippines, geographically
separated from the other Negrito groups in Luzon and the central Philippines.
Presently, there are about 1500 Mamanwas confined to the provinces of Agusan and
Surigao in Northeast Mindanao.
The Mamanwa Tribe is also known for its pottery-making tradition, utilizing
locally sourced clay to craft pottery for both practical and decorative purposes. As
highlighted by Indigenous People of Mindanao (n.d.), Mamanwa potters skillfully shape
clay into pots, jars, and other vessels, employing techniques that have been honed
over centuries. These pottery pieces not only serve utilitarian functions within the
tribe but also reflect their connection to the land and their resourcefulness in utilizing
natural materials.
Musical Instruments
Music holds a significant place in Mamanwa culture, and the tribe is renowned for
crafting traditional musical instruments. Bamboo flutes, drums, and other percussion
instruments are crafted with precision and care, as mentioned in the International
Journal of Research and Granthaalayah (2020). These instruments play a vital role in
the tribe's rituals, ceremonies, and daily life, producing melodious tunes that
accompany their dances and festivities. Additionally, these instruments serve as a
means of communication and expression for the Mamanwa people, fostering a sense of
community and cultural identity.
Jewelry Making
The material culture and artifacts of the Mamanwa Tribe highlight their rich
cultural heritage and artistic traditions. From tikog weaving to pottery making,
musical instrument crafting, jewelry making, and traditional clothing, each aspect of
their material culture serves to preserve and celebrate their unique identity as an
indigenous community in the Philippines.
One of the major sources of income for the Mamanwa is hunting and gathering.
They relied on harvesting forest goods such fruits, roots, honey, and python flesh in
addition to hunting animals like wild pigs, deer, and monkeys for food (Ethnic Groups
Philippines, n.d.). This method helps build a strong bond with their environment,
while also providing food.
The Mamanwa Tribe's religious beliefs are based on the practice of animism.
They believe that spirits live in natural elements, such as mountains, rivers, and trees
(Joshua Project, n.d.). They seek their guidance and protection, and honor these
spirits through performing rituals and ceremonies. These customs show the respect
they have for the natural world and the supernatural forces, who they feel control
their existence.
The Mamanwa Tribe was divided into small, nomadic groups with an elder or
chieftain as their leader (Ethnic Groups Philippines, n.d.). Their shared social
structure places a strong emphasis on cooperation and support among tribe members.
Finding agreement during the decision-making process means that each member's
opinion is heard and is taken into account.
Artistic expression is essential to Mamanwa culture. They are known for their
exquisite weavings made from natural materials such as rattan and bamboo
(Kitcharao, n.d.). Their cultural history and identity are preserved as a result of these
skills being taught down from generation to the next generation.
The Mamanwa Tribe uses plants native to the land, and traditional methods to
treat illnesses, showing their extensive knowledge of medicine (SMUJO, n.d.). They see
sickness as an interruption in the harmony of the natural, spiritual, and physical
realms because they think that these domains are connected. Shamans are healers,
who are important members of their community; they use chants, rituals, and herbal
treatments to aid in healing and restoring balance (Lib.mainit.org, n.d.). These healing
traditions are a reflection of the Mamanwa's approach to healthcare that involves
cultural and spiritual components to ensure the good health of the community.
According to Ethnic Groups Philippines (n.d.), the Mamanwa Tribe has had a
number of hardships recently, which includes the invasions on their native lands,
cultural assimilation, and economic marginalization. They demonstrate their
determination and resilience by showing their ability to adjust to changes in
circumstances while attempting to protect their cultural heritage.
References:
Lagassé P. (2001) The Columbia Encyclopedia. Columbia University Press, New York.
Omoto K. (1984) The Negritos: Genetic origins and microevolution. In: Kirk R,
Szathmary E (eds.), Out of Asia: Peopling the Americas and the Pacific. Australian
National University Printery, pp. 123–132.