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  • My Way

    Uploaded by

    Javier Andrés Rojo
    2 views2 pages
    The document is a musical score titled "My Way" for solo cello. It contains standard musical notation across 31 measures, including changes in tempo, time signature, and dynamics. The piece seems to be composed for cello in a melodic style, moving between different registers of the instrument. It concludes at measure 31 with a decrescendo and final held note.

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    The document is a musical score titled "My Way" for solo cello. It contains standard musical notation across 31 measures, including changes in tempo, time signature, and dynamics. The piece seems to be composed for cello in a melodic style, moving between different registers of the instrument. It concludes at measure 31 with a decrescendo and final held note.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    2 views2 pages

    My Way

    Uploaded by

    Javier Andrés Rojo
    The document is a musical score titled "My Way" for solo cello. It contains standard musical notation across 31 measures, including changes in tempo, time signature, and dynamics. The piece seems to be composed for cello in a melodic style, moving between different registers of the instrument. It concludes at measure 31 with a decrescendo and final held note.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    My Way

    J.A.Rojo

             
              
     = 75


    Violonchelo

                                       

    Violonchelo

                       


    Violonchelo

               
      
       
    6

    Vc.

    Vc.
          

                    
    Vc.
       

             
       
       
    11

    Vc.

                   
    3

    Vc. 

            
    Vc.
           
                  
     


        
    17

    Vc. 3

                                       
     
    Vc.

                        

    Vc.

        
        
         
    22

    Vc.

    Vc.
         


                   
       
    Vc.

         
     
    27

    Vc.

    Vc.
                       

       
    Vc.
           

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