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His fastidious manner, obsession with art, but not as a participant, and his much greater obsession
with money and its trapping, I believe shows signs of Paul’s depression and sexual identity issues.
Let us write or edit the research paper on your topic. Paul had just come in to dress for dinner; he
sank into a chair, weak to the knees, and clasped his head. While Paul has an artistic temperament,
actual artists work very hard for their money. His indignation and indifference to his circumstances
oozes throughout the book. “Perhaps it was because, in Paul's world, the natural nearly always wore
the guise of ugliness, that a certain element of artificiality seemed to him necessary in beauty.” As we
further go into the story it is evident that Paul is obsessed with money, and his belief that money will
solve all his problems leads to unrelenting disappointment in his life. Hence, his encounter with the
locomotive, a fatal one, was inevitable. 4 likes Like Comment Lizzie 689 reviews 113 followers June
16, 2012 The more I thought about this after I read it, the better I liked it. He seemed to hold in his
brain an actual picture of. Gutierrez Me Talk Pretty One Day by David Sedaris Me Talk Pretty One
Day by David Sedaris KyleMahoney Dorian gray chapter 12 Dorian gray chapter 12 mibookscom
Fyodor Dostoyevsky - Crime and Punishment Fyodor Dostoyevsky - Crime and Punishment George
Grayson Madame Bovary Madame Bovary George Grayson Chapple, R. M. 2014 John Bradley
1954-2014. Then, again, suppose his father had come down, pistol in hand, and he had cried out in
time to save himself, and his father had been horrified to think how nearly he had killed him. He had
not a hundred dollars left; and he knew now, more than ever, that money was everything, the wall
that stood between all he loathed and all he wanted. Paul is driven to escape his dull life due to how
others perceive him. Paul’s love for the arts was Cather’s way of trying to show his quest for
individuality. Had he not always been thus, had he not sat here night after night, from as far back as
he could remember, looking pensively over just such shimmering textures, and slowly twirling the
stem of a glass like this one between his thumb and middle finger. It is always described as dull and
artless, where the theater life Paul sought after was vivid with color and imagination. They were
hardworking women, most of them supporting indigent husbands or. He finds school uninteresting
and he would rather be at the opera than in class. He wanted to be his own person, not someone that
was molded by his teachers and his father. He arrives at the meeting in outfits that are shabby and
debonair at the same time. There is also further evidence that Paul does not fit in with the theater
group as they describe his imagination and inventions as a “bad case. ” (Cather 346) Paul is a typical
confused teenager, unaware of what he wants in life. It is still hard for the Pauls of today who try to
escape their backgrounds, and I think Cather has painted a poignant picture of a solitary youth,
going to extremes to find his place. Inferences can be made regarding Paul’s sexuality, apparent
learning disabilities, abusive father, and motherless household. He went slowly about the corridors,
through the writing rooms, smoking. Moreover, he is also described as suave due to his nature of
raising his eyebrows, which were regarded as irritating, and the brilliance in his eyes, which quivered
the teacher’s casual touch (Cather 10). In this story Willa Cather illustrates how modern world
defines a word “normal” in a way of being same as another. He has no understanding of his own
privilege and despises the entire place. He felt a sudden zest of life; the lights danced before his eyes
and the concert hall blazed into. The next Sunday is warm for November, and after Sabbath-school
Paul’s neighbors all sit out on their stoops to chat while the children pack the streets. Above, about,
within it all was the rumble and roar, the hurry and toss of thousands of human beings as. Yet I
suppose he must, because his entire job was about coming up with fantasies in order to sell products
to consumers. This story was published in 1905 in the McClure’s Magazine (Marilyn 21).
The manager at Carnegie Hall was told to get another usher in his stead, the doorkeeper at the theatre
was warned not to admit him to the house, and Charley Edwards remorsefully promised the boy’s
father not to see him again. When the weather was warm, and his father was in a particularly jovial
frame. Multiple copies are included if the work has more than one player. Including stealing money
and physically running away from the town. Hence, we see that the difference of attitude of dealing
with problems of the main characters, Sonny and Paul affect the stories. Is Paul symbolically
destroying more than odor? What does. Paul might have found support from his English or drawing
teacher, but unlike Holden who has found mentors in the adult world, Paul has unfortunately
rejected them all. Condition: New. Jou. Ships in a BOX from Central Missouri. He steals the money
from the theater with no remorse or any thoughts of how it will affect his family. After all, doesn’t
everyone fantasise about a better life sometimes. Sometimes there were extreme cases of that such as
The Clan of the Cave Bear which I hated at the time, but that would later become favorites. In 1923
she was awarded the Pulitzer Prize for her novel, 'One of Ours' (1922), set during World War I. He
weaves a fantasy world around the arts and to some extent the signs of wealth, treating school,
family and friends with disdain, imagining himself to live in a bigger world. Cather’s narrative
explores themes of alienation and the clash between societal norms and individual desires, offering a
poignant critique of American materialism and conformity. I can’t say more — but it’s exceptionally
powerful, poignant, very well written, and wrapped in deeply sorrowful melancholic thoughts. He
put the violets and jonquils on the taboret beside the. He mentally enters a world of fantasy and
imagination, far away from the high school or his family home on Cordelia Street. The story is of a
boy who finds his middle class life and school dreary. He mentally enters a world of fantasy and
imagination, far away from the high school or his family home on Cordelia Street. Then, he was a
troublesome nuisance who owed the school apologies. “His clothes were a trifle outgrown, and the
tan velvet on the collar of his open overcoat was frayed and worn; but, for all that, there was
something of the dandy about him, and he wore an opal pin in his neatly knotted black four-in-hand,
and a red carnation in his buttonhole. Gutierrez Me Talk Pretty One Day by David Sedaris Me Talk
Pretty One Day by David Sedaris KyleMahoney Dorian gray chapter 12 Dorian gray chapter 12
mibookscom Fyodor Dostoyevsky - Crime and Punishment Fyodor Dostoyevsky - Crime and
Punishment George Grayson Madame Bovary Madame Bovary George Grayson Chapple, R. M.
2014 John Bradley 1954-2014. He wanted to be his own person, not someone that was molded by his
teachers and his father. His teachers felt this afternoon that his whole attitude was. Beware, the
discussions are full of spoilers, so read the story first. To Paul, Carnegie Hall represents an alternative
universe, one distant from and entirely unlike his drab, oppressive school, so he has to find a way to
explain his teacher’s presence there. His indignation and indifference to his circumstances oozes
throughout the book. “Perhaps it was because, in Paul's world, the natural nearly always wore the
guise of ugliness, that a certain element of artificiality seemed to him necessary in beauty.” As we
further go into the story it is evident that Paul is obsessed with money, and his belief that money will
solve all his problems leads to unrelenting disappointment in his life. Paul was awakened next
morning by a painful throbbing in his head and feet. Just makes sense. This is what Paul really
wanted to do anyway, he just doesn't seem sure how to reach that goal. Afterwards, he proceeds to
the changing room together. The mere release from the necessity of petty lying, lying every day.
Yet, this guy always talks about his boss who was on vacation on his yacht enjoying the world. As
the inquisition proceeded one of his instructors repeated an impertinent remark of the boy's, and.
Paul believes he is born into the wrong class, and holds such disdain for his own family and
neighbors that he can hardly stand to be around them. Paul was always smiling, always glancing
about him, seeming to feel that people might be watching him and trying to detect some thing”.
Though the German soloist is by no means young, Paul marvels at her tiara and gown. It would be
difficult to put it strongly enough how convincingly the stage entrance of that theater was. Jim's
grandomother's garden made him fell as a part of nature, as human beingsoriginally were in the
Garden of Eden. Paul’s distaste for conformity is shown throughout the story. Our Teacher Edition
on Paul’s Case makes teaching easy. He completed it prior to its deadline and was thorough and
informative. ”. With this last supposition Paul entertained himself until daybreak. (I’m glad I live in a
country with strict gun control. We learn about the boy's desire to lead a different life and the
dissatisfaction with the banality of his existence. I did not follow that up with a trip to train tracks in
New Jersey. He found it hard to leave his beautiful sitting room to go to bed that night, and sat long
watching the. By continuing we’ll assume you’re on board with our cookie policy. Another
significant detail is Paul's scornful response to his teacher who shows up at the opera where he
works as an usher.he treats her as a trespasser into this magical world of art that he seems to claim as
his own. These are issues that teachers and parents struggle with today, and while the options were
far fewer in Cather’s day, we still find ourselves perplexed with young people like Paul and rarely
provide them with what they need to find their way in the world. His fastidious manner, obsession
with art, but not as a participant, and his much greater obsession with money and its trapping, I
believe shows signs of Paul’s depression and sexual identity issues. He was always considerably
excited while be dressed. At the end, Paul recalls the indoor flowers he saw when he arrived in New
York and insight blooms, too late: “ It occurred to him that all the flowers he had seen in the show
windows that first night must have gone the same way, long before this. Paul's Case with the boss is
not unique but an increasing headache to many employees. Cather shows what he sees, fathers
sitting on stoops outdoors. “The men on the steps—all in their shirt sleeves, their vests
unbuttoned—sat with their legs well apart, their stomachs comfortably protruding, and talked of the
prices of things, or told anecdotes of the sagacity of their various chiefs and overlords. For instance,
a male stalker fantasises about dominating a woman, controlling every aspect of her life. The story is
of a boy who finds his middle class life and school dreary. Then, next Monday, he would slip back,
conscious, and nervously smiling; his sister was ill, and he should have to defer his voyage until
spring. He had no sooner entered the dining room and caught the measure of the music than his
remembrance. The pictures of men above his bed are another hint of his homosexuality. There is a
real contrast between the warm hotel and the frigid street outside, and the window both joins and
divides the two. Such policies are especially designed and have the capacity to handle Paul's case. It
is very easy to read Paul as a gay teenager, unable to fit in, who dreams of escape.
The glare and glitter about him, the mere scenic accessories had again, and for the last time. Yet I
suppose he must, because his entire job was about coming up with fantasies in order to sell products
to consumers. They quite often happen entirely inside a character’s head. In her short story “Paul’s
Case” (1905), Willa Cather presents an image of a young man who feels trapped within a gray life
that doesn’t measure up to the type of life he feels he should be living. He doesn’t want to become a
professional actor himself—he just wants to be in the middle of it. Other projects include the
Wayback Machine, archive.org and archive-it.org. How astonishingly easy it had all been; here he
was, the thing done; and this time there would be no. This abrupt transition underlines the limits of
Paul’s ability to fashion a different life for himself just by imagining it. “Real life” intrudes in the
form of authority figures forcing Paul to get a job. The snow had somewhat abated, carriages and
tradesmen’s wagons were hurrying to and fro in the winter twilight, boys in woollen mufflers were
shovelling off the doorsteps, the avenue stages made fine spots of color against the white street. I
agree and I think that no one should allow themselves to forced to be someone they are not. The
story is about a boy attracted to the theater and music and the glamor of a large city. Please try
another search or browse our recommendations below. He weaves a fantasy world around the arts
and to some extent the signs of wealth, treating school, family and friends with disdain, imagining
himself to live in a bigger world. Carnegie had recently created his steel empire, employing most of
the town in the steel mills to work long hours at monotonous jobs. I'm reminded of what Mr.
Antolini in The Catcher in the Rye tells Holden Caulfield, a direct literary descendent of Paul who
also rejects the world around him and goes on his own bender in New York City a generation later.
Afterwards, he proceeds to the changing room together. His love for the arts is obsessive and it is
displayed often throughout the story. He felt that these were the people he wanted to be. I think his
alienation was so complete in his mind, that it was as if he was completely alone. Or they thought
their own environment couldn't supply them with. He wants to spend as much time as possible with
this young man, but he must also keep it secret. There is a long history of women portrayed as liars,
in fiction, in media, in pop culture. Even the parts of reality he does enjoy, like music, arts, and
culture, he doesn’t work on trying to actively engage in, but rather he only passively observes them
from the quietness of a concealed space, which is a challenge that ultimately holds him back and
stops him from pursuing his dreams or having any sought out aspirations to begin with. Paul uses art
to escape his own consciousness, his mundane life. Paul tends to see everything for what it's not
instead of for all that it is, in fact he has a way of making reality transparent and seeing through it. It
could even be said that he loves these terrible people and the terrible world that he lives in, even
though he has rejected it. It was only one splendid breath they had, in spite of their brave mockery at
the winter outside the glass. At the end, Paul recalls the indoor flowers he saw when he arrived in
New York and insight blooms, too late: “ It occurred to him that all the flowers he had seen in the
show windows that first night must have gone the same way, long before this. Roger Austen concurs
with these elements of the story as being intentional indications of Paul’s sexual preference. It is our
hope that the words and music do justice to the story by creating a strong character who reminds us
of our own struggle to cope with what Cather calls “the homilies by which the world is run.” Paul’s
music superimposes new and old styles - post-minimal and baroque - in order to explore the defiant
and fragile sides of his personality.