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Paper – II Booklet Code
Music
A

Test Booklet No.

Subject Code : 2 7
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A
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27 – A
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 Total Number of Pages : 20

MUSIC
Paper – II
Note : This paper contains 160 multiple choice questions of 2 marks each, in THREE (3)
Sections . Attempt all the questions either from SECTION – A and SECTION – B
only OR from SECTION – A and SECTION – C only. The OMR Sheet with questions
attempted from both Sections viz. Section – B and Section – C will not be evaluated.
Number of questions Section wise :
Section – A : Q. No. 1 to 40 ; Section – B : Q. No. 41 to 100 ; Section – C : Q. No. 101 to 160.
SECTION – A
1. Term “Nishpatti” is related to 6. A group of people, objects or items that
(A) Ras (B) Sparsh are taken from a larger population for
measurement is known as
(C) Shanti (D) Anand
(A) Public (B) Survey
2. Who introduced Ras theory ? (C) Sample (D) Field Survey
(A) Sharangdev 7. Identify the correct order of the following
(B) Matang components which are interrelated in
research.
(C) Plato
i. Observation
(D) Bharat
ii. Hypothesis making
3. In Aesthetic of Raga, What is most iii. Developing concepts
important element ? iv. Deducing the consequences of
theories
(A) Swar
v. Methods employed to obtain them
(B) Tan
Choose the correct answer from the
(C) Composition codes given below.
(D) Lyrics Codes :

4. How many Ras Abhinav Gupta has (A) v iv iii ii and i

described ? (B) i iii ii iv and v
(A) 6 (B) 7 (C) ii iii i iv and v
(C) 8 (D) 9 (D) iv v iii ii and i

5. Who is the author of “Ras Sidhdhant” ? 8. The research that involves two areas of
learning is
(A) Dr. Rao
(A) Multiple Research
(B) Dr. Nagendra
(B) Research Duo
(C) Shrinivas (C) Intradisciplinary Research
(D) Swami Prgyanand (D) Interdisciplinary Research
27 – A 2 Paper II
 Total Number of Pages : 20

9. GIF stands for 15. Match the following :

(A) Global Information Format List – I List – II
(B) Graphics Information Format a. Bharat Ratna i. Vishwamohan
(C) Graphics Interchange File Bhatt
(D) Graphics Interchange Format b. Padmabhushan ii. Samta Prasad

10. A description of planned research c. Padmavibhushan iii. Ustad

including its purpose, the research Bismillah Khan
question, the problem statement and a d. Grammy iv. Jasraj
brief literature review followed by details
of the methodology prior to actual Codes :
research is known as a b c d
(A) Synopsis (B) Proposal
(A) iv ii iii i
(C) Thesis (D) Article
(B) iii iv ii i
11. Which one is not type of ‘Yati’ ? (C) iv iii ii i
(D) iii ii iv i
(A) Sama (B) Mrudanga
(C) Mayura (D) Gaupuchcha 16. A researcher selects a probability
sample of 100 out of the total population,
12. Rupak-Taal in Chatushra-Jaati consists it is
of ______ Matras. (A) A cluster sample
(B) A random sample
(A) 7 (B) 8
(C) A systematic sample
(C) 6 (D) 9
(D) A stratified sample
13. A musical scale divided into 12 equal 17. Research is basically
intervals for 12 swaras, is known as (A) A method of enquiry
(A) Diatonic scale (B) Search of truth
(B) Pythagorean scale (C) A systematic exploration of facts
(D) All the above
(C) Minor scale
18. Raga Lakshan of Raga Marwa is
(D) Equally tempered scale
Gambhir ..... ? The statement is
(A) Qualitative data
14. Taal-Symbols of Atth-Taal is
(B) Questionnaire
(A) IO (B) IOI (C) Interview
(C) O (D) IIOO (D) Quantitative data
Paper II 3 27 – A
 Total Number of Pages : 20

19. A null hypothesis is 25. ‘Dhalo’ is a folk origin from

(A) Hypothesis of no difference (A) Maharashtra
(B) Hypothesis that assigns value of (B) Goa
zero to the variable
(C) Gujarat
(C) Hypothesis of zero significance
(D) Rajasthan
(D) None of the above
26. Main Taalas of Karnataka Music are
20. Studying Natya Shastra is in all aspects (A) 5 (B) 7
is
(C) 9 (D) 11
(A) Quantitative Research
(B) Scientific Research
27. ‘Tirobhava’ in a ‘raga’ is meant for which
(C) Historical Research of the following ?
(D) Field Research
(A) Hiding the main ‘swaroop’ of raga
21. Generally which Raga is not used in during improvisation by using the
Folk Music ? swaras of other raga

(A) Piloo (B) Khamaj (B) Using variety of ‘tanas’ in the

(C) Tilang (D) Bihag presentation

22. Which instrument is playing at the time (C) Using the ‘bol’ of mridangam’ in the
of performing ‘Lavani’ folk song ? composition

(A) Tabla (B) Chang (D) Voice modulation

(C) Pakhavaj (D) Mrudanga
28. Number of Taala-Pranas is
23. Bihu is a dance form from which state ? (A) 5 (B) 10
(A) Nagaland (C) 15 (D) 20
(B) Assam
(C) Mizoram 29. “Zam zama” is technic used in
(D) Arunachal Pradesh (A) Tat Vadya
24. Which folk songs describe the Leela’s (B) Ghan Vadya
of Lord Shri Ramachandra ?
(C) Sushir Vadya
(A) Maand (B) Chaiti
(C) Garbi (D) Bhatiyaali (D) Avanaddha Vadya
27 – A 4 Paper II
 Total Number of Pages : 20

30. How many types of ‘Marg’ are described 36. Which are types of folk music ?
in Das Pran Theory ? i. Thumri
(A) 5 (B) 6 ii. Tappa
(C) 4 (D) 3 iii. Maand
iv. Lavani
31. Responsible factor of ‘Rasnishpatti’
known as v. Gazal

(A) Vyabhicharibhav vi. Garba

(A) ii, iv and v
(B) Anubhav
(B) iii, iv and vi
(C) Vibhav (C) iv, v and vi
(D) Sthayibhav (D) i, ii and iii

32. How many ‘Anubhav’ described by 37. Ravanhathta falls in category of

Abhinav Gupta ? (A) Vitat Vadya
(A) 4 (B) 3 (B) Avanaddha Vadya
(C) Ghana Vadya
(C) 2 (D) 6
(D) Sushir Vadya
33. According to ___________ art is an
38. Lavani is the folk dance of
imitation of nature.
(A) Bihar
(A) Hegel (B) Kant
(B) Madhya Pradesh
(C) Aristotle (D) Plato (C) Uttar Pradesh

34. What is Sthayibhav of Shant ? (D) Maharashtra

(A) Shok (B) Karun 39. ‘Daman’ and ‘Surna’ are

(C) Nirved (D) Veer (A) Folk Dance

(B) Folk Stories
35. ‘Rasatmak Vakyam Kavyam’ means
(C) Folk Instruments
(A) Poetry is Ras (D) Folk Songs
(B) Ras is Poetry
40. Zula is folk song of
(C) Sentence with Ras is Poetry (A) Assam (B) Haryana
(D) Words are Poetry (C) Tripura (D) Meghalaya
Paper II 5 27 – A
 Total Number of Pages : 20

section – B
41. In which court modern style of 45. Lakshangeet describes the ________
Thumari Gayan developed ? of the raga.

(A) Baroda (A) Lakshan

(B) Gwalior (B) Swar
(C) Patiala (C) Laya
(D) Avadh (D) Taal

42. ____________ Rasa is prominent in 46. Who is the author of Brihaddeshi ?

Kirtanam.
(A) Matang
(A) Shringar
(B) Narad
(B) Bhakti
(C) Rana Kumbha
(C) Karun
(D) Kohal
(D) Roudra
47. Pandit Ahobal is author of
43. “Da Da Ra” phrase of Mizrab is played (A) Sangeet parijat
on which matras in Masitkhani Gat ?
(B) Swarmela kalanidhi
(A) 1 2 3 (C) Sangeet Ratnakar
(B) 4 5 6 (D) Sangeet Sar

(C) 7 8 9 48. In which of the Sarnas within the

principle of saran Chatushtay the
(D) 10 11 12
Shadja, Madhyam and Pancham of
44. Javali relates to the Chal Veena tally with the Nishad,
Gandharva and Madhyam of Achal
(A) Thumari Veena ?
(B) Tarana (A) Fourth
(B) First
(C) Khyal
(C) Second
(D) Gazal (D) Third
27 – A 6 Paper II
 Total Number of Pages : 20

49. Raag Bodh is written by 53. Pt. Lalmani Mishra is author of famous
reference book
(A) Pandit Omkarnath Thakur
(A) Bharatiya Sangitke Tantri Vadhya
(B) Pandit Bhatkhande
(B) Bharatiya Sangit Vadhya
(C) Shri Sharachchandra Paranjape
(C) Bharatiya Sangitka Vikas
(D) Shri Sharad Joshi
(D) Bharatiya Vadhya Sangit
50. Which Grantha was written by
Ramamatya ? 54. To which Gharana belonged Bade Gulam
(A) Swarmela Kalanidhi Ali Khan ?
(A) Agra (B) Gwalior
(B) Raga Mala
(C) Jaipur (D) Patiala
(C) Raga Vibodha
55. Pen name of Pt. V.N. Bhatkhande is
(D) Raga Lakshanam
(A) Vishnu Sharma
(B) Vishnunarayan Sharma
51. The musical instrument played by
(C) Vishnu Pandit
Pt. Vijay Raghav Rao Falss in _______
(D) Chatur Sharma
Category.

(A) Tat 56. ‘Jal-Tarang’ belongs to

(A) Tat Vadya
(B) Vitat
(B) Sushir Vadya
(C) Ghan (C) Avanaddha Vadya

(D) Sushir (D) Ghan Vadya

57. According to ancient scholars the term

52. Who was the teacher of Ali Akbar
Khan-Sarod-maestro ? ‘vipanchi’ was used for which of the
following ?
(A) Allauddin Khan
(A) Nine string veena
(B) Hafiz Ali Khan
(B) Seven string veena
(C) Inayat Khan (C) Twelve string veena
(D) Nisar Hussain Khan (D) Three string veena
Paper II 7 27 – A
 Total Number of Pages : 20

58. What is the meaning of word ‘Seh’ in 62. Ustad Murad Khan represented
Farsi ?
(A) Beenkar Gharana and Rudraveena
(A) Three (B) Four
(B) Seniya Gharana and Sarod
(C) One (D) Five
(C) Seniya Gharana and Sitar
59. Which one is bowed string Instrument ? (D) Maihar Gharana and Been
(A) Shehnai
(B) Tar Shehnai 63. Who was the founder of Jaipur
Gharana ?
(C) Kanoon
(D) Algoja (A) Muhammadali Khan

(B) Tanras Khan

60. Match parts with instruments :
(C) Badegulamali Khan
List – I List – II
(D) Alladiya Khan
i. Sitar 1. Chati

ii. Violin 2. Tumba 64. Pandit Ambadas Agale pant practiced

iii. Shehnai 3. Bow music as

iv. Tabla 4. Reeds (A) Tabla Player

Codes :
(B) Pakhavaj Player
(A) i-1 ii-2 iii-3 iv-4
(B) i-2 ii-4 iii-3 iv-1 (C) Sitar Player
(C) i-4 ii-1 iii-2 iv-3 (D) Vocalist
(D) i-2 ii-3 iii-4 iv-1
65. Who was popular for “ Pahiyakhaset”
61. IKSVV and RMTU are representing taan ?
(A) Two Universities
(A) Tanras Khan
(B) Two Colleges of Music and Fine
Arts (B) Haddu khan
(C) Two Universities for Music and Fine
(C) Hassu khan
Arts
(D) Two Colleges (D) Nisar hussain
27 – A 8 Paper II
 Total Number of Pages : 20

66. Which is the prominent combination of 69. Which is the most suitable combination
Rag Bhairav ? of Bilawal ?
(A) Ga Ma, Dha Pa (A) Dha, Ga, Pa
(B) Sa, Re, Ga, Pa
(B) Ga, Ma Re Sa
(C) Ma, Ga, Ma, Re, Sa
(C) Sa Ma, Ga ma
(D) Ga, Pa, Dha, Ni, Sa
(D) Ga Ma Dha Ni, Sa
70. How many Melas are considered in
67. A musical scale contains how many Mela Prakaran by Ramamatya ?
shruties according to the ancient (A) 10 (B) 20
scholars ?
(C) 30 (D) 40
(A) 20
(B) 24 71. To which Gharana of Khayal belonged
(C) 22 Aman Ali Khan ?

(D) 21 (A) Gwalior

(B) Jaipur
68. Which option is correct regarding given
statements ? (C) Bhindi Bazar
i. Marva and Sohani are sam-prakrutik
(D) Agra
ragas.
ii. They belong to same thaat 72. Founder person of Kirana III is
iii. Same vadiswar (A) Ustad Murad Khan
iv. Same time
(B) Ustad Bandeali Khan
v. Nyas on Rishabh
(C) Ustad Bade Muhammad Khan
Choose the correct answer from the (D) Ustad Bhikhan Khan
codes given below :
73. Which Gharana is famous for ‘Ashtanga
Codes :
Gayaki’ ?
(A) i iii and iv
(A) Gwalior
(B) i ii and iv (B) Jaipur
(C) iv v and iii (C) Bhindi Bazar
(D) ii v and i (D) Agra

Paper II 9 27 – A
 Total Number of Pages : 20

74. The very first All india Music Conference 79. Pandit Vyankat Mukhi became immortal
held at due to _________Granth.

(A) Bombay in 1816 (A) Chatur Dandi Prakashika

(B) Swarmela Kalanidhi
(B) Bombay in 1916
(C) Raag Tarangini
(C) Baroda in 1916
(D) Raag Bodh
(D) Baroda in 1816
80. How many Moorchhana stated by
75. Which Gharana is related to ‘Agra’ ancient author ?
Gharana ? (A) 21 (B) 14
(A) Agra (C) 7 (D) 12

(B) Kirana
81. A Sarod of Maihar Gharana have _____
(C) Gwalior Pegs.
(A) 8 (B) 7
(D) Patiala
(C) 6 (D) 5
76. Rag kadamb is creation of
82. Which are not Tat instruments ?
(A) Baiju Nayak
(B) Govind Nayak i. Sitar
(C) Viswa Nayak
ii. Violin
(D) Gopal Nayak
iii. Sarod
77. ‘Swarmela kalanidhi’ was written around
iv. Dilruba
year
(A) 1550 (B) 1655 v. Sarangi
(C) 1540 (D) 1600 vi. Rudra Veena

78. Which are the two main components of Codes :

‘Sam Veda’ ?
(A) ii iv and v
(A) Sanyukta – Niryukta
(B) iii iv and vi
(B) Avahan – Avgahan
(C) Dhankshree – Geetangi (C) iv v and vi
(D) Archik - Gan (D) i ii and iii
27 – A 10 Paper II
 Total Number of Pages : 20

83. How many strings were there in 88. Bols of Maseetkhani Gat are
Mattkokila Veena ?
(A) Dir Da Rada Dir Da Dir Da Ra
(A) 21 (B) 24
(B) Dir Da Dir Da Ra Da Da Ra
(C) 07 (D) 09
(C) Da Ra Dir Dir Da Rada Dar Da
84. Which one is not a classical instrument ? (D) Da Dir Da Ra Dir Da Ra Da
(A) Sitar
(B) Sarod 89. Ustad Mushtak Ali Khan played sitar of
how many frets ?
(C) Rudra Veena
(A) 16 (B) 18
(D) Ektara
(C) 17 (D) 19
85. Ustad Asad Ali Khan use to play
90. Tarana often sings to the
(A) Rudra Veena
(A) Vilambit Laya
(B) Surbahar
(B) Madhya Laya
(C) Sitar

(D) Sarod (C) Drut Laya

(D) Ati Vilambit

86. Who brought vogue the Razakhani
Gat ?
91. In 72 Mel theory how many mel can be
(A) Gulam Raza
derived with Tivra Madhyam
(B) Muhammad Raza
(A) 72 (B) 36
(C) Nemat Khan
(D) Feroz Khan (C) 18 (D) 09

87. Except Masitkhani and Razakhani Gat 92. Corresponding North Indian Raag of
one other lesser known gat is known Karnatic Raag Mohanam is known as
as (A) Maalkauns
(A) Muhammad Khani
(B) Durga
(B) Bashir Khani
(C) Firoz khani (C) Bhupali

(D) Dawood khani (D) Jog

Paper II 11 27 – A
 Total Number of Pages : 20

93. The existence of 22 shrutis of the 97. From the following, which scholar has
present day classical music was first arranged the notes according to the
interval 4 3 2 4 4 3 2 ?
devised by
(A) Dattilla (A) Matang

(B) Somnath (B) Lochan

(C) Bharata (C) Ahobal

(D) Ramamatya (D) Bharat

94. Which Karnatic swar is placed for north 98. Tansen belonged to which Vani of
Indian shuddha re ? Dhruvapad ?

(A) Chatushruti re (A) Nauhari

(B) Komal ga (B) Dagur

(C) Gaurari
(C) Antar ga
(D) Khandari
(D) Prati ga
99. Vidushi Hirabai Barodekar and Ustad
95. In which treatise thirteen characteristics
Abdul Karim Khan respectively belongs
of Raga have been stated ?
to
(A) Brihaddeshi
(A) Kirana-Kirana
(B) Sangeet Ratnakar
(B) Kirana-Agra
(C) Natya Shastra
(D) Sangeet Parijat (C) Agra-Gwalior

(D) Agra-Kirana
96. Who has written under the pseudonym
‘Chatur Pandit’ ? 100. Tansen was born in
(A) V.D. Paluskar (A) Behat
(B) V.N. Bhatkhande (B) Gwalior
(C) Brihaspati (C) Agra
(D) Jaidev Singh (D) Vrindaban

27 – A 12 Paper II
 Total Number of Pages : 20

section – c
101. Bharat’s Natya Shastra deals with Taal 106. Harmonium is a
in which of its chapter ?
(A) Tantri Vadya
(A) 29 th
(B) 30 th

(B) Sushir Vadya

(C) 31st (D) 32nd
(C) Avanaddha Vadya
102. The book in which ‘ Theka’ word is used
for the first time (D) Ghan Vadya

(A) Radha Govinda Sangeet Sar

107. Instrument, which was used for
(B) Sarmaye Isharat showing Taal

(C) Sangeet Naad Vinoda (A) Kansya Taal

(B) Jal Tarang
(D) Sangeet Kaladhar
(C) Tanpura
103. The Tabla of Lucknow is written by (D) Veena
(A) Firoj Framji
108. Nana Panse is related with
(B) James Kippan
(A) Dholak (B) Tabla
(C) Clament
(C) Pakhawaj (D) Mridangam
(D) Danelu

104. Sangit Taal Parichay is written by 109. Under which class of instruments does
‘ Surbahar’ come ?
(A) Shri Girishchandra Shrivastav
(A) Tat Vadya
(B) Dr. Laxminarayan Garg (B) Ghan Vadya
(C) Shri Madhukar Godbole (C) Sushir Vadya
(D) Shri Bhagwat Sharan Sharma (D) Avanaddha

105. Writer of the book ‘Bharatiya Taalonka 110. Which material is used in putting ‘Syahi’
Shastriya Vivechan’ on tabla ?

(A) Dr. Lal Mani Mishra (A) Wood powder

(B) Dr. Arun Kumar Sen (B) Iron powder

(C) Acharya K.C.D. Brihaspati (C) Stone powder
(D) Dr. Avan E. Mistri (D) None of these
Paper II 13 27 – A
 Total Number of Pages : 20

111. Which one is an expandable composition 117. Match the following :

from the following ? List – I List – II

(A) Tukada (B) Laggi a. Hazi Vilayat Ali Khan 1. Farukhabad

gharana
(C) Chakradar (D) Rela
b. Quadir Bakhsh 2. Banaras
112 . Aad of Pancham Sawari will come in gharana

(A) 10 beats c. Natthoo Khan 3. Punjab

gharana
(B) 9 beats
d. Kumar Bose 4. Delhi gharana
(C) 12 beats
(D) 11 beats Codes :
a b c d
113. Which is not a category of Tihai among
(A) 1 2 3 4
the following ?
(B) 1 3 4 2
(A) Farmaisi (B) Navahakka
(C) Quiada (D) Kamali (C) 3 2 1 4

(D) 1 4 3 2
114. Kinds of Laya
(A) three (B) four 118. Match the following :
(C) six (D) five List – I List – II
i. Guitar 1. Budhaditya
115. In which Tala, Farmaishee Chakkardar
Mukherjee
of Jhaptala will be played without any
change ? ii. Sitar 2. V.G. Jog
iii . Violin 3. Brij Bhushan Kabra
(A) Ektal
iv. Shehnai 4. Jagannath
(B) Aada Chautal
Pacheriwal
(C) Teen Tal
Codes :
(D) Rupak i ii iii iv
(A) 2 4 3 1
116. Ustad Haji Vilayat Ali was the founder
(B) 3 2 4 1
of which Gharana of Tabla ?
(A) Delhi (B) Punjab (C) 3 1 4 2
(C) Lucknow (D) Farukhabad (D) 3 1 2 4
27 – A 14 Paper II
 Total Number of Pages : 20

119. Varanasi Gharana begins with 123. Morchang is a ________ instrument.

(A) Pt. Ram Sahai (A) Tat (B) Vitat

(B) Pt. Bhairon Sahai (C) Avanaddha (D) Ghan

(C) Pt. Baldeo Sahai

124. Dhaunsa is a folk instrument. This is a
kind of
(D) Pt. Durga Sahai
(A) Nakkara
120. Tabla player who was famous for
(B) Pakhawaj
composing jodas of Gat
(C) Nal
(A) Haji Vilayat Ali
(D) Tabla
(B) Salari Miyan
125. Instrument Tasha Falls in category
(C) Sidhar Khan
(A) Ghana
(D) Gudai Maharaj
(B) Vitat
121. Sundari is a__________ instrument. (C) Tat

(A) Tat (D) Avanaddha

(B) Vitat 126. Composition with Tihayee played three

times
(C) Avanaddha
(A) Tihayee
(D) Sushir (B) Tukada

(C) Rela
122. Mridang is related to
(D) Chakradar
(A) Earth
127. One can find description of _________
(B) Wood
Taalas in Sangeet Ratnakar.
(C) Metal (A) 150 (B) 120

(D) None of these (C) 130 (D) 140

Paper II 15 27 – A
 Total Number of Pages : 20

128. Which style of singing is adorned with 133. Name the Kuchipudi dancer.
PARANAS ?
(A) Sonal Mansingh
(A) Dhrupad (B) Khayal
(B) Swapna Sundari
(C) Thumari (D) Tappa
(C) Shashwati Sen
129. How many Marg are described in
Sangeet Ratnakar ? (D) Kiran Sehgal
(A) 4 (B) 3

(C) 5 (D) 2 134. Prof. Sudhir Kumar Saxena is Disciple of

(A) Ustad Natthoo Khan

130. Most expandable composition of Tabla
is (B) Ustad Qadir bakhsh
(A) Quiada (C) Ustad Habibuddin Khan
(B) Tukada (D) Ustad Kale Khan
(C) Mohara
135. An Artist who mastered the art of Sitar
(D) Kamali Chakradar
and Tabla playing
131. Tabla player honoured with Padmashree
(A) Shri Dhruba Ghosh
(A) Shri Shubhankar Banerjee
(B) Shri Nayan Ghosh
(B) Shri Yogesh Shamsi
(C) Shri Nikhil Ghosh
(C) Shri Ramkumar Mishra
(D) Shri Manan Ghosh
(D) Pt. Suresh Talwalkar

136. Renowned Tabla player of Delhi gharana

132. Who was the Guru of Karamat Khan ?

(A) Pt. Gyan Prakash Ghosh (A) Ramkumar Mishra

(B) Ustad Ahmed Jan Thirakawa (B) Manju Khan

(C) Ustad Amir Hussain (C) Ilmas Hussain

(D) Ustad Masit Khan (D) Lateef Ahmad

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137. Match the following : 140. Match the following :

List – I List – II List – I List – II

a. Dhrupad i. Punjaabi Taal
a. Pt. Anokhelal i. Gama Maharaj
b. Khayal ii. Deepchandi
b. U. Habibuddin Khan ii. Khaleefa
c. Thumari iii. Teen Taal
c. Pt. Bikku Maharaj iii. Magician of
d. Tappa iv. Chaar Taal Na dhin
Codes : Dhinna

a b c d
d. Pt. Ramayan Prasad iv. Sangat
(A) iv iii ii i Mishra Samrat

(B) i ii iii iv Codes :

(C) ii i iv iii
a b c d
(D) iii iv i ii
(A) i ii iii iv

138. Famous Gharana for Quada

(B) iii ii iv i
(A) Delhi

(B) Banaras (C) iii iv ii i

(C) Lucknow
(D) iii iv i ii
(D) Punjab

139. Baj of Chanti 141. Which Tabla player is Co-founder of

Swar Sadhana Samiti ?
(A) Delhi
(A) Bhai gaitonde
(B) Punjab
(B) Arvind Mulgaonkar
(C) Farukhabad (C) Nikhil ghosh

(D) Lucknow (D) Dr. Aban Mistri

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142. Title of the book written by Yogmaya 147. What is the name of the Guru of
Shukla Pt. Suresh Talwalkar ?
(A) Pakhawaj aur tabla ke gharane (A) Shri Pandharinath Nageshkar
aur paramparaen
(B) Ustad Amir Hussain Khan
(B) Tabla ka udgam, vikas aur
vadan shailiyan (C) Ustad Ahmed Jan Thirakawa
(C) Taalprakash (D) Ustad Munne Khan Sahib
(D) Taalmartand
148. Raja Chhatrapati Singh plays

143. Tabla Granth Manjusha is authored by (A) Tabla

(A) Vanita (B) Pakhawaj

(B) Venu (C) Nakkara

(C) Vanita Venu (D) Dholak

(D) Venu Vanita 149. Prominent Tabla player in film music

144. “Solo Tabla Drumming of North India” (A) Ustad Allahrakha

relates to
(B) Pt. Kishan Maharaj
(A) M. Peterson
(C) Ustad Karam Tulla Khan
(B) Robert S. Gottlieb
(D) Pt. Samta Prasad Mishra
(C) Robert Peterson
150. Well-known Mridangam player
(D) Mark S. Gottlieb
(A) Lalgudi Jairaman
145. What is the sign of SAM in
Bhatkhande System of Notation ? (B) Palghat Mani Ayyer

(A) × (B) ο (C) T.N. Krishnan

(C) ≠ (D) + (D) Shekh Chinnmoulana

146. Ustad Karamatulla belongs to 151. Which is missing Taal in Sapttaal

(A) Delhi Gharana Dhruva-Matt-Rupaka-Jampa-Triputa-
Eka ?
(B) Punjab Gharana
(C) Lucknow Gharana (A) Ata (B) Gaja

(D) Farukhabad Gharana (C) Chapu (D) Mishra

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152. Match the following : 156. In which style of singing laggi is commonly
List – I List – II performed with accompaniment ?

i. Vishnu Taal 1. 9 Matra (A) Khayal (B) Gazal

ii. Vasant Taal 2. 11 Matra (C) Dadara (D) Bhajan

iii. Rudra Taal 3. 16 Matra 157. The Theka of Deepchandi Tal is used
in which vocal system ?
iv. Punjabi Taal 4. 17 Matra
Codes : (A) Chhota Khyal
i ii iii iv (B) Bada Khyal
(A) 4 3 2 1
(C) Dhrupad-Dhamar
(B) 4 2 1 3
(D) Thumari-Chaiti
(C) 4 2 3 1
(D) 4 1 2 3 158. In book Taal Prabandh, how many types
of Paran is illustrated ?
153. With which style of singing ‘EK TAAL’
is used ? (A) 4 (B) 3

(A) Dhrupad (B) Khayal (C) 5 (D) 6

(C) Thumari (D) Tappa
159. Which Taal is generally not used with
Thoomari accompaniment ?
154. How many ‘Ghar’ are there in the padi
of Tabla/Pakhawaj ? (A) Teentaal (B) Dadara
(A) 4 (B) 8
(C) Kaharava (D) Zaptaal
(C) 16 (D) 24
160. From where it will begin Chaugun of
155. The main characteristic of Chanda
Pancham Sawari is one aawartan ?
(A) Varnic (A) 10 beats
(B) Matric (B) 11½ beats
(C) Matra (C) 11¼ beats

(D) Layabaddhata (D) 12 beats

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