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85f28d-Fb3b-F84e-C2f-6c011448b 4 Steps To Better Articulation
85f28d-Fb3b-F84e-C2f-6c011448b 4 Steps To Better Articulation
If we get questions about one thing more than anything else, it's articulation.
You're frustrated by it and want to know how to make it better, faster, more effective.
In teaching, it's one of the things that often has to be fixed and needs... #work!
It can be an elusive part of playing the clarinet for all of us! And, progress can be slow.
But, help is here! We LOVE talking about articulation. This guide gives you 4 steps to truly
improve the mechanism of your articulation, breaking it down to its VERY basic elements.
Once you understand how articulation works, and feel how effortless it can feel, you will just be
so happy. Praise be!
If you practice these exercises each day, in this order, and are mindful about carrying your
understanding through the exercises, we know your articulation will improve!
Take a breath and then hold it and push. That's air pressure.
Release it with an exhale. That's air flow!
Manipulating the flow by putting the tongue on the reed without stopping the pressure
is the key to articulating efficiently.
KEY TO UNDERSTANDING
Nearly all of the time, unless you're purposefully doing an air release or another special scenario,
a note becomes short because the tongue stops the air flow, not because the air flow stops.
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4 STEPS TO BETTER ARTICULATION
We're going to practice understanding air flow vs. air pressure by doing this muted tongue
exercise!
During the circled notes, bring your tongue to the reed. Aim to get a buzzed/muted sound
once the tongue is on the reed with the air pressure remaining exactly the same as when you
were playing the regular note. You need a taste bud of tongue. Like. Barely any. It may tickle!
The goal is to train your tongue to go to the reed without manipulating the air pressure,
understanding that the flow will become less as the tongue approaches and makes contact with the reed.
When you go to articulate staccato, keep in mind your muted tongue exercise: simply bring
your tongue to the reed to make the note short but keep the pressure consistent. Go as slowly
as you need to to REALLY do this confidently!
Play this exercise up multiple scales. The higher you go, the more finesse you're going to need.
The embouchure also needs to be stable for this to work...!
KEY TO UNDERSTANDING
Focus on efficiency of the tongue, meaning, it should move very little! We're going tip ish of the tongue
to tip ish of the reed. Aim slightly to the side of the reed if you feel the articulation is too harsh. And
please remember: it is a very, very small movement of the tongue!
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4 STEPS TO BETTER ARTICULATION
3 | GAIN SPEED
Let's review:
Now that you're feeling confident about all of those facts, let's work on gaining some speed!
Play the exercise below legato; the faster you go, the shorter it will sound
You're focused on lightness and EASE. If you start getting tense, slow it down
Play this at 3 different tempos: one that feels slow, one that feels good and one that feels almost
too fast
Keep going down the chromatic scale to low E. Then, do it an octave higher.
4 | CONQUER COORDINATION
Now the fun part. We have to introduce more coordination of the tongue with the fingers! There
are obviously many, many ways to practice this. We love this exercise by Dan Gilbert.
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4 STEPS TO BETTER ARTICULATION
Take 15 minutes each day for 7 days to do these exercises and keep track in the chart below.
Record yourself on day #1 and day #7 to hear your progress!
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Book a lesson
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