Sicilienne

Maria Theresia von Paradis

 Andantino
    
(1759-1824)

          

            
   
(  = 40)


 
                  
Flauta

                        


          
                       
 
 

          
Piano


                    

   
         
 
6
1. 2.

                     
                          
 

  
      
                    
       


    
    
               


     

  
  
12

         
                     
             
         
   
     



 
  
  

       
    
17

    
 

 
     
            


    

   
 
           
             
     
       
              
 
         2.  
  
 
  

21 1.

       
      
               
 


  


       
           
                      
 

  

         
   
 
26

    
      
         

        


     
 
     
       
 

28

      
           


      
rit.

        
              
      
rit. 

 