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Abstract Mohamed Revised
Abstract Mohamed Revised
Abstract
This research paper examines the cultural implications of the depictions of cannibalism in
Daniel Defoe's Robinson Crusoe through a postcolonial theoretical lens and bringing in food
studies. The paper thus It analyzes how cannibals and cannibalism are portrayed within the
text and what these representations reveal about the construction of cultural identities during
Adopting a postcolonial reading, the paper argues that Crusoe's sinister depictions of
cannibals as monstrous savages serve to position them as the dehumanized cultural "Other."
This process of othering allows Crusoe to define his own European identity against their
constructed alterity. Scenes of supposed cannibal rituals are shown to promote damaging
The paper explores how Robinson Crusoe's fears about cannibalism stem from underlying
anxieties surrounding the fragility of European civilization and the perceived dangers of
cultural contamination. His assertions of dominance over the indigenous people he encounters
represent an attempt to assert colonial control through the violent disruption of native cultural
Through a close postcolonial analysis of the multifaceted symbolic role that cannibalism plays
in the narrative, this research paper illuminates how Defoe's text subtly reinforces ideologies