Professional Documents
Culture Documents
Brick Lane Chapter 10 Summary & Analysis - LitCharts
Brick Lane Chapter 10 Summary & Analysis - LitCharts
Brick Lane Chapter 10 Summary & Analysis - LitCharts
Introduction + Context
Plot Summary
Detailed Summary & Analysis
Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 13 Chapter 14 Chapter 15
Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 1
Themes
All Themes Displacement and Dissociation Cultural and Religious Sexism Luck, Class, and Fate Assimilation and Immigrant Life
Quotes
Characters
All Characters Banesa Chanu Hamid Hasina Karim Mumtaz Nazneen Rupban Dr. Azad Mrs. Islam Razia Iqbal Abdul Ahmed Aleya James
(Jamshed Rashid) Mr. Chowdhury Shahnaz The Tattoo Woman Zainab Lovely (Anwara Begum) Monju Zaid
Terms
All Terms Purdah Love Marriage Sylheti Hartal
Symbols
All Symbols Blood Animals Furniture Clothes and Textiles
Upgrade to LitCharts A+
LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.
Detailed explanations, analysis, and citation info for every important quote on LitCharts.
The original text plus a side-by-side modern translation of every Shakespeare play.
Sign Up
Already have an account? Sign in
Submit
Literature Poetry Lit Terms Shakescleare
Brick Lane
by
Monica Ali
Upgrade to A+
Download this LitChart! (PDF)
Teachers and parents! Our Teacher Edition on Brick Lane makes teaching easy.
Introduction Intro
Plot Summary Plot
Summary & Analysis
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Themes
All Themes
Quotes
Characters
All Characters
Banesa
Chanu
Hamid
Hasina
Karim
Mumtaz
Nazneen
Rupban
Dr. Azad
Mrs. Islam
Razia Iqbal
Abdul
Ahmed
Aleya
James (Jamshed Rashid)
Mr. Chowdhury
Shahnaz
The Tattoo Woman
Zainab
Lovely (Anwara Begum)
Monju
Zaid
Terms
All Terms
Purdah
Love Marriage
Sylheti
Hartal
Symbols
All Symbols
Blood
Animals
Furniture
Get LitCharts A+
"Sooo much more helpful than SparkNotes. The way the content is organized
and presented is seamlessly smooth, innovative, and comprehensive."
Get LitCharts A+
Everything you need for every book you read.
Get LitCharts A+
Previous Next
Chapter 9
Brick Lane: Chapter 10 Summary & Analysis Chapter 11
Chanu, or driver 1619 as he is known at Kempton Kars, often works nights, and evenings in the apartment are more relaxed when he’s
away. The girls do their homework in front of the television and Nazneen sews, mentally adding up the money she has saved and stowed in
secret places around the apartment. She plans to send most of the money to Hasina. The rest she will use to buy little things for Shahana like
shampoo and clips for her hair.
It is Chanu’s presence in the house that often gets in the way of Nazneen and the girls’ comfort and contentment. In his absence, Nazneen
has dared to do something she never thought herself capable of: making her own money and saving some of it for herself. Her sewing work
is liberating her at least partially from some of the stricter tenets of purdah.
Active Themes
Sometimes Chanu works all night and Nazneen makes sure to have food prepared for him when he returns in the morning, famished. He
has grown philosophical and, for the most part, at ease with his new position in society. He is no longer striving to be a big man. He wants
only to make money. Then, like the British who invaded Bangladesh, he plans to take all that money with him when he leaves. When he
reads, though, he grows more passionate, telling the girls that it was the Muslims who saved the work of Plato and Aristotle from being
erased during the so-called Dark Ages. He plans to introduce his daughters to Islam. Then he will move on to Hindu philosophy and
Buddhism.
While Nazneen acclimates to life in London, Chanu turns his sights on Bangladesh. His dreams of being a big man have been replaced with
one goal: to make enough money to take his family home. As Dr. Azad predicted, he now has full-fledged “going home sickness,” but for
Chanu it seems not to be a sickness at all. Work and his pride in Bangladesh’s storied history have restored him to himself.
Active Themes
Nazneen is in her daughter’s bedroom, trying to tidy it. Shahana is furious. She says she won’t go—she’ll run away instead. Bibi says she
wants to stay with her sister. Nazneen tells them not to be silly. They must wait and see what God wills. She thinks for one disorienting
moment that she will make the decision herself—she will take care of the girls. She feels powerful at first and then like she might vomit. Bibi
asks her if she wants to go. In response, she tells them the story of her birth, of how she was left to fate. Shahana is not satisfied. The story
isn’t an answer, she says, but Nazneen replies that it’s her answer.
Nazneen’s new-found independence hits a snag when she considers that her future and her daughters’ futures could be in her hands. The
thought of fighting both fate and Chanu and staying in London while he moves back to Bangladesh is so alien and overwhelming that she is
sick for a moment. Answering her daughters’ queries with her birth story is a stalling technique; it shows that she is not yet ready to decide.
Active Themes
Nazneen is beginning to lose her memory of Gouripur. It is slipping from her and only comes back in dreams. One night she dreams of
Mumtaz and her mynah bird. Rupban tells Mumtaz she is foolish to waste her affection on a bird that will someday fly away. Mumtaz
jokingly tells the bird it is bad. “Go away,” she says, but it doesn’t fly away, and Mumtaz and the bird become inseparable. A table arrives in
the village and the elders gather, smoking on pipes and sipping cups of tea. A woman’s scream pierces the air. It is Mumtaz—her bird’s neck
is broken. It doesn’t get the chance to fly away.
The mynah bird represents the possibilities open to a person who, like Nazneen, is born in a poverty-stricken nation. Sometimes families
remain together and unbroken, making the choice to remain in one place. Sometimes they part and are never reunited again. The saddest
outcome is when someone desperately wants to flee to another land but does not have the opportunity. This kills the spirit.
Active Themes
Nazneen wakes from the dream and gets up to sew. She’s working on a pile of sequined vests in need of zippers. Having finished three, she
takes one to the bathroom and tries it on. When she closes her eyes, she is in the arena, sliding across the ice. A man is with her. Like Karim,
he wears a gold chain. She takes the vest off. The sequins are cheap. They look like fish scales.
The dream has disturbed Nazneen and reminded her that she has desires of her own. The vest is a chance try on life as a different person, a
glamorous ice skater with Karim as her partner. But the attempt fails, as it’s only a cheap imitation.
Active Themes
LitCharts is hiring!
Close
Company
About Us Our Story Jobs
Support
Help Center Contact Us Citation Generator
Connect
Facebook Twitter
Legal
Terms of Service Privacy Policy Privacy Request
Home About Contact Help
Copyright © 2024 All Rights Reserved
Terms Privacy Privacy Request
Add a note to this highlight