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English Reviewer 3rd Quarter
English Reviewer 3rd Quarter
ARGUMENTATIVE WRITING
Argumentative Writing-
-get the reader to understand that your claim is valid
-offers facts, reasons and evidence with claims to show the author has valid points, logic based
-acknowledge opposing claims, may compare ideas to establish position
-may present multiple sides, but author’s side is clear, tone is calmer towards reader
Persuasive Writing-
-combines facts with emotions, emotion based
-ignores counterclaims, presents ideas that only help establish position
-one sided, claims without evidence, tone is more aggressive
1. Introductory Paragraph- present the topic in an interesting way, may use humor.
Thesis Statement
- A sentence that expresses the main ideas of your paper, it answers the questions in the
paper and a summary of what will be discussed to the paper.
Persuasive Essay
-convinces readers of the validity of writer’s arguments
-arguments are mostly on opinion and factual arguments
-presents only his side, intends to make readers do certain things
Argumentative Essay
-aims to change reader’s mind by convincing them to agree to your point of view
-the argument is elaborated and explained along with its pros and cons
1. Film Intro- introduce the film and share your opinion about it
2. Plot Summary- summarize the story and include the characters, especially the main
ones
3. Setting Spotlight- discuss how the setting contributed to the effectiveness of the film
4. Character Limelight- evaluate how actors played their roles in the movie
5. Likes and Dislikes identify the parts of the movie that you like or dislike, explain it why
and describe specific scenes
6. Lesson Learned- share the lessons that you learned or inspired you in the movie
7. Recommendations- identify the type of people that will enjoy the movie
LITERARY CRITICISM
Literary Criticism
-practice of interpreting and writing about the literature as the latter, in turn, strive to make
sense of the world
-its purpose is to broaden reader’s understanding of author’s work by summarizing,
interpreting, and exploring its value
Formalist Approach- analyzes, interprets and evaluates the inherent features of a text, it
reduces the significance of its historical, biographical and cultural background.
Literary Devices
Simile- indirect comparison between two unrelated things or objects, uses word “like” or “as”
Metaphor- direct comparison of two unrelated things or objects
Imagery- engages the sense to deepen the reader’s comprehension of what is happening and
how it feels
Symbolism- uses symbols which can be human, things or locations to represent something
beyond the literal meaning
Personification- giving human attributes to nonhuman things
Hyperbole- deliberately showing exaggeration to emphasis something
Irony- use of phrases to convey a certain meaning by stating the opposite of it
Paradox- literary device the contradicts itself but contains a plausible kernel of truth
Oxymoron- conjunction of two things that have meanings that contradicts each other
Antithesis- focuses on the magnitude or size of something
Sound Devices- are special tools for poets to create certain effects in the poem
Marxist Approach- focuses on the power struggles of characters. This concerns class
differences economic as well as the implication and complication of the capitalist system.
Marxist Critics are also interested in how the lower working classes are oppressed in everyday
life.
Feminist Approach- explores the gender inequality, aiming to understand its roots and nature.
It explores social relationships and roles of men and women. It draws on ideas of feminism
theory, considering how literature portrays and is influenced by patriarchal narratives.
Historical Approach- sees literature as both a reflection and a product of the times and
circumstances in which it is written. It involves looking beyond the literature at the broader
historical and cultural events occurring during the time the piece was written.
Reader Response- literature may be judged according to how reader perceives it and what the
author intends. The text itself has no meaning until it is read by a reader. Analysis of the
reader’s role in the production of meaning makes someone’s reading a function of personal
identity. Readers create meaning to the text rather than find