Professional Documents
Culture Documents
Mythlore Index 101 118
Mythlore Index 101 118
MYT HLORE
SUPPLEMENT :
Issues 101/102
through 117/118
(2008-2011)
C OMPILED BY J ANET B RENNAN C ROFT
The Mythopoeic Society is a non-profit educational organization devoted to the study, discussion, and enjoyment of the works of
C.S. Lewis, J.R.R. Tolkien, Charles Williams, and other writers of myth and fantasy literature. The Society holds annual conferences,
sponsors local discussion groups, and publishes three magazines: Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and
Mythopoeic Literature, a quarterly journal; Mythprint: The Monthly Bulletin of the Mythopoeic Society, featuring news, activities, and
reviews; and The Mythic Circle, an annual publication of fiction and poetry. For further information, visit the Mythopoeic Society
website at www.mythsoc.org.
The Mythopoeic Press, a division of the Mythopoeic Society, is dedicated to the publication of works by and about the Inkling s—
C.S. Lewis, J.R.R. Tolkien, and Charles Williams preeminently—and others related directly and indirectly to the Inklings’ ‚myth-
making‛ vision.
C 2012. This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To
view a copy of this license, visit http://creativecommons.org/ licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171
Second Street, Suite 300, San Francisco, California, 94105, USA.
Article Inde x by Author
Sorted by author, then alphabetically by title for authors of multiple articles.
Includes abstracts.
Main entries in bold face.
A provides Sam with a paradigm for unfamiliar and highly allusive poetic
the ideal marriage. Considers style, and will provide a firm
Agan, Cami. ‚Song as Mythic Goldberry an Eve-like figure. starting place for later scholarship on
Conduit in The Fellowship of this long-unseen work. Includes a
the Ring.‛ 26.3/4 (#101/102) Berman, Lauren. ‚Dragons and family tree of named characters in
(2008): 41-63. Serpents in J.K. Rowling’s the poem.
This article on song in Middle-earth Harry Potter Series: Are They
explores the complex layering of Evil?‛ 27.1/2 (#103/104) (2008): Bilbro, Jeffrey. ‚Phantastical
history and legend that convey 45-65. Regress: The Return of Desire
Tolkien’s themes across a wide array Investigates the role and symbolism and Deed in Phantastes and The
of genres within the legendarium, of dragons and serpents in J.K. Pilgrim’s Regress.‛ Mythlore
reinforcing the sense of depth of Rowling’s Harry Potter series, with 28.3/4 (#109/110) (2010): 21-37.
time Tolkien hoped to achieve even side excursions into Lewis and Bilbro examines the close link
within The Hobbit. Tolkien for their takes on the topic. between George MacDonald’s
Concludes that dragons are morally Phantastes and C.S. Lewis’s first
Anderson, Douglas A. ‚A Footnote neutral in her world, while serpents post-conversion fiction The Pilgrim’s
to Tales Before Narnia [Letter]‛ generally represent or are allied with Regress, born out of the ‚baptism‛ of
Mythlore 29.1/2 (#111/112) evil. Lewis’s imagination by MacDonald’s
(2010): 161-162. seminal work. Both feature pairings
Suggests an addition to the list of Berman, Ruth. ‚Watchful Dragons of seekers initially led by desire with
recommended reading in the and Sinewy Gnomes: C.S. knight-like figures, and take the
author’s Tales Before Narnia: M.P. Lewis’s Use of Modern Fairy characters through journeys with
Shiel. C.S. Lewis was known to have Tales.‛ Mythlore 30.3/4 many important parallels, including
owned several books by this author. (#117/118): 117-127. learning lessons showing that desire
A companion to her study of and deed must work in harmony to
Auger, Emily E. “The Lord of the Tolkien’s use of the Andrew Lang bring about successful spiritual
Rings’ Interlace: The fairy tale collections (in #99/100) with quests.
Adaptation to Film.‛ Mythlore a piece on how Lewis used them as
30.1/2 (#115/116) (2011): 143-162. well, but also tended to look Blomqvist, Rut. ‚The Road of Our
An investigation of how Tolkien’s favorably on and use more modern Senses: Search for Personal
interlacing narrative technique is fantasy sources than Tolkien. Meaning and the Limitations of
translated in the recent film trilogy, Myth in Neil Gaiman’s
and in particular, Jackson’s method Berube, Pierre H. ‚The Origins of American Gods.‛ Mythlore
of interlacing Isildur’s story, Dwarves [Letter]‛ Mythlore 30.3/4 (#117/118): 5-26.
Gollum’s torture in Mordor, and 29.1/2 (#111/112) (2010): 163-164. Examines the intertextuality of
Elrond’s expanded council with Following on Helios de Rosario culture and myth and the ways in
foreshadowings and re-echoings of Martinez’s article in Mythlore which new myth is formed through
dialogue and visual cues. 109/110, suggests several avenues of an exploration of binaries
exploration for the popular folkloric throughout the novel and the added
concept of dwarves as miners. scenes in the 10th Anniversary
edition.
B Berube, Pierre H. ‚Tolkien’s Sigurd
& Gudrún: Summary, Sources, Brackmann, Rebecca. ‚’Dwarves are
Basso, Ann McCauley. ‚Fair Lady & Analogs.‛ 28.1/2 (#107/108) Not Heroes’: Antisemitism and
Goldberry, Daughter of the (2009): 45-76. the Dwarves in J.R.R. Tolkien’s
River.‛ 27.1/2 (#103/104) (2008): A thorough and analytical guide to Writings.‛ Mythlore 28.3/4
137-146. The Legend of Sigurd and Gudrún, (#109/110) (2010): 85-106.
Examines Goldberry as an listing Tolkien’s sources for each This challenging paper on
intermediary figure between noble incident in his poem and finding antisemitism in the depiction of
or ethereal female characters like analogs in the rest of his work. Tolkien’s dwarves brings some
Galadriel and Éowyn and everyday Consists mainly of charts, which are much-needed definition to the
women like Rosie Cotton, and shows an excellent guide through this ongoing discussion of Tolkien and
how her relationship with Tom tangle of Northern legend and an race. Quotes China Miéville’s
observation that ‚racism is true” in for Jane and Mark Studdock in That Christopher, Joe R. ‚From Despoina
Tolkien’s works, ‚in that people Hideous Strength. to Δ.‛ Mythlore 30.3/4
really are defined by their race,‛ but (#117/118): 27-54.
demonstrates how Tolkien’s Identifies Janie Moore as the
conception of the racial sometimes goddess, sometimes
characteristics of Dwarves changed human Δ or Despoina in C.S. Lewis’s
C
over his lifetime. Yet we come back early poems, letters, and diaries. The
in the end to the inescapable fact, changing nature of her depiction
Carroll, Shiloh. ‚The Heart of the
with all its implications, that the shows the young Lewis developing a
Labyrinth: Reading Jim
Dwarves continue to have a set of surer handling of his chosen mythic
Henson’s Labyrinth as a
recognizable racial characteristics. references as he matures and
Modern Dream Vision.‛ 28.1/2
reinforces the thesis that they were
(#107/108) (2009): 103-112.
Brisbois, Michael J. ‚The Blade lovers.
Demonstrates how Jim Henson’s film
Against the Burden: The
Labyrinth can trace its ancestry to the
Iconography of the Sword in Christopher, Joe R. ‚’The Meteorite’
dream vision genre exemplified by
The Lord of the Rings.‛ 27.1/2 and the Importance of Context.‛
such medieval works as ‚Pearl‛ and
(#103/104) (2008): 93-103. Mythlore 28.3/4 (#109/110)
The Divine Comedy, showing how the
Invites us to consider the deeper (2010): 55-64.
dream vision parallels and guides
social implications of carrying and Contrasts two readings of C.S.
main character Sarah’s growth
using a sword in the medieval world Lewis’s poem ‚The Meteorite‛: first
towards emotional maturity. Also
of Middle-earth—how bearing a reading and explicating it out of
addresses the way Sarah deals with
sword not only indicates leadership context in the Formalistic manner,
the prospect of sexual maturity,
and service, but provides an and then demonstrating the added
rejecting a too-early adulthood.
opportunity for social mobility, in layer of meaning gained by
addition to its more obvious military considering its use as the envoi to
Carter, Steven Brett. ‚Faramir and
meanings. Considers as examples Miracles, and the implications this
the Heroic Ideal of the
Merry and Pippin swearing oaths to, has for Formalistic critical
Twentieth Century: Or, How
respectively, Théoden and Denethor; approaches to literature.
Aragorn Died at the Somme.‛
Éowyn’s heroic deeds; and especially
Mythlore 30.3/4 (#117/118): 89-
Aragorn’s use of the Narsil/Andúril Christopher, Joe R. ‚The Non-Dead
102.
as a symbol of legitimacy and service in John Dickson Carr’s The
An essay on Faramir, that
to his people. Burning Court.‛ 27.1/2 (#103/104)
mysterious character who walked
(2008): 127-136.
out of the woods into The Lord of the
Bruce, Alexander M. ‚The Fall of John Dickson Carr’s The Burning
Rings, and how his modern tactics,
Gondor and the Fall of Troy: Court is an atypical novel for this
leadership style, and heroism grew
Tolkien and Book II of The author, who in nearly all other cases
out of Tolkien’s war experiences.
Aeneid.‛ Mythlore 30.3/4 provides a purely mundane
(#117/118): 103-115. explanation for seemingly
Christopher, Joe R. ‚The Christian
Takes us back to classical warfare supernatural events in his detective
Parody in Sara Paretsky’s Ghost
and the Fall of Troy with his fiction. In this novel, the mystery
Country.‛ 26.3/4 (#101/102)
examination of what Tolkien did centers around undead characters
(2008): 165-184.
with the Aeneid when he used it as a who create more of their kind
Paretsky is best known for her V.I.
source for ‚The Fall of Gondolin.‛ through witchcraft or killing and
Warshawski detective novels; in this
The parallels between the stories of reincarnation.
non-series book, Chicago is haunted
Tuor and Aeneas are striking, but
by what may be an avatar of the
more interesting is how Tolkien put Christopher, Joe R. ‚The Thematic
Babylonian goddess Ishtar. Includes
his own thematic and symbolic Organization of Spirits in
a listing of references to other
stamp on the material. Bondage.‛ 27.3/4 (#105-
fictional detective stories in the
106)(2009): 5-41.
Warshawski series.
Bullard, Sadie H. ‚Narrative A detailed examination of each poem
Dualism in C.S. Lewis’s That in Spirits in Bondage, using the young
Christopher, Joe R. ‚The Dantean
Hideous Strength.‛ Mythlore poet’s ‚Matter = Nature = Satan‛
Structure of The Great Divorce.‛
29.3/4 (#113/114) (2011): 11-24. equation (as expressed in his letters
Mythlore 29.3/4 (#113/114)
Introduces the concept of ‚narrative to his friend Arthur Greeves) to
(2011): 77-99.
dualism‛ as a means for explore the underlying themes of
Examines the underlying structure
understanding both Lewis’s Lewis’s not just pre-conversion, but
of Lewis’s The Great Divorce, and its
technique and his authorial purpose pre-theism ‚cycle of lyrics.‛ The
mirroring of the Purgatorio.
in creating opposing but parallel contrast between beauty and evil,
experiences, motifs, and motivations irreconcilable in this stage of Lewis’s
theological development, is shown to
be a major concern in this work, Examines the moral system that Crowe, Edith. See Croft, Janet
heavily influenced by his World War guides the use of magic by the Brennan, ‚Pauline Baynes‛
I experiences. An appendix details witches of Discworld. Considers the
the matter of the poems rejected and definitions of Nice, Good, and Right
replaced before publication. under this system, and demonstrates
how mature witches strive do what D
Croft, Janet Brennan. ‚A is Right.
Bibliography of Glen de Rosario Martínez, Helios. ‚Fairy
GoodKnight’s Articles, Croft, Janet Brennan. ‚Psyche in and Elves in Tolkien and
Reviews, and Major Editorials New York: The Devil Wears Traditional Literature.‛
in Mythlore.‛ Mythlore 29.3/4 Prada Updates the Myth.‛ Mythlore 28.3/4 (#109/110)
(#113/114) (2011): 5-10. Mythlore 30.3/4 (#117/118): 55- (2010): 65-84.
Describes Mythopoeic Society 69. Explores the linguistic heritage of the
founder GoodKnight’s influence on Looks at a recent specimen of terms elf and fairy, and shows how
Inklings scholarship. Lists his popular culture, the movie The Devil Tolkien eventually adapted them for
scholarly articles, book and media Wears Prada, and finds in it an echo his own purposes. Discusses the
reviews, and selected editorials in of the story of Aphrodite and Psyche, indistinguishable nature of early
Mythlore, Tolkien Journal, and the speaking to the needs of young folkloric references to elves and
published Mythopoeic Conference women for a female mentor-figure. dwarves, and how Tolkien picked
proceedings. out the characteristics he wished to
Croft, Janet Brennan. ‚The Thread use for his elves to suit the purposes
Croft, Janet Brennan. ‚The on Which Doom Hangs: Free of his stories.
Education of a Witch: Tiffany Will, Disobedience, and
Aching, Hermione Granger, and Eucatastrophe in Tolkien’s Drout, Michael D.C. ‚‘Beowulf: The
Gendered Magic in Discworld Middle-earth.‛ Mythlore 29.1/2 Monsters and the Critics’
and Potterworld.‛ 27.3/4 (#111/112) (2010): 131-150. Seventy-five Years Later.‛
(#105/106)(2009): 129-142. Scholar Guest of Honor speech, Mythlore 30.1/2 (#115/116)
Explores the depiction of gender in Mythcon 41. Reviews theological (2011): 5-22.
education, and how gender issues in concepts underlying the ideas of war Scholar Guest of Honor speech,
education relate to power and in heaven and free will and, Mythcon 42. A discussion of the
agency, in two current young adult touching briefly on Stanley continuing influence of Tolkien’s
fantasy series featuring feisty Milgram’s experiments in obedience famed Beowulf essay on its seventy-
heroines determined to learn all that along the way, examines various fifth anniversary. Shows how the
they can: Hermione Granger in J.K. examples of disobedience in essay both opened up and limited
Rowling’s Harry Potter series, and Tolkien’s legendarium, their later Beowulf scholarship, and draws
Tiffany Aching, main character of consequences, and their ultimate some interesting parallels with the
three Discworld novels by Terry subservience to the eucatastrophic current state of Tolkien scholarship.
Pratchett. Includes a brief appendix fate of Arda. Along the way, questions the
on cross-dressing in children’s wisdom of believing everything an
literature. Croft, Janet Brennan. ‚Túrin and author says about his own work, and
Aragorn: Embracing and asserts the value of familiarity with
Croft, Janet Brennan. “Naming the Evading Fate.‛ Mythlore 29.3/4 critical history.
Evil One: Onomastic Strategies (#113/114) (2011): 155-170.
in Tolkien and Rowling.‛ 28.1/2 Considers the characters of Aragorn Downey, Sarah. ‚Cordial Dislike:
(#107/108) (2009): 149-163. and Túrin and how, at the level of Reinventing the Celestial
Investigates name magic associated motif, their name changes Ladies of Pearl and Purgatorio
with evil characters in Tolkien and throughout the legendarium reflect in Tolkien’s Galadriel.‛
Rowling, such as acts of naming and their own very different Mythlore 29.3/4 (#113/114)
self-naming, avoidance terms, and relationships with their wyrd and the (2011): 101-117.
the use of true names. Describes the fate of the universe. Considers the Celestial Lady
naming plots associated with characters from Pearl and Purgatorio
Melkor/Morgoth, Sauron, Saruman, Croft, Janet Brennan and Edith as influences on Tolkien’s Galadriel,
and Voldemort. Crowe. ‚Pauline Baynes in in character, appearance, situation,
Mythlore.‛ 27.1/2 (#103/104) and allegorical significance.
Croft, Janet Brennan. ‚Nice, Good, (2008): 7-8
or Right: Faces of the Wise A listing of artist Pauline Baynes’s
Woman in Terry Pratchett’s appearances in Mythlore as illustrator
‘Witches’ Novels.‛ 26.3/4 or author, or as the subject of articles
(#101/102) (2008): 151-164. or reviews.
Himes, Jonathan B. ‚A Matter of Discusses Tolkien’s Silmarillion and Elves owe at least as much to this
Time: C.S. Lewis’s Dark Tower how it was constructed from the heritage as to the Norse álfar.
Manuscript and Composition materials later published in the
Process.‛ Mythlore 29.3/4 twelve-volume History of Middle- Kisor, Yvette. ‚Totemic Reflexes in
(#113/114) (2011): 25-35. earth, in particular the version of ‚Of Tolkien’s Middle-earth.‛
Explores Lewis’s writing process in Fëanor and the Unchaining of Mythlore 28.3/4 (#109/110)
the unfinished The Dark Tower, Melkor‛ in the published Silmarillion (2010): 129-140.
leading us through his examination compared with the source material A close look at Tolkien’s
of the manuscript and explaining his given in Morgoth’s Ring. The author incorporation of traces of shamanism
conclusions about the order of finds intriguing patterns in what and totemism in his depiction of
composition and Lewis’s writing Christopher Tolkien used and did Gandalf and other characters; yet
methods. not use from the original material. another indication of how Tolkien
created historical depth in his tales
Hood, Gwenyth. ‚Heroic Orual and Kelly, A. Keith and Michael by reproducing the way traces of
the Tasks of Psyche.‛ 27.3/4 Livingston. ‚‘A Far Green early mythic and religious themes
(#105-106)(2009): 43-82. Country’: Tolkien, Paradise, and survive in later tales and folklore.
An in-depth exploration of Lewis’s the End of All Things in
Till We Have Faces, his retelling of the Medieval Literature.‛ 27.3/4 Koubenec, Noah. ‚The Precious and
myth of Psyche and Cupid from the (#105/106)(2009): 83-102. the Pearl: The Influence of
viewpoint of one of Psyche’s sisters, Attempts to explain exactly what Pearl on the Nature of the One
Orual. Taking as her key the god’s Frodo goes to when he sails from the Ring.‛ Mythlore 29.3/4
admonition to Orual after she forces Grey Havens. By looking at paradise, (#113/114) (2011): 119-131.
her sister to disobey him, ‚You also purgatory, and earthly Edens in Examines some roots of Tolkien’s
shall be Psyche,‛ Hood examines medieval literature and theology, we One Ring in Pearl’s themes and
Orual’s transformations of herself gain a better understanding of the motifs, characters, and allegorical
and her society and the nature and spiritual purpose of Tolkien’s ‚far functions.
meaning of the tasks she green country‛ beyond the bent
symbolically shares with her sister. paths of the world. References
An appendix details similarities and ‚Pearl,‛ ‚Sir Orfeo,‛ mystery play
differences between the classical cycles, and Sir John Mandeville’s
Latin sources and Lewis’s version. Travels, among other sources. L
King, Don W. ‚Into the Lion’s Den: Livingston, Michael. ‚The Myths of
Joy Davidman and Metro- the Author: Tolkien and the
J Medieval Origins of the Word
Goldwyn-Mayer.‛ Mythlore
30.1/2 (#115/116) (2011): 91-106. Hobbit.‛ Mythlore 30.3/4
Johnson, Brent D. ‚Éowyn’s Grief.‛
Looks at Davidman’s involvement (#117/118): 129-146.
27.3/4 (#105/106)(2009): 117-127.
with Hollywood—her short and Leads us on a linguistic journey into
Adds to the scholarly dialogue on
unlamented stint in the Metro- the origins of the words hobbit and
Tolkien’s depiction of war-related
Goldwyn-Mayer Junior Writer Baggins and their surprising relations
mental trauma by examining Éowyn
Program in 1939, and her movie to one another.
not as an example of post-traumatic
reviews for the Communist Party of
stress disorder, but as a character
the USA newspaper, New Masses, in Livingston, Michael. See also Kelly,
suffering from, and beginning to
1941-43. Davidman’s incisive wit, A. Keith.
recover from, traumatic grief.
impatience with any hint of
Emphasizes the role of Faramir as
phoniness, and passion for social, Long, Josh B. ‚Two Views of Faërie
counselor and healer. Johnson’s
racial, and gender justice come in Smith of Wootton Major:
experience as a military chaplain
through clearly in her writing. Nokes and his Cake, Smith and
gives added strength to his
his Star.‛ 26.3/4 (#101/102)
observations.
Kinniburgh, Annie. ‚The Noldor (2008): 89-100.
and the Tuatha Dé Danaan: An analysis of Smith of Wootton
J.R.R. Tolkien’s Irish Major, showing how the cake and the
Influences.‛ 28.1/2 (#107/108) star symbolize two diametrically
K
(2009): 27-44. opposed sets of attitudes towards
Shows what use Tolkien made of Faërie.
Kane, Doug C. ‚Reconstructing
some elements of Celtic folklore by
Arda: Of Fëanor and the
tracing similarities between Tolkien’s
Unchaining of Melkor.‛ 27.1/2
Noldor and the Irish Tuatha Dé
(#103/104) (2008): 9-19.
Danaan, demonstrating that his
M Melton, Brian. ‚The Great War and Miller, T.S. ‚Myth-Remaking in the
Narnia: C.S. Lewis as Soldier Shadow of Vergil: The
McBride, Sam. ‚The Company They and Creator.‛ Mythlore 30.1/2 Captive(-ated) Voice of Ursula
Didn’t Keep: Collaborative (#115/116) (2011): 123-142. K. Le Guin’s Lavinia.‛ Mythlore
Women in the Letters of C.S. Looks at the influence of World War 29.1/2 (#111/112) (2010): 29-50.
Lewis.‛ Mythlore 29.1/2 I in Lewis’s autobiography and on A reading of Ursula K. Le Guin’s
(#111/112) (2010): 69-86. war in Narnia, correcting what the not-exactly-historical novel Lavinia,
Building on the work Diana Pavlac author sees as a mistaken search for which combines Le Guin’s typical
Glyer has done to establish a deep-seated war trauma in Lewis’s thematic interest in the feminine
framework and a set of terms for life by some recent critics. Reinforces voice and experience with
understanding the collaborative the fact that Lewis and Tolkien were postmodern and existential concerns
nature of the Inklings, McBride takes not psychological twins, had about authorship, textuality, and the
us outside of their exclusively differing personalities going into the collaboration between author and
masculine circle to look at the war, and came out of it with different reader (and author and character)—
women who influenced C.S. Lewis’s approaches to dealing with the war resulting, as always with Le Guin, in
writing. His study introduces us to in their fiction. The Chronicles being something rich, deep, and difficult to
women who served Lewis as, in children’s books, Lewis operated classify. Explores how Le Guin
Glyer’s terms, Resonators, under certain self-imposed adapted the original sources to
Opponents, Conductors, and so on, restrictions in writing them, and yet create a novel from the female
from anonymous fans to well-known managed to convey some realistic character’s point of view.
names like Pitter and Sayers. lessons about war learned through
his own harrowing experiences. Miller, T.S. ‚The Pearl Maiden’s
McGregor, Jamie. ‚Two Rings to Psyche: The Middle English
Rule Them All: A Comparative Milburn, Michael. ‚Art According Pearl and the Allegorical-
Study of Tolkien and Wagner.‛ to Romantic Theology: Charles Visionary Impulse in Till We
Mythlore 29.3/4 (#113/114) Williams’s Analysis of Dante Have Faces.‛ Mythlore 30.1/2
(2011): 133-153. Reapplied to J.R.R. Tolkien’s (#115/116) (2011): 43-76.
A close comparison of Wagner’s ‘Leaf by Niggle.’‛ Mythlore Lewis’s firm assertion that Till We
Ring Cycle and the history of the 29.3/4 (#113/114) (2011): 57-75. Have Faces is not the least bit
One Ring in Tolkien’s legendarium Provides a grounding in Charles allegorical is challenged through its
which goes far beyond the usual Williams’s ‚romantic theology,‛ parallels in plot and theme with the
shallow or dismissive comparison which was heavily indebted to his highly allegorical Middle English
between the two. Here we see reading of Dante, and the Pearl. The deep allegorical structures
Tolkien, as he frequently did, application of romantic theology to in both revolve around seeing truly
absorbing the influence of an earlier art, which Milburn demonstrates by and falsely, and blindness both
author and responding in the form examining Tolkien’s ‚Leaf by intentional and ignorant.
of a correction based on his sense Niggle‛ through this lens. Winner of
that Wagner had, as Shippey put it, the Alexei Kondratiev Award at Mitchell, Christopher W. ‚Selected
‚got something very important not Mythcon 41. Sayer Holdings at the Wade
quite right‛ (Road 344). Center.‛ 26.3/4 (#101/102) (2008):
Miller, Jennifer L. ‚No Sex in 27.
MacLeod, Jeffrey J. and Anna Smol. Narnia? How Hans Christian A bibliography of selected items by
‚A Single Leaf: Tolkien’s Andersen’s ‚Snow Queen‛ George Sayer held at the Wade
Visual Art and Fantasy.‛ 27.1/2 Problematizes C.S. Lewis’s The Center library at Wheaton College,
(#103/104) (2008): 105-126. Chronicles of Narnia.‛ 28.1/2 Illinois; not exhaustive.
A look into Tolkien’s thoughts on (#107/108) (2009): 113-130.
creativity, not just through ‚On The author speculates that echoes of Mitchell, Jesse. ‚Master of Doom
Fairy-Stories‛ and ‚Leaf by Niggle,‛ Hans Christian Andersen’s ‚Snow by Doom Mastered: Heroism,
as one might expect, but also Queen‛ inevitably (for readers Fate, and Death in The Children
through Tolkien’s visual art. The familiar with the tale) bring a tinge of Húrin.‛ Mythlore 29.1/2
authors discuss and demonstrate of sexuality to encounters with the (#111/112) (2010): 87-114.
how MacLeod’s own art was White Witch of Narnia. In this way This extensive study of Túrin
influenced by Tolkien’s philosophy Lewis’s deliberately sexless tales Turambar uses two frameworks to
of sub-creation. Illustrated with six become, for some characters, an examine his character and story: that
photos, sketches, and completed exploration of dealing with the pull of the Byronic Hero (with a side
paintings by MacLeod. towards maturity. Touches on glance at the Gothic Villain in order
responses to Narnia by Pullman and to differentiate the two), and that of
Mateer, Leslie Robinson. See Gaiman. the Absurd Hero, exemplified by
Gorman, Anita G. Camus’s Sisyphus.
a painting which Radford duplicates T The Curious Incident of the Dog in the
in the final scene of the film, Night-Time, a novel about a young
resolving the multiple themes of the Tally, Robert T., Jr. ‚Let Us Now boy with Asperger’s Syndrome.
play. Praise Famous Orcs: Simple
Humanity in Tolkien’s
Ruud, Jay. ‚The Voice of Saruman: Inhuman Creatures.‛ Mythlore
Wizards and Rhetoric in The 29.1/2 (#111/112) (2010):17-28. W
Two Towers.‛ Mythlore 28.3/4 A careful study of ‚the orcish
(#109/110) (2010): 141-153. question,‛ in which the author Waito, David M. ‚The Shire Quest:
Examines a particular aspect of investigates their behavior, The ‘Scouring of the Shire’ as
Tolkien’s wizards—their skill in the conversations, and interactions with the Narrative and Thematic
art of rhetoric. Provides a useful other races in order to propose some Focus of The Lord of the Rings.‛
exercise in recognizing fallacious challenging conclusions about Mythlore 28.3/4 (#109/110)
reasoning in persuasive speech by racism, souls, and Tolkien’s purpose (2010): 155-177.
defining and demonstrating classical in creating orcs the way he did. Urges us to take a step back from the
rhetorical methods employed by well-known and thoroughly
Saruman and Gandalf. Tally, Robert T., Jr. ‚Stalin’s Orcs examined Ring Quest in The Lord of
[Letter].‛ Mythlore 29.3/4 the Rings and consider its frame, the
(#113/114) (2011): 171-172. beginning and ending chapters set in
Following up on his article in the Shire, as representing an
S Mythlore 29.1/2, the author important framing Quest in their
summarizes a recent discovery that own right. The ‘Shire Quest’ is
Scull, Christina. See Hammond, Josef Stalin once attempted to create ultimately seen as the real focus of
Wayne G. a superior species of warrior by the book, with the ‘Ring Quest’
cross-breeding humans and apes. providing the necessary maturing
Shaham, Inbar. ‚Ancient Myths in experiences that allow the hobbits to
Contemporary Cinema: Taylor, Taryne Jade. ‚Investigating succeed in reclaiming their
Oedipus Rex and Perceval the the Role and Origin of homeland.
Knight of the Holy Grail in Goldberry in Tolkien’s
Pulp Fiction and The Sixth Mythology.‛ 27.1/2 (#103/104) Whitaker, Lynn. ‚Corrupting
Sense.‛ 28.1/2 (#107/108) (2009): (2008): 147-156. Beauty: Rape Narrative in The
87-101. Leads us to Goldberry through Silmarillion.‛ Mythlore 29.1/2
A study of two contrasting myths of possible sources in classical and (#111/112) (2010): 51-68.
fathers and sons—the stories of Celtic legend, and emphasizes her Describes the themes and traditions
Oedipus and Percival, which Claude role in awakening the hobbits to the Tolkien was drawing on as a
Lévi-Strauss saw as in many ways sustaining beauty of the world. storyteller in the tales of Aredhel and
inverse images of each other—in a Considers Goldberry as an Eve-like Lúthien, but more importantly,
number of contemporary films, figure. examines the theological
focusing most closely on Pulp Fiction implications suggested by his
and The Sixth Sense. depictions of the women in these
stories and how these ‚rape
Smol, Anna. See MacLeod, Jeffrey J. V narratives‛ serve to underscore the
Stoddard, William H. ‚Simbelmynë: sacredness of the created world in
Mortality and Memory in Veach, Grace L. ‚What the Spirit Tolkien’s legendarium.
Middle-earth.‛ Mythlore 29.1/2 Knows: Charles Williams and
(#111/112) (2010): 151-160. Kenneth Burke.‛ 26.3/4 Whitt, Richard J. ‚Germanic Fate
An elegiac contemplation of the (#101/102) (2008): 117-128. and Doom in J.R.R. Tolkien’s
function of memory in Tolkien’s Explores parallels between the The Silmarillion.‛ Mythlore
Middle-earth, and the way the philosophy of Kenneth Burke and 29.1/2 (#111/112) (2010): 115-129.
complex intersection of memory, the poetry of Charles Williams. The roots of Tolkien’s concepts in
loss, immortality, consolation, and early Germanic understandings of
creativity is made flesh in Tolkien’s Vincent, Alana. ‚Putting Away the ideas of fate and doom are the
depictions of the races of Elves and Childish Things: Incidents of subject of Richard J. Whitt’s essay.
Men and their interactions. Recovery in Tolkien and His examination of how these
Haddon.‛ 26.3/4 (#101/102) initially pagan notions were
(2008): 101-116. subsumed into the Christian idea of
Applies the concept of Recovery divine providence, and most notably
from Tolkien’s ‚On Fairy-Stories‛ to blended together in the Old English
an unusual subject—Mark Haddon’s Beowulf and Old Saxon Heliand,
provide us with a basis for
understanding how even the Valar his quest rather than after and using The centrality of service to the
are subject to time and the fate our current understanding of the goddess of love in E.R. Eddison’s
decreed by Ilúvatar. dynamics of domestic abuse to conceptions of heroism and the
provide a framework for properly lived life is the focus of this
Wilkerson, Ginna. ‚So Far From the understanding his experiences and study of the Zimiamvia trilogy.
Shire: Psychological Distance reactions. Eddison considered his work an
and Isolation in The Lord of the important response to World War II
Rings.‛ 27.1/2 (#103/104) (2008): and a call for a more meaningful
83-91. Y type of courage and way of living
Considers Frodo’s psychological both during and after the war.
isolation in The Lord of the Rings and Young, Joe. ‚Aphrodite on the
offers a different perspective on Home Front: E.R. Eddison and
Frodo and post-traumatic stress World War II.‛ Mythlore 30.3/4
syndrome, looking more closely at (#117/118): 71-88.
what was happening to him during
‚Amanda McKittrick Ros and the ‚The Company They Didn’t Keep: ‚Fair Lady Goldberry, Daughter of
Inklings.‛ Gorman, A.G. and Collaborative Women in the the River.‛ Basso, A.M. 27.1/2
L.R. Mateer. 28.1/2 (#107/108) Letters of C.S. Lewis.‛ McBride, (#103/104) (2008): 137-146.
(2009): 77-85. S. Mythlore 29.1/2 (#111/112)
(2010): 69-86. ‚Fairy and Elves in Tolkien and
‚Ancient Myths in Contemporary Traditional Literature.‛ de
Cinema: Oedipus Rex and ‚Cordial Dislike: Reinventing the Rosario Martínez, H. Mythlore
Perceval the Knight of the Holy Celestial Ladies of Pearl and 28.3/4 (#109/110) (2010): 65-84.
Grail in Pulp Fiction and The Purgatorio in Tolkien’s
Sixth Sense.‛ Shaham, I. 28.1/2 Galadriel.‛ Downey, S. Mythlore ‚The Fall of Gondor and the Fall of
(#107/108) (2009): 87-101. 29.3/4 (#113/114) (2011): 101-117. Troy: Tolkien and Book II of
The Aeneid.‛ Bruce, A.M.
‚Aphrodite on the Home Front: E.R. ‚Corrupting Beauty: Rape Narrative Mythlore 30.3/4 (#117/118): 103-
Eddison and World War II.‛ in The Silmarillion.‛ Whitaker, 115.
Young, J. Mythlore 30.3/4 L. Mythlore 29.1/2 (#111/112)
(#117/118): 71-88. (2010): 51-68. ‚‘A Far Green Country’: Tolkien,
Paradise, and the End of All
‚Art According to Romantic ‚The Dantean Structure of The Things in Medieval Literature.‛
Theology: Charles Williams’s Great Divorce.‛ Christopher, J.R. Kelly, A.K. and M. Livingston.
Analysis of Dante Reapplied to Mythlore 29.3/4 (#113/114) (2011): 27.3/4 (#105/106)(2009): 83-102.
J.R.R. Tolkien’s ‘Leaf by 77-99.
Niggle.’‛ Milburn, M. Mythlore ‚Faramir and the Heroic Ideal of
29.3/4 (#113/114) (2011): 57-75. ‚Dialogic War: From The Battle of the Twentieth Century: Or, How
Maldon to the War of the Ring.‛ Aragorn Died at the Somme.‛
‚‘Beowulf: The Monsters and the Grybauskas, P. Mythlore 29.3/4 Carter, S.B. Mythlore 30.3/4
Critics’ Seventy-five Years (#113/114) (2011): 37-56. (#117/118): 89-102.
Later.‛
Drout, M.D.C. Mythlore 30.1/2 ‚Dragons and Serpents in J.K. ‚A Footnote to Tales Before Narnia
(#115/116) (2011): 5-22. Rowling’s Harry Potter Series: [Letter]‛ Anderson, D.A.
Are They Evil?‛ Berman, L. Mythlore 29.1/2 (#111/112) (2010):
‚A Bibliography of Glen 27.1/2 (#103/104) (2008): 45-65. 161-162.
GoodKnight’s Articles,
Reviews, and Major Editorials ‚’Dwarves are Not Heroes’: ‚From Despoina to Δ.‛ Christopher,
in Mythlore.‛ Croft, J.B. Mythlore Antisemitism and the Dwarves J.R. Mythlore 30.3/4 (#117/118):
29.3/4 (#113/114) (2011): 5-10. in J.R.R. Tolkien’s Writings.‛ 27-54.
Brackmann, R. Mythlore 28.3/4
‚The Blade Against the Burden: (#109/110) (2010): 85-106. ‚Gandalf and Merlin: J.R.R.
The Iconography of the Sword Tolkien’s Adoption and
in The Lord of the Rings.‛ ‚Dwarves, Spiders, and Murky Transformation of a Literary
Brisbois, M.J. 27.1/2 (#103/104) Woods: J.R.R. Tolkien’s Tradition.‛ Riga, F.P. 27.1/2
(2008): 93-103. Wonderful Web of Words.‛ (#103/104) (2008): 21-44.
Fisher, J. Mythlore 29.1/2
‚Christian, Norse, and Celtic: (#111/112) (2010): 5-15. ‚Germanic Fate and Doom in J.R.R.
Metaphysical Belief Structures Tolkien’s The Silmarillion.‛
in Nancy Farmer’s The Saxon ‚The Education of a Witch: Tiffany Whitt, R.J. Mythlore 29.1/2
Saga.‛ Oziewicz, M. Mythlore Aching, Hermione Granger, and (#111/112) (2010): 115-129.
30.1/2 (#115/116) (2011): 107-121. Gendered Magic in Discworld
and Potterworld.‛ Croft, J.B. ‚The Great War and Narnia: C.S.
‚The Christian Parody in Sara 27.3/4 (#105/106)(2009): 129-142. Lewis as Soldier and Creator.‛
Paretsky’s Ghost Country.‛ Melton, B. Mythlore 30.1/2
Christopher, J.R. 26.3/4 ‚Éowyn’s Grief.‛ Johnson, Brent D. (#115/116) (2011): 123-142.
(#101/102) (2008): 165-184. 27.3/4 (#105/106)(2009): 117-127.
‚The Heart of the Labyrinth: ‚The Marriage of Heaven and Hell? ‚The Noldor and the Tuatha Dé
Reading Jim Henson’s Philip Pullman, C.S. Lewis, and Danaan: J.R.R. Tolkien’s Irish
Labyrinth as a Modern Dream the Fantasy Tradition.‛ Influences.‛ Kinniburgh, A.
Vision.‛ Carroll, S. 28.1/2 Oziewicz, M. and D. Hade. 28.1/2 (#107/108) (2009): 27-44.
(#107/108) (2009): 103-112. Mythlore 28.3/4 (#109/110) (2010):
39-54. ‚The Non-Dead in John Dickson
‚Heroic Orual and the Tasks of Carr’s The Burning Court.‛
Psyche.‛ Hood, G. 27.3/4 (#105- ‚Master of Doom by Doom Christopher, J.R. 27.1/2
106)(2009): 43-82. Mastered: Heroism, Fate, and (#103/104) (2008): 127-136
Death in The Children of Húrin.‛
‚‘The Homecoming of Beorhtnoth Mitchell, J. Mythlore 29.1/2 ‚The Origins of Dwarves [Letter].‛
Beorhthelm’s Son’: J.R.R. (#111/112) (2010): 87-114. Berube, P.H. Mythlore 29.1/2
Tolkien’s Sequel to ‘The Battle (#111/112) (2010): 163-164.
of Maldon.’‛ Nelson, M. 26.3/4 ‚A Matter of Time: C.S. Lewis’s
(#101/102) (2008): 65-87. Dark Tower Manuscript and ‚Pauline Baynes in Mythlore.‛
Composition Process.‛ Himes, Croft, J.B. and E. Crowe. 27.1/2
‚In Memoriam: Pauline Baynes.‛ J.B. Mythlore 29.3/4 (#113/114) (#103/104) (2008): 7-8
Hammond, W.G. and C. Scull. (2011): 25-35.
27.1/2 (#103/104) (2008): 5-6. ‚The Pearl Maiden’s Psyche: The
‚’The Meteorite’ and the Middle English Pearl and the
‚Innocence as a Super-power: Little Importance of Context.‛ Allegorical-Visionary Impulse
Girls on the Hero’s Journey.‛ Christopher, J.R. Mythlore 28.3/4 in Till We Have Faces.‛ Miller,
Emerson, D. 28.1/2 (#107/108) (#109/110) (2010): 55-64. T.S. Mythlore 30.1/2 (#115/116)
(2009): 131-147. (2011): 43-76.
‚Myth-Remaking in the Shadow of
‚Into the Lion’s Den: Joy Davidman Vergil: The Captive(-ated) ‚Perilous Shores: The
and Metro-Goldwyn-Mayer.‛ Voice of Ursula K. Le Guin’s Unfathomable Supernaturalism
King, D.W. Mythlore 30.1/2 Lavinia.‛ Miller, T.S. Mythlore of Water in 19th -Century
(#115/116) (2011): 91-106. 29.1/2 (#111/112) (2010): 29-50. Scottish Folklore.‛ Harris, J.M.
28.1/2 (#107/108) (2009): 5-25.
‚Investigating the Role and Origin ‚The Myths of the Author: Tolkien
of Goldberry in Tolkien’s and the Medieval Origins of the ‚Phantastical Regress: The Return
Mythology.‛ Taylor, T.J. 27.1/2 Word Hobbit.‛ Livingston, M. of Desire and Deed in
(#103/104) (2008): 147-156. Mythlore 30.3/4 (#117/118): 129- Phantastes and The Pilgrim’s
146. Regress.‛ Bilbro, J. Mythlore
‚Is a ‘Christian’ Mystery Story 28.3/4 (#109/110) (2010): 21-37.
Possible? Charles Williams’s “Naming the Evil One: Onomastic
War in Heaven as a Generic Strategies in Tolkien and ‚The Precious and the Pearl: The
Case Study.‛ Higgins, S. Rowling.‛ Croft, J.B. 28.1/2 Influence of Pearl on the Nature
Mythlore 30.1/2 (#115/116) (2011): (#107/108) (2009): 149-163. of the One Ring.‛ Koubenec, N.
77-90. Mythlore 29.3/4 (#113/114) (2011):
‚Narrative Dualism in C.S. Lewis’s 119-131.
‚J.R.R. Tolkien’s ‘Leaf by Niggle’: That Hideous Strength.‛ Bullard,
An Allegory in S.H. Mythlore 29.3/4 (#113/114) ‚Psyche in New York: The Devil
Transformation.‛ Nelson, M. (2011): 11-24. Wears Prada Updates the
Mythlore 28.3/4 (#109/110) (2010): Myth.‛ Croft, J.B. Mythlore 30.3/4
5-19. ‚Nice, Good, or Right: Faces of the (#117/118): 55-69.
Wise Woman in Terry
‚Let Us Now Praise Famous Orcs: Pratchett’s ‘Witches’ Novels.‛ ‚Putting Away Childish Things:
Simple Humanity in Tolkien’s Croft, J.B. 26.3/4 (#101/102) Incidents of Recovery in
Inhuman Creatures.‛ Tally, R.T., (2008): 151-164. Tolkien and Haddon.‛ Vincent,
Jr. Mythlore 29.1/2 (#111/112) A. 26.3/4 (#101/102) (2008): 101-
(2010):17-28. ‚No Sex in Narnia? How Hans 116.
Christian Andersen’s ‘Snow
“The Lord of the Rings’ Interlace: Queen’ Problematizes C.S. ‚Reconstructing Arda: Of Fëanor
The Adaptation to Film.‛ Auger, Lewis’s The Chronicles of and the Unchaining of Melkor.‛
E.E. Mythlore 30.1/2 (#115/116) Narnia.‛ Miller, J.L. 28.1/2 Kane, D.C. 27.1/2 (#103/104)
(2011): 143-162. (#107/108) (2009): 113-130. (2008): 9-19.
‚Rethinking Shylock’s Tragedy: ‚Stalin’s Orcs [Letter].‛ Tally, R.T., ‚Totemic Reflexes in Tolkien’s
Radford’s Critique of Anti- Jr. Mythlore 29.3/4 (#113/114) Middle-earth.‛ Kisor, Y.
Semitism in The Merchant of (2011): 171-172. Mythlore 28.3/4 (#109/110) (2010):
Venice.‛ Riga, F.P. Mythlore 129-140.
28.3/4 (#109/110) (2010): 107-127. ‚‘That Most Unselfish Man’:
George Sayer, 1914-2005: Pupil, ‚Túrin and Aragorn: Embracing
‚The Road of Our Senses: Search Biographer, and Friend of and Evading Fate.‛ Croft, J.B.
for Personal Meaning and the Inklings.‛ Foster, M. 26.3/4 Mythlore 29.3/4 (#113/114) (2011):
Limitations of Myth in Neil (#101/102) (2008): 5-26. 155-170.
Gaiman’s American Gods.‛
Blomqvist, R. Mythlore 30.3/4 ‚The Thematic Organization of ‚Two Rings to Rule Them All: A
(#117/118): 5-26. Spirits in Bondage.‛ Comparative Study of Tolkien
Christopher, J.R. 27.3/4 and Wagner.‛ McGregor, J.
‚Selected Sayer Holdings at the (#105/106) (2009): 5-41. Mythlore 29.3/4 (#113/114) (2011):
Wade Center.‛ Mitchell, C.W. 133-153.
26.3/4 (#101/102) (2008): 27. ‚The Thread on Which Doom
Hangs: Free Will, Disobedience, ‚‘Two Sides of the Same Magic’:
‚The Shire Quest: The ‘Scouring of and Eucatastrophe in Tolkien’s The Dialectic of Mortality and
the Shire’ as the Narrative and Middle-earth.‛ Croft, J.B. Immortality in Peter S. Beagle’s
Thematic Focus of The Lord of Mythlore 29.1/2 (#111/112) (2010): The Last Unicorn.‛ Reiter, G.
the Rings.‛ Waito, D.M. Mythlore 131-150. 27.3/4 (#105/106)(2009): 103-116.
28.3/4 (#109/110) (2010): 155-177.
‚Thresholds to Middle-earth: ‚Two Views of Faërie in Smith of
‚Simbelmynë: Mortality and Allegories of Reading, Wootton Major: Nokes and his
Memory in Middle-earth.‛ Allegories for Knowledge and Cake, Smith and his Star.‛
Stoddard, W.H. Mythlore 29.1/2 Transformation.‛ Hallam, A. Long, J.B. 26.3/4 (#101/102)
(#111/112) (2010): 151-160. Mythlore 30.1/2 (#115/116) (2011): (2008): 89-100.
23-42.
‚A Single Leaf: Tolkien’s Visual ‚The Voice of Saruman: Wizards
Art and Fantasy.‛ MacLeod, J.J. ‚Time and J.R.R. Tolkien’s ‘Riddles and Rhetoric in The Two
and A. Smol. 27.1/2 (#103/104) in the Dark.’‚ Nelson, M. 27.1/2 Towers.‛ Ruud, J. Mythlore 28.3/4
(2008): 105-126. (#103/104) (2008): 67-82. (#109/110) (2010): 141-153.
‚Six Characters in Search of ‚Tolkien and Dogs, Just Dogs: In ‚Watchful Dragons and Sinewy
Shakespeare: Neil Gaiman’s Metaphor and Simile.‛ Gnomes: C.S. Lewis’s Use of
Sandman and Shakespearian Hawkins, E. 27.3/4 Modern Fairy Tales.‛ Berman,
Mythos.‛ Pendergast, J. 26.3/4 (#105/106)(2009): 143-157. R. Mythlore 30.3/4 (#117/118):
(#101/102) (2008): 185-197. 117-127.
‚Tolkien’s Linguistic Application of
‚So Far From the Shire: the Seventh Deadly Sin: Lust.‛ ‚What the Spirit Knows: Charles
Psychological Distance and Hawkins, E.B. 26.3/4 (#101/102) Williams and Kenneth Burke.‛
Isolation in The Lord of the (2008): 29-40. Veach, G.L. 26.3/4 (#101/102)
Rings.‛ Wilkerson, G. 27.1/2 (2008): 117-128.
(#103/104) (2008): 83-91. ‚Tolkien’s Sigurd & Gudrún:
Summary, Sources, & Analogs.‛ ‚Witches, Wives and Dragons: The
‚Song as Mythic Conduit in The Berube, P.H. 28.1/2 (#107/108) Evolution of the Women in
Fellowship of the Ring.‛ Agan, (2009): 45-76. Ursula K. Le Guin’s Earthsea—
C. 26.3/4 (#101/102) (2008): 41- An Overview.‛ Rawls, M.A.
63. 26.3/4 (#101/102) (2008): 129-149.
Galadriel.‛ Mythlore 29.3/4 (#113/114) Dogs in J.R.R. Tolkien Dunbar, Nan—Relation to C.S. Lewis
(2011): 101-117. Hawkins, E. ‚Tolkien and Dogs, Just McBride, S. ‚The Company They Didn’t
Dogs: In Metaphor and Simile.‛ Keep: Collaborative Women in the
Dante—Characters—Matelda 27.3/4 (#105/106)(2009): 143-157. Letters of C.S. Lewis.‛ Mythlore
Downey, S. ‚Cordial Dislike: 29.1/2 (#111/112) (2010): 69-86.
Reinventing the Celestial Ladies of Domestic abuse
Pearl and Purgatorio in Tolkien’s Wilkerson, G. ‚So Far From the Shire: Dwarfs
Galadriel.‛ Mythlore 29.3/4 (#113/114) Psychological Distance and Isolation Berube, P.H. ‚The Origins of Dwarves
(2011): 101-117. in The Lord of the Rings.‛ 27.1/2 *Letter+.‛ Mythlore 29.1/2 (#111/112)
(#103/104) (2008): 83-91. (2010): 163-164.
Dante—Influence on Charles Williams
Milburn, M. ‚Art According to Romantic Doom in J.R.R. Tolkien
Theology: Charles Williams’s Croft, J.B. ‚Túrin and Aragorn:
Analysis of Dante Reapplied to J.R.R. Embracing and Evading Fate.‛ E
Tolkien’s ‘Leaf by Niggle.’‛ Mythlore Mythlore 29.3/4 (#113/114) (2011):
29.3/4 (#113/114) (2011): 57-75. 155-170. Earthly paradise in J.R.R. Tolkien
Whitt, R.J. ‚Germanic Fate and Doom in Kelly, A. K. and M. Livingston. ‚‘A Far
Dante. Purgatory—Influence on C.S. J.R.R. Tolkien’s The Silmarillion.‛ Green Country’: Tolkien, Paradise,
Lewis Mythlore 29.1/2 (#111/112) (2010): and the End of All Things in
Christopher, J.R. ‚The Dantean Structure 115-129. Medieval Literature.‛ 27.3/4
of The Great Divorce.‛ Mythlore 29.3/4 (#105/106)(2009): 83-102.
(#113/114) (2011): 77-99. Dragons in C.S. Lewis
Berman, L. ‚Dragons and Serpents in J.K. Eddison, E.R.—Views on war
Dante. Purgatory—Influence on J.R.R. Rowling’s Harry Potter Series: Are Young, J. ‚Aphrodite on the Home Front:
Tolkien They Evil?‛ 27.1/2 (#103/104) (2008): E.R. Eddison and World War II.‛
Downey, S. ‚Cordial Dislike: 45-65. Mythlore 30.3/4 (#117/118): 71-88.
Reinventing the Celestial Ladies of
Pearl and Purgatorio in Tolkien’s Dragons in literature Eddison, E.R. Zimiamvia Trilogy.
Galadriel.‛ Mythlore 29.3/4 (#113/114) Rawls, M.A. ‚Witches, Wives and Young, J. ‚Aphrodite on the Home Front:
(2011): 101-117. Dragons: The Evolution of the E.R. Eddison and World War II.‛
Women in Ursula K. Le Guin’s Mythlore 30.3/4 (#117/118): 71-88.
Davidman, Joy—Association with Earthsea—An Overview.‛ 26.3/4
Metro-Goldwyn-Mayer Studios (#101/102) (2008): 129-149. Education
King, D.W. ‚Into the Lion’s Den: Joy Croft, J.B. ‚The Education of a Witch:
Davidman and Metro-Goldwyn- Dragons in J.K. Rowling Tiffany Aching, Hermione Granger,
Mayer.‛ Mythlore 30.1/2 (#115/116) Berman, L. ‚Dragons and Serpents in J.K. and Gendered Magic in Discworld
(2011): 91-106. Rowling’s Harry Potter Series: Are and Potterworld.‛ 27.3/4
They Evil?‛ 27.1/2 (#103/104) (2008): (#105/106)(2009): 129-142.
Davidman, Joy. Movie criticism 45-65.
King, D.W. ‚Into the Lion’s Den: Joy Elder Edda
Davidman and Metro-Goldwyn- Dragons in J.R.R. Tolkien Berube, P.H. ‚Tolkien’s Sigurd & Gudrún:
Mayer.‛ Mythlore 30.1/2 (#115/116) Berman, L. ‚Dragons and Serpents in J.K. Summary, Sources, & Analogs.‛
(2011): 91-106. Rowling’s Harry Potter Series: Are 28.1/2 (#107/108) (2009): 45-76.
They Evil?‛ 27.1/2 (#103/104) (2008):
Despoina (mythical figure) 45-65. Eucatastrophe
Christopher, J.R. ‚From Despoina to Δ.‛ Croft, J.B. ‚The Thread on Which Doom
Mythlore 30.3/4 (#117/118): 27-54. Dreams Hangs: Free Will, Disobedience, and
Carroll, S. ‚The Heart of the Labyrinth: Eucatastrophe in Tolkien’s Middle-
The Devil Wears Prada (movie) Reading Jim Henson’s Labyrinth as a earth.‛ Mythlore 29.1/2 (#111/112)
Croft, J.B. ‚Psyche in New York: The Modern Dream Vision.‛ 28.1/2 (2010): 131-150.
Devil Wears Prada Updates the (#107/108) (2009): 103-112.
Myth.‛ Mythlore 30.3/4 (#117/118): Eugenics
55-69. Dualism Tally, R.T., Jr. ‚Stalin’s Orcs *Letter+.‛
Bullard, S.H. ‚Narrative Dualism in C.S. Mythlore 29.3/4 (#113/114) (2011):
Disobedience Lewis’s That Hideous Strength.‛ 171-172.
Croft, J.B. ‚The Thread on Which Doom Mythlore 29.3/4 (#113/114) (2011): 11-
Hangs: Free Will, Disobedience, and 24. Everyman (play)—Relation to ‚Leaf by
Eucatastrophe in Tolkien’s Middle- Niggle‛
earth.‛ Mythlore 29.1/2 (#111/112) Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
(2010): 131-150. Niggle’: An Allegory in
Transformation.‛ Mythlore 28.3/4 Christopher, J.R. ‚’The Meteorite’ and Modern Dream Vision.‛ 28.1/2
(#109/110) (2010): 5-19. the Importance of Context.‛ Mythlore (#107/108) (2009): 103-112.
28.3/4 (#109/110) (2010): 55-64. Emerson, D. ‚Innocence as a Super-
power: Little Girls on the Hero’s
Free will in J.R.R. Tolkien Journey.‛ 28.1/2 (#107/108) (2009):
F Croft, J.B. ‚The Thread on Which Doom 131-147.
Hangs: Free Will, Disobedience, and
Faerie Eucatastrophe in Tolkien’s Middle- Goddess in Ghost Country
de Rosario Martínez, H. ‚Fairy and Elves earth.‛ Mythlore 29.1/2 (#111/112) Christopher, J.R. ‚The Christian Parody
in Tolkien and Traditional (2010): 131-150. in Sara Paretsky’s Ghost Country.‛
Literature.‛ Mythlore 28.3/4 26.3/4 (#101/102) (2008): 165-184.
(#109/110) (2010): 65-84.
GoodKnight, Glen—Bibliography
Faerie in Smith of Wootton Major G Croft, J.B. ‚A Bibliography of Glen
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(#107/108) (2009): 103-112. Contemporary Cinema: Oedipus Rex
Indiana Jones (films) and Perceval the Knight of the Holy
Shaham, I. ‚Ancient Myths in Lang, Andrew. Color fairy books Grail in Pulp Fiction and The Sixth
Contemporary Cinema: Oedipus Rex Berman, R. ‚Watchful Dragons and Sense.‛ 28.1/2 (#107/108) (2009): 87-
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101. Oziewicz, M. and D. Hade. ‚The
The Last Unicorn (film) Marriage of Heaven and Hell? Philip
Inklings Reiter, G. ‚‘Two Sides of the Same Pullman, C.S. Lewis, and the Fantasy
Gorman, A.G. and L.R. Mateer. ‚Amanda Magic’: The Dialectic of Mortality Tradition.‛ Mythlore 28.3/4 (#109/110)
McKittrick Ros and the Inklings.‛ and Immortality in Peter S. Beagle’s (2010): 39-54.
28.1/2 (#107/108) (2009): 77-85. The Last Unicorn.‛ 27.3/4
(#105/106)(2009): 103-116. Lewis, C.S.—Attitude toward writing
Interlace structure for children
Auger, E.E. “The Lord of the Rings’ Lawson, Penelope (Sister Penelope)— Melton, B. ‚The Great War and Narnia:
Interlace: The Adaptation to Film.‛ Relation to C.S. Lewis C.S. Lewis as Soldier and Creator.‛
Mythlore 30.1/2 (#115/116) (2011): McBride, S. ‚The Company They Didn’t Mythlore 30.1/2 (#115/116) (2011):
143-162. Keep: Collaborative Women in the 123-142.
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Intertextuality 29.1/2 (#111/112) (2010): 69-86. Lewis, C.S. – Characters – Jane
Blomqvist, R. ‚The Road of Our Senses: Studdock
Search for Personal Meaning and the Le Guin, Ursula K.—Characters— Bullard, S.H. ‚Narrative Dualism in C.S.
Limitations of Myth in Neil Gaiman’s Women Lewis’s That Hideous Strength.‛
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(#117/118): 5-26. Dragons: The Evolution of the 24.
Women in Ursula K. Le Guin’s
Earthsea—An Overview.‛ 26.3/4 Lewis, C.S. – Characters – Lucy
(#101/102) (2008): 129-149. Pevensie
Emerson, D. ‚Innocence as a Super-
J
Le Guin, Ursula K.—Technique power: Little Girls on the Hero’s
Jews Rawls, M.A. ‚Witches, Wives and Journey.‛ 28.1/2 (#107/108) (2009):
Brackmann, R. ‚’Dwarves are Not Dragons: The Evolution of the 131-147.
Heroes’: Antisemitism and the Women in Ursula K. Le Guin’s
Dwarves in J.R.R. Tolkien’s Earthsea—An Overview.‛ 26.3/4 Lewis, C.S. – Characters – Mark
Writings.‛ Mythlore 28.3/4 (#109/110) (#101/102) (2008): 129-149. Studdock
(2010): 85-106. Bullard, S.H. ‚Narrative Dualism in C.S.
Riga, Frank P. ‚Rethinking Shylock’s Le Guin, Ursula K. Earthsea books Lewis’s That Hideous Strength.‛
Tragedy: Radford’s Critique of Anti- Rawls, M.A. ‚Witches, Wives and Mythlore 29.3/4 (#113/114) (2011): 11-
Semitism in The Merchant of Dragons: The Evolution of the 24.
Venice.‛ Mythlore 28.3/4 (#109/110) Women in Ursula K. Le Guin’s
(2010): 107-127. Earthsea—An Overview.‛ 26.3/4
(#101/102) (2008): 129-149.
Lewis, C.S. – Characters – Orual Lewis, C.S.—Technique Lewis, C.S. The Great Divorce—
Hood, G. ‚Heroic Orual and the Tasks of Bullard, S.H. ‚Narrative Dualism in C.S. Influence of Purgatory
Psyche.‛ 27.3/4 (#105-106)(2009): 43- Lewis’s That Hideous Strength.‛ Christopher, J.R. ‚The Dantean Structure
82. Mythlore 29.3/4 (#113/114) (2011): 11- of The Great Divorce.‛ Mythlore 29.3/4
24. (#113/114) (2011): 77-99.
Lewis, C.S.—Friends and associates— Himes, J.B. ‚A Matter of Time: C.S.
Women Lewis’s Dark Tower Manuscript and Lewis, C.S. The Great Divorce—Sources
McBride, S. ‚The Company They Didn’t Composition Process.‛ Mythlore Christopher, J.R. ‚The Dantean Structure
Keep: Collaborative Women in the 29.3/4 (#113/114) (2011): 25-35. of The Great Divorce.‛ Mythlore 29.3/4
Letters of C.S. Lewis.‛ Mythlore (#113/114) (2011): 77-99.
29.1/2 (#111/112) (2010): 69-86. Lewis, C.S.—Use of allegory
Miller, T.S. ‚The Pearl Maiden’s Psyche: Lewis, C.S. Letter to Malcolm M.
Lewis, C.S.—Influence of Andrew Lang The Middle English Pearl and the Ferguson, 20 February 1953
Berman, R. ‚Watchful Dragons and Allegorical-Visionary Impulse in Till Anderson, D.A. ‚A Footnote to Tales
Sinewy Gnomes: C.S. Lewis’s Use of We Have Faces.‛ Mythlore 30.1/2 Before Narnia [Letter+.‛ Mythlore
Modern Fairy Tales.‛ Mythlore 30.3/4 (#115/116) (2011): 43-76. 29.1/2 (#111/112) (2010): 161-162.
(#117/118): 117-127.
Lewis, C.S.—Use of Fairy Tales Lewis, C.S. Letters
Lewis, C.S.—Influence on Philip Berman, R. ‚Watchful Dragons and McBride, S. ‚The Company They Didn’t
Pullman Sinewy Gnomes: C.S. Lewis’s Use of Keep: Collaborative Women in the
Oziewicz, M. and D. Hade. ‚The Modern Fairy Tales.‛ Mythlore 30.3/4 Letters of C.S. Lewis.‛ Mythlore
Marriage of Heaven and Hell? Philip (#117/118): 117-127. 29.1/2 (#111/112) (2010): 69-86.
Pullman, C.S. Lewis, and the Fantasy
Tradition.‛ Mythlore 28.3/4 (#109/110) Lewis, C.S.—War experiences Lewis, C.S. ‚The Meteorite‛
(2010): 39-54. Melton, B. ‚The Great War and Narnia: Christopher, J.R. ‚’The Meteorite’ and
C.S. Lewis as Soldier and Creator.‛ the Importance of Context.‛ Mythlore
Lewis, C.S.—Knowledge— Mythlore 30.1/2 (#115/116) (2011): 28.3/4 (#109/110) (2010): 55-64.
Contemporary fiction 123-142.
Anderson, D.A. ‚A Footnote to Tales Lewis, C.S. Miracles
Before Narnia *Letter+.‛ Mythlore Lewis, C.S. The Chronicles of Narnia— Christopher, J.R. ‚’The Meteorite’ and
29.1/2 (#111/112) (2010): 161-162. Depiction of war the Importance of Context.‛ Mythlore
Melton, B. ‚The Great War and Narnia: 28.3/4 (#109/110) (2010): 55-64.
Lewis, C.S.—Personal reminiscences C.S. Lewis as Soldier and Creator.‛
Foster, M. ‚‘That Most Unselfish Man’: Mythlore 30.1/2 (#115/116) (2011): Lewis, C.S. The Pilgrim’s Regress
George Sayer, 1914-2005: Pupil, 123-142. Bilbro, J. ‚Phantastical Regress: The
Biographer, and Friend of Inklings.‛ Return of Desire and Deed in
26.3/4 (#101/102) (2008): 5-26. Lewis, C.S. Chronicles of Narnia—Sex Phantastes and The Pilgrim’s Regress.‛
Miller, J.L. ‚No Sex in Narnia? How Mythlore 28.3/4 (#109/110) (2010): 21-
Lewis, C.S.—Relation to Janie Moore Hans Christian Andersen’s ‚Snow 37.
Christopher, J.R. ‚From Despoina to Δ.‛ Queen‛ Problematizes C.S. Lewis’s
Mythlore 30.3/4 (#117/118): 27-54. The Chronicles of Narnia.‛ 28.1/2 Lewis, C.S. The Pilgrim’s Regress—
(#107/108) (2009): 113-130. Sources
Lewis, C.S.—Relations with women Bilbro, J. ‚Phantastical Regress: The
McBride, S. ‚The Company They Didn’t Lewis, C.S. The Dark Tower— Return of Desire and Deed in
Keep: Collaborative Women in the Authorship Phantastes and The Pilgrim’s Regress.‛
Letters of C.S. Lewis.‛ Mythlore Himes, J.B. ‚A Matter of Time: C.S. Mythlore 28.3/4 (#109/110) (2010): 21-
29.1/2 (#111/112) (2010): 69-86. Lewis’s Dark Tower Manuscript and 37.
Composition Process.‛ Mythlore
Lewis, C.S.—Religion and philosophy 29.3/4 (#113/114) (2011): 25-35. Lewis, C.S. ‚Poem for Psychoanalysts
Christopher, J. R. ‚The Thematic and/or Theologians‛
Organization of Spirits in Bondage.‛ Lewis, C.S. The Dark Tower— Miller, T.S. ‚The Pearl Maiden’s Psyche:
27.3/4 (#105-106)(2009): 5-41. Manuscript The Middle English Pearl and the
Himes, J.B. ‚A Matter of Time: C.S. Allegorical-Visionary Impulse in Till
Lewis, C.S. – Sources – Classical Lewis’s Dark Tower Manuscript and We Have Faces.‛ Mythlore 30.1/2
literature Composition Process.‛ Mythlore (#115/116) (2011): 43-76.
Hood, G. ‚Heroic Orual and the Tasks of 29.3/4 (#113/114) (2011): 25-35.
Psyche.‛ 27.3/4 (#105-106)(2009): 43- Lewis, C.S. Poetry.
82. Christopher, J.R. ‚From Despoina to Δ.‛
Mythlore 30.3/4 (#117/118): 27-54.
Lewis, C.S. Spirits in Bondage MacLeod, Jeffrey J. ‚Lúthien and Transformation of a Literary
Christopher, J.R. ‚From Despoina to Δ.‛ Beren‛ Tradition.‛ 27.1/2 (#103/104) (2008):
Mythlore 30.3/4 (#117/118): 27-54. MacLeod, J.J. and A. Smol. ‚A Single 21-44.
Leaf: Tolkien’s Visual Art and
Lewis, C.S. Spirits in Bondage—Themes Fantasy.‛ 27.1/2 (#103/104) (2008): Metro-Goldwyn-Mayer (film studio)
Christopher, J. R. ‚The Thematic 105-126. King, D.W. ‚Into the Lion’s Den: Joy
Organization of Spirits in Bondage.‛ Davidman and Metro-Goldwyn-
27.3/4 (#105-106)(2009): 5-41. MacLeod, Jeffrey J. ‚Smaug‛ Mayer.‛ Mythlore 30.1/2 (#115/116)
MacLeod, J.J. and A. Smol. ‚A Single (2011): 91-106.
Lewis, C.S. That Hideous Strength Leaf: Tolkien’s Visual Art and
Bullard, S.H. ‚Narrative Dualism in C.S. Fantasy.‛ 27.1/2 (#103/104) (2008): Mines and mining
Lewis’s That Hideous Strength.‛ 105-126. Berube, P.H. ‚The Origins of Dwarves
Mythlore 29.3/4 (#113/114) (2011): 11- *Letter+.‛ Mythlore 29.1/2 (#111/112)
24. McKenna, Aline Brosh. The Devil Wears (2010): 163-164.
Prada (movie script)
Lewis, C.S. Till We Have Faces Croft, J.B. ‚Psyche in New York: The Miyazake, Hayao—Characters—
Hood, G. ‚Heroic Orual and the Tasks of Devil Wears Prada Updates the Chihiro
Psyche.‛ 27.3/4 (#105-106)(2009): 43- Myth.‛ Mythlore 30.3/4 (#117/118): Emerson, D. ‚Innocence as a Super-
82. 55-69. power: Little Girls on the Hero’s
Journey.‛ 28.1/2 (#107/108) (2009):
Lewis, C.S. Till We Have Faces—As Medieval dream vision – Relation to 131-147.
Allegory Labyrinth
Miller, T.S. ‚The Pearl Maiden’s Psyche: Carroll, S. ‚The Heart of the Labyrinth: Moore, Janie—Relation to C.S. Lewis
The Middle English Pearl and the Reading Jim Henson’s Labyrinth as a Christopher, J.R. ‚From Despoina to Δ.‛
Allegorical-Visionary Impulse in Till Modern Dream Vision.‛ 28.1/2 Mythlore 30.3/4 (#117/118): 27-54.
We Have Faces.‛ Mythlore 30.1/2 (#107/108) (2009): 103-112.
(#115/116) (2011): 43-76. Multiculturalism in children’s literature
Medieval literature Oziewicz, M. ‚Christian, Norse, and
The Lord of the Rings (film trilogy). Dir. Carroll, S. ‚The Heart of the Labyrinth: Celtic: Metaphysical Belief Structures
Peter Jackson—Narrative structure Reading Jim Henson’s Labyrinth as a in Nancy Farmer’s The Saxon Saga.‛
Auger, E.E. “The Lord of the Rings’ Modern Dream Vision.‛ 28.1/2 Mythlore 30.1/2 (#115/116) (2011):
Interlace: The Adaptation to Film.‛ (#107/108) (2009): 103-112. 107-121.
Mythlore 30.1/2 (#115/116) (2011): de Rosario Martínez, H. ‚Fairy and Elves
143-162. in Tolkien and Traditional Music in J.R.R. Tolkien
Literature.‛ Mythlore 28.3/4 Agan, C. ‚Song as Mythic Conduit in The
Lust (Sin) (#109/110) (2010): 65-84. Fellowship of the Ring.‛ 26.3/4
Hawkins, E.B. ‚Tolkien’s Linguistic (#101/102) (2008): 41-63.
Application of the Seventh Deadly Memory in J.R.R. Tolkien
Sin: Lust.‛ 26.3/4 (#101/102) (2008): Stoddard, W.H. ‚Simbelmynë: Mortality Mystery fiction
29-40. and Memory in Middle-earth.‛ Higgins, S. ‚Is a ‘Christian’ Mystery
Mythlore 29.1/2 (#111/112) (2010): Story Possible? Charles Williams’s
151-160. War in Heaven as a Generic Case
Study.‛ Mythlore 30.1/2 (#115/116)
M Mentors (2011): 77-90.
Croft, J.B. ‚Psyche in New York: The
MacDonald, George. Phantastes Devil Wears Prada Updates the Mythlore—History
Bilbro, J. ‚Phantastical Regress: The Myth.‛ Mythlore 30.3/4 (#117/118): Croft, J.B. ‚A Bibliography of Glen
Return of Desire and Deed in 55-69. GoodKnight’s Articles, Reviews, and
Phantastes and The Pilgrim’s Regress.‛ Major Editorials in Mythlore.‛
Mythlore 28.3/4 (#109/110) (2010): 21- The Merchant of Venice (film). Dir. Mythlore 29.3/4 (#113/114) (2011): 5-
37. Michael Radford 10.
Riga, Frank P. ‚Rethinking Shylock’s
MacDonald, George. Phantastes— Tragedy: Radford’s Critique of Anti- Mythopoeic Society—History and
Influence on The Pilgrim’s Regress Semitism in The Merchant of personal reminiscences
Bilbro, J. ‚Phantastical Regress: The Venice.‛ Mythlore 28.3/4 (#109/110) Croft, J.B. ‚A Bibliography of Glen
Return of Desire and Deed in (2010): 107-127. GoodKnight’s Articles, Reviews, and
Phantastes and The Pilgrim’s Regress.‛ Major Editorials in Mythlore.‛
Mythlore 28.3/4 (#109/110) (2010): 21- Merlin Mythlore 29.3/4 (#113/114) (2011): 5-
37. Riga, F.P. ‚Gandalf and Merlin: J.R.R. 10.
Tolkien’s Adoption and
Mythopoeic themes in mysteries The Chronicles of Narnia.‛ 28.1/2 We Have Faces.‛ Mythlore 30.1/2
Christopher, J.R. ‚The Christian Parody (#107/108) (2009): 113-130. (#115/116) (2011): 43-76.
in Sara Paretsky’s Ghost Country.‛
26.3/4 (#101/102) (2008): 165-184. Pearl (poem)—Characters—The Jeweler
Christopher, J.R. ‚The Non-Dead in John Koubenec, N. ‚The Precious and the
Dickson Carr’s The Burning Court.‛ O Pearl: The Influence of Pearl on the
27.1/2 (#103/104) (2008): 127-136 Nature of the One Ring.‛ Mythlore
Oedipus figures in literature 29.3/4 (#113/114) (2011): 119-131.
Shaham, I. ‚Ancient Myths in
Contemporary Cinema: Oedipus Rex Pearl (poem)—Characters—The pearl-
N and Perceval the Knight of the Holy maiden
Grail in Pulp Fiction and The Sixth Downey, S. ‚Cordial Dislike: Reinventing
Name magic Sense.‛ 28.1/2 (#107/108) (2009): 87- the Celestial Ladies of Pearl and
Croft, J.B. “Naming the Evil One: 101. Purgatorio in Tolkien’s Galadriel.‛
Onomastic Strategies in Tolkien and Mythlore 29.3/4 (#113/114) (2011):
Rowling.‛ 28.1/2 (#107/108) (2009): Ofermod in J.R.R. Tolkien 101-117.
149-163. Grybauskas, P. ‚Dialogic War: From The
Battle of Maldon to the War of the Penelope, Sister. See Lawson, Penelope.
Names in J.R.R. Tolkien Ring.‛ Mythlore 29.3/4 (#113/114)
Croft, J.B. ‚Túrin and Aragorn: (2011): 37-56. Perceval figures in literature
Embracing and Evading Fate.‛ Shaham, I. ‚Ancient Myths in
Mythlore 29.3/4 (#113/114) (2011): Onomastics Contemporary Cinema: Oedipus Rex
155-170. Croft, J.B. “Naming the Evil One: and Perceval the Knight of the Holy
Onomastic Strategies in Tolkien and Grail in Pulp Fiction and The Sixth
New Masses (periodical) Rowling.‛ 28.1/2 (#107/108) (2009): Sense.‛ 28.1/2 (#107/108) (2009): 87-
King, D.W. ‚Into the Lion’s Den: Joy 149-163. 101.
Davidman and Metro-Goldwyn-
Mayer.‛ Mythlore 30.1/2 (#115/116) Pitter, Ruth S.—Relation to C.S. Lewis
(2011): 91-106. McBride, S. ‚The Company They Didn’t
P Keep: Collaborative Women in the
The Nibelungenlied Letters of C.S. Lewis.‛ Mythlore
Berube, P.H. ‚Tolkien’s Sigurd & Gudrún: Pacino, Al. See The Merchant of Venice 29.1/2 (#111/112) (2010): 69-86.
Summary, Sources, & Analogs.‛
28.1/2 (#107/108) (2009): 45-76. Paretsky, Sara. Ghost Country Post-traumatic stress disorder
Christopher, J.R. ‚The Christian Parody Wilkerson, G. ‚So Far From the Shire:
Norse mythology in Sara Paretsky’s Ghost Country.‛ Psychological Distance and Isolation
McGregor, J. ‚Two Rings to Rule Them 26.3/4 (#101/102) (2008): 165-184. in The Lord of the Rings.‛ 27.1/2
All: A Comparative Study of Tolkien (#103/104)(2008): 83-91.
and Wagner.‛ Mythlore 29.3/4 Paretsky, Sara. V.I. Warshawski series
(#113/114) (2011): 133-153. Christopher, J.R. ‚The Christian Parody Pratchett, Terry—Characters—Tiffany
Oziewicz, M. ‚Christian, Norse, and in Sara Paretsky’s Ghost Country.‛ Aching
Celtic: Metaphysical Belief Structures 26.3/4 (#101/102) (2008): 165-184. Croft, J.B. ‚The Education of a Witch:
in Nancy Farmer’s The Saxon Saga.‛ Tiffany Aching, Hermione Granger,
Mythlore 30.1/2 (#115/116) (2011): Pearl (poem) and Gendered Magic in Discworld
107-121. Downey, S. ‚Cordial Dislike: Reinventing and Potterworld.‛ 27.3/4
the Celestial Ladies of Pearl and (#105/106)(2009): 129-142.
Norse mythology – Influence on J.R.R. Purgatorio in Tolkien’s Galadriel.‛
Tolkien Mythlore 29.3/4 (#113/114) (2011): Pratchett, Terry—Characters—Witches
Kinniburgh, A. ‚The Noldor and the 101-117. Croft, J.B. ‚Nice, Good, or Right: Faces of
Tuatha Dé Danaan: J.R.R. Tolkien’s Koubenec, N. ‚The Precious and the the Wise Woman in Terry Pratchett’s
Irish Influences.‛ 28.1/2 (#107/108) Pearl: The Influence of Pearl on the ‘Witches’ Novels.‛ 26.3/4 (#101/102)
(2009): 27-44. Nature of the One Ring.‛ Mythlore (2008): 151-164.
Berube, P.H. ‚Tolkien’s Sigurd & Gudrún: 29.3/4 (#113/114) (2011): 119-131.
Summary, Sources, & Analogs.‛ Pratchett, Terry. Discworld series
28.1/2 (#107/108) (2009): 45-76. Pearl (poem)—As allegory Croft, J.B. ‚The Education of a Witch:
Miller, T.S. ‚The Pearl Maiden’s Psyche: Tiffany Aching, Hermione Granger,
Novalis. ‚Hyacinth and Rosebud‛ The Middle English Pearl and the and Gendered Magic in Discworld
Miller, J.L. ‚No Sex in Narnia? How Allegorical-Visionary Impulse in Till and Potterworld.‛ 27.3/4
Hans Christian Andersen’s ‚Snow (#105/106)(2009): 129-142.
Queen‛ Problematizes C.S. Lewis’s
Sayers, Dorothy L.—Relation to C.S. Venice.‛ Mythlore 28.3/4 (#109/110) Stalin, Josef
Lewis (2010): 107-127. Tally, R.T., Jr. ‚Stalin’s Orcs *Letter+.‛
McBride, S. ‚The Company They Didn’t Mythlore 29.3/4 (#113/114) (2011):
Keep: Collaborative Women in the Shakespeare, William. A Midsummer 171-172.
Letters of C.S. Lewis.‛ Mythlore Night’s Dream
29.1/2 (#111/112) (2010): 69-86. Pendergast, J. ‚Six Characters in Search Star Wars (film series)
of Shakespeare: Neil Gaiman’s Shaham, I. ‚Ancient Myths in
Scottish folklore Sandman and Shakespearian Contemporary Cinema: Oedipus Rex
Harris, J.M. ‚Perilous Shores: The Mythos.‛ 26.3/4 (#101/102) (2008): and Perceval the Knight of the Holy
Unfathomable Supernaturalism of 185-197. Grail in Pulp Fiction and The Sixth
Water in 19th-Century Scottish Sense.‛ 28.1/2 (#107/108) (2009): 87-
Folklore.‛ 28.1/2 (#107/108) (2009): 5- Shakespeare, William. The Tempest 101.
25. Pendergast, J. ‚Six Characters in Search
of Shakespeare: Neil Gaiman’s Sub-creation
Sehnsucht Sandman and Shakespearian MacLeod, J.J. and A. Smol. ‚A Single
Bilbro, J. ‚Phantastical Regress: The Mythos.‛ 26.3/4 (#101/102) (2008): Leaf: Tolkien’s Visual Art and
Return of Desire and Deed in 185-197. Fantasy.‛ 27.1/2 (#103/104) (2008):
Phantastes and The Pilgrim’s Regress.‛ 105-126.
Mythlore 28.3/4 (#109/110) (2010): 21- Shamanism in The Lord of the Rings Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
37. Kisor, Y. ‚Totemic Reflexes in Tolkien’s Niggle’: An Allegory in
Middle-earth.‛ Mythlore 28.3/4 Transformation.‛ Mythlore 28.3/4
Serpents in C.S. Lewis (#109/110) (2010): 129-140. (#109/110) (2010): 5-19.
Berman, L. ‚Dragons and Serpents in J.K.
Rowling’s Harry Potter Series: Are Shelburne, Mary Willis—Relation to Suicide
They Evil?‛ 27.1/2 (#103/104) (2008): C.S. Lewis Mitchell, J. ‚Master of Doom by Doom
45-65. McBride, S. ‚The Company They Didn’t Mastered: Heroism, Fate, and Death
Keep: Collaborative Women in the in The Children of Húrin.‛ Mythlore
Serpents in J.K. Rowling Letters of C.S. Lewis.‛ Mythlore 29.1/2 (#111/112) (2010): 87-114.
Berman, L. ‚Dragons and Serpents in J.K. 29.1/2 (#111/112) (2010): 69-86.
Rowling’s Harry Potter Series: Are Superstitions
They Evil?‛ 27.1/2 (#103/104) (2008): Shiel, M[atthew] P[hipps] Harris, J.M. ‚Perilous Shores: The
45-65. Anderson, D.A. ‚A Footnote to Tales Unfathomable Supernaturalism of Water
Before Narnia *Letter+.‛ Mythlore in 19th-Century Scottish Folklore.‛ 28.1/2
Seven deadly sins in The Lord of the 29.1/2 (#111/112) (2010): 161-162. (#107/108) (2009): 5-25.
Rings
Hawkins, E.B. ‚Tolkien’s Linguistic Sister Penelope. See Lawson, Penelope. Swords
Application of the Seventh Deadly Brisbois, M.J. ‚The Blade Against the
Sin: Lust.‛ 26.3/4 (#101/102) (2008): Sixth Sense (film) Burden: The Iconography of the
29-40. Shaham, I. ‚Ancient Myths in Sword in The Lord of the Rings.‛
Contemporary Cinema: Oedipus Rex 27.1/2 (#103/104) (2008): 93-103.
Sexuality in C.S. Lewis and Perceval the Knight of the Holy
Miller, J.L. ‚No Sex in Narnia? How Grail in Pulp Fiction and The Sixth
Hans Christian Andersen’s ‚Snow Sense.‛ 28.1/2 (#107/108) (2009): 87-
Queen‛ Problematizes C.S. Lewis’s 101. T
The Chronicles of Narnia.‛ 28.1/2
(#107/108) (2009): 113-130. Speech act theory Threshold imagery in J.R.R. Tolkien
Nelson, M. ‚‘The Homecoming of Hallam, A. ‚Thresholds to Middle-earth:
Shakespeare, William—Characters— Beorhtnoth Beorhthelm’s Son’: J.R.R. Allegories of Reading, Allegories for
Shylock Tolkien’s Sequel to ‘The Battle of Knowledge and Transformation.‛
Riga, Frank P. ‚Rethinking Shylock’s Maldon.’ 26.3/4 (#101/102) (2008): 65- Mythlore 30.1/2 (#115/116) (2011): 23-
Tragedy: Radford’s Critique of Anti- 87. 42.
Semitism in The Merchant of
Venice.‛ Mythlore 28.3/4 (#109/110) Spirited Away (film) Tieck, Ludwig. ‚Fair-Haired Eckbert‛
(2010): 107-127. Emerson, D. ‚Innocence as a Super- Miller, J.L. ‚No Sex in Narnia? How
power: Little Girls on the Hero’s Hans Christian Andersen’s ‚Snow
Shakespeare, William. The Merchant of Journey.‛ 28.1/2 (#107/108) (2009): Queen‛ Problematizes C.S. Lewis’s
Venice 131-147. The Chronicles of Narnia.‛ 28.1/2
Riga, Frank P. ‚Rethinking Shylock’s (#107/108) (2009): 113-130.
Tragedy: Radford’s Critique of Anti-
Semitism in The Merchant of
Tolkien, Christopher—Editorship Tolkien, J.R.R.—Characters—Éowyn Taylor, T.J. ‚Investigating the Role and
Kane, D.C. ‚Reconstructing Arda: Of Johnson, B.D. ‚Éowyn’s Grief.‛ 27.3/4 Origin of Goldberry in Tolkien’s
Fëanor and the Unchaining of (#105/106)(2009): 117-127. Mythology.‛ 27.1/2 (#103/104) (2008):
Melkor.‛ 27.1/2 (#103/104) (2008): 9- 147-156.
19. Tolkien, J.R.R.—Characters—Faramir
Carter, S.B. ‚Faramir and the Heroic Tolkien, J.R.R. —Characters—Gollum
Tolkien, J.R.R.—Attitude towards Jews Ideal of the Twentieth Century: Or, Hawkins, E. ‚Tolkien and Dogs, Just
Brackmann, R. ‚’Dwarves are Not How Aragorn Died at the Somme.‛ Dogs: In Metaphor and Simile.‛
Heroes’: Antisemitism and the Mythlore 30.3/4 (#117/118): 89-102. 27.3/4 (#105/106)(2009): 143-157.
Dwarves in J.R.R. Tolkien’s Johnson, B.D. ‚Éowyn’s Grief.‛ 27.3/4 Koubenec, N. ‚The Precious and the
Writings.‛ Mythlore 28.3/4 (#109/110) (#105/106) (2009): 117-127. Pearl: The Influence of Pearl on the
(2010): 85-106. Nature of the One Ring.‛ Mythlore
Tolkien, J.R.R.—Characters—Fëanor 29.3/4 (#113/114) (2011): 119-131.
Tolkien, J.R.R. —Characterization— Kane, D.C. ‚Reconstructing Arda: Of
Technique Fëanor and the Unchaining of Tolkien, J.R.R.—Characters—Hobbits
Hawkins, E. ‚Tolkien and Dogs, Just Melkor.‛ 27.1/2 (#103/104) (2008): 9- Waito, D.M. ‚The Shire Quest: The
Dogs: In Metaphor and Simile.‛ 19. ‘Scouring of the Shire’ as the
27.3/4 (#105/106)(2009): 143-157. Narrative and Thematic Focus of The
Tolkien, J.R.R.—Characters—Finwë Lord of the Rings.‛ Mythlore 28.3/4
Tolkien, J.R.R.—Characters—Aragorn Kane, D.C. ‚Reconstructing Arda: Of (#109/110) (2010): 155-177.
Brisbois, M.J. ‚The Blade Against the Fëanor and the Unchaining of
Burden: The Iconography of the Melkor.‛ 27.1/2 (#103/104) (2008): 9- Tolkien, J.R.R.—Characters—Hobbits—
Sword in The Lord of the Rings.‛ 19. Names—Etymology
27.1/2 (#103/104) (2008): 93-103. Livingston, M. ‚The Myths of the
Croft, J.B. ‚Túrin and Aragorn: Tolkien, J.R.R.—Characters—Frodo Author: Tolkien and the Medieval
Embracing and Evading Fate.‛ Waito, D.M. ‚The Shire Quest: The Origins of the Word Hobbit.‛
Mythlore 29.3/4 (#113/114) (2011): ‘Scouring of the Shire’ as the Mythlore 30.3/4 (#117/118): 129-146.
155-170. Narrative and Thematic Focus of The
Lord of the Rings.‛ Mythlore 28.3/4 Tolkien, J.R.R.—Characters—Hobbits—
Tolkien, J.R.R—Characters—Aredhel (#109/110) (2010): 155-177. Origin of name
Whitaker, L. ‚Corrupting Beauty: Rape Wilkerson, G. ‚So Far From the Shire: Livingston, M. ‚The Myths of the
Narrative in The Silmarillion.‛ Psychological Distance and Isolation Author: Tolkien and the Medieval
Mythlore 29.1/2 (#111/112) (2010): 51- in The Lord of the Rings.‛ 27.1/2 Origins of the Word Hobbit.‛
68. (#103/104)(2008): 83-91. Mythlore 30.3/4 (#117/118): 129-146.
Mythology.‛ 27.1/2 (#103/104) (2008): Tolkien, J.R.R. ‚The Fall of Gondolin‛ Transformation.‛ Mythlore 28.3/4
147-156. Bruce, A.M. ‚The Fall of Gondor and the (#109/110) (2010): 5-19.
Fall of Troy: Tolkien and Book II of
Tolkien, J.R.R.—Theory of The Aeneid.‛ Mythlore 30.3/4 Tolkien, J.R.R. The Legend of Sigurd and
eucatastrophe (#117/118): 103-115. Gudrún
Croft, J.B. ‚The Thread on Which Doom Berube, P.H. ‚Tolkien’s Sigurd & Gudrún:
Hangs: Free Will, Disobedience, and Tolkien, J.R.R. The Fellowship of the Summary, Sources, & Analogs.‛
Eucatastrophe in Tolkien’s Middle- Ring 28.1/2 (#107/108) (2009): 45-76.
earth.‛ Mythlore 29.1/2 (#111/112) Agan, C. ‚Song as Mythic Conduit in The
(2010): 131-150. Fellowship of the Ring.‛ 26.3/4 Tolkien, J.R.R. The Lord of the Rings—
(#101/102) (2008): 41-63. Criticism and interpretation
Tolkien, J.R.R.—Translations—Old Kelly, A. K. and M. Livingston. ‚‘A Far
English. Tolkien, J.R.R. The Hobbit. ‚Flies and Green Country’: Tolkien, Paradise,
Nelson, M. ‚Time and J.R.R. Tolkien’s Spiders‛ and the End of All Things in
‘Riddles in the Dark.’‚ 27.1/2 Fisher, J. ‚Dwarves, Spiders, and Murky Medieval Literature.‛ 27.3/4
(#103/104) (2008): 67-82. Woods: J.R.R. Tolkien’s Wonderful (#105/106)(2009): 83-102.
Web of Words.‛ Mythlore 29.1/2
Tolkien, J.R.R.—Use of allegory (#111/112) (2010): 5-15. Tolkien, J.R.R. The Lord of the Rings—
Hallam, A. ‚Thresholds to Middle-earth: Narrative structure
Allegories of Reading, Allegories for Tolkien, J.R.R. The Hobbit. ‚Inside Auger, E.E. “The Lord of the Rings’
Knowledge and Transformation.‛ Information‛ Interlace: The Adaptation to Film.‛
Mythlore 30.1/2 (#115/116) (2011): 23- Nelson, M. ‚Time and J.R.R. Tolkien’s Mythlore 30.1/2 (#115/116) (2011):
42. ‘Riddles in the Dark.’‚ 27.1/2 143-162.
Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by (#103/104) (2008): 67-82.
Niggle’: An Allegory in Tolkien, J.R.R. ‚Mythopoeia‛
Transformation.‛ Mythlore 28.3/4 Tolkien, J.R.R. The Hobbit. ‚Riddles in MacLeod, J.J. and A. Smol. ‚A Single
(#109/110) (2010): 5-19. the Dark‛ Leaf: Tolkien’s Visual Art and
Nelson, M. ‚Time and J.R.R. Tolkien’s Fantasy.‛ 27.1/2 (#103/104) (2008):
Tolkien, J.R.R.—Use of language ‘Riddles in the Dark.’‚ 27.1/2 105-126.
Hawkins, E.B. ‚Tolkien’s Linguistic (#103/104) (2008): 67-82.
Application of the Seventh Deadly Tolkien, J.R.R. ‚On Fairy-Stories‛
Sin: Lust.‛ 26.3/4 (#101/102) (2008): Tolkien, J.R.R. ‚The Homecoming of MacLeod, J.J. and A. Smol. ‚A Single
29-40. Beorhtnoth Beorhthelm’s Son‛ Leaf: Tolkien’s Visual Art and
Grybauskas, P. ‚Dialogic War: From The Fantasy.‛ 27.1/2 (#103/104) (2008):
Tolkien, J.R.R.—Use of rhetoric Battle of Maldon to the War of the 105-126.
Ruud, J. ‚The Voice of Saruman: Ring.‛ Mythlore 29.3/4 (#113/114) Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
Wizards and Rhetoric in The Two (2011): 37-56. Niggle’: An Allegory in
Towers.‛ Mythlore 28.3/4 (#109/110) Nelson, M. ‚‘The Homecoming of Transformation.‛ Mythlore 28.3/4
(2010): 141-153. Beorhtnoth Beorhthelm’s Son’: J.R.R. (#109/110) (2010): 5-19.
Tolkien’s Sequel to ‘The Battle of Vincent, A. ‚Putting Away Childish
Tolkien, J.R.R. ‚Beowulf: The Monsters Maldon.’ 26.3/4 (#101/102) (2008): 65- Things: Incidents of Recovery in
and the Critics‛ 87. Tolkien and Haddon.‛ 26.3/4
Drout, M.D.C. ‚‘Beowulf: The Monsters (#101/102) (2008): 101-116.
and the Critics’ Seventy-five Years Tolkien, J.R.R. ‚Leaf by Niggle‛
Later.‛ Mythlore 30.1/2 (#115/116) Kelly, A. K. and M. Livingston. ‚‘A Far Tolkien, J.R.R. ‚On Fairy-Stories‛—
(2011): 5-22. Green Country’: Tolkien, Paradise, Relation to ‚Leaf by Niggle‛
and the End of All Things in Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
Tolkien, J.R.R. Beowulf and the Critics Medieval Literature.‛ 27.3/4 Niggle’: An Allegory in
Drout, M.D.C. ‚‘Beowulf: The Monsters (#105/106)(2009): 83-102. Transformation.‛ Mythlore 28.3/4
and the Critics’ Seventy-five Years MacLeod, J.J. and A. Smol. ‚A Single (#109/110) (2010): 5-19.
Later.‛ Mythlore 30.1/2 (#115/116) Leaf: Tolkien’s Visual Art and
(2011): 5-22. Fantasy.‛ 27.1/2 (#103/104) (2008): Tolkien, J.R.R. The Return of the King.
105-126. ‚The Scouring of the Shire‛
Tolkien, J.R.R. The Children of Húrin Milburn, M. ‚Art According to Romantic Waito, D.M. ‚The Shire Quest: The
Mitchell, J. ‚Master of Doom by Doom Theology: Charles Williams’s ‘Scouring of the Shire’ as the
Mastered: Heroism, Fate, and Death Analysis of Dante Reapplied to J.R.R. Narrative and Thematic Focus of The
in The Children of Húrin.‛ Mythlore Tolkien’s ‘Leaf by Niggle.’‛ Mythlore Lord of the Rings.‛ Mythlore 28.3/4
29.1/2 (#111/112) (2010): 87-114. 29.3/4 (#113/114) (2011): 57-75. (#109/110) (2010): 155-177.
Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
Niggle’: An Allegory in
Croft, J.B. ‚Nice, Good, or Right: Faces of World War I in J.R.R. Tolkien World War II in E.R. Eddison
the Wise Woman in Terry Pratchett’s Carter, S.B. ‚Faramir and the Heroic Young, J. ‚Aphrodite on the Home Front:
‘Witches’ Novels.‛ 26.3/4 (#101/102) Ideal of the Twentieth Century: Or, E.R. Eddison and World War II.‛
(2008): 151-164. How Aragorn Died at the Somme.‛ Mythlore 30.3/4 (#117/118): 71-88.
Rawls, M.A. ‚Witches, Wives and Mythlore 30.3/4 (#117/118): 89-102.
Dragons: The Evolution of the
Women in Ursula K. Le Guin’s
Earthsea—An Overview.‛ 26.3/4
(#101/102) (2008): 129-149.
Flieger, Verlyn. See Tolkien, J.R.R. Croft, J.B. Mythlore 28.1/2 (#107/108) Koontz, K. Dale. Faith and Choice in
(2009): 182-186. the Works of Joss Whedon.
Forest-Hill, Lynn, ed. The Mirror Sturgis, A.H. Mythlore 27.3/4
Crack’d: Fear and Horror in JRR Harriman, Lucas H., ed. Lilith in a (#105/106) (2009): 171-172.
Tolkien’s Major Works New Light: Essays on the George
Crowe, E.L. Mythlore 27.3/4 Macdonald Fantasy Novel. Knight, Stephen. Merlin: Knowledge
(#105/106)(2009): 186-188. Gray, B. Mythlore 27.3/4 (#105/106) and Power Through the Ages.
(2009): 159-166. Sims, H.J. Mythlore 29.3/4 (#113/114)
Frankel, Valerie Estelle. From Girl (2011): 187-191.
to Goddess: The Heroine’s Himes, Jonathan, et al., eds. Truths
Journey through Myth and Breathed Through Silver: The
Legend. Inklings’ Moral and Mythopoeic
Croft, J.B. Mythlore 30.1/2 (#115/116) Legacy. L
(2011): 168-171. Rateliff, J.D. Mythlore 28.1/2
(#107/108) (2009): 186-191. Lambdin, Laura Cooner and Robert
Thomas Lambdin, eds.
Honegger, Thomas See also Arthurian Writers: A
G
Caldecott, Stratford, and Segura, Biographical Encyclopedia.
Eduardo. Kondratiev, A. Mythlore 27.1/2
Gaarden, Bonnie. The Christian
(#103/104) (2008): 165-67.
Goddess: Archetype and
Theology in the Fantasies of
Lewis, C.S., and A.T. Reyes, ed. C.S.
George MacDonald.
J Lewis’s Lost Aeneid: Arms and
McLaren, Scott. Mythlore 30.3/4
the Exile.
(#117/118): 147-150. Journal of Inklings Studies. Volume West, R.C. Mythlore 30.1/2 (#115/116)
1.1 (March 2011). (2011):174-176.
Goodwin, Tali, and Marcus Croft, J.B. Mythlore 30.1/2 (#115/116)
Katz.Abiding in the Sanctuary: (2011): 182-189.
The Waite-Trinick Tarot: A
Christian Mystical Tarot (1917–
M
1923).
Auger, Emily E. Mythlore 30.3/4 K MacSwain, Robert and Michael
(#117/118): 171-172.
Ward, eds. The Cambridge
Kane, Douglas Charles. Arda Companion to C.S. Lewis.
Grahame, Kenneth. Ed. Annie Reconstructed: The Creation of Bassham, G. Mythlore 29.3/4
Gauger. The Annotated Wind in the Published Silmarillion (#113/114) (2011): 178-180.
the Willows. Fisher, J. Mythlore 27.3/4 (#105/106)
Croft, J.B. Mythlore 28.1/2 (#107/108) (2009): 189-195. Miller, Laura. The Magician’s Book:
(2009): 182-186.
A Skeptic’s Adventures in
Kerry, Paul E., ed. The Ring and the Narnia.
Grahame, Kenneth. Ed. Seth Lerer. Cross: Christianity and The Christopher, J.R. Mythlore 28.1/2
The Wind in the Willows: An Lord of the Rings. (#107/108) (2009): 172-175.
Annotated Edition. Sims, H.J. Mythlore 30.1/2 (#115/116)
Croft, J.B. Mythlore 28.1/2 (#107/108) (2011):176-181. Miller, Ryder W., ed. From Narnia
(2009): 182-186.
to a Space Odyssey: The War of
Khoddam, Salwa. Mythopoeic Ideas between Arthur C. Clarke
Gray, William. Death and Fantasy: Narnia: Memory, Metaphor, and and C. S. Lewis.
Essays on Philip Pullman, C.S. Metamorphosis in The Christopher, J.R. Mythlore 27.3/4
Lewis, George MacDonald, and Chronicles of Narnia. (#105/106) (2009): 181-186.
R.L. Stevenson. Ordway, Holly. Mythlore 30.3/4
Oberhelman, D.D. Mythlore 28.3/4 (#117/118): 168-170.
(#109/110) (2010): 198-199.
King, Don W. Hunting the Unicorn: N
A Critical Biography of Ruth
Pitter. North Wind: A Journal of George
H
Christopher, J.R. Mythlore 27.1/2 MacDonald Studies. #29 (2010).
(#103/104) (2008): 167-171. Croft, Janet Brennan. Mythlore 30.3/4
Hares-Stryker, Carolyn. The
Illustrators of The Wind in the (#117/118): 183-187.
King, Don W., ed. See Davidman,
Willows, 1908-2008.
Joy.
One color
109/110 28 3/4 Spring/Summer 2010 208 page
Changed
to new
111/112 29 1/2 Fall/Winter 2010 202 printer
113/114 29 3/4 Spring/Summer 2011 204
115/116 30 1/2 Fall/Winter 2011 196
117/118 30 3/4 Spring/Summer 2012 192