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The New Yorker - 01 15, 2024
The New Yorker - 01 15, 2024
CE X8.99
THE JAN.15,2024
LHE NEW fORKtR
DOCUMENTARY
academ y AW AR D ® shortlist BestDocument
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YJEREMYWORK MAN&ROBLYONS
4 G OING S O N
7 THE TALK O F THE TO W N
AmyDavidson Sorkin ona verybigelect i
onyear;
Broadwayvs.pedicabs;in thestudio with Tony Visconti
;
conveningthecof
feecognoscent
i;L ee G rantlooksback
PERS ONAL HIS TORY
Jon L eeAnderson 12 The LongW ay
Tal
esofateen-agewanderer.
ANNALS O F EDUCATION
AlecM acG illis 20 Showing Up
How shouldwetackleschoolabsenteeism ?
LETTER F ROM TEXAS
Stephania Taladrid 26 The LifeoftheM other
O newomansperilouspregnancy.
PROF ILES
Julian L ucas 34 ShamelesslyD ram atic
TheplaywrightBrandenJacobs-Jenkins.
F ICTION
Joy W illiams 4 4 “The B each H ouse”
THE CRITICS
A CRITIC AT LARG E
DanielImmerwahr 5 0 E mpireasseenbyFrantz Fanon andIan Fleming.
B OOKS
55 B rieflyN oted
POEM S
C atherineBarnett 38 “ThoughtE xperim ent”
R ichardSiken 4 7 “P iano Lesson”
COV ER
BarryBlitt “B ack to the F uture”
conversationaboutbooks,
fil
m,television, andpop
culture. H ostedbythe THU W EEK ON NEW YORKER.COM
staffwritersV inson
C unningham,N aomiF ry,
andA lexandraSchwartz.
1.Lat
ely, I’ve encountered too m any lapsed
readers.They bem oan how they used to read,
and would read, b utsince the pandem ic—
orcue any contem porary horror— the active
surrender thatreading requires (especially
fiction) feels too absorbing, too risky when
one m ustm aintain a state ofconstant alert.
O ver the holidays, I gifted the lapsed read
ers in my life three novels— allshort, recent
(allowing my m alingering readers to justify
them asakind of"news/which, ofcourse,they
menu:eschewing the dinerconvention are) , and, m ostim portant, irresistib le. The
TABLES F OR TW O first, “ G h a c h a r G h o c h a r,” byV ivek Shanbhag,
otcalling things “hom em ade’’even translated from the Kannada into E nglish by
when they' re fresh oftthe Sysco truck, Srinath P erur, isthe story ofthe breakdown
O ld John’sD iner cooksatthe new O ldJohn' smake ital l ofam arriage, and itis a perfectpiece oflit
14 8 W. 67 th St
. rightthere, from scratch.T he chicken-
erature-sw ift and harrowing, constructed
out ofthe sim plestlanguage and the m ost
It 1were to scrollback through m y noodle soup 1ate was soul-warm ing, inextricable m oraltangles.
life, tallying every dinermeal, every tat with curlyegg noodles,hunksotcarrot,
bythe Irish writer
2.“ Sm a ll Th in g s Like Th e s e ,"
ceramic mug otwatery coflee, 1think and threadsofwhitem eatheld in arich C laire Keegan, feelslike acousin to "G hachar
they m ightnum berin the thousands. golden broth; the lem on-m eringue pie G hochar,”with itsvelocity and itsplain, radi
M ym ostrecentdinercheeseburgerwas was impeccable, abuttery crumb crust antprose. A coalm erchantdiscoversayoung
womanimprisoned in aconvent.A swith Shan
atO ld John’ s,on the UpperW estSide, and pucker-tartyellow curd under a bhag snovel, weseean entire socialorderand
which torseventv-oddyearshasbeen a snowcap otfloatymeringue. a history m ade m anifest— or rebuked— in a
spark otlite in die strangely antiseptic D inerfoodshould notbeexcellent— single m om ent, in acharacter’ssingle choice.
m icro-neighborhood around Lincoln itcertainly
J should notincludeoneotthe 3.E va B altasar’
s“Bo uld e r," translated from the
C enter/I herestaurantclosed,seemingly bestlem on-m eringuepiesI' veeverhad, C atalan byJulia Sanches, isthe mostrecent
forgood,in2020,one otthecity’ sthou norsatinyi cecream madein-house,nor ofthe three— aragged, sensuous story. R ead
itlast. A fterthe two previous books thatare
sands otpandem ic-era small-business tendermeatloafbearing zero traces ot very much aboutmisogyny, here youwillmeet
casualties, only to be taken overand freezerburn, noractually well-crafted agorgeously untethered wom an wondering
reopened by aform eremployee, Louis cocktails. B utthe boothsatO ld John' s justwhatto do with herfreedom . A b ook
aboutnew life foranew year.
Skibar,now asuccessfil lrestaurateurwho areamix ofold-timersdoddering,hustle
) co-ownsthcToloacheR estaurantG roup. brosconspiring,parentscorralling kids,
M
O 1 henew O ldJohnsi sverymuch li ke and solo dinersnursing theirfourth cup
T
T
O
B
( the old. iheneon clockisstillthere,as otcoffee,exactlyasadinershould be—
A
L
R istheblack-and-whitemosaicfloor,but though the coffee isrich and aromatic,
A
S Skibarbrightened up the place, swap and theexperiencenotmerelypleasingly
U
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;
A
K
I
ping outdark wood veneertorwhite tolerable butactively nice. D espite the
R T
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K
T
U tiling and giving the restaurant’ sname excellence ofthe soup and the pie, the
R R
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aface-lift: form erly O ld John’ sLun burgeratO ldJohn' sismerelyfine/P his
W P
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cheonette, it’ snow— less charm ingly isn' ta knock againstthe place; fine i s
E
H
N
N but, as its open until 10 P .M ., m ore exactlywhata dinersburgeroughtto
T A
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honestly-— O ld John’ sD iner. H appily, be. O ld Johns isone ofthe bestdiners
F
N
E
T H relievingly, noneotthe changesmake it I ve been to, butitremainsvery much
Y P
H
W
O
T feelatal lm odern:diners,asacategory, adiner,which i sto say thatit’saflaw
S
I
M
A
R
H are time machines, fuelled by m em ory less restaurantityoure already in the
D C
A Y otpastdecadesand pastselves. neighborhood and need aplace to eat.
Y B
B
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H
P
N The idealota diner— its prom ise, It'swarm, it'sopen, itexistsoutside the
A O
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A its function— isnotto begreatbutto flow ottim e, itseasy, itsrightthere. N E W Y O R K E R .C O M /G O
R
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bethere.A tO ld John’ s,partotSkibar' s (Dishes$8-$3 0. ) Sign up to receive the G oings O n newsletter,
H L
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I revam p has included upgrading the — -HelenR osner curatedbyourwritersand editors, in yourin-box.
DOCUMENTARY
academy aw ard® shortlist BestDocument
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. S T O R Y S Y N D IC A T E
------ " A N D P H A IR IE E N T E R T A IN M E N T .
B E T T E R W O R L D P R O J E C T S A P E R A L T A P IC T U R E S
--- A R L O W A S H IN G T O N ? C H R IS T IN A A V A L O S
: D W Y A N E W A D E , J O N M A R C U S , L IZ O A R B U E ,
D A N C O Q A N , J O N B A R D IN . IA N
C O H E N , M E Q A N M A T T H E W S , JU L E S H O
• . V IR G IN E D A N G L A D E G , A N D R E W SA U NDER G O N
TO N Y H A R D M O N J O N G N IC O O N T E M P S
JOHNHOFFMAN»oCHRI
STI
NETURNER
DIRECTED
■T
Stre a m Ja n ua ry 10th
n e w y orke r.c om /vide o
THE TALK OF THE TOW N
E
arly on a recentThursday m orn with atiny gold cup lapelpin, told the ties, the state ofthe coffee bean was
ing,ninecoffeeexpertsgatheredon judges to trusttheirinstincts and not abysmal. C offee isa com m odity busi
the fortieth floorofthe E dition H ote
olverthink. A lso, sugarcould be found, ness, and, withoutenlightened leader
in m idtown.Theirtaskwasto drink— in an emergency. E ighty-one cups of ship,bean growing isaraceto theb ot
orsipat— twenty-sevencupsfrom nine cold-brewedcoffeearrived,spoonswere tom . To rally the suppliers, his father
differentcountries.Thefirstninewould raised, silence fell, and they were off. instituted acom petition.Theprizewas
becold-brewed;thenextnine,drip;the M eanwhile, the com pany’ sillustri notfiscalb utinspirational— bragging
finalnine, espresso.A llthe cupswould ouschairm an, A ndrea Illy, had quietly rights, basically. P roduction quality
benum bered,b utthetasterswould not snuck into a nook atthe back ofthe turned around, and so did the indus
know whichcountriesthenumbersrep suitewhere baristasweregrinding and try— atleastin B razil.M oralextruded,
itwastim eto sipagain.C up N o.7 raised
an eyebrow,too— b utbeforeIlly could
finish hissethewasgone.
B ack to the m ain stage forthe last
cup ofthe espresso round. N ine tired
andwired cognoscenti.M enon’ sexper
tisewasshowing— shehad arrangedher
firsteightcupsin apreciserow.F inally,
thelastespresso arrived andwasjointly
degusted. The judges gathered fora
photo, B russatabulated the results, and
thewinnerwas... wait!F irst,therewas
atrip acrosstown, to aU.N . convoca
tion on coffee sustainability, with such
panelistsastheeconomistJeffreySachs.
Illy spoke: “W e allknow thatcoffee
makesuslivebetterand longer.There
aremanystudies.W edon’ thavetoprove
anything.”N ext,twenty-sevengrip-and-
grinswith the motivated growers. A nd
the G olden C up goesto ... ?N otyet!
B ack to F ifth A venue, foragala atthe
<E x cuseme, Ihavetogetupfora minute.Doyou mind watching N ew Y orkP ublicLibrary.Illywom en—
mylaptop, bagof r
peciousgems, andlifesavingsin cash? = A ndrea’ swifeanddaughter— dressedin
the com pany’ ssignature red.' !wo hun ren B eatty turned to meand said,' Lee, stage: “J. E dward B romberg, who was
dredandthirtyotherattendees.R oughly you’ reforty-nind ’’N evermind thatshe partoftheG roup !heatre,”shesaid.“lie
asmanyfiletsmignons.M any speeches. wenton to win the B estSupporting wasin aplaythat1wasin thatmyhus
F inally, N o. 9— B razil— wins! A ctress O scartorherrole asaR epub band”— herfirst,A rnoldM anoft— “had
A lter the U.N .,, the traffic, and die lican housewife sm itten with B eattJv’ s written.M y husband wa.saC ommunist,
photo ops,Illy needed aboost. C ansof horndog hairdresser. “H e was saying, and 1guess B romberg was, too.”G rant
D ietC okewere piledon atable,butan 'So long,baby!Thisi sI lollywood!’A nd
Illyespressoinapapercupwasbrought I wasreallyfifty.’The nextday,shegot
to him .“Iti sdiequintessence, "hesaid. a callfrom the A m erican F ilm Insti
H etookinthearoma.“D ry fruits,choc tute. “ Theysaid,' D o you know any ac
olate notes. Take a little sip. C oncen torswho would like to take adirecting
tratein dieretronasal. !hisi stheepiph workshop?’A nd 1go, ‘ M e! ”
any.’’H edrank.A merica, henoted,was W hen diem om entcame,G rantfelt
awork in progress:“Thirty years ago, underprepared. “1didn’ tknow which
youused to drink coffeeasatuel. N ow end on the cam era was up,”she said.
you drink itas a delicious product— She turned to F red M urphy, the cine
withm ilk.” B uthow coulddie U.S.make m atographer on “TellM e a R iddle,”
the leap to Italian-levelsophistication? who was sitting to herleft. “So itwas
“E ducation. E ducation. E duca F redwhosaid— well,whatdidyousay?”
tion,”he said. A nd lotsotespresso— “1justtold you itwas simple trigo
b utno milk. nom etry,”M urphy said.
— D.7 ?M ax G rantdecam ped to C afe P aradiso
foracelebratorydinner.B rookeA dams,
THE PICTURES who appeared in “TellM e aR iddle”as
RETROS PECTIV E thevivaciousgranddaughter,and isnow
a grandm other herself, was there. So L ee G rant
wereM aryB eth Y arrow,G rant’ sfriend
and producer, and Joe F eury, G rant' s told the m ourners thatB rom berg had
husband, whom she m etin the sixties been terrified ofappearing in frontof
whiledoing amusical.“She hadon sail the H ouse U n-A m erican A ctivities
or’ sboots, asailor’stop,”he said. C ommittee;hehad abad heartandwor
L
eeG rant,the actorand director,gen O versteakandgingeral e,G rantrem ried thatthe stressm ightkillhim.“The
erallyleavesherapartment,onW est inisced. She wasborn Lyova H askell nextday,1wasblacklisted,”shesaid.' A nd
E nd A venue, once aweek, to go to P i
R osenthal,andgrew up on 14 8 th Street fortwelveyears1didn’ twork.”
lates.Inthefal l
,shordybeforeherninety- and R iverside.“M y fatherwasthe head She was sum m oned by H UA C, too.
eighth birthday, she made an exception ofthe B ronx Y ,”she said. “M y m other “M acho,fat,skinny,oldmen asking me
to attend the N ew Y ork F ilm F estival, and hersister,F remo,camefrom O dessa, diestupidestquestions,’’sherecalled.She
where the firsttwo films she directed becausethey were killing the Jews.” refused to name names. “They wanted
were being shown in the revivalsselec In hermemoir,“1SaidYesto E verT y- to know itW illiam M orriswasaC om
tion. G rantwore a red silky blouse, a thing,”G rantwrites thatherm other munist. A nd 1laughed!”
black skirt, and agrom m eted belt; her “was determ ined to plunge herhands Shewas finally taken oftthe black
silver-streaked hairhung overherfore into mJv bab Jy fatand modelme into a listin 1964 . “M y firstfilm job was '
In
headinbangs.1lervoicewasstrongand superior,beautifulbeing,who would ei theI leafofthe N ight, "shesaid.“N or
warm , with a hintotrasp. “F rom my therm arrv rich orrise above allothers
J
manJewison,1laiA shby,theyknew all
heartto yours,”she told the audience. in the arts:ballet, theater.”G rantwent aboutme.They called me in and said,
F irstup:“The Stronger,”from 197 6, with option two.A sateen, she studied ‘Lee, this isyourjob ifyou wantit. It’ s
alightiySapphicadaptation ofaStrind acting with Sanford M eisner atthe aboutawom an who lostherhusband.’
berg one-actabouttwo actresses in a N eighb orhood P layhouse, and m ade A nd 1had lostm ine.”(D ivorce, in her
lovetriangle.N extwas“TellM eaR id her B roadway debut, in 194 9, as the case, notmurder.)
dle,”aboutaJewish im m igrantcouple Shoplifterin “D etective Story.”W hen D essertarrived. Y arrow gotup to
who m etas revolutionaries in R ussia she reprised the role in W illiam W y make atoast.“To ourdear, remarkable
and findthemselvesatem bittered odds ler’s195 1 film adaptation, she won a Lee,mydearest,dearestfriend,”shesaid.
in theirold age. prize atC annes and earned an O scar “W hataboutme?"F eurJvsaid.G rant
A fterward, in apaneldiscussion led nom ination. “1was twenty-two,”she cracked up.
bvJ
theTurnerC lassicM ovieshostA li- said,laughingherthroatylaugh.“1didn’ t 'A ctually,rightnow,thisi snotabout
cia M alone, G ranttalked abouthow know whatthe O scarswere'' you,”Y arrow told him.
herdirecting careercame to be. “1was Thesameyear,shewasaskedto speak G rantrose. “This islike adream to
in a m ovie called ‘Sham poo,’”G rant ata memorialservice forablacklisted m e,”she said.
said.The audiencecheered.“A nd W ar actorwhom she had worked with on — -Alex andra Schwartz.
PaulBowl es,andmercenari esonR.andR. no one knew anything.W e discussed lers from both sides ofthe M editer
O ne ofthese fighterswasagiantF inn going back thewaywe had come,trav ranean.O ne evening,we satnextto a
with aredbeard— toopersi stentlydrunk ellingthelength ofS pai n to catchaboat G erman man with agraying goatee— -a
forme to find outwhere he was sta inM arsei le,butwith ourshrunkenfunds forem an ata S outh African diam ond
l
tioned,though 1guessed itwasRhode and me on acrutch itseemed im plau mi ne,onvacati on i n theC anari es.Inbe
sia,where the so-called Bush W arwas si ble.Besides,we had come so far. tweencal lstormorel iquor,hecompl ained
beingfoughtbetween whitesettl ersand Afterafew days,aG erm an travell er loudlyabouttheAfricanworkershesu-
Black nationalistguerrillas.Another,a nam ed Pavel ,a strongly builtkid with pervi sed,calling them lazy and stupi d.
S pani ardwho cal l edhi mselfF idel ,joined longblond hah',tol d usthatheknew of F i nally,1lostpati enceandl unged athi m,
uson the fishing nets fora few nights. a ship sailing in a couple ofweeks to unti lm yG hanaian fri end Brando pul led
H e hi nted atbeing i nvolved i n clandes the former S panish colonyofE quato meoftand dragged mefrom therestau
tine politicalmaneuvers— perhapswith rialG uinea.F rom there,Togawastan- rant.O utsi de,heexpl ainedthatthestakes
theC anaries’separati stmovement,which talizinglycl ose— justacoupl eofcoun ofgetting i n troubl e were differentfor
afew yearslaterplanted abomb atthe triesawayalongtheW estAfrican coast. hi m:1m ightgetroughedupbytheG uar
localai rport,leadingtoadevastati ngcol Pavelwas planning to go on the shi p. dia,buthe coul d bedeported.
lision between two 7 4 7 s. D id we wantto joi n him ? W e did. W eekswentby,and Pavelrecei ved no
S leeping on thenetshad ri sks.D ogs W e would need vi sas,and so he of word on ourvi sas,untileventually the
ran wild there,and one nightabi tch i
n fered to m ailourpassports,alongwith shi p to E quatorialG uineasetsailwith
heatbegan followingme,untilapackof his,totheE mbassyofE quatori alG uinea outus.W ithoutthinkingaboutitmuch,
mal es,evidentlym istaking meforcom in M adrid.There was a fee oftwenty 1stopped com municatingwith m yfam
peti tion,backedmeawayfrom her,growl dol lars; the processshoul d take aweek i l
y.Ithadbecomeapoi ntofpri deto ex
ing.There were thi eves,too,and 1once orso.John and 1handed Pavelourpass tri cate mysel ffrom mvsi tuation,and in
woke up to fi nd thatmy backpack had portsand thecash.W efeltbuoyed.Just anycasetherewasnow
J J av to reach them
beenopened,i tscontentsstrewnaround— like that,we had di scovered an exciting by phone; the only option was poste
though the thi efm usthave quickly re route toTogo. restante,asystem bywhich travel l
erssent
alized that1hadnothingofval uetotake. andrecei ved lettersatpostoffi cesaround
'1he mostpersistentthreatwas the avelhad started outon thenetsbut theworld.I’ d m ailed acard to a fri end
G uardia C ivil.A tdawn one m orning,
we were awakened bJy * the screech ofa
P found awayoff:hewasliving with i
aS panish wi dow,i n aluxuryapartm ent
n Lym e Regis,telling him thatI’
rived in LasPalmas,butnothing more.
d ar
patrolwagon pulling up nextto us.A overlooking the m ain beach.W ejoked Asti mewenton,1entered m yownbub
hal f-dozen offi cersjumpedoutandbegan thathe was basically agigolo,and he bl e,living attheportand on the streets,
swinging nightsticks ateveryone they l aughed butdi dn’tdenyi t.O nceortwi ce, with m yhead fri llofpl ans.
coul d reach.Buttheirrealtargetswere he showed up atthe fountain with the
the two M oroccans,N ajir and Baba, wom an who kepthim oftthestreets— angingoutatthefountai n,1some
whom theyquicklysurrounded,vi
beat,and then hurled into the patrol hi
ci ously attractive,fortyish,clearly am used by
scompany.
H ti
messaw atal l,muscul arAustrian
with a shaved head and a forbidding
wagon— to be detained toramonth on Therestofus,with no meansofsup manner.A friend who knew him told
whatwe laterdi scovered were charges port,spentourdaysbythefountain and methathehad been born on ajunk in
ofvagrancy.W ebegan setting l ookouts oureveningsatE lRayo,acheap restau 1long K ong and spenthisenti re l
ifeat
tortheG uardiaatni ght,butitwasharder ranton a prom enade notfarfrom the sea.H e was a form eropium addict,a
to avoi d patrol s in the street.N otlong port.Itwasal ong,cavernouspl acewith torm ented soul ,m yfriend sai d.1le had
afterN ajirand Babawere arrested,Pili harried waiters,who hustled plates of l osthi sboat,somehow,and wasfranti c
vanished,too.S everalweeksl ater,I en foodandbarkedoutorderstotheki tchen. to getanotherone.
countered him walking along a road.1 The headwaiterwasastockJyman wi th TheAustrian used tolurkattheedge
cal led out,butheseem ed to barelyrec greased hairand awalleye,and he de ofthe square wi th hi swi fe,a Vietnam
ognize meand wasspeaking gibberish. lighted in ignoring our tabl e,because esewomanwithlongblackhai r.O neday,
Afterward,1heardthattheG uardiahad we were too poorto afford anything theyvani shed,andwere mi ssing forhal f
beaten him sobadlythathel osthi smi nd. m ore than the cheapestplate on the aweek before 1heard newsofthem.In
D uring theday,weallwentoursep menu:friedgrouper,accompaniedbyall thegrip ofa m alarialfever,he had sto
arate 'ways.John and 1usually headed the bread and ol ive oi
lwe coul d get. lenarowboat,forced hi swi feaboard,and
torafountain in apl aza,acrossfrom an The tabl enextto uswasoften occu setoutto row to M orocco.They were !T
ancientchurch,where t ravel lersgath pied by agroup oftrans women,who luckyto havebeen rescued by apassi ng
16 THE N EV YORKEK. JAN LAIIY 15,2024
shi pbeforetheyreachedthecoast; C ape
Juby,thepointwhere hewasheaded,i s
awallofhundred-footcl iffs,andtheseas
therehadbeen known si nceantiquityto
swal l
ow up boatsand theircrews.
TheAustrian had been reckless,but
I couldn’thelp noticing thathe had
nearlymadeittothecoast.I beganscout
ing ships on the Las Palm aswharves,
where the better-offtravellers docked.
TheoneI coveted m ostwasaturn-of-
the-century schooner,with the nam e
M arte in carved gold braiding across
the stern.S he was a hundred and ten
feetlong,with threetoweringmastsand
ahold big enough to fitafam ilyofel
ephants.I visited herevery day,walk
ing on herdecksand fantasizing about
sailing heraround theworld.
S omeoftheboati essensedm yyearn
ing,andoneofthem m entionedthathe
had a sailboatanchored on the neigh
boringisland of T enerife.IfI wanted to <Holdon...didyou mean t
ohitSnooz eorJ az z f=
go take possession,she was m ine.I
cashed in one ofm y dwindling supply
oftraveller’ schecksto payfortheferry,
then hitchhiked and walked acrossthe
island,andbyearlym orningI hadmade larsI hadrem ainingin travell er’
schecks, proofthewhole surface and coatitin
ittothem arina.I walkedbackandforth and then figure outhow to repairit. paint.W eweresurewecoulddoit,with
alongthepiers,lookingforthenum ber I wentto seeheronasm allbeach not help from localsailors and boatbuild
ofthem ooringtheyachtsm anhadgi ven farfrom theport,where shesatin dry ers.N otfarfrom thewater’ sedgestood
me,butwhen I reached ittherewasan dock,cradled on am etalplatform with a chiringuito,a rustic beach bar.S oon
em ptyspace.A m arinaempl oyeefinally al adder.S hewasatraditionalC anaries afterwearrived,I poked m yhead in to
explained.The sailboathad been sunk racer,alateen-sailed,deep-keeled boat m eetthepatrons.A grizzled m an sized
afew daysbefore,hetold me,pointing abouttwentyfeetl ong.Thekeelwasrot up m yblond hairand growled,“Fuera,
into thewatersofthe harbor.The sus ten and neededtobecom pletelyrebuilt; sueco"— <Beatit,S wede.=
picionwasthatshehadbeen scuttled— whatsaton theplatform wasreallyjust Later,the bar’sownercam e by to
som ethingto dowith insuranceclaim s. ahullwith amast.E ven so,itgavem a apologize.H ewasabruisernam ed Pe
I returned to LasPal masfeeling dis terialshapeto thepossibilityofescape. dro— aformerweight-liftingcham pion
traught; allm ypl anshadbeen thwarted. I suggested thatwe callherG uanar- who keptagold m edalaroundhisneck
Increasinglydesperate,I began to pon temeII— thename,I’ d been told,ofthe to proveit.H eworelittle bikinibriefs
derjoiningtheS panish F orei gn Legion. lastG uanche king,who had leaped to and no shirt,exposingahugechestand
I had few il lusionsaboutwhatthe Le hisdeathratherthansubmi ttotheS pan bellyand an arrayofcrude tattoos,in
gion stoodfor,butI’ d seen Legionnaires iards.(I learned laterthatG uanartem e cluding one dedicated to his m other.
gathered atagarrison neartheport,and wasactuallyani nfamoustrai tor,whohad Pedro lived in a large tentpitched in
I’d learned thataunitcall ed theN omad sol dhispeopl eouttotheoccupi ers.
)W e the sand,and he invited us there for
Troopspatrol led the S panish S aharaon scrounged forwood and tool sand built dinner:stew thathe had cooked in a
camel back.IfIjoinedup,I coul dbecome oursel vescrudebunksin thehull.W hen firepitoutside.Afterthat,wheneverhe
fam iliarwith the desert,pick up some theywereready,we moved offthe fish em erged from his tent,he’ d wave and
Arabic,and learn enough aboutcamels ingnetsandbegan sleepingon theboat. callus over.W e’ d wave back,butwe
to m ake m yway al one into the S ahara. Thebeachwasagrubbyrectangl eofsand, wereleeryofhisstews,and oftherough
I’d enlist,spend si x monthsorayearin setbeneath an elevated highway and a m en who wentto drink athisbar.
the N om ad Troops,and then escape. row ofstreetlampsthatshonedown on
E venJohn,who had willinglycome usatnight.But,onourpl atform,wewere ach m orning,John and I splitup,
with m e to the C anaries,thoughtthat
this plan was absurd.O ne day,he in
m ostlyinvi si
bletopeopl eontheground.
Itwasasifwewerealreadyatsea.
E hoping to find work thatwould
payforfoodandm aterials.In m ysearch,
terrupted m y reveries to tellm e that To fix thekeel,we’ d need to replace I heard aboutan E nglish-language
he’ d found a sailboat.Itneeded work, planks,caulk the gapswith twine and academ y,the Institute Ingles,which
butwe could buy itforthe sixty dol- silicone paste,then sand and water m ightneed ateaching assistant.Itwas
20 THE NEW ' YORK ER, JANU ARY 15, 2024 ILLU STRATION BY OW EN G ENT
percentofschooldays, oreighteen in A fterthe family moved to E corse, last uation was uncertain. Usually, there
ayear— nearly doubled between 2018 - summer, the m ind-setlingered. “They were three hours ofinstruction daily,
19 and2021-22,to twenty-eightpercent gottoo comfortableathom e,”shesaid. hesaid,buttheW i-F ihadn’ tbeenwork
ofstudents,accordingto datacompiled Thisisadynam icthatJohnson has ing properly. “H e’sdone forthe day,”
forthe A ssociated P ress by Thom as repeatedly encountered.W hen classes hisfathersaid.
D ee, aprofessorofeducation atStan were virtual, students would log on F amiliesfaced otherhurdlesaswell.
ford. M ichigan’srate was thirty-nine somedays,andsomedaystheywouldn’ t. O ne student’ sfatherhad died am onth
percent,thethirdhighestam ongstates. The world did notend. F orparents, it earlier, and in the previous six m onths
States thathave reported data forthe m ightseem easierthatway. N o drag two ofhisgrandparents had also died;
m ostrecentschoolyearshowed only ging kids outofbed before daybreak. his m otherwas suffering from heart
m inim alimprovement;somecitieshave N owrestlingthem into properclothes. diseasethatprevented herfrom work
ratesofm ore than forty percent. N o getting them to the bus stop as ing, and she could no longer afford
A bsenteeism underliesm uchofwhat one’ sownworkwaited.“Y ouwereable schoolclothes.Johnson alertedthestu
hasbesetyoung people in recentyears, tojustdo thethingsyouneededto do,” dent’ sprincipal,who had aspecialfund
including falling schoolachievem ent, Johnson said.“E verybodywascom fort forsuch needs.
deteriorating m entalhealth— exacer able. Itwas,T can go to m y com puter, The m otherofam iddle-schoolgirl
bated bysocialisolation— and elevated m y baby is in m y room on the com had been in a carcrash; when a C on
youth violenceand carthefts, someoc puter. W ere good.’” centric em ployee visited, the m other
curringduringschoolhours.B utschools A fterthathiatus, relearning old be had trouble even com ing to the door,
areusing relatively little ofthe billions haviorswashard.“IfI wereachild,and and she explained thatshecouldn’ tget
ofdollars thatthey received in federal I could stay athom e on m y computer, herdaughtertoschoolanymore.A high
pandemic-recoveryfundsto addressab inm yroom ,andplaywith m ylittletoys schoolboyhadmovedinwithhisgrand
senteeism.The issue hasalso attracted on the side, pick up the gam e foryour mother,buthewassleepingontheporch
surprisingly little attention from lead breakorlunchtim e,how hard isitto sit forlack ofa bed; C oncentric b ought
ers,electedorotherwise,and education in a schoolbuilding forseven hours?” him one. A superintendentpurchased
coveragein the nationalm edia hasfo shesaid.“Ittakesusto help build those awasherand dryerafterhearing from
cussed heavily on culture-warfights. habits, and I don’tthinkjustone per C oncentric thatsome studentsweren’ t
Thisvoidcreatedanopportunityfor son can do italone.” com ing to schoolbecause they didn’ t
a fledgling com pany like C oncentric. Someparents,unim pressedbywhat haveanyclean clothes.“O nceyouhave
F ounded in 2010, by D avid H eiber, a instruction consisted ofduring rem ote theseconversations,youknow thatthere
form erschooladministrator, the com learning, didn’tsee m issing schoolas are real-life events thathappen, there
pany grew slowly. Ithad only ab out thatconsequential. Som e simply liked arereal-lifecircumstances,wherethey’ re
twentyemployeesbeforeCO V ID ignited having theirkidsaround. “Y ou’ re deal justnotable,”Johnson said.
thebusiness.C oncentricnow hasm ore ing w ith a differentgeneration here. Still, there were circum stances in
than a hundred employees, and itre This isa parentgeneration thatplays which negligence did seem to be an
centlyreceivedafive-million-dollarin video gameswith theirchildren,”Ste issue.Johnson, who isthirty-fourand
vestm entfrom asocial-venture-capital venM cG hee,thesuperintendentofthe has three kids, could feelhernatural
firm to fuelexpansion. H arperW oods district, anotherC on sympathybeing tested:“I’ vehad apar
“R ightplace, righttim e, rightpan centricclientnearD etroit,said.“W hen enttellme,‘ W ell, hey, shewasn’tthere
dem ic,”H eibertold me sardonically. wewerekids,wewereoutofthe house because ofm y life problem s.’I getit,
andatschool.Therewasnooption.This b utyoucan’ tjustleaveastudentoutof
uanticka P rude had herfirstchild became optional.” schoolbecauseyou have issues.”
K when shewasthirteen, so she fin
ished hereducation atthe city’ sm ater
i
E ven before CO V ID , some students
n the D etroitarea had been able to ometimes parents askedJohnson if
nityacademy.B eforethat,though,she’ d chooseonline-onlylearningasanoffer
likedgoing to school.“Itwasfun!W ho ingfrom publicorcharterschools.Since
S shewasatruantoffi
reply,“N o,I’
cer,andshewould
m aprofessionalstudentad
wanted tobeathom eandlistentoyour thepandemic,m anyschoolshavemade vocate,”which was w hatC oncentric
m om com plain allday?”she told me, iteasierforstudentsto try to catch up called itsoutreach workers. “Ifyou’re a
when I spoke with herafterJohnson’ s from missed dayswith online material. truantofficer,they’
redefensive,”shetold
visit. “B ut, then, we didn’
thave CO V ID Thespectrum from in-persontovir me. “They automatically assume you’ re
and citiesbeing shutdown.” tualto nothing atallcan getpretty hereto getthem in trouble.”
D uringthepandemic,D etroit’ spub fuzzy. O ne early afternoon, I saw an W ithintheU.S.,theconceptofm an
licschools,whereherkidswereenrolled eight-year-old boy w ith headphones datory schooling can be traced to the
atthetime,remainedclosedtoin-person on standing outside ahouse in E corse, seventeenth century, when the P uri
instruction fornearly ayear.“They did playing avideo gam e on a tablet. H is tans ofM assachusettspositioned itas
schoolonline.I hatedit,”shesaid.“They m otherhad died ofaheroin overdose fundam entalto C hristian society, b ut
took itasajokem ostofthetim e,play two years earlier, and his father said thistenetwaschallengedbytheIndus
ing in class, because they feltlike they thathe had enrolled hisson in an on trialR evolution, as children w entto
were athom e and they could do that.” lineacademy,becausetheirhousingsit workin themills.A fterM assachusetts
BY S TEPHANIA TALADRID
L
Y enii
ferA lvarez-E stradaG li
ck childrenwhoseparents’workdaysstarted “Lifeistoo shortfortearsandhate,”
wellbefore classdid. she alwayssaid, and comfortcould be
DATE OF DEATH— ACTUAL OR PRESUM ED Leticiadivorced,remarried,andtook foundinblastingQ ueen B eyinthecar
July 10, 2022 asecondjob,atapoultryplant.Shehad onthewayhomefrom work,inlaugh
two more sons, and she relied on Y eni ingwithfriendsatanover-the-topbur
M ARITAL STATUS AT TIM E OF DEATH
0 M arried to help raise them . P edro, born when lesquecabaret,andinherboyfriend,an
Y eniwasten,receivedadiagnosisofau A rm y R eserve specialistnam ed A n
IF DEATH OCCURRED IN A HOSPITAL tism; hewasso sensitiveto sound that drew G lick. H ewasn’ tasliberalasshe
E R /O utpatient raindropson the roofcould makehim was,butthey shared askewed senseof
spiral, and on the rare occasion when hum orand alonging forexperiences
IF FEM ALE
Z P regnantattimeofdeath hespokeyeniunderstoodthathe’ dgiven more vibrantthan those afforded by
each word seriousthought. F rancisco, ruralTexas. A ndrew loved anim e,
LOCATION (CITY/TOW N AND STATE) whoarrivedwhenshewasthirteen,was wanted to go toTokyo,and didn’ tbalk
Luli
ng,TX vulnerable, too— bullied in elementary when Y enimade itclearthat, should
school,heretreated to studying online. thetwoofthem staytogetherandleave
M ANNER OF DEATH
B ythetimeY eniwenttohighschool, Luling, heryoungersiblingswould be
0 P ending Investigat
ion
she’d become the nerve centerofher com ing along. She called them her
extended-familyoperation.Shewasthe ninos— the children she’d had without
Y eniiferA lvarez arrived in central onewho fretted overamortgage pay getting pregnant.
Texasfrom San Luis P otosi, M exico, ment; followed up on the applications TheweddingwasinN ovember,2021,
in1998 .A tthree,shewasjustoldenough fordisabilitythatshefiledforhercousin, andontheprecedingeveningsA ndrew
to have asenseofaworld leftbehind: who’ d had astroke atsixteen; warned receivedacrashcourseinranchera.The
the firethatwarmed the house in the familymemberswhenpoliticianswere mariachiswere driving si x hoursfora
evening,the meathung to dry outside stokingrageagainsttheundocumented; singlenight— therecouldbeno disap
the door, and la bisabuela, heradored and made the delicate decision about pointm ents on the dance floor. A fter
great-grandm other, who had died whetherto callthepolicewhen P edro, theceremony,in abarn flankedbyoak
shortlybeforeY eniand hermom went alarmed by something he couldn’ tar trees,Y eni,twenty-six,swayedinatulle
north.InLuling,yeni,herparents,aunts, ticulate, ran away. O nly atschooldid ballgown, a silvertiara, and the lon
andgrandmothersetdedintoacramped the pressure easeup. gestveilshecould find.The following
house with atin roofthatwas down W hereasotherteen-agegirlsinLu m onth, Y eniannounced with joy that
the streetfrom hergreat-uncles, the ling dream ed ofbeing crowned W a shewaspregnant.The only downside,
firstmembersofthefamilyto discover termelonThum p Q ueen attheannual she told herm om , was thatshe and
thetown’ sdecentjobs,in theoilfields. farmers’festival,Y eni’shopewastobe A ndrew, who had moved in with the
B lack gold had been gushing there comeascientist.O neday,sheimagined, family,wouldbedeferringtheirplanto
sincethe nineteen-twenties,and asul- she’d have a college degree— chemis leave Luling. W here else butin this
fiirousodorhungintheair.To thisday, tryorbiology,shehadn’ tdecided— and stinkerofa town would there be so
when thesmelldriftsfiftymilesnorth, buyahomeinW imberley,aprettyH ill manyauntsandcousinsexcitedtomeet
peoplein A ustin callit“theLuling ef C ountrytown fortymileswestofLu anewborn, and to help?
fect.”Y eni’sfatherworked in oil, too, ling. She could almostsee the ranch
butitwasn’tlong before he was de house,nestledinthewoods,with extra uling’ssole generalhospital, A s
ported. Y eni’smother, Leticia, stayed
and gotajob in the kitchen ofalocal
bedroom s forLeticia and the boys.
She could stillalm ostsee the place
L cension Seton E dgarB . D avis, i
namedfortheG od-fearingshoemaker
s
P HOTOG RAP HS BY CARLOS JARAM ILLO THE NEW YORK ER, JANU ARY 15, 2024 27
are uninsured, according to a recent ofP ublicH ealth studyrecentlyshowed Y enifellill, and shewashospitalized
censusestimate;forsomeofthem , de that, in anine-m onth period follow with pulm onary edema, a condition,
layingmedicalcareuntilitbecomesur ing the passage ofS.B . 8 , nearly ten in which the lungsfillwith fluid,that
gentisaway oflife. C ritically illpeo thousand additionalbabieswereborn strainsthe heartand canbefatal.A n
ple,includingwomenwhoarepregnant, in Texas. otherlong-term complicationwasher
often arrive atthe hospitalonly to be W hatconservativelawmakershailed weight,whichrarelydippedbelow two
rushed to b etter-equipped facilities asthe saving ofinfantlives, medical hundredandsixtypounds.F orallthese
somewhere el se. professionals I interviewed in rural reasons, when Y enibecame pregnant
The hospital’slabor-and-delivery Texassaw asabeleagueringchallenge. shewasahigh-risk patient.
unitclosed years ago, and there isno A ccording to state data, even before Sevenweeksinto herpregnancy,in
ob-gyn on site.The wom en in Y eni’ s S.B . 8 halfthe countiesin Texaswere lateJanuary, 2022,Y enimessagedA n
family,likemostwomeninLuling,were unequipped to treatpregnantwomen, drew:“Slightbreathing problems.”A
used to travelling to Kyle, lacking a single specialist few dayslater, she woke up bleeding.
thirty miles northwest, or inwomen’ shealth,such as H erfirstinstinctwastocallhermother.
to A ustin, forroutine care. an ob-gyn or a certified ‘D oesithurt?,’Leticiaasked.Itdidn’ t,
B utsometimesapregnancy- midwife.M ultipledoctors b utY eniwas too scared to trusther
related crisisistoo urgent told methattheoverturn m other’ stheorythatmiscarriageswere
to allow fortraveltime,and ingofR oev.W ade,inJune accompaniedbypain. Sheracedto the
the Luling em ergency of2022, exacerbated the E .R ., where her case was term ed a
room— with fourbedsand crisis, aspractitioners re “threatened m iscarriage.”A n ultra
one doctor— is the only tired early or m oved to sound showed norm alfetalgrowth;
placeto go. states where they’ d have herbloodpressure,however,hadspiked
B y 2022, two hospital morelibertytomakem ed to aworrisome 18 5 /98 .
em ployees told m e, the icaljudgments.Sowho,ex A lthough some wom en with the
num berofwomen giving birth in the actly,wassupposedto handletheextra same conditions asY eni— hyperten
LulingE .R .wassurging.Theyrecalled deliveries in wom en’s-health deserts sion, diabetes, ahistory ofpulm onary
seeing only five orsix b irths in the suchasC aldwellC ounty?W hatwould edema, severe obesity— end up safely
previousdecade. N ow itfeltlike“un become ofwom en in rem ote locales delivering healthy babies, others be
controlled chaos,”one ofthem said. who experienced a hem orrhage ora come so unwellthata difficultques
B abieswerebeingdeliveredinthewait ruptured fallopian tube? tion arises:Isthisapregnancythatthe
ing room, orcrowning on a stretcher A lthough itwasillegalfortheE .R . patientcansafelycontinue?Somestud
in the hallway, the fourbeds being to turn awaypatientswho needed ur ies show thatcardiovasculardiseases
occupied. gentcare, hospitalworkers in Luling accountformorethan athird ofpreg
Thetwoemployeeswereaccustomed couldn’ thide theirreservations. “This nancy-relateddeathsintheU.S.“W hen
to seeingearlymiscarriagesortheswift isnotthe place you wantto be,”one apregnantpatientcomesto youwith
deliveryofsomeone’ sfourth child.B ut ofthem toldpregnantpatients.“Itcould ahistoryofpulmonaryedema,theques
latelywomenwerecominginwithmore end up tragic.”There wouldn’ tbe an tion is:W hatisthe cause, and can it
varied and complex conditions, and at anesthesiologiston hand to numb the bemanagedorreversed?,”UriE lkayam,
timesthe E .R . feltlike aneonatalin- pain with an epidural, m uch less an the directorofthe m aternal-cardiol
tensive-careunit— butonelackingthe expertin maternal-fetalmedicine.N ot ogyprogram attheUniversityofSouth
equipm entto properlyhandlesickba everypatientwasinapositiontotravel ernC alifornia,toldme.“P regnancyin
bies.Thehospital’ ssinglebaby-warm elsewhere, however. If a pregnant creasesbloodvolume,andwithlimited
ingcrib wasdiscovered,during abirth, woman visited the Luling E .R . three cardiacreservesthe pressurefrom the
to be missing awheel; anurse had to tim es in a row, staffcame to assume heartmay be reflected into the lungs,
prop itup with herfeetto preventthe thatshe’ d end up delivering there, causing pulm onary edema and heart
newborn from falling outwhile the whetherthey wereprepared ornot. failure.”H isrule ofthum b isthat, ifa
doctorreceivedobstetricscounselover patientisfairlysickearlyon,“oneneeds
the phone from aspecialistin A ustin. eniwasamongtheuninsured,and to assumethataspregnancyprogresses
“A nythingthatfailsin society,any
thing that’sbroken,endsup being the
Y when herteeth hurtordrug-store
creamsweren’ tcuringarash,sheturned
things only willgetworse.”In those
cases, he said, term ination lowers the
emergencyroom’ sproblem,”oneofthe to theLuling E .R .O vertime,thestaff risk ofdeath.
employeestold me.B oth ofthem sus came to know herand herailments. A ccordingtoY eni’ smedicalrecords,
pectedthatthesurgewasbeingdriven In herm id-twenties, shelearned that doctorsdidn’ traisethepossibilityofa
bydiminished accessto abortions,fol she had hypertension, orhigh blood therapeuticterm ination with her.A s
lowing the enactm ent, in 2021, ofa pressure, and diabetes. B oth condi cension Seton, a network ofC atholic
state law know n as S.B . 8 , w hich tions ran in herfamily; Y enibegan hospitalswhose mission is“rooted in
banned the procedure afterthe sixth storing herinsulin nextto herm oth the loving m inistry ofJesus,”isaverse
week ofpregnancy in nearly allcases. er’sin the fridge. to abortions.B ut,assomemedicalpro
A Johns H opkins B loomberg School A fterCO V ID -19 peaked in Luling, fessionalsfamiliarwithY eni’ scaretold
BY JU LIAN LUCAS
randen Jacobs-Jenkins has en avant-garde perform erswho dissected bating to the ghastly heirloom — orat
P HOTOG RAP H BY M ACIEK JASIK THE NEW YORK ER, JANU ARY 15, 2024 35
bowled overto have reached, in his D avid in searchofhisG oliaths,”thedi
icanP lays,inLouisville,Kentuckywhere
words, “a little postage stam p ofthe rectorE ricTing told me. “E ach play i s
“A ppropriate”prem iered. N eugebauer
country owned by three landlords,” aboutfinding anew G oliath.” was im m ediately taken with the work
where, before becom ing aTony voter, There’ anditsauthor.“B randen isinterested in
sagenerationalvalenceto his
he rarely attended shows because he whatwelearn aboutourselveswhenwe
fixation on the em barrassm entofliv
couldn’ tafford tickets?“I see allthese ing— amillennialcom plaintaboutthe find ourselvesin am om entofveryspe
sweetlittle notesfrom people thatare, awkwardness ofhaving been groom ed cificallycalibrateddiscomfort,”she’ dtold
like,‘F inally, B randen’
son B roadway!”’ forplum rolesin anend-of-historypagme.Theirprofessionalchemistry,which
hetold meon anotheroccasion,insist eantthatnevercame to be. In “G loria”
Jacobs-Jenkins characterizes as“im p
ing that, despite a“strange pressure to (2015 ), setata magazine whose youngish,”wasobvious. B utthatday N euge
besoexcited,”hefeltnoparticularthrill. staffersblame“post-warglutton babies”
bauerwasallbusiness,bunching up the
N evertheless, he adm itted thatitwas forsquanderingtheirfutures,acopyed sleeveendsofhersweaterin herfistsas
fascinatingto see“A ppropriate”— which itorfeelsso disgraced bythe low atten
shehashed outscenes.
he wrote more than ten yearsago, asa dance atherhousewarm ing party that N ew pageswere eagerly awaited in
wryhomagetothewhitefamilydrama— she shootsup the office. “G irls”(2019),
therehearsalroom,whereactorslounged
realizedsograndlyontheG reatW hite anadaptationof“TheB acchae,”reimag byahumidifierandthewindowslooked
W ay:“In somewaysI’ m,like,W hatam ines E uripides’uptightking asan incel
outon the aggressive red signage ofa
I aboutto reencounter?” streamermaddenedbyhisparents’boom- C hick-fil-A .ThisisJacobs-Jenkins’ ssev
Jacobs-Jenkins has m ade an artof erish decadence.Jacobs-Jenkins’ skeen
enth production of“A ppropriate,”b ut
dramatizingtheC hinesefingertrapthat earfortheanxietiesofourageisequally you’ d hardlyhaveknown itfrom thein
is“writing aboutrace.”(Say you aren’ t attuned to thoseofagesgoneby;in ad tensityofhisrevisions.H e tweakedline
doing itand thesnareonlytightens.) In aptationslike“A n O ctoroon”and “E v
afterlineonhisrose-goldM acB ookA ir,
hisbreakoutwork,“A n O ctoroon”(2014 ), erybody”(2017 ),basedonamedievalm owhich shared atabletopwith hisformi
afrustrated B lackplaywrightrevivesan ralitypl dable arsenaloffountain pens.“I’
ay,theshockofself-consciousness m ob
antebellum m elodram a asa riposte to summonstheghostsoftheatre’ viouslyan incredibletyper,’’Jacobs-Jen
shistory.
the expectation thathiswork reporton “I cringeatmypast,”hejoked in oneof kinsapologized.“Y ouandD onnaTartt,”
contem porary race relations. R ace, as ourconversations.Y etwhatiscringebutSarah P aulson, in abaggy sweaterand
Jacobs-Jenkinshasmemorablyputit,i s the beginning ofself-knowledge? paint-fleckedjeans,replied. (Tartt, afa
“the biggest, longest-running theater m ously m eticulous reviser, publishes
gam e in the history ofm ankind.”B ut n early N ovem ber, I accom panied roughly one novelperdecade.)
it’salsojustasubcategory ofhisdeeper
engagem entwith shame, and the ways
I
Jacobs-Jenkins to an early rehearsal “D o you wantto explain the latest
of“A ppropriate,”attheTonyKiserThe changes?”N eugebauerasked, once he
itforcespeople to confrontthe selves atre, on F orty-third Street. “W e talked wasdone.
and the stories thatothers foistupon aboutsham ing you,”N eugebauertold “I’m trying to thin outsome ofthe
them likeduncecaps.H e hasdescribed him . (W e’d arrived in the m iddle ofa legalese,”hereplied.N earlyhalfthetext
scene.) A longtim e friend and collabo on hisscreen wasred.
theatre asaspace forugly feelings, and
ratorofthe playwright, she m ethim at
in hisplaysugly feelingsfind sophisti F orJacobs-Jenkins,aplayi sneverfin
cated forms. “I think ofB randen as athe2013H um anaF estivalofN ew A m er ished, because theatre isalive. O bserv
ing both actors and audiences, he con
stantlyaltershiswork,often rightup to
and beyond the deadline. P erhaps the
furthesthe’ severpusheditwaswith“The
C omeuppance”(2023),thestoryofagroup
ofthirtysomethingswhofacedownshad
owsoftheirformersel vesatapandemic-
haunted high-schoolreunion.The play
culminateswith amonologueaboutsur
vivor’ sguiltby the character-hopping
spiritofD eath. “Literally, itwasD eath
revealingwhoD eathhadcomefor,’’Ting,
who directed the play’sprem iere, told
me.Y etJacobs-Jenkinsdidn’ tfinish the
m onologue— or even announce who
would bedelivering it— untilthedayof
the “third orfourth preview,”Ting re
called.N obodycomplained,hewenton,
becausethosein therehearsalroom un
derstood itasan opportunity to mirror
<W e’
reairshippeople, notmega-airshippeople. theaudience’ sexperience.Jacobs-Jenkins
nevertreatshisplayslike“apaintingthat tualartistwho“retired”from B lackness; daughter,Indigo,aJacobs-Jenkinslook-
he has signed his name to,”Ting said. A drienne Kennedy,who wrote“F unny alikewho enjoyssitting on hislap and
“Ifyou’ regoing to invite him back into house ofaN egro,”atuguelike allegory playing with binderclipsashe writes.
therehearsalhallwithascript,hei sgoing aboutself-loathing;and,especially,Kerry R ecently,dieytookheronatriptoJapan,
to resurrectit.” JamesM arshall, whose triptych “H eir where, although they stayed neara fa
“M y second ' O h, m y G od’isgone,” looms & A ccessories”inspiredJacobs- mous Kabukitheatre, the only dram a
P aulson remarked asshe read the new Jenkinstowriteaplaythatwould make they saw was atKidZ ania Tokyo, a
text. Sheboiled watertorteain asleek B lackness invisible butspectrally pres sprawlingminiaturecitywherechildren
b utslow kettle, lam enting thatattrac ent.The artwork depictsblack-and- work“jobs"torfakemoney.Jacobs-Jen
tive things aren' tnecessarily efficient. whitephotosofyoungwhitewomen in kinsshowed me avideo ofIndigo sing
Jacob s-Jenkins teased that the pot bejewelled lockets. They ingonthebalconyofaclock
shouldn’ tcallthe kettle black. “H ardy, look like innocuous snap tower, w hich, alas, didn’ t
hardy, hardy, hardy!”P aulson take- shotsfrom afamilyalbum , earn her enough fora toy
laughed in his face. The two volleyed b utturn outto be facesin thatshewanted.
jokesallmorning. Shelatertoldm ethat thecrowdatalynching— a N eitherdid Jacobs-Jen
theplaywrightwassillierthan she' d ex revelation that“A ppropri kinsescapedisappointment.
pected, and m entioned thatshe' d been ate”reproduces onstage. 1le couldn' tfind an inter
delighted to discover thatthey b oth A bouthalfway through preterintimetotourapaper
knew allthe lyricsto ' A C horusLine.” therehearsal, E lie F anning factory in Kanazawa,which
I he“musicality”ofthewriting in 'A p arrived with acup ofm at- he’d soughtoutaspartofa
propriate”had stunnedher,shesaid,and cha.G etting into character family quest. Like the La-
she confessed thatshe was excited tor asR iver,shemade“quinoaf- fayettes, his people come
arolein which “desirabilitJywasnoton fles,”cleansed the airwith sage, and from A rkansas— specifically, C am den,
the table atall . "P aulson said in an ap gracefullysnatched the album in am o where his m aternalgrandfatherspent
pearance on “The V iew”thattwo TV m entworthy ofthe basketballcourt. mostofhisl ifeworking atapapermill.
shows inform ed herinterpretation of The actress isbestknown forherrole 1lesentboxesofnotebookseveryyear,a
Toni— “C him p E m pire”and“The R eal asateen empressinthg.TV series“The memory thatreturned toJacobs-Jenkins
H ousewives of SaltLake C ity”— b ut G reat,”and in “A ppropriate,”too, she when, early in the pandemic, he devel
on B roadway she once played Laura portrays an underestim ated ingenue. oped apassionforstationery.“I’ dcallmy
W ingfieldinTennesseeW illiams’ s“The R iverisusually played forlaughs, but motherup,asyoudo,”herecounted,“and
G lassM enagerie.” she’ salso the only characterwho re was, like, ‘
Talk me through whatthisis
‘
A ppropriate”roselikeF rankenstein’ s sponds to the narrative’ sawfuldisclo about.1wanttohearthesymbolic,1want
monsterfrom adissectionofdramas'like sureswith appositegravity.“1didn’ twant to getG ecrtzian aboutthis. G ive me
W illiam s’s. In 2011,Jacobs-Jenkins no herto be taken asajoke,”F anning told some thickdescription ”— an allusionto
ticedthecontrasting receptionthatm et me, and herapproach inspired Jacobs- the anthropologistC lifford G eertz. H is
two B roadway shows aboutdysfunc Jenkins to write herlyricalnew lines motherexplained thatthegiftsstemmed
tionalfamilies:Tracy Letts’ s“A ugust: abouthom e and the passage oftim e. from herfather’ spride thatthe family
O sage C ounty,”which won hosannas (“It’sreallykeeping me on mytoes,but could read and write, no smallachieve
tordelivering the familiarsatisfactions 1think he’ slearning aboutus,”shesaid m entforamanwith littleformalschool
ofthegenre,andLydiaD iam ond’ s“Stick ofdieactor-specificrewrites.“Y ouknow, ing.Jacobs-Jenkinsseesa“deep irony in
F ly
J
,”abouta B lack fami J
ly on M artha's thisi shisB roadwaydebut, so hewants thetactthatheparticipated in the mak
V ineyard,whichwasdinged forlacking itto be perfect.”) The new textfore ing ofthe thing that1sully.”
an originalstatem ent on race. W hy shadows an elaborate scenic epilogue. There m ightbe aplay in the story,
couldn’ ta B lack playwright’ swork be “N ature takesthe houseback,”N euge he thinks, though he’ sbeen repeatedly
appreciatedsimplyforitsmasteryofthe bauertold me,explaining thatanimage Stymied in researching it. A few years
domestic fracas?A nd whataboutthe ofa tree growing up through ahouse ago, during a road trip to A ustin with
racialsubtextinLetts' swork,nottom en had cometo her— “I hatewhen people hishusband,J acobs-Jenkinsinsisted on
tion inplaysbyW illiams, Sam Shepard, saJv this”— in adream. stopping in C am den to see hisgrand
and E ugene O ’N eill?Jacobs-Jenkins D uring lunch, Jacobs-Jenkins told father’sold house.B utdiepropertywas
launchedintoamashupoffavoritetropes me aboutthe rootsthathe’ sbeen put so overgrown diattheirsedan couldn’ t
from this canon, collecting them in a ting down. F ive years ago, he married make itup the driveway, asthough na
W orddocumentandproceedingto“sand theactorand cabaretartistC heo B ourne, turewereguarding the family’ ssecrets.
itdown and sand itdown’’untilsome whom he m etby chance ata perfor “1alwaysgetsuperjealousofwriters
thing new emerged. m ance of“B ootycandy”— a B lack gay who are,like,‘I grew up listening to sto
“1was fully ready to justbe a play com ing-of-age com edy by the play riesaround my grandm am a’ stab le.... I
wrightwho was read,"Jacobs-Jenkins wrightR obert0 ’1lara— afterresisting came from afamilyofstorytellers, "Ja
told me,adecisionthathe attributed to amutualfriend’ seffortsto setthem up cobs-Jenkins told me, because his own
the “plucky puckishness”ofyouth. 1lis on a date. N ow they live in P rospect family was killof“so m uch crazy mys-
modelswereA drian P iper,theconcep F leights and have a three-year-old tery.”W hen hewasthirteen, hisfather,
dio istucked awav on the second floor wondering ifhe really m eantit. “I’m 1le speculated thatperformance trends
ofthe brick behem oth, and used to be talking like a teacher. M aybe I’m just cyclegenerationally. W hen he came to
the quarterstoracompany ofN ational trying to convince myself.” N ew Y ork,in2006,everyoneseemedtobe
G uardsmen. In 2017 ,he moved into the 1leaspirestowritean“epic”like“The founding aD .I.Y . theatre company. B ut
space forayearlong residency and was C rucible,”a synthesis ofthe personal, he wasdrawn to the downtown perfor
neverasked to leave. N ow he serves on historical, and allegoricalthatcould be manceartistsoftheeighties,who’ dturned
the A rm orwy’sboard, b uthisstudio still created onlybysomeonewhosecreative theirownbodiesintocanvases.Themid-
has the allure ofasecrethideout. O n a muscles are “toned to fucking death.” two-thousandswerethedaysoftheblack
visitlastm onth, 1followedJacobs-J en B utteachingaseminaronA rthurM iller face incident, and anotherperformance
kinsdownalonghallwaylined withpor made him keenlJy aware ofhow fleet- in which he nearly drained agoldfish
traitsofmilitarJymen.Then ing such m astery could be. bowl— with agoldfish in it— through a
he opened the doors to a “H e’d done his bestwork KrazyStraw whiledeliveringamonologue
shadowy cham ber where in die firsttwo decades of aboutprivilege.(The goldfish survived.)
decorativeswordshungover his career, b uthe had no “A H 1knew isthat1wanted towriteand
the wainscoting, sighing as idea,”Jacobs-Jenkins said. thatwhat1waswiiting wasn’ tmaking
he declared the room “the “Y oujustdon’ tknow what’ s sense,”hesaid ofhissearch forthe right
only joyin my life.” going to happen, and that medium. To find hisway back to the
7 here was a red vinyl alwaysmovesm e.”H e pre atre,heneeded awaytoexorcisehimself.
■■
ted by agrand piano.A stage manager and starttogrind.W henJacobs-Jenkins, hoped.T feelhim tellingthestory i nthe
stopped by,likeakindlyteacher,to stick then livinginA ustin,toldhisnatural-hair songsthatthescriptcan’ tfigureout,”he
avioletstaron the cornerofmv J
note- stylistthathewasup forthejob,shere told me. B y studying the screenplay, as
book; I began to notice thatadispro vealed a huge neck tattoo ofP rince' s wellasP rince' sbreakup with the singer
portionate numberofthepens,binders, iconic Love Symbol, which he’ d never V anity— who wasinitially castin A pol
andevenarticlesofclothingin theroom noticedbefore.1lethen saw P rince’ sface lonian role— he aspires to write a“P ur
werein shadesoflilac,mauve,and egg staring down from one ofthe walls. “It ple R ain”more originalthan the origi
plant. A taround tour, the director, Li- wasasthough thescaleshad fallen from nal, faithfiilnotto the film butto the
leana B lain-C ruz, called us allto our myeyes,”hesaid.Jacobs-Jenkinsagreed songsand their“spiritualautobiography.
feet, leading the room i n postprandial to write the musical, and his old friend 1le attempted asimilartrickwith “Kin
stom p-dap-dance. Soon, a tiny young B lain-C ruz,whom he’ drecentlyworked dred,”O ctavia B utler’ stim e-travelling
m an with apowerfulvoice wasbelting with on “G irls,”waschosen to directit. neo-slavenarrative,addingcharactersin
lyrics aboutsorrow, rem orse, and the She told me thatshewasexcited to see spiredbyearly manuscriptsofthenovel.
longingfortransformation,plunging us him applyhisformidable intelligenceto The reimagining displeased morethan a
into the surrealA m erican m elodram a amusical.“W hati ssomebodywho deals few ofherdevotees, but“P urple R ain,”
ofP rinces“P urple R ain.’ with the heftoflite going to do with in al litssplendid excess, may beabetter
“In some ways, 1m usthave m ani som ething thatby necessity has to l ive fitforhismethod.
fested this,”Jacobs-Jenkinshad told me in a more effervescentlane?”she said. W eslipped outearl y,afterasongthat
afew days earlier. In 2020, he posed for “B randen’ slike, ‘The two can coexist!’ P rincewroteforM orrisD aycalled“G ig
aphotowiththeplaywrightsD ominique A nd that’ swhatI’ m excited about.” olosG etLonelyToo.”Itwasdate night
M orisseauand KatoriH all,and realized The protagonistof“P urple R ain”i sa forJacobs-Jenkins,who planned to at
thathewastheonlyoneindiegroupwho young musician called the Kid (P rince), tendtheN ew Y orkF ilm F estivalwith his
hadn’ twritten amusicalaboutahom e who drives apurple motorcycle, writes husband,and 1offeredtowalkhim down
town hero. “Katori1[allwrote theTina strange and passionate songs, and vies C olumbusA venuetoLincoln C enter.A s
musical, D ominiquewrote theTem pta with the pim plike bandleaderM orris wepassed theM useum ofN aturalH is
tionsmusical,”herecalled thinking.“N o D aytortheaffectionsofabeautifulyoung tory,hetold methatthelyricsto“W hen
onewilleveraskmeto do ajukebox m u singernamed A pollonia.The version of D ovesC ry”werewritten foramontage
sical, because I'
m from D .C ., and, like, Jacobs-Jenkins' sadaptationthat1saw re cutfrom themovie,inwhichanimalsre
noonecaresaboutR obertaF lack.That’ s tained mostofthisstory butgaveitsex allydid strikecuriousposesasloversem
allwehave,youknow?”(Y ourcorrespon travagantcharactersatwenty-first-cen braced in acourtyard ofvioletsinbloom.
dent,whosefatherco-wrote“The C loser turymakeover.D ay,whenhemadeapass “W erenotevenindraftthree,”hesaid,
1G ettoY ou,’’wasaghast.) Shortlythere atA pollonia, called hera“sophisticated excitedly puzzling outthe dilemmasin
after, aproducercontacted Jacobs-Jen m ultihyphenate m am ajam a”and sug volvedinrenovatingtherecalcitrantwork.
kinsto commissionastageadaptation of gested thatshe m ighthave afuture fo 1le invoked the culturaltheoristW alter
“P urple R ain,”which, like him, willbe cussingonwomen’ sempowermentathis B enjamin,whosevision oftranslation as
turning forty laterthisyear. media company. A pollonia had evolved aform ofcreativeechoinghasshapedhis
Jacobs-Jenkins was ambivalent. A l from feistybutpliantG alatea to confi “adaptive impulse”asaplaywright. “I’ m
thoughhe’ dgrownupwithP rince’ smusic, dentcreative force. The Kid changed justgoing to write untilthe lastminute,
hethoughtthatthemoviewas“bad,”and mostofal l, from aseductively
Tinscruta-
S always,”hewenton. “I used to feelalot
said asmuch on an exploratory Zoom ble and mercurialfigure to amore vul ofshameaboutthis,butnow 1justdon’ t.”
call.B utheagreed toconsidertheidea— nerableyoungartist.In “D arling N ikki,” Subwaysremained suspended across
ifonlyforhisoldmentorD aphneB rooks, asongabouta“sex fiend,”thefilm char the city, and a sea lion was atlarge in
aP rincesuperfanwho thoughtthathe’ d acterslut-shamesA polloniafordefecting dieC entralP arkZoo.B utdieskieswere
be an idealinterpreterofthe musician’ s toM orrisD ay.Y etthe stuntbackfired in clearby the time we reached die the
defiantsingularity.“1t’
sthephilosophyof the adaptation, triggering a deluge of atre, whereJacobs-Jenkinsdisappeared
thesl y,”shetold me.hihercdew,Jacobs- textsthatheralded theKid' scancellation. into somebody else' sshow. ♦
44 THE NEW ' YORK ER, JANU ARY 15, 2024 ILLU STRATION BY M IA BERG ERON
he was hoping he would leave M aybe she could argue his incom pe forawhile,”shesaidfrom thekitchen.
M AKE IT HURT
Am id the ebbing ofempire, Frantz Fanon andIan Fleming agreedon onething.
orethanfiftyyearslater,Zohra thized with the A lgeriansbutcould no isterA nthony E den, already frazzled
P HOTO ILLU STRATION BY M ARK HARRIS THE NEW YORK ER, JANU ARY 15, 2024 51
two C aribbean-connected authorswho outthisintervention,hispsychiatristfelt, m onthsinG eorgetown,oftenwithW il
becam e entangled in espionage. They F lemingwouldhavebecomeapsychopath. liam J. D onovan, the future O .S.S. di
saw the end ofempire asawrenching W ithit,hewasstillarake,butawell-read, rector, outlining the B ritish system and
psychologicalevent.H ealingitswounds, stableone. (F lem ing gratefully inserted m aking suggestions. In fact, F lem ing
b oth believed, would require violence. an A dlerreference into aB ond novel.) claim ed to have w ritten the original
A fterfaring poorly on the F oreign O .S.S. charterwith D onovan.
hatIanF lemingshouldhavethought Sendeeexam,F lem ingtriedjournalism, The waralso took F lem ing to the
T aboutdecolonizationatallwassur then finance (he ranked “am ong the
prising.A champagnecorkbobbingalon g rld’
wo sworststockbrokers,”afriendsaid).
C aribbean. W hen itwas over, he de
clared,hewould“justliveinJamaicaand
ontheseaoflife,hedidnotinitiallyseem N othing in these endeavors suggested lap itup.”F lem ingboughtabeachfront
overburdenedwithprofundity.F leming’ s m ilitary greatness, butin 1939 B ritain’ s estate (G oldeneye),hired servants(they
grandfatherwas awealthy financier— D irector ofN avalIntelligence, John addressedhim asC ommander),andtook
Shakespeare com pares him to Logan H enry G odfrey, tapped F lem ing to be amistress(“Ian’ sblackwife,”A nn called
R oy,from H B O ’ s“Succession”— andIan his assistant. This odd choice, Shake her,though shewasneither). H e stayed
sufferedthesymptomsofaffluenza.“E v speare explains, had A dlerian grounds. there every winter, relishing the “un
eryonefeltthathewasjustarich,rather G odfreyalsohadatoweringolderbrother, bounded drink”and the “infinite cigars
bored, ratheraloofyoung m an,”a con and hisresentm entofthat“tyranny,”as rolled onJamaican thighs.”
temporaryrecalled.F inethingsandheed G odfrey called it, drew him to the un “W ould thesebookshavebeen born
lesswom en dropped easily into F lem derqualified F leming. ifI had notbeen living in the gorgeous
ing’soutstretched arms. The usualthing to say aboutF lem vacuum ofaJamaican holiday?”F lem
Tooeasi y,perhaps.F leming,whowas ing’
l sintelligencework isthathe was a inglaterwrote.“I doubtit.”H edreamed
born in 1908 , drifted through E ton and deskbound underling— a“microscopic up B ond while swim m ing atG olden
the R oyalM ilitary C ollege, bastionsof butperkycog,’’thewriterSimonW inder eye, in 195 2, and wrote the B ond books
the B ritish elite,withoutearning diplo calledhim — who turned hisdaydreams there, one perwinter. F ourofthe four
mas.H eseemedfarlessimpressivethan intospynovels.B utShakespearepresents teen featureJamaican settings, and two
hisfather, V ai,who died ahero’ sdeath evidenceofF leming’ scentrality.“I shared more send B ond to nearby N assau and
in the F irstW orld W ar, orhis older allsecretswithhim ,”G odfreyexplained, M iami.Inthefirstnovel,“C asinoR oyale,”
brother,P eter,agiftedwriter.H ism other sothatifG odfreywere“knockedout”his B ond arrivesatthe eponymousF rench
sentthe aimlessyouth to achaletin the subordinatecouldstepup.O neofficerfelt casinoposingasa“Jamaicanplantocrat”
A ustrianA lpswhich servedasacombi thatitwas F lem ing, notG odfrey, who andscanshissurroundingsthroughW est
nation university and sanatorium. effectivelydirectednavalintelligencefor Indian eyes: a card player’shands are
F lem ing’ stutorsthere,E m an F orbes mostoftheSecondW orldW ar.IfF lem “two pink crabs,”the table’ sbaize is a
D ennisand P hyllisB ottome,weredev ing wasn’ tB ond, he bore some resem “green lagoon,”and B ond’senemy, Le
oteesofA lfredA dler,theV iennesepsy blanceto B ond’ schief,thespymasterM . C hiffre, watches him “like an octopus
chotherapist.A dlerhadcoinedtheterm Shakespeare’ sm oststriking claim is underarock.”
“inferiority complex”and placed great thatF leminghelpedtofoundtheUnited D espite hisC aribbean ties, F lem ing
;
importanceonbirthorder.Ian,overshad States’O ffice ofStrategic Services, the remained,to useF anon’ sphrase,“sealed Y
T
T
owed byhisbrother, seemed atextbook precursorto the C entralIntelligence in hiswhiteness.”H isnovelsteem with E
G
/
case. D ennis and B ottom e treated him A gency.W hen thewarstarted,U.S. in outrageousstereotypes:B lacksare“apes,” Y
T
T
E
asalaboratorysubjectforA dlerianther telligencecapabilitieswerefeeble,soB rit Koreans are“lowerthan apes,”and the R
R
E
apy,withA dlerhelpingfrom afar.W ith ainsentF lem ingover.H estayedfortwo Japanese are abarely civilized “separate B Y
T
E T
humanspedes.’Thethoughtofsuchpeo U E
Q
I G/
N
I N
plecomingintotheirownwas,forF lem M O
O S
ing,alarming.Thegreatpowerswill“reap D
Y
N
E
B B
thefatherandm otherofawhirlwindby )
T
Y
R
H R
quoteliberatingunquotethecolonialpeo GI A
H
R ;
ples,”oneofB ond’ sallieswarns.“G ive’em O
T
Y
T
T T
athousand years, yes. B utgive’ em ten, F E
E G/
L
( S
no.Y ou’ re only taking awaytheirblow S
H
E
VI
P
pipes and giving them m achine guns.” A
R
H
C
G R
It’safearthathauntsF lem ing’ snov O
T
A
S
O H
els. Supervillainsofcomplex huesm en H
P
C
O
E L
acetheworldfrom breakawayspaces:is C E
R A
U H
lands,largeships,secretfortresses,newly O C
I
S M
:
independentcountries. “M isterB ond, D
A
;
Y
E M
powerissovereignty,”D octorN o,ahalf R
P
A
L
S A
/
C hinese criminalwith a C aribbean is S
U
T
T
O
I E
land,explains.Itfallsto B ond to restore V
E
R
E
R V
<Don’
tbemadwe brokeyourwindow playing baseball— orel
se. N o’sisland to B ritish rule. P E
Thiswasimperialistescapism,andthe ogy”fellshortforthecolonizedbecause, authoritiescaughtwind ofhisactivities,
moreterritoryB ritainlostthemoreF lem underim perialism , whole populations hemovedto neighboringTunisia,where
ing’ssalesgrew. B utF lem ing struggled, could become neurotic, with the colo he continued treating com batants and
amid success,to stayupbeat.In thefinal nizersplaying the role ofA dler’ solder writing. F anon wasneveratthe revolu
B ond novel,“TheM anwiththeG olden brother. Looking back on his F ranco- tion’shelm, Shatz explains,buthe m at
G un”(1965 ),written in the wake ofJa philicupbringing inM artinique,F anon tered enough to requireabodyguard,an
maicanindependence,thevillainsallude recognized an inferiority complex in alias,and afalsepassport. H ischieftask
to alooming“bigblackuprising,”which duced by empire. waspropaganda:explaining the F .L.N .
B ond doesnothing to forestall. H e kills H esaw worsewhen hetookapostin to outsiders.Ifthisrequiredcleaningup
a R astafarian (“H e smelled quite horri A lgeria,in195 3.UnlikeM artinique,A lge the facts— aswhen the F .L.N . massa
ble”) and forcessomeJamaican women riahadrecentlybeenscarred cred hundredsofA lgerians
to dance naked. Y ethe ends the book byviolence,mostnotablyin connectedto arivalnation
hospitalized,recoveringfrom poisonand, 194 5 ,when,afteraclashwith alistgroup— F anon stood
likeE den, “acutenervousexhaustion.” nationalists,theF renchmas readywith amop. R evolu
sacred thousands ofA lge tionariescould nevercom
yallrights,itwasthediligentF rantz rians. In 195 4 , nationalists m itsuchcrimes,heinsisted;
lated anotherwith abeerbottle. W hen pire, red in tooth and claw. cerin the novels,F elix Leiter, seems to
F rench intellectuals expressed horror, existonlvto be diminished:he i sburst-
F anon rolled hiseves. C ouldn’ tthey see twas allleading, F anon thought, to ingwith cash and warm feelings,buthe
I
t ' r'
58 THE NEW ' YORK ER, JANU ARY 15, 2024 P HOTOG RAP H BY BALARAM A HELLER
agnostic.) In a furtherspiritofinde girl’sbody ofboth masculine and fem There are H indu stories in these
pendence, N rityagram avoids having inine, hum an and divine.W e continue dances,b utthey arehard to follow un
m ale gurus; instead, the wom en are w ith two m ovem ents thatrevealthe lessyou areversed in the meaningsas
theirown collectiveguru,and,overthe “seeking”ofthetitle(“V ibhanga— bro signedto eachpose.D ancersmem orize
years, theirarthas drawn on avariety ken and rebuilt”and“ V irahi— in long thesemeaningsintheirtraining,butpart
ofsources outside ofthose prescribed ing”) and conclude with “V im ukthi— ofwhatSatpathyisup to,I think,isab
by the officialO dissiform. the finaldance.” stractingfeelingsofe jalousyandloveso
Satpathy herselfhas neverbeen or The perform ance begins in sem i thatwefeelthem withoutanynarrative
thodox in herapproach. A s the direc darkness, and we see Satpathy planted orreligiousgrounding. Itisenough to
torofeducation and alead perform er in adeep lunge,low to the floor,hands watchherbodyandbeingslidebetween
atN rityagram , she supplem ented es andarmsundulating,asifsearchingthe male and female, objectand subject, to
tablished O dissiexercisesw ith yoga, airaround her. B indhum alini’ saching, becomefullyabsorbedinthedance.R up
m artialarts,ballet,P ilates,andjogging, chantlikevoiceseemsto movethrough turesin tradition and additionsto itare
and even m adeup herown exercisesto jaggedhalftonesinveering exploration interwoven, asifform were notsetor
stretchthecapacitiesofherdancersand ofrhythm and tone. Satpathy is calm rule-bound b utmalleable and absorp
the lim its ofherart. A day with Sat and clad in O dissidress— elegantsilks tive.The second dance in “A B H IP SA A ,”
pathy m ightbeginwith arun and then in deep m auve and b rightblue, with forexam ple, uses a C arnatic m usical
move to O dissi’ scodified isolations of wristand ankle bracelets, hairpinned genre, the thillana, thatiscom m on in
the eyes,neck,torso,palms,fingers,an back, heavy m akeup, and a large red bharatanatyam b utnotin O dissi.M ov
kles, toes, heels— each body partmov bindion herforehead. Shedeepensthe ing to it, shebreaksfurtherfrom O dis
ing alone and in opposition to other lungeand eventuallymovesinto astan si’sformalposes:ahand losesitsshape
body parts. (There are dozensofexer dard O dissiposition, on one leg, the and fallsto the floor; aP ilates-stylere
cisesfortheeyesalone.) Shealsoworked spine curved in thatdistinctive erotic cliningposition isheld insistentlylong.
closelywith N rityagram ’ sartisticdirec S shape. She’ sbeen standing here for The finaldance isbased on apoem
tor, Surupa Sen, to bring avariety of decadesand herbody seemstotallyre by the medievalN orth Indian mystic
ancienttextstobearonnew dances.Y et, solved,but— andthisiswhereherseek Kabiraboutdeathfreeingthesoulfrom
forallthe innovations N rityagram in ing takes her— she doesn’ tstay. E ven the confines oflife. Itisanotherquiet
troduced, the troupe’sperform ances when Satpathyisrooted, som ething in Satpathy acknowledgm entofthe var
maintainedatraditionalO dissilookand herbody— arms, fingers, back, shoul ied non-H indu sources ofherart. W e
feel,andin2018 ,aftertwenty-fiveyears, ders, neck, eyes, eyebrows— is always don’ tknow m uch aboutKabir’ slife,b ut
Satpathy leftthisvillagehom e to cho moving.W hen sheturnsand standsto we do know thatthere is a lotofIs
reograph and perform herown dances. show usherback,forexample,herstill lamicthoughtin Kabir’ sworkand alot
nessisdisruptedbywavesofm ovem ent ofKabir’ sthoughtin Islamicwritings.
atpathy’sm uchanticipatedfirstpiece travelling up, down, sideways, through H is poem s, claim ed by H indus, M us
S ofsolochoreography,“A B H IP SA A —
aseeking”{abhi psaaisSanskritfor“seek
muscle and bone.
I kepttrying to pinpointthe m otor
lims,and Sikhsalike,turn apointedwit
onworldlyhierarchiesofcaste,gender,
ing”),wasdelayedbythepandem ic,b ut orsourceofhermovement,whichseems and religion. They belong to an oral
finallyhad itsN ew Y orkpremiereatthe to come from everywhere atonce, and and sung tradition that, like dance, is
B aryshnikov A rts C enter, where I saw to circulatethroughherbodylikeblood. passed on bythosewho perform them ,
itthisfall. Itwillgo on tourto various H erabdominalcore— acom m onm otor from Kabir’ sday to ours.
U.S.citiesinthespring.(F ulldisclosure: in dance— ishidden in folds offabric In thisspirit, Satpathy’sdancetakes
Satpathy and B aneijihavebeen in res and in the extreme O dissiarch ofthe fullflight,spirallingalongO dissicurves
idenceatN .Y .U.’sC enterforB alletand spine,whichthrowsherpelvisbackand and diagonalsofspace,body,and tim e,
the A rts, which I founded and direct.) chestforward. She latertold m e that until, in asharp m ovem ent, shebreaks
The work is m ade up offourdances, the m otoristhe foot. N otthe muscles the fourth walland we find herm o
with originalcom positionsby a team b utthe way the foothits the ground, mentarilyflungbeforeus,armsandeyes
ofmusicians, including the extraordi whichsendsenergyupthroughthebody open, as ifto say, “H ere I am!”She is
nary singerand com poserB indhum a- and outthrough the head, lim bs, and pulled back into herdance, only to be
liniN arayanaswamy,who istrained in eyes.This isphysicalb utalso am atter thrown forward again,thistim eon her
b oth H industaniand C arnatic music. ofmind— themovementendsonlywhen knees, asthe musicendsand the lights
Thefourdancesunfoldwith acleartra- the intention driving ithas exited the go out. Shehasarrivedattheliberation
jectory, m oving from youth to death, eyesandreachesus.Thejourneycanbe thatdeath brings— and also, perhaps,
from form to formlessness.The firstis slow orfast, even instantaneous: this athernewly conceived O dissilife.
anarrativedanceinspiredbyan odeat constantcycling ofenergythrough the The ending, I venture, isalso polit
tributed to the eighth-century philos body iswhy herm ovem entneverap ical.Undercoverofafeltdevotion,Sat
opherandpoetShriA diShankaracha- pears static ordoll-like, asO dissican. pathyhasgiventhefinalgesturein this
raya,which Satpathyinterpretsasbeing H erlyricism even hasafamiliarW est perform ance ofan invented classical
aboutthe“oneness”ofmaleand female ern m odern-dance flow, which seems H induform to apoetwhoseworkcan
sexualorgansandthepresenceinayoung surprisinglynaturalin herO dissibody. notbe separated from Islam . ♦
P O STM A STE R :SE N D A D D R E SS C H A N G E STO TH E N E W Y O R KE R , P .O . B ox 37 617 ,B oune, IA 5 0037 . F O R SU B SC R IP TIO N S,A D D R E SS C H A N G E S, A D JUSTM E N TS, O R B A C KISSUE
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THE 17 18
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