Download as pdf or txt
Download as pdf or txt
You are on page 1of 1

MODULE 1 - LESSON 2: HISTORICAL SOURCES READINGS IN PHILIPPINE HISTORY

Historical Sources

1) Primary sources are those sources produced simultaneously as the Two Ways for Evaluating Historical Sources
event, period, or subject being studied. 1. External Criticism
a) physical evidence in history such as artifacts, relics, remains, a) Authenticity or originality by checking the validity of the source.
fossils and even oral tradition. b) Physical characteristics
c) Consistency with the historical character of the time when it was
2) Secondary sources are sources produced by an author who relied on supposedly produced.
primary sources to write the material. In other words, secondary sources
are products of historical research that other historians use for additional External Criticism
information or as background to their study. • Who wrote the document? For what purpose was the
a) Published Materials - newspapers, magazines, journals, etc. document written?
b) Unpublished Materials - letters, biographies, theses written by a • When was the document written?
scholar. (i.e. The Diary of Anne Frank) • Is the date of the document accurate?
• Where was the document written?
Historical Documentation • Do different forms or versions of the document exist?
“No documents, no history…,” Teodoro Agoncillo
• Historical Documentation is very important for biography in the sense
that it is proof that the person was existing during his time. 2. Internal Criticism
• Primary Evidence - records, letters, birth and death certificates, voice a) Reliability or accuracy of an authenticated source
b) It has been subjected to external criticism
recordings, paintings, etc.
Ex. In the case of Rizal - Noli Me Tangere & the Epistolario Rizalino
(Letters of Rizal)
Internal Criticism
Historiography - process of writing historical details. It narrates history in a
• Was the author present at the event?
proper way according to the time, space and depth.
• Was he a participant or observer of the event?
• Was the author competent to describe the event?
“Historical Imagination” - when the reader puts himself in the picture of
• Does the language of the document suggest a bias of any sort?
writing history. For example, reading biographies puts you in the same
person in order for that person to come alive. • Do other versions of the event exist?

By employing historical imagination, we make the story come alive.

You might also like