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JulieBullard 2020 1SettingTheStage CreatingCurriculumInE
JulieBullard 2020 1SettingTheStage CreatingCurriculumInE
Every day, early childhood teachers across the world design curriculum-determining goals,
planning learning experiences, and designing assessments for children birth to age eight. We
All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. or applicable copyright law.
become early childhood teachers because we want to make a difference in young children’s
lives; to capitalize on the rapid growth in brain development that occurs at this age; to ensure
that children are gaining developmentally appropriate social-emotional, physical, and cognitive
knowledge, dispositions, and skills; and to lay a strong foundation for children’s future learning
and success. Through early childhood programs, we want to assist children to become confident
socializers, relationship-builders, thinkers, creators, problem-solvers, readers, and writers who
know how to learn and who also love learning.
What is the best way to design curriculum so that we meet these goals? One effective way
is through designing your own curriculum using backward design. This book will teach you this
effective model for designing curriculum.
As you read the book, you will be hearing from some other voices besides just mine: three
teachers and one teacher in training. They will be interacting with the text by asking questions
and making comments. Let’s meet them now.
feeling like this would allow her to have a greater impact on the field.
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2 Setting the Stage
What Is Curriculum?
What do you think of when you hear the word “curriculum?” This seems like a very simple ques-
tion. However, there are numerous diverse images of curriculum. Wiggins and McTighe (2012),
the authors of Understanding by Design (UbD), found 83 different definitions for curriculum in
educational literature. Some describe curriculum in broad terms. The most traditional image is
of curriculum as a subject matter such as math or science or literacy. Others view curriculum
as a detailed blueprint for achieving outcomes through specific activities, defined methods, and
listed materials. The focus of what is included in the term curriculum is also varied with some
definitions including content only, others including content and methodology, while still others
only refer to outcomes.
Regardless of our image of curriculum, when teachers begin to plan and assess “curricu-
lum” they might think of the intended, published, enacted, or learned curriculum. The intended
curriculum is what society expects children to learn. This is often embodied in the written or
published curriculum. The enacted curriculum is what actually happens in the classroom or
what children have the opportunity to learn. This is sometimes referred to as the “curriculum
in action” or the “taught curriculum.” The learned curriculum or attained curriculum is what
children actually gain from the curriculum. There is often a large gap between what we intend
to teach, what we actually teach, and what children ultimately learn. It is humbling to realize
that teaching does not equal learning. Just because I teach something does not necessarily
mean that anyone else learns what I am attempting to teach.
In addition to the explicit curriculum, children also learn through the hidden curriculum.
The hidden curriculum is not written and is often unintended. These are the messages and
experiences that children gain from being in the setting. Children learn from the structure,
routine, and from the values and attitudes of teachers, administrators, and other children.
For example, they might learn that a child that sleeps well, is quiet, or lines up quickly is
a “good child.” If they are bullied, they might learn that they are not worthy of being pro-
tected. They might see the star chart on the wall and absorb the message that they are
not very smart if they have very few stars or they are very smart if the chart next to their
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Setting the Stage 3
name is filled with stars. It’s crucial that we consider these hidden messages we are giving
learners.
Curriculum specialists remind us that even the untaught curriculum provides messages
about what and who is important and unimportant. This is sometimes referred to as the null
curriculum. For example, the No Child Left Behind Act began by only assessing literacy and
math. As a result, other subjects such as the arts, social studies, and science received far
less attention, sending the potential message that these subjects are not worthy of study.
Another example of null curriculum is the decision of who to study; what type of families, what
cultures, and what writers, poets, and historians. Each of these decisions provides messages.
For example, if we don’t have materials and books that represent diversity, we may be giving
children the message that you are only important if you are from the dominant culture. Since it
is impossible to teach everything in school, some things are intentionally excluded (untaught)
and someone is given the power and authority to make this decision. If we are using a textbook
or a purchased curriculum, the authors and publishers are making this decision based upon
their views.
Whether we are purchasing a curriculum or designing our own, we must be consciously
aware of how we can make the curriculum inclusive for all children and families. This includes
critiquing our environment for what is on our walls and on our shelves, as well as examining
the music, art, guest speakers, and books we provide for children. Are we portraying a variety
of cultures? Are cultures being portrayed accurately and respectfully?
We have touched on just a few of the different images of curriculum. The view we have of
curriculum is important because it strongly influences the way we approach curriculum design.
What is your view of curriculum?
For this book, we define curriculum as a roadmap that teachers use to assist learners in
meeting desired outcomes. This roadmap includes content, teaching methods, learning expe-
riences, and assessment. Like planning a trip, we know our end destination and can plan back-
wards from there. This does not exclude unplanned side trips but does help to ensure that our
destination is either reached or a conscious decision is made to change direction.
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4 Setting the Stage
review, he found 153 meta-analyses involving 10,129 studies that examined curriculum in rela-
tionship to achievement. In examining the categories of influences on achievement, he found
that the curriculum has a greater effect on children’s achievement than the influences of the
child, child’s home, the school, or the teaching approach. The curriculum influences children’s
achievement nearly as much as the teacher (2012, p. 14). See Table 1.1 for the effect size for each
of these variables.
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Setting the Stage 5
the difficulty in isolating the effect of curriculum versus other variables on learning. Additionally,
even if a curriculum is researched, this research is quickly outdated as curriculum tends to be
frequently updated.
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Table 1.2 Preschool C
urriculum Evaluation Research Results
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Setting the Stage 7
Why Learn about Curriculum Design?
Most teachers do develop or modify curriculum including: designing the curriculum used in in-
dividual classrooms, being part of a curriculum team who develops curriculum, supplementing
purchased curriculum, and/or modifying curriculum to meet the unique needs of their group of
children (Kane et al., 2016; Opfer, Kaufman, & Thompson, 2017). By understanding curriculum
design, you will be able to create an effective curriculum that allows children to meet standards
while also honoring their unique needs, interests, and development.
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8 Setting the Stage
units to be relevant to Louisiana learners. For example, Cajun Folktales is one of the third-
grade units. The units are also designed to be closely aligned with standards. Although not
required, 80% of Louisiana districts are currently using the guidebooks. Since using the new
curriculum, state test scores for reading have improved (Will, 2017).
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Setting the Stage 9
at the completion of the unit), then decides how to assess these results (what tasks will reveal that
the learner has achieved the desired results), and lastly plans learning experiences (what activities
and experiences will ensure that learners have the knowledge, understanding, and skills to pass the
assessment). We will examine each of these in depth in the following chapters.
Planful, thoughtful, and purposeful acts teachers implement to ensure that
young children acquire the knowledge and skills (content) they need to succeed
in school and in life. Intentional teachers use their knowledge, judgment, and ex-
pertise to act with specific outcomes or goals in mind for children’s development
and learning, and they integrate and promote meaningful learning in all domains.
(2014, p. 242)
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10 Setting the Stage
Enhances Alignment
The backward design model also enhances the alignment between goals, assessment, and learn-
ing experiences, improving the chances that the learners will achieve the desired results. Sev-
eral studies have shown the significance of alignment (Blank & Smithson, 2014). For example,
one study of 4,000 third graders found a statistically significant difference in achievement test
scores when teachers aligned their curriculum to the assessment. Importantly, providing this op-
portunity to learn the content reduced the impact of other variables that often negatively affect
achievement test scores such as socio-economic status (Mitchell, 1999).
Alignment is equally important when teaching adults. Studies indicate that when there is
alignment, students are more successful, produce higher quality work, engage in deeper learn-
ing, and are more confident learners (Wang, Su, Cheung, Wong, & Kwong, 2013; Winkelmes,
Bernacki, Butler, Zochowski, Golanics, & Weavil, 2016). Instructional alignment is so crucial that
S. Alan Cohen, a specialist in research design and instructional psychology, once referred to it
as the magic bullet. He stated that alignment routinely produces effect sizes of 1.2 to 3 sigma. To
put this in context, most instructional techniques only result in 0.25 to 0.50 sigma effects (1987).
Heidi makes a good point. Alignment can be teaching to the test if we are di-
rectly teaching children the test items. For example, in traditional testing, one
test item is chosen to represent a body of knowledge. If you directly teach the
sample, it will not indicate whether the child understands the body of relevant
knowledge. However, backward design stresses authentic assessment or using
meaningful, real-world tasks to determine if children have mastered the concepts. Typ-
ically, these tasks do not lend themselves to memorization or mimicry (Mueller, 2016).
For example, if you were assessing children’s ability to classify, you might give the child a
set of materials that he had not previously used and ask him to classify the items and to
provide an explanation for the classification categories.
1. “What was Gooney Bird wearing on her first day at Watertown Elementary School?” (This
asks children to recall information, a low-level skill)
2. “Would you wear an outfit like that to school?” (This question asks for a simple yes or no and
does not involve higher order thinking)
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Setting the Stage 11
3. “In what other ways is Gooney Bird different than the other students at Watertown Elemen-
tary?” (This might have been a question that involved analysis. However, the book specifi-
cally describes this, so the children are being asked to recall the information.)
4. “What makes Gooney Bird Greene a great storyteller?” (This question requires analysis, a
higher order thinking skill)
When we ask children questions that move beyond simple recall, we are asking them to use
their intellectual abilities to analyze, synthesize, evaluate, interpret, make inferences, draw con-
clusions, and to transfer what they have learned to new situations. Since it is easier to design,
assess, and to teach lower level knowledge, we must be intentional if we are to assist learners to
engage in higher level thinking.
The goal of backward planning is to enhance higher order thinking and understanding. In
the backward design framework, we determine enduring understandings and essential ques-
tions that engage learners in higher order thinking. “Enduring understandings represent ideas
and processes we want students to integrate, refine, and keep as they move through their …
schooling and eventually into adulthood” (Stewart, 2014, p. 6). Essential questions are thought-
provoking, transferable, open-ended questions that promote inquiry and aid in the transfer of
learning. They are revisited over time resulting in deeper understanding.
Additionally, the framework itself helps to ensure that this occurs. For example, we begin
with establishing higher order thinking skills and understanding as an important outcome. As
we think about how we will know if learners can use higher level thinking and have truly devel-
oped an understanding, we ourselves engage in higher level thinking. As we think more deeply
about the understandings, we want learners to gain and how we assess this understanding, the
kinds of activities and experiences learners need to gain to accomplish this become clearer.
On the other hand, if we begin by planning the activities first, learners may engage in higher
level thinking. However, without the deep thought involved in planning the assessment first, it
is less likely.
A key finding in the learning and transfer literature is that organizing information into a con-
ceptual framework allows for greater “transfer”; that is, it allows the student to apply what
was learned in new situations and to learn related information more quickly.
(Bransford et al., 2000, p. 17)
Backward design as developed in the UbD model provides the framework for conceptual learn-
ing. Through focusing on big ideas, enduring understandings, and essential questions, teachers
design curriculum that allows learners to develop higher level thinking and to transfer what they
have learned to new situations.
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12 Setting the Stage
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Setting the Stage 13
In 1998, Jay McTighe and Grant Wiggins in their book Understanding by Design (UbD) pop-
ularized the term “backward design” and stressed using backward design as a mechanism
to increase student understanding. Similar to the model proposed by Ralph Tyler, backward
design begins with the outcomes (desired results). However unlike the Tyler process, in back-
ward design, the next step is to determine how you will assess these desired results. The third
step is to plan and organize the educational experiences. Thus, the term backward design.
Is Understanding by Design the only model for backward design for adult learners?
Early
Childhood
Education
No, another model that has gained popularity in higher education is
Fink’s Taxonomy. In 2003, Dr. L. Dee Fink released a book, Creating
Significant Learning Experiences: An Integrated Approach to Designing
College Courses which incorporated backward design. However, Fink’s
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14 Setting the Stage
esign begins with considering situational factors such as the number of students in
d
the course, learner characteristics, course delivery method, instructional challenges,
how the course fits within the larger curriculum, expectations for the course, nature of
the subject, characteristics of the instructor and of the administration. Similar to UbD,
Dr. Fink stresses designing learning outcomes that result in significant learning, then
designing assessments, and finally planning learning experiences with an emphasis on
active learning. He also provides a taxonomy of significant learning that includes foun-
dational knowledge (key information and ideas), application (skills, managing projects,
and critical, creative, and practical thinking), integration (connecting ideas within the
course, connecting to other courses, connecting to own person, social, work life), human
dimension (learning about self and others), caring (developing new feelings, interests,
and values), and learning how to learn (becoming a better student, learning about this
subject, becoming a self-directed learner) (Fink, 2005).
A study of human development that compared students in courses designed in a tra-
ditional way with students in a course designed using Fink’s model found the students in
the course using Finks model scored significantly higher on a test of knowledge, on case
studies examining their ability to apply and to integrate the information, and on a Likert
scale on increased knowledge about themselves (Fallahi, 2008).
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Setting the Stage 15
International Research
While the previous higher education studies were conducted in the United States, studies have
also been conducted in other countries. For example, Iranian students learning English as a for-
eign language (EFL) were taught with either a backward designed course or a forward designed
course. The students in the backward designed course had significantly better reading compre-
hension than the group in the forward designed course (Hodaeian & Biria, 2015). Another study
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16 Setting the Stage
conducted in Turkey with ten teachers and 436 students in EFL courses found that students who
received instruction with the UbD design had significantly increased foreign language learning
motivation and knowledge transfer skills in comparison to the control group. The exception was
a group of students who had extremely limited English skills. In this case, the UbD and the control
group were similar (Yurtseven & Altum, 2016).
In Summary
Backward design provides a research-based framework for developing units that assist children and
adults in meeting outcomes. Backward design honors early childhood history and philosophy and
allows the flexibility to meet programs serving different ages, in different settings, and with different
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Setting the Stage 17
educational philosophies and emphases. As we proceed through the book, we will be learning how to
implement the backward design model in early childhood programs so that we can assist learners to
achieve outcomes and to understand “big ideas” that will transfer to new learning situations.
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