Professional Documents
Culture Documents
April Space Energy Imagination.
April Space Energy Imagination.
| 1
James Low
Eifel, Germany
Excerpts
The
particular
quality
of
dzogchen
practice
is
that
nothing
in
your
life
has
to
change.
Dzogchen
is
not
saying
that
you
should
change
your
behaviour
or
your
beliefs.
Instead
you
look
at
your
beliefs
to
see
whether
they
really
are
reliable.
Dzogchen
is
not
about
believing
more,
or
believing
differently,
but
it
is
about
moving
from
belief
into
direct
experience.
Helping
other
people
doesn’t
require
a
particular
bridge
between
ourselves
and
the
world
since
we
are
always
and
already
in
the
same
world.
Our
sense
of
individual
identity
is
an
energetic
resonance
within
a
Dield
of
energy,
that
is
to
say,
we
are
communication.
We
are
nothing
but
energy
reacting
to
energy.
Other
people
are
our
world.
This
is
the
most
fundamental
understanding.
For
as
long
as
we
see
other
people
as
separate
we
will
be
making
effort
to
join
with
them,
and
that
effort
will
condemn
us
to
artiDiciality.
As
soon
as
we
see
that
we
are
in
this
together,
then
being
available
for
others
is
as
normal
as
breathing.
The
biggest
mistake
we
can
make
in
meditation
is
to
confuse
the
content
of
the
mind
with
the
mind
itself.
We
can
always
cheat
ourselves
by
imagining
we’re
more
sorted
than
we
are,
which
is
why
the
more
we
practice,
the
more
careful
we
have
to
be.
When
you
see
images
of
the
buddhas,
their
bodies
are
translucent.
You
can
see
right
through
them.
That
means
‘no
secrets’.
They’re
not
hiding
their
mobile
phones
from
their
partners
because
they
haven’t
got
any
pockets!
To
be
transparent
means
no
hiding
place.
Completely
it
is
as
it
is.
In
our
lives
we
get
into
trouble
when
we
hide
things,
when
we
don’t
want
other
people
to
know.
When
we
see
a
great
teacher,
this
is
a
manifestation
of
the
ground.
When
we
see
ourselves
as
ordinary
beings,
we
are
also
manifestations
of
the
ground.
On
the
level
of
judgement
and
evaluation,
we
can
say,
‘This
person
is
high,
this
person
is
low.’
but
in
terms
of
their
connection
with
the
ground
nature,
they’re
completely
the
same.
You
can
integrate
anything
into
the
practice.
Don’t
block
whatever
is
occurring,
don’t
enter
into
judgement
about
it.
Just
offer
hospitality
to
it.
The
nature
of
the
mind
is
inDinite
hospitality.
It’s
always
open,
always
welcoming.
Staying
relaxed
and
open
makes
the
world
much
more
workable.
I
think
that’s
at
the
heart
of
it.
P a g e
|
3
Get
back,
get
back
to
where
you
once
belonged
.............................................................................4
Ge:ng
caught
up
in
stories
.............................................................................................................5
Openness,
immediacy
and
parAcularity
..........................................................................................6
Background
of
dzogchen
...............................................................................................................11
Thought
as
subject
and
thought
as
object
....................................................................................16
Consciousness
and
movement
......................................................................................................19
Refuge
and
bodhiciLa
...................................................................................................................20
Taking
refuge
in
the
dharma:
stop
cooking
...........................................................................23
Taking
refuge
in
the
sangha:
We
are
always
and
already
in
it
..............................................26
Bodhisa>va
vow:
other
people
are
our
world
.......................................................................27
What
dzogchen
means
by
‘ignorance’
...........................................................................................30
Co-‐emergent
ignorance
.........................................................................................................30
The
ignorance
of
defining
everything
....................................................................................32
The
ignorance
of
the
stupidity
of
not
recognizing
the
nature
of
karma.
...............................32
Linking
the
three
forms
of
ignorance
....................................................................................32
Garab
Dorje.
First
point:
direct
introducAon
into
your
own
nature.
.............................................34
The
ego
is
movement
but
the
mind
never
moves
..................................................................35
Five
quesAons
to
look
at
the
nature
of
our
mind
..........................................................................39
What
shape
is
the
mind?
.......................................................................................................39
What
colour
is
the
mind?
......................................................................................................41
Does
the
mind
come
from
anywhere?
...................................................................................42
Where
does
the
mind
stay?
...................................................................................................43
Does
the
mind
go
anywhere?
................................................................................................44
Body,
speech
and
mind
..................................................................................................................50
Karma
............................................................................................................................................54
Guru
Yoga:
uniAng
with
our
own
state
..........................................................................................59
Garab
Dorje’s
second
point:
don’t
remain
in
doubt
......................................................................60
The
mind
...............................................................................................................................61
Common
meditaAon
problems
.....................................................................................................68
The
mind
is
always
and
already
here
....................................................................................68
Garab
Dorje’s
third
point:
conAnue
with
confidence
....................................................................72
Thoughts
are
the
movement
of
the
mind
..............................................................................73
QuesAons
......................................................................................................................................76
What
basic
competencies
are
needed?
.................................................................................76
QuesPon
about
taking
acPon
to
change
things
in
the
world
................................................77
How
can
we
integrate
everything
into
the
state
of
meditaPon?
...........................................79
QuesPon
about
feeling
love
...................................................................................................81
DedicaAon
of
Merit
.......................................................................................................................81
Song
...............................................................................................................................................81
So,
here
we
are.
We
have
a
liLle
bit
of
Ame
together
to
do
some
meditaAon
pracAce,
and
to
explore
some
of
the
dzogchen
teachings
about
the
nature
of
existence.
Since
the
dzogchen
approach
is
a
non-‐dual
approach,
we’re
always
looking
at
ourselves
in
relaAon
to
the
environment
around
us.
The
field
of
experience
is
not
something
which
is
personal
and
inside
us;
it’s
not
that
we’re
relaAng
to
a
world
outside
ourselves,
but
through
relaxing
and
opening,
we
seek
to
experience
the
unificaAon,
or
the
non-‐spli:ng,
the
non-‐division,
the
non-‐duality,
of
the
unfolding
of
experience.
Why
would
we
bother
doing
this?
Well,
it
makes
life
a
liLle
bit
easier.
There
can
be
a
lostness
and
loneliness
in
living
just
inside
our
own
liLle
skin-‐bag,
with
a
threshold
or
a
gap
between
ourselves
and
the
world.
That
gap
fills
itself
with
lots
of
quesAons:
‘How
will
I
be?
What
do
you
think
of
me?
How
shall
I
speak
to
you,
or
do
I
need
to
avoid
you?
What
will
I
do
with
my
life?’
Many,
many
quesAons
come
to
preoccupy
us
because
the
immediacy
of
being
connected
with
what’s
going
on
becomes
lost.
In
some
ways
that’s
very
easy,
and
in
some
ways
it’s
very
difficult.
It’s
easy
because
it’s
not
very
far
to
go
to
get
back
to
where
you
are,
on
the
other
hand
it’s
difficult
because
you
can’t
do
it
as
an
act
of
will.
The
very
act
of
being
the
agent
–
the
one
who
decided,
the
one
who
makes
things
happen,
that
very
sense
of
being
somebody
who
has
power
and
determinaAon
and
capacity
–
becomes
the
very
movement
which
estranges
us
from
ourselves.
Paradoxically,
in
the
very
effort
of
trying
to
join
yourself,
you
lose
yourself.
So
what
we’ll
be
developing
together
is
a
parAcular
mood
or
way
of
aLending
which
is
both
passive
and
acAve.
Usually
our
aLenAon
is
quite
acAve
–
we’re
looking
for
something.
We’re
looking
at
how
to
get
the
things
that
we
want;
we’re
looking
for
ways
to
avoid
things
that
we
don’t
want.
Whereas
the
relaxed
open
awareness,
which
is
the
central
topic
in
dzogchen
pracAce,
is
effortlessly
acAve
because
it’s
infinitely
open,
relaxed,
passive.
So
acAve
and
passive
become
united
in
a
basic
non-‐duality.
That’s
how
we
find
ourselves
–
it’s
not
something
that
we’re
creaAng
as
an
abstract
construct.
So
the
first
thing
we
might
do
is
just
take
a
liLle
bit
of
Ame
to
arrive
here.
When
we
go
traveling,
of
course,
we
have
to
aLend
to
many
things.
ParAcularly
for
the
people
who
were
driving
cars,
there’s
an
aLenAon
which
is
about
‘where
am
I
in
relaPon
to
that?’
And
there’s
a
kind
of
buzzy-‐ness,
a
speediness,
a
kind
of
mentalizaAon
of
our
acAvity
through
that.
So
just
returning
and
calmly
arriving.
A
simple
way
to
do
that
is
basic
shamata
or
shiné
pracAce.
So
we
could
sit
and
do
that
together
for
a
while.
Just
sit
in
a
comfortable
way,
with
your
spine
supporAng
your
weight.
The
gaze
is
slightly
down,
the
tongue
is
on
the
hard
upper
palate,
shoulders
are
open
and
relaxed
and
breathing
is
just
going
in
and
out
very
naturally.
And
you
can
focus
the
aLenAon
on
the
flow
of
the
breath,
or
decide
on
some
object
you
see
on
the
ground
in
front
of
you.
You
just
decide
‘this
is
going
to
be
my
focus’
and
keep
the
mind
very
gently
on
that.
Whenever
you
wander
off
just
gently
bring
yourself
back
to
that.
We
sit
in
that
way
for
about
half
an
hour.
It’s
a
way
of
seLling
back
to
where
we
are.
P a g e
|
5
Just
as
the
child
is
caught
by
the
story,
the
adult
is
caught
by
the
words.
The
words,
as
we
know
from
the
history
of
alphabets,
are
something
very
arAficial.
But
once
we
learn
to
read,
these
marks
on
the
page
are
not
just
something
that
we
read
–
that
we
have
a
kind
of
mastery
over
because
we
know
what
to
do
with
these
marks
and
how
to
string
them
together
as
we
gradually
learn
grammar,
spelling
and
so
on
–
but
the
words
also
have
hooks
on
them.
Words
catch
us
and
pull
us
into
their
meaning
so
that
if
you’re
reading
a
novel,
for
example,
and
it’s
a
sad
story,
you
feel
sad.
Why
do
you
feel
sad?
Because
liLle
black
marks
on
a
white
sheet
of
paper
have
hooked
you
into
feeling
sad.
People
go
to
the
shop
and
pay
money
to
get
a
book
in
order
to
become
sad
or
happy
according
to
their
mood.
That
is
to
say,
our
mind
can
be
sucked
in
to
many,
many
things
in
the
world.
Part
of
the
generosity
of
the
heart
is
that
it
wants
to
give
itself
to
something,
so
constantly
we’re
flowing
into
situaAons,
into
connecAons
with
people,
with
projects;
and
through
that
moving
out
into
the
idenAficaAon
with
the
object,
a
kind
of
meaning
and
value
is
generated.
We
experience
something
similar
to
this
in
meditaAon
because
when
we
sit,
even
if
we
decide
to
focus
our
mind
in
a
very
simple
clear
way,
when
a
thought
arises,
somehow
we
find
ourselves
pouring
ourselves
into
that
thought.
Why
is
this?
On
an
outer
level
we
can
call
this
aLachment,
but
that
doesn’t
really
explain
very
much.
It’s
more
important
for
us
to
start
to
invesAgate
for
ourselves
what
is
that
pouring-‐ness?
What
is
that
giving
of
a
subject
to
an
object?
In
the
unificaAon
of
the
subject
and
object,
a
parAcular
quality
of
idenAty
and
value
and
meaning
is
generated.
In
fact
it’s
quite
cozy,
because
we
know
what’s
going
on
when
we
give
ourselves
to
something
that’s
meaningful.
Say,
for
example,
you
turn
on
the
radio,
and
you
hear
a
song
that
you
like.
If
you
like
it,
it
means
you
already
know
it,
you’ve
heard
it
before
and
you
go
into
that.
So
you’re
going
into
the
song
in
the
very
moment
that
the
song
is
coming
into
you.
Subject
and
object
are
flowing
together,
and
we
find
a
happiness
in
this.
This
basic
principle
is
something
at
the
root
of
a
lot
of
tantric
pracAce,
because
in
tantra
we
get
concerned
with
the
unificaAon
of
the
dualized
polariAes,
whether
these
are
good
and
bad,
right
and
wrong,
male
and
female,
wisdom
and
compassion.
Whenever
things
get
separated
off
into
some
isolated
posiAon,
there
is
a
kind
of
deadening.
That
is
to
say
that
we
need
to
be
touched
and
moved
to
come
into
life.
You
know,
when
we
walk
out
here
and
we
see
the
flowers
of
spring,
something
beauAful
happens.
We
see
the
incredible
yellow
of
the
daffodil,
and
‘Oh!’
We
go
out
to
it,
and
it
comes
into
us
and
our
life
starts
to
shine
more.
When
we’re
si:ng
inside
the
bubble
of
ourselves,
there
is
a
stasis,
a
flaLening
out
of
our
feeling-‐tone.
We
might
become
a
bit
dull,
a
bit
bored,
a
bit
turned
off.
Life’s
just
kind
of
going
on
–
nothing
much
doing.
And
then
suddenly
you
hear
the
blackbird
singing
again.
‘Oh!’
You
stop
and
‘Oh!’
The
world
is
suddenly
very
big
and
you’re
pulled
into
the
world;
and
the
bigness
of
the
world
becomes
the
bigness
of
your
heart!
In
tantra,
through
visualizaAon,
we
seek
to
experience
the
divine
forms
and
merge
into
these
forms.
Object
goes
into
subject
and
subject
goes
into
object.
Something
very
similar
happens
in
dzogchen
where,
by
opening
and
relaxing
into
the
basic
spaciousness
which
is
the
mind
itself,
all
that
manifests
is
immediately
integrated
in
that
spaciousness.
To
put
this
in
other
language,
communicaAon
is
the
basis
of
the
vitality
of
our
existence:
as
we
manifest
moment
by
moment,
we’re
doing
so
in
relaAon
to
the
environment
around
us.
Why
is
that?
It’s
because
we
are
recepAve.
If
we
open
to
the
world,
the
world
shows
us
how
to
behave.
This
is
very,
very
important
because
it
means
you
don’t
need
to
have
so
many
rules
in
your
head.
You
don’t
have
to
control
yourself
if,
by
opening
to
the
environment
around
you,
you
start
to
experience
the
co-‐emergence
of
your
own
existence
–
that
we
are
exisAng
with
the
environment.
The
more
trapped
we
are
in
our
personal
world
–
our
habits,
our
longings,
hopes
and
fears
–
this
preoccupaAon
can
easily
cut
us
off
from
what
is
going
on
around
us.
When
that
happens,
we’re
not
available
to
what’s
outside.
Dzogchen
means
the
great
compleAon.
CompleAon,
or
perfecAon
means
there’s
nothing
more
to
be
done.
What
does
that
mean?
Here
and
now,
at
this
moment,
whatever
is
required
for
this
moment
is
already
here.
When
we
are
looking
out
into
the
future,
when
we
are
caught
up
in
memories
of
the
past,
both
of
these
funcAons
cause
a
de-‐centering,
or
an
off-‐balancing
whereby
we
lose
our
availability
to
the
moment.
We’re
not
quite
here.
And
when
we’re
not
quite
here
we
don’t
get
it.
We’re
somewhere
else.
Where
are
we?
If
you’re
in
the
past,
where
are
you?
If
you
could
write
a
clear
descripAon
of
where
you
are
when
you
go
into
the
past,
and
of
how
you
got
there
and
then
you
took
it
to
the
Patent
Office,
you
would
become
very
rich
because
you
will
have
invented
the
Ame
machine.
In
fact
we
can’t
go
into
the
past.
The
past
is
always
vanishing.
It’s
the
same
with
the
future
–
its
always
vanishing.
When
you
think
you’re
in
the
past
what
essenAally
is
happening
is
that
you’re
not
here.
You’re
not
anywhere
else,
but
you’re
not
here.
The
memory
is
here.
The
memory
is
your
experience
of
being
here.
,
but
it’s
like
me
pu:ng
my
hands
in
front
of
my
face
and
peeping
through
the
la:ce
to
see
you.
I
see
just
liLle
bits
and
pieces.
You’re
sAll
here
and
I’m
sAll
here,
but
some
kind
of
obscuraAon
has
arisen.
So
that’s
what
we’re
trying
to
explore
in
the
meditaAon
–
the
nature
of
obscuraAon.
What
does
it
obscure?
Who
is
the
one
who
is
obscured?
Regarding
the
basic
openness,
or
indeterminacy,
we
cannot
define
precisely
who
we
are
–
of
course
we
can
say
lots
of
things
about
ourselves,
tell
stories
about
our
lives,
things
we’ve
done
or
not
done
and
so
on
–
yet
none
of
these
quite
catches
us,
because
there’s
always
more.
There’s
always
more
because
we
keep
manifesAng
in
different
ways.
Now
where
does
this
manifestaAon
come
from?
Since
you
woke
up
this
morning,
you
have
done
many
thousands
of
things.
All
the
different
percepAons
you’ve
had,
all
the
different
sounds
you’ve
heard,
the
ways
your
face
has
changed
when
you’re
connecAng
with
different
people,
whether
you’ve
opened
to
them
or
closed.
So
many
different
things
have
gone
on.
That
is
possible
because
the
heart
of
our
being
is
spaciousness.
If
we
were
made
up
of
solid
substances,
then
each
moment
of
experience
would
be
si:ng
on
the
previous
one,
compacAng
it
more
and
more
and
more,
and
we
would
become
very
dense.
We
may
have
had
that
sort
of
experience
and
said,
‘Listen.
I’ve
had
it
up
to
here.
Back
off.
Leave
me
alone.’
We
can
feel
filled
up
with
stuff
–
and
that’s
just
what
it
feels
like,
stuff.
Bits
of
the
world
that
are
heavy,
that
are
indigesAble,
seem
to
fill
our
being
and
we
get
so
constrained
that
we
can’t
move,
and
we
just
say,
‘Give
me
some
space.’
This
is
what
occurs
when
we
don’t
recognize
the
space
inside
ourselves.
So
a
basic
principle
of
dzogchen
is
to
aLend
directly
to
the
moment
of
experience
–
we
do
it
in
the
meditaAon
and
out
of
the
meditaAon.
In
the
moment
of
experience,
where
is
the
experience
occurring?
By
experience
I
mean
all
that
you
take
to
be
your
body,
your
personal
thoughts,
the
colours
and
shapes
P a g e
|
7
around
you,
the
sensaAon
of
the
warmth
of
the
room,
and
so
on.
All,
all,
all
–
everything
that
you
experience
is
experience.
So
whenever
you’re
in
contact
with
something,
where
is
that
occurring?
For
example,
we
may
say
that
we’re
si:ng
together
in
this
room.
Each
of
us
is
si:ng
in
a
parAcular
place
so
we
are
closer
to
some
people
than
to
others.
We
see
the
different
shapes
of
different
peoples
bodies,
so
we
could
provide
a
spaAal
descripAon
about
where
we
are
si:ng
in
this
room.
But
this
room,
itself,
is
a
space
which
we
are
part
of.
If,
instead
of
conceptualizing
the
various
things
that
we
can
see
we
just
relax
to
the
presencing
of
whatever
is
here.
It
is
arising,
and
what
is
it?
We
say,
‘Oh,
this
is
a
painPng.
This
is
a
person.’
We
say
that.
That
is
to
say,
we
go
out
like
a
colonialist,
to
a
land
where
nobody
is,
and
we
declare,
‘I
name
this
America.
I
name
this
Africa,’
and
we
put
a
liLle
flag
on
it
and
say,
‘This
flag
says
James
on
it,’
and
we
sAck
it
in
here
and
we
say,
‘This
is
James.
This
is
a
painPng.
This
is
a
lamp.’
The
lamp
doesn’t
say
it’s
a
lamp.
The
painAng
doesn’t
say
it’s
a
painAng.
We
tell
the
painAng
what
it
is.
It’s
a
fundamental
importance
in
dzogchen
to
realize
that
it’s
the
acAvity
of
your
own
mind
which
is
generaAng
your
experience
of
the
world.
Because
how
we
name
the
world,
not
just
in
terms
of
red,
blue,
green,
and
so
on,
but
with
the
intensity
with
which
we
name
it
–
‘This
IS
a
painPng.
This
IS
a
lamp.
This
person
IS
James.’
–
that
creates
a
way
of
catching
these
objects
as
if
they
are
self
exisAng
and
then
we
know
what
they
are
and
what
to
do
with
them.
That
gives
us,
as
a
subject,
a
sense
of
power
and
competence.
which
is
the
normal
operaAon
of
the
ego.
You
can
get
a
sense
of
mastery
if
you
learn
many
many
words,
many
idenAficaAons.
All
of
these
are
mental
events
happening
in
Ame,
because
once
you
say,
“This
is
a
lamp,’
once
you’ve
said
it,
do
you
need
to
say
it
again?
‘This
is
a
lamp,
This
is
a
lamp.
This
is
a
lamp...‘
It
gets
kind
of
boring.
Some
people
stand
on
the
street
all
day
long
with
two
wooden
boards,
one
in
front
and
one
behind,
saying,
‘This
way
McDonalds.
This
way
McDonalds.
This
way
McDonalds,’.
We
might
think
that’s
a
lousy
job
since
it
would
drive
you
mad.
In
the
same
way
to
repeat,
‘This
is
a
lamp,’
‘I
am
James,’
‘This
is
a
painPng.’
–
how
come
we
don’t
get
Ared
of
this?
Well,
of
course
we
do.
It’s
quite
a
burden
being
the
master
of
the
universe,
endlessly
having
to
tell
the
universe
what
it
is.
It
requires
endless
mental
acAvity.
When
the
mental
acAvity
stops,
when
we
do
some
basic
meditaAon
suddenly
the
world
is
more
simple.
There’s
just
something
–
doesn’t
bother
us
very
much,
we
don’t
need
to
know
–
we
just
trust
it’s
okay.
The
deeper
we
can
go
into
meditaAon,
that
is
to
say,
the
more
we
open
ourselves,
the
less
we
need
to
name
what’s
going
on
around
us,
and
the
more
we
trust
that
it
will
be
okay.
Because
actually,
as
we
move
towards
engaging
with
the
phenomena
in
the
world
–
with
tables,
chairs,
knives
and
forks
–
there
is
an
immediacy
of
meeAng
these
objects.
That
is
to
say,
you
pick
up
the
fork,
you
pick
up
the
knife,
and
your
body
moves
in
the
direcAon
of
cu:ng
the
vegetable.
The
sight
of
the
vegetable
mobilizes
the
body
in
that
direcAon.
It’s
not
something
you
have
to
think
about
a
great
deal.
There
is
an
immediacy.
This
immediacy
is
arising
out
of
space,
because
when
we
are
available,
when
we’re
not
in
our
thoughts,
we
see
the
tomato,
and
the
very
texture
of
the
skin
of
the
tomato
means
you
have
to
angle
the
fork
and
the
knife
in
a
parAcular
way.
The
skin
of
a
tomato
is
quite
strong
and
if
you
stab
it
the
wrong
way
it’ll
shoot
off
the
table!
So,
in
that
way,
by
seeing
the
tomato,
the
tomato
will
tell
you
what
to
do.
One
of
the
things
we’ll
be
exploring
together
is
how
to
look.
How
to
look
outside,
but
also
how
to
look
at
our
mind.
How
to
see
our
mind
in
a
fresh
way
–
not
by
telling
ourselves
what
is
going
on,
but
by
allowing
the
experience
to
show
itself,
so
that
awareness,
as
something
naked
and
recepAve,
is
able
to
be
fully
touched
by
the
experience.
You
have
the
opAmal,
the
maximum
registraAon
of
what
is
going
on,
as
opposed
to
the
selecAve
aLenAon
that
comes
from
having
pre-‐conceived
ideas.
To
recap,
spaciousness,
openness,
is
the
first
basic
principle
or
aspect
of
experience.
The
mind
itself,
our
awareness,
is
just
open.
As
we’ll
start
to
explore
together,
it
doesn’t
have
a
shape,
it
doesn’t
have
a
form
or
a
colour,
it’s
not
located
anywhere,
it
doesn’t
have
a
limited
capacity.
A
glass
like
the
one
in
my
hand
can
only
hold
so
much
water
because
its
shape
determines
its
capacity.
But
the
mind
itself
doesn’t
have
a
shape
and
therefore
its
capacity
is
infinite.
In
Buddhist
language
this
is
called
the
dharmadhatu.
Dhatu
means
domain,
or
space,
or
extent;
and
dharma
means,
in
this
context,
all
phenomena.
So
it
means
the
space
within
which
phenomena
occur,
within
which
everything
occurs.
This
space
is
your
own
mind.
We
can
say,
‘my
mind,’
but
its
not
like
how
I
can
say
‘my
hand’.
‘My
hand’
refers
to
some
object
which
we
can
see,
with
a
shape
and
colour
and
funcAon
and
so
on.
We
have
to
be
very
careful
not
to
trick
ourselves
linguisAcally
and
imagine
that
when
we
say,
‘my
mind,’
we’re
referring
to
an
object
in
the
same
way
as
when
we
say,
‘my
watch’
or
‘my
shoes.’
My
mind
is
not
a
thing.
My
memories
–
we
can
get
a
sense
of
the
shape
of
them.
My
mood
–
we
can
describe
our
current
mood.
My
sensaAon
–
we
can
be
aware
of
sensaAons
in
our
body.
These
are
parAcular
events
which
can
be
described.
But
the
mind
itself,
awareness
–
which,
as
it
were,
is
the
medium
through
which
experience
is
occurring
–
what
is
that?
This
is
one
of
the
main
things
we’ll
be
exploring.
Buddhism
says
everything
is
empty.
Empty
means,
‘its
not
a
thing;
it’s
not
a
self-‐exisAng
substance’.
There
is
no
fixed
defining
internal
essence
to
any
phenomena.
None
the
less,
appearance
occurs.
Appearance
and
empAness
are
inseparable.
Just
like
a
rainbow
in
the
sky,
or
a
mirage
in
the
summerAme,
we
see
something
–
that
is
to
say
we
have
an
experience
which
is
undeniable
–
and
yet,
we
can’t
find
any
essence
behind
it.
There
is
nothing
there,
except
a
parAcular
coming
together
of
circumstances,
a
paLerning
of
circumstances,
which
creates
that
effect.
In
this
room
where
we
all
are,
there
are
many
things
and
they
have
been
brought
together
by
causes
and
circumstances,
including
by
the
fact
that
many
Tibetans
lej
Tibet
due
to
the
Chinese
invasion.
It
is
affected
by
the
various
sponsors
who
have
offered
money
to
buy
books
and
other
things.
It
is
influenced
by
the
customs
of
the
Kagyupa
order,
the
grouping
whose
monastery
this
is,
with
chairs
at
different
heights
for
lamas
who
have
different
amounts
of
presAge.
Everything
in
this
room
can
be
read.
It
is
a
liLle
semioAc
feast.
There
are
infinite
signifiers
in
this
room
and
if
you
know
enough
about
them
you
could
tell
many
stories
about
everything
here.
This
is
the
acAvity
of
the
mind.
When
we’re
busy
telling
these
stories,
we
don’t
see
the
immediacy
of
what’s
here.
This
is
here.
In
the
here-‐ness
of
what
is
here
–
colour,
shape,
instantly
present
–
this
is
the
radiance
of
empAness.
Once
you
start
telling
stories
about
it,
you
put
the
essence
into
it.
You
say,
‘Oh,
this
is
a
statue
of
the
Karmapa,
and
around
him
are
statues
of
all
the
previous
Karmapas.
There
is
the
Buddha.
There
is
a
bowl
of
flowers.
There
is
this,
there
is
that.’
Once
you
start
naming
and
labeling,
all
these
phenomena
start
to
become
solid.
You
also
become
solid,
because
you
become
the
one
who
knows
all
these
things.
The
expert.
How
clever
you
are!
Of
course,
that’s
a
comfortable
prison
because
now
we
are
locked
up
inside
our
own
thoughts.
Instead
of
our
gaze
and
our
experience
being
fresh,
we’re
trading
the
brief
seducAve
pleasure
of
knowledge
for
being
immediately
present
with
what’s
there.
In
dzogchen,
we
try
to
relax
our
reliance
on
knowledge,
which
has
both
this
Aghtening
quality
on
the
subject,
making
us
the
one
who
knows,
and
also
this
ediAng
quality
of
the
experienAal
field,
as
we
put
all
our
different
names
and
interpretaAons,
so
that
we
experience
everything
happening
just
at
once.
However
that
doesn’t
make
it
a
chaoAc
field
where
we
don’t
know
what’s
going
on,
since
awareness
has
a
clarity
which
is
much
greater
than
that
of
cogniAve
knowledge.
You
don’t
get
confused,
because
there
is
a
natural
clarity,
or
a
natural
light
that
illuminates
whatever
is
going
on.
Within
this
field
of
manifestaAon,
moment-‐by-‐moment
we’re
moving
this
way
and
that,
we’re
experiencing
our
embodiment
–
the
sensaAon
we
call
our
body
–
and
we’re
experiencing
what
is
around
us.
For
each
of
us,
moment-‐by-‐moment,
that
is
unique
and
unrepeatable.
Nobody
can
have
your
experience.
That’s
where
the
parAcular
historical
determinants
of
karma,
of
causes
and
circumstances,
bring
us
into
parAcular
constellaAons,
because
we
have
bodies
of
parAcular
shapes,
weight
and
so
on,
our
breathing
is
relaxed
and
open
or
Aght,
our
eyesight
is
twenty-‐twenty
or
not.
In
that
way,
many,
many
different
experiences
are
here.
P a g e
|
9
ParAcularity
is
the
third
level:
so
you
have
the
openness,
the
immediacy,
and
then
the
parAcularity.
ParAcularity
is
changing
moment
by
moment,
and
yet
remains
part
of
the
field.
That
is
to
say,
I
don’t
need
to
retreat
into
myself,
to
separate
myself
off,
to
then
see
what
is
going
on
out
there.
But
rather,
my
experience
of
me
in
the
world,
is
a
field
phenomenon,
is
part
of
the
shared
field
of
experience.
In
Buddhist
language
we
can
say
that
this
is
like
the
experience
of
the
bodhisaLva.
The
bodhisaLva
is
one
who
turns
the
orientaAon
of
their
existence
towards
the
welfare
of
others:
‘May
all
senPent
beings
be
happy.
May
I
work
for
the
benefit
of
others.’
How
will
I
do
that?
‘I’ll
help
these
people.’
Which
people?
‘These
people.’
Yes,
but
which
ones?
‘The
ones
who
are
not
me!
Everybody
else!
I
will
help
them.’
So
you
have
a
dualisAc
vision
there
whereas
from
the
point
of
view
of
dzogchen,
self
and
other
are
always
arising
together.
We
are
already
part
of
the
same
field
of
experience.
Helping
other
people,
being
connected
with
other
people,
doesn’t
require
a
parAcular
bridge
between
ourselves
and
the
world
since
we
are
always
and
already
in
the
same
world.
In
that
way,
our
sense
of
individual
idenAty
is
a
kind
of
energeAc
resonance
within
a
field
of
energy,
and
these
movements,
ceaselessly,
can
either
move
towards
closure,
condensaAon,
Aghtness
and
density,
or
relaxaAon
and
communicaAon.
By
experiencing
open
spaciousness
out
of
which
this
unified
field
of
experience
occurs,
the
funcAon
of
our
pracAce
is
to
ensure
that
all
experience
of
movement
is
seen
to
be
inseparable
from
the
open
ground.
That
is
to
say,
we
are
communicaAon.
We
are
nothing
but
energy
reacAng
to
energy.
Being
part
of
the
world
may
sound
terrifying
because
‘Everyone
can
get
to
me
if
I
open
to
everyone’.
It
might
feel
quite
enough
just
having
our
family
and
friends
to
sAr
us
up!
The
idea
that
everyone
is
going
to
touch
us
and
move
us
around,
would
be
too
much.
Again,
it
comes
back
to
this
point:
do
I
have
a
limited
capacity?
If
I
think
I
am
a
thing,
I’m
going
to
get
overwhelmed.
That
is
to
say,
on
the
level
of
energy,
parAcular
vibraAons
can
only
do
so
much.
That
doesn’t
mean
that
I
am
a
fixed
enAty
who
can
only
cope
with
so
much
stuff.
It
simply
means
that
the
parAcular
resonances
of
our
being
can
only
do
parAcular
things.
When
we
were
five
years
of
age,
we
had
a
lot
of
energy
and
were
fairly
wild.
By
the
Ame
you
get
to
fijy
you
have
a
lot
less
energy;
you
may
sAll
be
a
bit
crazy,
but
you
usually
have
a
lot
more
responsibiliAes.
At
each
stage
in
life,
your
resonance,
your
energeAc
capacity,
will
vibrate
with
different
factors
of
the
field
around
you.
Some
things
will
be
very
real
and
important,
and
other
things
will
recede
into
the
background.
This
is
not
a
problem
if
you
can
be
connected
with
what’s
going
on.
Of
course,
if
you
have
a
game
plan
that
says,
‘I
should
be
able
to
do
that’
and
you’re
always
telling
yourself
who
you
are
and
what
you
have
to
do,
you
will
be
contorAng
yourself
to
fit
into
a
shape,
and
serve
that
up
in
a
reliable
way
into
the
world.
And
as
we
know,
mechanized
labour,
whether
it’s
in
a
factory
or
in
an
office
in
front
of
a
computer
screen,
means
that
people
are
being
trained
into
repeated
acAons
again
and
again.
There’s
plenty
of
evidence
that
this
is
not
good
for
the
body.
The
body
was
born
to
move
and
in
more
simple
cultures
people
are
moving
a
great
deal
of
the
Ame.
Our
culture
is
highly
arAficial,
highly
arAficial.
We
tell
ourselves,
‘You
have
to
fit
in
with
the
system,’
but
systems
are
just
like
big
machines,
they’re
just
whacking
through.
The
more
you
do
that,
the
more
you
start
to
think
of
yourself
as
a
commodity,
because
society
is
certainly
thinking
of
you
as
a
commodity.
You
are
a
commodity,
everything
you
encounter
is
a
commodity
–
that
is
to
say,
a
thing
that
can
be
traded.
Some
people
trade
their
brains,
some
people
trade
their
looks,
some
people
trade
their
voices.
Everybody’s
selling
some
aspect
of
themselves
to
find
a
way
of
surviving
in
the
world.
So,
one
of
the
things
that
dzogchen
is
inviAng
us
to
do,
is
to
see
how
objecAfied
our
lives
are,
how
easily
we
objecAfy
ourselves,
and
how
willing
we
are
to
compress
ourselves
in
order
to
survive.
It’s
not
that
one
shouldn’t
do
that;
it’s
that,
if
you
don’t
recognize
the
contracAon
that’s
required,
maybe
to
keep
your
job,
you
don’t
know
that
you
have
to
release.
If
it’s
normal
to
be
contracted,
you’re
going
to
start
buzzing
and
vibraAng,
which
of
course
many
people
do.
So
then
they
use
alcohol
and
drugs
and
so
on
to
try
release
themselves.
The
more
we
can
observe
this
movement
of
contracAon,
and
bring
the
pulsaAon
of
release
into
it
in
an
automaAc
integrated
way,
then,
if
you
have
to
work
and
do
something
quite
Aght,
you
can
do
that,
but
bringing
release
into
that.
From
the
point
of
view
of
dzogchen
there’s
nothing
which
is
forbidden
to
do
since
in
order
to
survive
we
need
to
do
all
sorts
of
things.
There’s
nothing
that’s
inherently
wrong
in
an
acAvity
if
you
know
how
to
come
back
into
spaciousness;
and,
in
parAcular,
to
bring
spaciousness
into
contracAon.
Because
every
form
your
body
takes,
whether
you’re
asleep,
or
you’re
awake,
is
a
movement
of
energy
within
space.
When
we
get
very
buzzy
and
busy,
we
forget
spaciousness,
and
then
it’s
all
just
a
lot
of
stuff.
There’s
so
much
to
be
done.
Most
people
have
very
busy
diaries,
and
of
course
the
plans
that
we
make
never
quite
land
in
the
way
we
had
expected.
So
there’s
extra
to
be
done,
and
extra
to
be
done,
and
we
run
around
catching
up
with
ourselves.
Very,
very
busy.
All
of
this
is
movement
in
space,
because
without
space
you
couldn’t
have
the
movement.
When
you
forget
the
space,
the
gentle
massage
that
space
can
give
to
movement
is
then
missing.
Space
is
always
whispering
in
the
ear
of
movement:
‘It’s
okay,
sweePe.
Not
so
important.
Don’t
worry.
This
moment
will
pass.’
[in
a
gentle
voice].
‘No,
no,
I
must
get
it
done!’
[In
a
hurried
voice]
‘Well,
what
is
so
important?’
[in
a
gentle
voice]
There
are
adverts
all
over
London
just
now
showing
a
young
person
lying
dead
in
the
middle
of
the
road.
The
message
says,
‘They
thought
that
talking
on
their
mobile
phone
was
so
important.’
There
are
a
lot
of
accidents
now
with
people
so
caught
up
on
their
phones
that
they
don’t
look
at
the
cars.
‘But
it’s
so
important.’
But
it’s
not.
This
retreat
is
a
chance
for
us
to
observe
how
we
contract
into
something.
How
we
throw
ourselves
into
moments
in
the
world,
like
a
child
falling
into
a
story,
and
how
in
that
moment
there’s
a
kind
of
lost-‐
ness.
Where
has
my
life
gone?’
‘Oh,
I
spent
it
listening
to
stories
–
so
many
stories.’
That’s
what
it’s
like.
There’s
always
something
going
on,
always
something
to
be
involved
in.
It’s
not
that
we
acAvity.
You
don’t
have
to
go
and
live
in
an
ashram
or
go
and
live
in
a
cave
in
the
mountains.
It
is
about
the
integraAon
between
movement
and
sAllness,
between
spaciousness
and
manifestaAon.
When
these
two
are
united,
relaxed
spaciousness
is
there
with
all
the
movement
that
occurs.
This
means
you
can
be
present
in
the
movement
without
being
lost
in
it;
you
won’t
have
collapsed
into
it.
The
key
thing
is
for
you
to
observe
how
you
are.
It’s
not
about
forcing
yourself
into
any
shape,
but
rather
observing
–
what
is
my
situaAon?
If
you’re
Ared,
what
is
the
nature
of
that
Aredness?
Buddhism
includes
methods
which
are
about
alignment,
which
propose
a
parAcular
way
of
acAng
or
behaving.
They
come
with
the
suggesAon
‘If
you
do
this,
then
something
good
will
happen.’
For
example,
‘If
you
become
a
monk
or
a
nun,
life
will
get
easier.’
Or,
‘If
you
do
your
meditaPon
pracPce
every
day
at
the
same
Pme,
then
that
regular
discipline
will
make
it
easier.’
Or,
‘If
you
do
a
three
year
retreat,
then
this
will
give
you
such-‐and-‐such
qualiPes.’
Or,
‘If
you
do
ngondro
pracPce,
doing
one
hundred
thousand
of
many
different
acPviPes,
then
you
will
be
ready
to
do
tantra.’
Who
knows
what
the
outcome
will
be?
However
one
thing
we
can
be
sure
of
is
that
human
beings
are
not
standard
issue.
OrganizaAonal
structures
come
up
against
the
chaoAc
factor
of
karma.
We
each
have
our
own
karmic
history,
and
the
problem
is
we
don’t
quite
know
what
bit
of
our
history
is
going
to
pop
up
all
of
a
sudden.
For
example,
you
can
have
a
lot
of
enthusiasm
–
and
then
lose
it!
People
can
have
faith
full
on
for
five
years
–
Bam!
Bam!,
doing,
doing,
doing
–
and
then
suddenly
they
vanish.
They
never
go
back
to
their
buddhist
group
again;
that
was
just
a
liLle
chapter
in
their
life.
So
karma
means
that
who
I
am
is
something
which
will
be
revealed
to
me
in
the
moment
of
my
being
with
you.
But
if
I
keep
imposing
discipline
on
myself
then
I
do
not
have
the
chance
to
experience
whatever
spontaneous
feelings
might
arise.
There
are
many
arAficial
techniques
and
disciplines
that
you
can
use
whereby
you
learn
to
control
and
direct
your
mind
but
in
dzogchen
these
are
considered
not
to
P a g e
|
11
be
so
important.
Rather,
we
want
to
allow
the
experience
of
our
lives
to
unfold
itself,
so
that
we
observe
the
many
different
possibiliAes
of
our
being,
and
keep
integraAng
them
in
open
awareness.
There
is
no
form
which
is
inherently
beLer
than
any
other
because
all
forms
are
empty.
There
is
no
intrinsic
value
in
any
parAcular
structuring
of
the
world.
However,
if
you
can’t
integrate
with
empAness,
or
openness,
you
are
in
the
realm
of
being
a
limited
subject
in
a
world
of
objects.
InteracAons
will
generate
consequences,
or
karma,
and
then
we
have
to
live
with
the
consequences.
Hopefully
this
will
get
clearer
as
we
do
more
pracAce
together.
The
key
thing
is
observing,
again
and
again,
how
you
are
in
situaAons
and
to
get
the
immediate
sense
that
‘I
am
a
dynamic
unfolding.
I’m
not
a
thing.’
[Break]
Background of dzogchen
I’ll
now
say
a
liLle
bit
about
the
background
of
dzogchen.
Indian
cosmological
theory
is
very
interesAng,
presenAng
as
it
does,
a
completely
different
vision
of
existence
from
the
modernist
European,
post-‐European
enlightenment
raAonalist
view.
In
Europe,
it’s
completely
normal
now
to
think
that
we
have
only
one
life,
that
we
are
basically
material
in
our
structure,
that
the
mind
is
a
phenomena
generated
by
electrochemical
acAvity
in
the
brain,
and
that
there
is
no
parAcular
purpose
to
life.
That
is
to
say,
when
you
die,
you’re
dead,
so
there
is
nothing
beyond
life
that
you
can
aim
for,
and
in
this
life,
things
are
up
for
grabs.
You
can
live
whatever
way
you
like
–
you
can
be
hardworking
or
lazy,
you
can
drink
all
the
Ame,
do
what
you
want
within
or
without
the
law.
There’s
a
lot
of
freedom
around.
In
that
sense,
modern
Europe
and
large
parts
of
America
are
completely
commiLed
to
meaninglessness
as
the
meaning
of
life.
In
some
ways
of
course,
that’s
very
nice
because
meaning
always
comes
with
a
price.
If
you
go
to
chrisAans
for
meaning,
they
say,
‘Oh,
yes,
when
you
die
you
can
go
to
heaven.’
But
you
can
also
go
to
hell.
‘Well,
I
don’t
want
to
go
to
hell.’
Well
then,
you
can’t
go
to
heaven,
because
heaven
and
hell
go
together.
Buddhists
and
hindus
have
a
similar
idea,
which
is
that
samsara
is
a
state
of
endless
movement.
Samsara
basically
means
turning,
revolving.
What
is
moving?
The
mind
is
moving.
Hinduism
says
that
at
death
the
soul
changes
its
body
the
way
a
Brahmin
changes
his
shirt.
A
Brahmin
should
put
on
a
clean
shirt
every
day,
ajer
having
had
a
bath
and
before
doing
his
puja.
It’s
as
simple
as
that.
The
soul,
atman,
moves
out
of
the
body,
has
a
brief
interacAon
with
the
Brahman,
and
then
comes
back
in
another
embodied
form.
The
buddhist
idea
is
that
we
exist,
not
as
a
thing,
but
as
a
kind
of
paLerning
of
energy.
In
Sanskrit
it’s
called
santana,
or
Tibetan
rang-‐rgyud.
It
means
your
own
linking
or
your
own
conAnuity.
So,
for
example,
if
we
look
back
and
think
of
our
childhood,
clearly
our
bodies
were
very
different,
the
kind
of
things
we
were
caught
up
in,
the
kind
of
foods
we
liked,
the
games
we
wanted
to
play
are
probably
very
different
from
what
we
do
now.
And
yet,
there
is
a
conAnuity.
People
who
knew
us
when
we
were
children
will
sAll
recognize
us
‘Ah,
haven’t
seen
you
for
a
long
Pme,
but
I
remember
when
you
did
that...’
And
immediately
you
can
see
that
there
is
a
link
across
all
these
stages.
So,
although
the
past
has
gone,
somehow
paLernings
of
ways
of
behaving,
ways
of
running
and
jumping,
and
so
on,
even
though
the
body
is
no
longer
wanAng
parAcularly
to
run
and
jump,
come
out
through
the
way
the
person
walks
and
moves.
When
you
die
this
kind
of
vibratory
form
takes
on
another
body.
In
the
Tibetan
teachings
on
the
bardo,
as
the
body
is
moving
towards
death,
then
the
body’s
outer
form
starts
to
collapse.
The
earth
element
goes
into
the
water
element,
the
water
into
the
fire,
the
fire
into
the
wind,
and
the
wind
is
the
subtle
movement
that
is
the
holder,
or
the
vehicle,
of
consciousness.
When
consciousness
merges
into
space,
we
then
say
that
the
person
has
died.
So
in
the
yoga
system,
by
controlling
the
breath
and
taking
it
from
the
minor
channels
into
the
major
side
channels
and
then
into
the
central
pathway,
the
avadhuP,
you
integrate
energy,
movement
and
spaciousness.
If
you
can
learn
to
also
do
that
while
you’re
alive,
then
the
process
of
death
is
much
easier.
When
the
mind
goes
into
space,
there’s
a
great
openness,
then
nothing
at
all,
then
some
light,
then
various
forms
arise,
first
some
peaceful
forms,
then
some
wrathful
forms,
and
then
the
winds
of
karma
blow
you
and
you
find
yourself
tumbling
into
a
new
life.
This
goes
round
and
round
and
round
–
if
you’ve
done
very
good
things
you
can
go
up
into
the
heaven
realms,
and
if
you
do
many
bad
things
you
go
down
into
the
hell
realms,
but
not
forever.
These
are
just
illusory
manifestaAons,
just
as
this
life
is
an
illusory
manifestaAon.
(Illusion
here
means
without
inherent
self-‐nature.
It
doesn’t
mean
it’s
not
there
at
all,
because
clearly
we
are
constrained
by
these
parAcular
paLerns.)
The
important
thing
about
this
vision
of
the
world
is
that
it’s
grounded
in
ethics.
The
form
of
your
existence
is
determined
by
the
ethical
nature
of
your
acAvity.
That’s
very,
very
profound,
because
it
means
that
you
may
be
able
to
cheat
the
Inland
Revenue,
you
may
be
able
to
cheat
the
police,
you
may
be
able
to
cheat
your
partner,
but
you
can’t
cheat
karma,
because
karma’s
not
something
outside
that’s
coming
to
get
you;
karma
is
the
paLerning
of
your
own
existence.
If
you
behave
in
a
convoluted,twisted,
not
straighvorward
way,
that
turning,
which
comes
with
lying
and
cheaAng
and
so
on,
brings
about
a
parAcular
spin
which
then
manifests
in
restricted
forms.
Now,
that’s
quite
a
challenging
idea.
EssenAally
what
it’s
saying
is
that
life
doesn’t
stop
at
death.
You
could
have
hope
or
fear
at
that
proposiAon.
‘Where
will
I
go
when
I
die?’
Up.
Down.
Nice
to
go
up,
but
you’re
only
up
for
a
while;
sad
to
go
down,
but
you’re
only
down
for
a
while.
This
is
where
there
are
many
different
explanaAons,
and
now
I
am
speaking
only
from
the
point
of
view
of
dzogchen.
The
one
who
is
moving
is
movement.
That’s
all.
Movement
is
moving.
Some
of
the
movement
we
call
‘me,’
some
of
the
movement
we
call
‘you.’
You
are
moving,
I
am
moving.
This
movement
is
moving.
Well,
that’s
not
very
surprising
but
when
we
think
‘Me,
I
am
moving
–
why
am
I
having
to
move
where
I
don’t
want
to
go?’
‘This
ro>en
karma,
pushing
me,
pulling
me.
I
don’t
like
it.
Let
me
pray
to
the
Buddha
–
Please
intervene
between
me
and
my
karma.’
Buddha
says,
‘Ah,
possible...
but
I
can
only
come
in
between
the
two
if
you
stop
sPcking
them
together.’
Which,
most
of
the
Ame,
is
what
we
do.
We
are
so
idenAfied
with
our
movement,
that
the
movement
is
us,
and
is
the
basis
for
what
we
call
rebirth,
reincarnaAon.
That
is
to
say,
we
take
this
form,
and
the
forms
of
our
memories
and
thoughts,
as
being
our
abode.
This
is
our
house.
This
is
what
we
idenAfy
with.
We
say,
—This
is
me.
This
is
me
and
this
is
going
to
die.
I
am
going
to
die.
This
is
terrible.
What
will
become
of
me?’
—Well,
you
won’t
be
there
any
more.
—
‘Wh
…
where
will
I
be?’
—You’ll
be
somebody
else.
—‘What
will
I
be?’
—‘You
could
be
a
crow,
or
a
pig,
or
a
dog.’
—‘Oh,
but
why
would
I
want
to
be
that?’
It
doesn’t
depend
on
what
you
want.
Samsara’s
not
a
restaurant.
You
know,
you
don’t
select
something
off
the
menu
–
it’s
not
like
that.
P a g e
|
13
The
importance
of
this
kind
of
reflecAon
is
to
show
that
the
ego
is
not
omnipotent.
This
is
the
big
ego
fantasy
of
our
Ame
–
that
we
can
sort
things
out.
Of
course,
when
we
see
what’s
happening
with
the
poor
people
of
the
Middle
East
and
Syria
we
can
see
that
this
is
nonsense.
Human
beings
have
very
limited
power.
PoliAcians
are
cowardly,
lying
and
cheaAng
and
thinking
about
their
own
long
term
interests.
A
lot
of
dishonest
behaviour
goes
on
where
people
could
be
rescued
but
are
not
rescued.
We’re
not
very
strong
and
brave
and
powerful.
Nor
can
we
be,
because
we
are
movement.
Movement
is
not
strong.
Movement
is
linked
to
the
wind
element.
Since
you
were
born,
you
have
been
nothing
but
change.
Of
course,
one
of
the
first
things
you
get
to
say
when
you
are
small
is
‘my’.
—‘My
teddy.
My
bedroom.
My
mummy.’
—‘Leave
it!’
—‘Mine!’
That
becomes
our
definiAon,
doesn’t
it?
‘My
body.’
All
will
vanish.
This
is
alarming.
It’s
like
what
I
was
suggesAng
earlier
–
when
we
read
a
novel
or
we
see
a
movie,
we
pour
ourselves
into
it
and
we’re
caught
up
in
it.
Likewise
we
pour
ourselves,
that
is
to
say
our
capacity
for
idenAficaAon,
we
pour
that
into
our
body,
our
acAvity,
our
jobs,
our
family,
relaAonships,
and
we
say,
‘This
is
me.
This
is
my
world.’
But
we
don’t
own
our
world.
Our
world
is
held
in
place
by
all
kinds
of
extraneous
factors.
As
the
European
economic
situaAon
manifests
more
and
more
instability,
it’s
very
difficult
to
know
what
the
long-‐term
future
will
be.
Unemployment
rates
in
Spain
are
going
up
and
up
and
up,
and
this
is
very
frightening.
People
start
out
with
the
idea
‘I’ll
study
hard,
then
I’ll
go
to
university,
then
I’ll
get
a
job,’
and
now
‘I
got
my
diploma,
I
got
my
degree
and
I
can’t
get
a
job.’
So
degree
equals
job.
No.
Degree
has
been
devalued
just
in
the
way
the
Euro
is
being
devalued.
‘How
could
this
be?‘
‘Everybody
knows
it’s
a
good
idea
to
study
hard
and
then
you
help
your
life.’
Not
necessarily.
Due
to
causes
and
condiAons,
under
certain
circumstances
it
may
be
a
good
thing,
and
under
other
circumstances
it
may
not
be
good.
—‘What
can
I
rely
on?’
Well,
probably
not
what
poliAcians
tell
you.
Perhaps
not
even
what
school
teachers
tell
you.
—‘Who
can
I
trust?’
Well,
you
have
to
look
around.
What
is
trustworthy?
—‘How
would
I
know?’
You
have
to
trust
yourself.
‘But
I
can’t
trust
myself.’
This
is
our
exact
existenAal
dilemma.
Other
people
cheat
us,
we
cheat
ourselves.
And
we
cheat
other
people.
Why
do
we
do
this?
Not
necessarily
because
we’re
bad,
but
because
we
always
have
to
pretend
that
we
know
more
than
we
know.
Nobody
can
read
the
future.
The
French
presidenAal
elecAon
is
coming
soon.
The
candidates
are
making
their
speeches;
I
was
reading
some
them
on
the
airplane
coming
over.
Very
impressive.
When
Mr
Obama
became
President
Obama
and
everybody’s
hope
and
dream,
people
were
crying
in
the
street
and
saying
‘At
last,
dear
God,
at
last.’
At
last
what?
At
last
another
guy
who’s
compromised
and
cannot
or
will
not
fulfill
his
promises
for
health
care,
or
pensions,
or
Guantanamo,
or
world
peace.
This
is
the
heart
of
the
Buddha’s
teaching
and
is
why
our
pracAce
generally
begins
with
taking
refuge.
When
you
look
around
in
samsara,
you
don’t
really
find
anything
which
is
reliable.
We
put
an
awful
lot
of
our
energy
into
building
up
castles
in
the
sand.
Building
them
on
the
edge
of
the
sea,
and
when
the
Ade
shijs,
our
liLle
construcAons
are
just
washed
away.
This
is
terrible.
Why
don’t
we
build
it
away
from
the
sea?
Because
we
can’t.
We
live
on
the
edge
of
the
sea.
That’s
what
impermanence
is.
That’s
what
samsara
is.
It’s
just
a
beach
with
big
waves,
and
we
never
know
when
a
big
wave’s
gonna
come.
So
people
work
very
hard
and
they
get
their
job,
and
their
success,
and
then
aged
twenty-‐eight
they
get
cancer
and
they
die.
And
this
happens
–
we
go
into
any
hospital
and
we
can
see
that
this
happens
to
people.
We
live
in
a
world,
where
in
a
simple
way,
we
could
say
there
are
two
aspects.
There
is
the
subject
and
the
object.
The
objects
are
the
things
out
there,
but
the
object
can
also
be
our
own
body.
You
could
start
with
your
body;
you
could
have
a
good
diet,
you
could
do
yoga
and
so
on,
and
you
could
have
a
very
healthy
body.
But
that
body
can
also
get
sick
and
ill.
The
fact
that
you
do
yoga
doesn’t
protect
you
from
arthriAs
and
accidents,
and
so
on.
Injuries
occur
whatever
you’re
trying
to
do.
You
can
put
your
energy
into
building
up
relaAonships,
having
children,
and
so
on.
Children
can
turn
out
well,
or
badly.
They
can
take
care
of
you,
or
they
can
go
off
and
travel
around
the
world
and
not
come
back.
What
will
you
invest
yourself
in?
Think
how
much
of
your
life
has
been
spent
on
object
manipulaAon.
For
some
people
that’s
their
wardrobe,
and
they
open
it,
and
they
look,
‘Oh,
there’s
the
red
ones,
and
the
blue
ones,
and
these
shoes
are
so
pre>y!’
‘Now,
if
I
have
the
grey
dress
with
the
pink
top
and
the
pink
shoes!
But
I
just
had
my
hair
done
and
the
colour’s
not
…‘
I
know
people
who
live
their
lives
like
that.
It’s
also
quite
nice,
because
you
can
spend
hours
just
cha:ng
and
looking
and...
‘the
cloth
–
Ohh,
that’s
gorgeous.’
It’s
fascinaAng,
but
then
two
hours
have
gone,
by
and
what?
Well,
you
look
really
good.
And
you
wear
it
for
two
hours
and
then
you
have
to
take
off
all
this
makeup,
and
take
off
the
lipsAck
and
clean
the
eyes.
Then
you
have
to
put
on
the
night
cream,
put
the
hair
up.
Full
Ame
business,
eh?
A
whole
life
can
be
poured
into
that,
and
then
ajer
a
while
you
look,
‘I
don’t
like
this
mirror
very
much
because
it’s
got
lines
on
it‘
!
So
the
body
is
not
reliable,
and
our
acAvity
is
not
reliable,
but
we
have
spent
our
lives
doing
these
things
as
if
life
was
a
big
game
of
chess
and
we
could
somehow
work
out
the
right
moves
to
make
to
ensure
that
we’ll
have
happiness
and
health
and
so
on.
Instead
of
pu:ng
the
energy
into
manipulaAng
the
paLerns
of
the
world,
from
the
buddhist
point
of
view
we
have
to
start
looking
at
the
subject
rather
than
the
object.
Who
is
the
one
who
performs
the
acAvity?
What
is
the
basis,
or
the
matrix,
out
of
which
our
acAvity
arises?
Is
there
anything
we
can
do
to
stop
our
acAvity
creaAng
these
energeAc
charges,
these
contracAons
and
turns
that
bring
about
a
spin
that
causes
further
shaking
and
movement
into
the
future?
This
is
a
central
funcAon
of
meditaAon.
MeditaAon
is
designed
to
help
us
recognize
where
we
already
are,
in
the
unborn
sAllness
which
never
moves
and
never
changes.
So
that
the
movement
of
manifestaAon
–
which
simply
means
our
being
in
the
world
with
other
people,
looking
through
our
eyes,
listening
with
our
ears,
walking,
talking
lijing,
bending,
and
so
on
–
all
of
this
movement
which
is
occurring
in
space,
is
the
movement
of
space.
So
we
don’t
have
two
categories
back
to
back
–
there
is
space
on
the
one
hand,
and
movement
on
the
other,
but
movement
is
the
expression
of
space
itself.
When
we
relax
and
open
into
this
spacious
awareness,
we
are
the
ground
of
being;
we
are
the
open
nature
of
the
universe
itself.
Out
of
that,
arise
all
of
the
phenomena
of
the
world,
within
which
this
parAcular
form
is
moving
at
this
Ame.
This
may
seem
a
mad
thing
to
say.
It
sounds
incredibly
grandiose
to
say
that
each
of
us
is
the
ground
of
the
universe.
How
could
that
be?
Well,
it’s
because,
from
this
dharma
point
of
view,
the
world
is
constructed
by
thoughts:
this
is
a
building,
in
a
piece
of
land,
in
a
village,
in
Germany,
and
all
around
there
are
people
who
are
not
buddhist,
living
in
their
nice
bungalows
having
their
own
parAcular
kinds
of
lives.
This
is
the
social
structure
of
this
environment
here.
We
can
go
to
the
local
council
and
get
informaAon
about
the
lifestyles,
and
so
on,
of
the
different
people.
That
is
to
say,
if
we
want
to
know
about
this
place,
that’s
what
we
do
–
we
find
out
about
it.
Knowing
about
something
and
knowing
it
are
not
the
same.
To
know
about
something
is
to
have
a
lot
of
informaAon
about
it.
To
know
something,
that
is
to
say,
to
be
directly
present
with
someone,
doesn’t
require
knowledge
which
is
added
on,
but
requires
an
opening
to
the
immediacy
of
the
presentaAon
of
the
situaAon.
P a g e
|
15
So
the
funcAon
of
meditaAon
is
to
observe
how
our
addicAon
to
thought,
and
with
that,
our
addicAon
to
feeling
and
sensaAon,
merge
together
into
a
construct
which
gives
us
a
sense
of
‘This
is
happening
to
me.
This
is
who
I
am,’
in
a
very
concrete,
seemingly
reliable
way.
...and
then
it’s
gone!
When
you
sit
in
the
thought
it
seems
to
be
showing
you
something
definite,
and
then
that
thought’s
gone.
Each
thought
is
going
and
going
and
going,
and
each
one
is,
‘I’m
the
truth,
I’m
the
truth,
I’m
the
truth!‘
Then,
Going,
going,
going,
going.
Would
you
really
want
to
believe
something
that
unstable?
But
we
do!
We
believe
what
our
thoughts
tell
us,
because
we
merge
into
the
thought.
So
the
funcAon
of
meditaAon
is
to
provide
space
in
which
to
see
the
procession
of
the
thoughts
–
not
blocking
them,
not
interfering
with
them,
because,
in
order
to
be
in
the
world
with
others,
we
need
to
use
thought
because
this
parAcular
dimension,
the
human
dimension,
is
mediated
through
thought.
If
you
can’t
think,
you
can’t
speak.
You
can’t
make
sense
of
what
someone
else
is
saying.
It’s
not
that
thought
is
wrong,
it’s
just
that
you
can
use
it
for
the
wrong
purpose.
Just
as
you
have
different
kinds
of
screwdrivers,
and
different
kinds
of
spanners,
and
different
kinds
of
saws,
each
of
which
has
a
parAcular
funcAon.
ParAcular
tasks
require
this
kind
of
screwdriver
–
if
you
use
the
wrong
kind,
the
screw
will
just
bend
the
edge
off
the
screwdriver.
We
know
that
from
pracAcal
experience.
If
you
use
your
thoughts
to
give
you
a
true
sense
of
who
you
are,
you
will
cheat
yourself,
because
your
thoughts
tell
you
about
yourself
as
if
you
were
an
object.
Does
that
make
sense?
So,
we
may
think
‘I’m
not
very
good
at
learning
languages.’
So
you
know
something
about
yourself,
you’re
defining
yourself
to
yourself.
Implicit
in
that,
embedded
in
that,
is
the
idea,
‘I
can
be
defined.
I
have
a
fixed
permanent
shape,
about
which
definite
statements
can
be
made.’
From
the
buddhist
point
of
view,
and
this
includes
dzogchen,
this
is
the
key
point
where
you
can
really
taste
ignorance
–
because
we
are
this
ceaselessly
changing
flow
of
manifestaAon.
Think
about
how
many
things
have
happened
today.
All
that
we
did
is
gone.
Gone
forever.
Will
never
be
revisited.
If
you
go
back
into
the
kitchen
or
into
the
office,
you’re
not
going
into
the
same
kitchen
or
office,
because
the
actual
room
you
enter
will
have
different
people
in
different
paLerns.
That
is
what
is
there.
That
is
experience,
and
it
is
unpredictable.
The
ideas
we
have
about
it
we
can
string
together
in
nice
liLle
paLerns
to
give
us
the
sense
that
we
know
something
definite.
Here
is
the
main
shij
that
meditaAon
can
make,
and
it’s
a
very
big
shij
to
experience
that
if
I
let
go
of
these
controlling
structures,
which
help
to
seLle
some
of
my
anxiety
about
what’s
going
to
happen
to
me,
I
won’t
fall
apart,
I
won’t
go
mad.
Because
there
is
a
different
kind
of
clarity.
There
is
the
clarity
of
presence
which
is
different
from
the
clarity
of
cogniAon.
Samsara
operates
on
the
aLempt
to
generate
the
clarity
of
cogniAon,
wherein
we
think
we
get
more
understanding
of
what’s
going
on.
But
the
meditaAve
tradiAons
such
as
hinduism
and
buddhism,
all
speak
of
an
inner
light,
the
light
of
the
mind,
the
natural
clarity
of
awareness
which
illuminates
what
is
going
on
without
having
to
work
it
out
through
linking
together
parAcular
concepts.
This
is
the
basis
of
meditaAon,
and
if
we
see
this
clearly
it’s
very
helpful,
because
it
means
when
we’re
meditaAng
and
get
caught
up
in
thoughts,
we
start
to
understand
how
we
could
release
ourselves
from
them.
When
we
believe
we
need
to
have
thoughts
to
keep
us
afloat,
we
are
a
bit
like
a
child
who’s
learning
to
swim
and
has
inflatable
armbands
put
on
them.
Then
mum
says,
—‘Oh,
you’re
doing
fine,
let’s
take
them
off.’
—No,
no.
I’ll
drown
–
ahahah.’
—‘Come
on,
you
can
do
it!’
—‘Ahhh!’
We’re
like
that
–
we
want
our
thoughts,
and
if
we
can
hang
onto
our
thoughts
we
keep
afloat,
doggie
paddling
around
in
life.
‘Ahahah.
I’m
doing
okay.
Ahhhh.’
So
the
big
thing
in
the
meditaAon
is
‘Whoo!
Take
these
off.’
See
what
happens,
all
this
stuff
–
thoughts
coming,
going.
If
you
relax
and
open,
you’re
sAll
here
but
you’re
not
here
as
‘I,
me,
myself,’
you’re
not
here
as
the
constructed
self,
created
out
of
parAcular
paLerns
of
thoughts,
but
you’re
present
as
presence
itself,
open
awareness,
vidya,
rigpa.
Just
the
natural
luminosity
of
the
mind,
revealing
whatever
occurs.
So,
when
that
clarity
is
there,
the
more
you
pracAce,
you
start
to
see
that
that
clarity
is
truly
reliable.
Our
thoughts
are
not
reliable.
If
you
try
to
remember
some
events
from
your
past
and
write
an
account
of
them,
and
then
two
months
later
you
remember
them
again
and
write
another
account,
if
you
look
at
these
two
accounts,
they’ll
be
slightly
different,
because
the
memory
is
not
a
fixed
thing;
it’s
not
like
a
Swiss
band
vault.
It’s
a
constant
re-‐turning
and
reworking
of
that
informaAon.
The
self
that
is
generated
out
of
thoughts
and
feelings,
memories,
hopes
and
fears,
and
so
on,
is
like
a
house
made
of
playing
cards.
It
doesn’t
have
any
essence
to
it,
and
it’s
fundamentally
unstable.
But
the
basic
clarity
of
awareness
is
very
stable
–
it’s
unchanging.
This
is
the
primary
Alt
which
allows
us
to
move
from
samsara
to
nirvana
–
to
see
that
they
both
have
the
same
ground,
which
is
empAness.
Samsara
comes
into
being
because,
as
we
start
to
lose
our
own
ground,
we
immediately
want
to
grasp.
We
think,
‘Oh
my
God
I’m
going
to
slip!’
so
we
grasp
onto
something.
This
is
aLachment,
in
Tibetan
it’s
called
nyi-‐dzin
or
dag-‐dzin.
Dzinpa
means
to
grasp,
and
you
grasp
at
a
self-‐essence
or
you
grasp
at
duality;
you
hold
onto
things
and
then
you
start
to
move
these
things
around.
You
become
like
this
and
your
freedom
to
move
is
diminished
because
you’re
holding
on
to
so
much.
You
can
experience
that
for
yourself.
When
sit
in
the
meditaAon,
and
you
get
caught
up
in
a
thought,
and
somehow
you’re
in
it,
and
then
you’re
out
of
it.
What
was
that
thing
you
were
in?
It’s
gone.
It’s
like,
you
know,
falling
in
love
and
being
caught
up
in
some
dream
love
story,
and
then
the
bubble
bursts.
Or
in
a
movie,
and
it’s
all
very
real
and
then
the
movie
ends
and
you
come
out
of
the
cinema
into
the
street,
and
cars
are
going
by
and
‘Oh,
wow,’
–
because
you
have
been
in
another
world.
SomeAmes
we’re
in
big
worlds,
and
someAmes
we
go
into
very
small
worlds
and
in
our
meditaAon
we
can
see
that
‘When
I
become
small
I
get
caught.’
This
is
where
language
become
a
bit
strange.
The
small
me,
is
the
one
who
gets
caught.
That
is
to
say,
the
subject
as
an
enAty
can
always
be
caught.
‘I
don’t
feel
so
well
today,’
or
‘I’ve
got
this
terrible
headache,’
or
‘I
feel
really
Pred,’
or
‘Oh,
I
know
what
I’m
going
to
do
in
the
summer.’
You
hear
people
talking
like
that,
on
and
on.
Then
suddenly,
‘I’ve
had
this
idea!
Yeah!’
‘Hang
on
a
minute,
we
were
talking
about
this,
and
suddenly
you’re
off
on
that
one.’
Whoosh!
Like
a
greyhound
or
something,
they’re
off!
Very
hot
and
excited.
That’s
what
happens
–
we
get
carried
away.
And
then
ajerwards,
where
are
we?
Don’t
worry,
another
thought
will
come,
and
then
P a g e
|
17
another
thought.
And
so
our
lives
are
zigzagging
here
and
there
as
we’re
carried
by
these
momentary
enthusiasms.
When
you
become
more
aware
of
this,
you
can
start
to
see,
‘Oh,
here
I
go
again.’
At
that
point,
two
things
are
there,
there’s
sAllness
and
there’s
movement.
At
first
it’s
seems
just
movement
because
we’re
completely
merged
in
it.
By
calming
the
mind
a
liLle
we
start
to
get
some
perspecAve,
and
in
the
buddhist
tradiAon
that’s
called
shamata
meditaAon,
which
is
a
calming
,
and
then
develops
vipassana
meditaAon,
which
is
the
clarity
of
being
able
to
keep
an
eye
on
what’s
going
on
–
to
observe
how
things
are
arising.
When
we
start
to
see
‘Oh,
I’m
calm,
and
my
energy
is
moving’,
that
is
sAll
quite
dualisAc.
Then
we
see
that
the
experience
of
being
calm
is
itself
an
arising.
So,
calmness
and
movement
are
both
experiences.
The
central
quesAon
is:
who
is
the
experiencer
which
is
why
the
heart
of
dzogchen
meditaAon
is
to
just
stay
with
whatever
is
occurring,
and
focus
on,
‘Who
is
the
one
who
is
having
this
experience,’
or
‘Who
is
the
one
who
is
experiencing
this?’
Of
course,
we
can
sAck
in
the
stupid
answer,
‘I
am,’
and
then
be
back
in
the
series
of
thoughts.
But
if
you
just
look,
when
that
thought
‘I
am’
arises,
then
you
experience
‘”I
am”
is
arising.’
And
then
another
arising,
and
as
each
experience
is
arising,
it
is
revealed
through
the
presence
of
the
experiencer.
In
the
Tibetan
tradiAon
they
call
this
‘the
mind
itself,’
semnyid
or
ci>ata.
This
kind
of
meditaAon
is
actually
very
simple,
because
you
don’t
have
to
visualize
mandalas,
you
don’t
have
to
remember
many
prayers
and
chants
and
so
on,
but
it’s
also
difficult
because
it’s
very
subtle.
You
have
to
be
sharp
and
clear.
You
have
to
pay
aLenAon
to
what
is
going
on
because
it’s
happening
always
[snaps
fingers]
in
the
moment,
in
the
moment,
in
the
moment….
It’s
just
there,
just
there,
just
there.
You’re
not
building
something
up
that
you
can
go
back
and
correct,
you’re
not
moving
across
Ame.
You
are
just
in
the
moment
of
the
arising
of
experience.
Who
is
the
experiencer?
The
answer
to
that
quesAon
is
by
being
the
experiencer.
It’s
not
a
quesAon
that
seeks
a
cogniAve
answer.
It’s
a
quesAon
which
is
designed
to
summon
us
into
being
present
as
our
open
awareness.
By
resAng
in
that
open
awareness,
we
find
that
we
get
less
and
less
caught
up
in
the
parAcular
paLerns
of
thought.
We
don’t
have
to
block
thoughts,
we
don’t
have
to
pull
in
good
thoughts
and
push
away
bad
thoughts.
Through
that,
we
have
more
confidence
in
the
self-‐liberaAon
of
experience.
Moment
by
moment,
experience
is
arising
and
passing,
arising
and
passing,
and
by
experience
here
we
mean
the
intersecAon
of
subject
and
object.
In
some
Tibetan
painAngs,
thangkas,
you
see
the
deiAes
in
sexual
union
–
this
symbolizes
the
ongoing
integraAon
of
subject
and
object.
Subject
and
object
always
arise
together
in
space,
which
is
why
we
imagine
such
deiAes
against
a
background
of
the
clear
blue
sky.
So,
we’re
si:ng:
subject
side
is
arising;
object
side
is
arising.
Together.
Subject
and
object
together,
and
together,
and
together.
You
don’t
have
to
change
things,
you
don’t
have
to
make
beLer
things
happen.
Whatever
arises
is
okay.
SomeAmes
you’re
sad,
someAmes
you’re
jealous,
someAmes
you’re
hopeless,
someAmes
you’re
happy
–
it’s
all
just
experience.
Then
we
start
to
see
that
the
whole
world
is
only
experience.
One
mode
of
experience
is
to
imagine
that
the
world
is
made
of
real
enAAes.
When
you
fall
into
that
kind
of
experience,
you
forget
the
experiencer.
When
you
remember
the
experiencer
you
don’t
fall
into
the
experience.
Nothing
changes
in
the
content,
but
you
start
to
see
that
it’s
without
essence.
It’s
illusory,
it’s
maya.
That
is
to
say,
it’s
there,
and
not
there.
The
classical
example
is
the
reflecAon
of
the
moon
on
water.
On
a
full
moon
night,
you
go
out
in
the
country,
you
see
a
sAll
pond
and
there,
in
the
pond,
is
the
moon.
The
surface
of
the
water
is
so
clear;
you
see
the
details
of
the
moon.
The
moon
is
there.
Of
course
it’s
there
–
you
see
it.
But
it’s
not
there.
In
the
same
way,
we
see
the
world
as
made
up
of
enAAes,
but
it’s
not.
But
it
is!
But
it’s
not
–
it’s
an
illusion.
The
more
you
see
it
as
illusion,
the
easier
life
becomes.
So
to
recap,
just
before
our
break,
there
are
these
three
basic
aspects:
relaxed
openness,
the
natural
spaciousness
of
the
mind,
which
gives
rise
to
clarity,
which
reveals
everything
instantly
[and]
all
together.
Within
that
clarity
there
is
the
movement
of
energy,
which
is
our
becoming
in
the
world,
whether
we’re
walking
on
our
own
in
the
country
or
cha:ng
with
someone
over
a
meal.
It’s
the
movement
of
energy
within
the
field
of
disclosure
–
the
unveiling,
or
the
revealing,
of
the
potenAal
of
the
open
ground.
[Break]
Sitting practice
A
very
simple
kind
of
pracAce
–
we’re
just
si:ng.
That
is
to
say,
there
is
no
agenda,
there
is
no
parAcular
acAvity
required.
‘Who
is
the
one
who
is
sikng?’
We
are.
This
sense
of
being
alive,
being
a
person,
being
ourselves,
is
always
AlAng
in
two
direcAons.
It
Alts
into
limitaAon,
into
being
a
specific
‘this
is
me,’
and
it
Alts
out
to
being
open.
Whenever
we’re
si:ng,
experience
is
going
on.
You
can
do
it
with
your
eyes
open
or
closed.
Generally
we
do
it
with
eyes
open,
but
make
some
experiments,
see
which
is
good.
So,
we’re
just
si:ng.
Stuff
is
going
on,
maybe
somebody
coughs
or
somebody
moves,
or
there’s
shapes
moving.
You
have
different
sensaAons
in
your
body,
maybe
some
digesAve
experiences,
thoughts,
feelings.
Things
are
occurring.
Inside
that
you’ve
got
your
own
commentary
–
your
thoughts
and
your
interpretaAons.
To
put
it
another
way,
idenAficaAon
is
an
effort.
If
a
thought
arises
and
I
become
involved
in
it,
that
is
an
effort,
that
is
a
movement.
That
is
why
the
most
basic
meditaAon
instrucAon
in
dzogchen
is
to
not
do
anything
at
all.
Life
is
going
on
by
itself,
thoughts
are
coming,
but
we
don’t
have
to
put
ourselves
in
as
the
thinker
or
the
doer
or
the
maker.
We’re
just
si:ng.
Stuff
is
happening.
Whenever
you
find
yourself
wrapped
up
in
that
and
going
off
someplace,
as
you
would
do
in
the
shamata
pracAce,
just
gently
bring
yourself
back
to
being
present
with
whatever’s
occurring.
You’re
just
with
it.
That
‘being
just
with
it’
someAmes
may
Aghten
into
the
felt
sense
‘I
am
with
It,’
and
at
other
Ames
it’s
more
open.
For
most
of
us,
the
only
way
to
get
to
know
this
is
to
keep
doing
it.
Just
keep
observing
that
the
open
clarity
of
the
mind,
and
the
narrowing
fixaAon
of
being
a
parAcular
subject,
are
not
two
separate
things.
You
can’t
take
a
pair
of
scissors
and
slice
down
the
middle
and
put
them
in
two
boxes.
They
are
the
same,
because
the
clarity
of
the
mind
is
the
illuminaAon
of
‘I,
me,
myself.’
That
is
to
say,
I
know
that
I
am
being
me.
When
I
fall
into
being
me,
I
don’t
know
it
–
but
when
I
do
know
it,
it
is
the
natural
clarity
of
the
mind
that
knows
it.
As
some
of
you
know,
we
use
the
example
of
the
mirror
here.
The
reflecAon
is
always
in
the
mirror.
Whatever
thought
are
arising,
they’re
like
a
reflecAon
in
a
mirror.
They
have
no
substance.
We
want
to
remain
calm
and
spacious,
being
just
like
the
mirror,
le:ng
whatever
happens
happen.
Whenever
you
find
yourself
drawn
into
judgement
or
prejudice
–
‘I
like
this.
I
don’t
like
this.
This
is
terrible.
I
want
more
of
that’
–
just
allow
these
thought
to
go
by.
No
thought
can
provide
the
soluAon
to
the
problem
since
every
thought
is
the
problem.
That’s
may
be
difficult
to
believe.
When
the
alcoholic
wakes
up
in
the
morning
and
knows
that
‘A
li>le
glass
of
whisky
is
just
what
I
need’
–
that’s
like
our
relaAonship
to
thinking.
We
will
do
this
now
for
a
while,
about
forty
minutes,
so
just
take
your
ease.
P a g e
|
19
[PracAce]
That’s
a
kind
of
si:ng
you
can
do
whenever
you
have
some
free
Ame.
It
allows
the
experience
of
the
movement
of
the
object
and
of
the
subject
to
come
together.
It’s
also
a
way
of
starAng
to
observe
how
we
become
pulled
into
the
subject-‐point
or
subject-‐posiAoning
as
if
it
were
something
constant.
Then
there
is
a
seventh
consciousness
which
is
called
the
consciousness
which
is
the
mental
consciousness
of
the
afflicAons.
The
afflicAons
refer
to
the
three
posiAonings
of
stupidity,
desire
and
aversion.
Stupidity
is
reificaAon,
taking
experience
in
a
solid
way,
whether
on
the
subject
side
or
the
object
side.
Then
there
are
the
two
secondary
a:tudes
that
move
out
from
stupidity.
ALachment
or
desire
is
a
going
toward
something.
Aversion,
anger,
repulsion
is
a
moving
away
from
something.
So
once
you
have
a
fixed
object
and
a
fixed
subject,
these
side
movements
or
reacAons
start
to
happen.
This
is
always
available
to
us.
It
is
seen
as
being
the
basis
of
the
sense
of
self,
of
an
individual
self.
You
can
recognize
in
your
meditaAon
how
this
is
funcAoning,
when
suddenly
you’re
caught
up
with
something
and
you
like
it
or
you
don’t
like
it.
You’re
going
ajer
if
or
you’re
trying
to
go
away
from
it.
This
propensity
–
which
is
a
kind
of
reiteraAon
‘This
is
who
I
am.
I’m
here.
I
like.
I
don’t
like.
This
is
good
for
me,
this
isn’t,’
–
is
a
kind
of
illusory
substratum
on
which
the
felt
sense,
an
illusory
yet
felt
sense,
of
the
conAnuity
of
a
personal
ego
idenAty
conAnues.
The
eighth
consciousness
is
called
the
ground
consciousness,
or
the
storehouse
consciousness
or
alayavijnana.
Alaya
just
means
the
basis
or
ground.
It’s
the
most
subtle
consciousness,
the
potenAal
for
the
manifesAng
of
all
the
other
consciousnesses.
It’s
like
the
root
form
of
consciousness,
and
it’s
seen
also
as
a
kind
of
conAnuous
sense
of
something’s
happening,
something’s
going
on,
a
basic
‘I’m
alive’–
ness.
Different
meditaAon
tradiAons
describe
the
many
ways
you
can
get
lost
in
meditaAon
and
it
can
be
easy
to
get
trapped
in
the
alayavijnana
as
a
subtle
sense
of
an
enduring
self.
Also
the
theravadin
system
of
the
dhyanas
describes
very
very
subtle
states
and
from
the
mahayana
point
of
view,
these
can
become
ways
of
ge:ng
caught
up
in
the
ground
consciousness.
Or,
in
the
buddhist
criAque
of
hinduism,
when
Shiva
is
si:ng
on
top
of
Mount
Kailash
in
his
meditaAon
that
lasts
for
ten
thousand
years,
Buddhists
would
say
that
he
is
fused
into
this
basic
conAnuity
of
presence
(alayavijnana),
but
that
it’s
a
self-‐
reflexive
presence
in
which
‘I
am
meditaPng.‘
That’s
why
you
get
these
images
of
Shiva
as
the
great
yogi.
He
is
doing
it!
So
you
can
see
how
even
in
that
meditaAon,
there
is
a
subtle
self-‐referencing
involved.
What
we
want
to
do
is
to
bring
the
understanding
of
openness
or
empAness
into
that.
In
the
Tibetan
tradiAon
they
say
this
ground
nature,
kun
zhi
du
ma
ché
–
‘du
ma
ché
means
uncompounded
–
so,
if
you
take
it
at
face
value,
it
seems
to
be
just
your
basic
aliveness
or
presence,
but
actually
it’s
a
subtle
construct,
and
you
get
caught
up
in
that.
So
that’s
what
we
have
to
look
at
again
and
again,
and
the
best
guide
for
that
is
the
impermanence
of
phenomena,
because
anything
which
manifests
will
have
a
kind
of
subtle
form
which
will
change.
So
whenever
something
seems
to
be
‘Ah,
this
is
the
bo>om
line,
this
is
what
it
is.
Now
I’m
really
open,’
if
you
then
lose
it,
since
it’s
not
the
boLom
line.
It
was
a
momentary
experience
which
was
held
in
place
as
a
concept
and
a
construct.
In
the
very
act
of
grasping
it,
you
lose
it.
So
this
not
aLending
to
anything
in
parAcular
is
very
useful
for
starAng
to
explore
these
different
levels
of
consciousness.
If
you
get
lost,
if
you
start
spiraling
around
in
yourself,
don’t
worry
about
that
–
just
relax.
You
can
relax
into
the
out-‐breath
and
stay
present
with
it,
and
then
start
to
see
no
situaAon
is
final.
It’s
always
moving.
Because
empAness
is
unborn
and
manifestaAon
is
unceasing,
and
the
unborn
and
the
unceasing
are
inseparable,
we
have
there
the
real
freedom.
But
if
we
take
something
which
is
actually
a
movement
and
turn
it
into
an
essence,
then
we
start
to
construct
the
whole
world
of
‘I
exist.
You
exist,’
and
all
of
the
many
many
things
that
flow
from
that.
སངས་$ས་ཆོས་དང་ཚ)གས་+ི་མཆོག་.མས་ལ།
SANG GYE CHO DANG TSOG KYI CHO NAM LA
buddha dharma and sangha of supreme, best (plural) to
assembly
To
the
Buddha,
Dharma
and
Assembly
of
the
excellent
1ང་2བ་བར་5་བདག་ནི་7བས་8་མཆི།
JANG CHUB BAR DU DAG NI KYAB SU CHI
enlightenment until I refuge for go
I
go
for
refuge
until
enlightenment
is
gained.
I go for refuge to the Buddha, Dharma and Assembly of the excellent until enlightenment is gained.
So,
we
begin
in
a
tradiAonal
way
by
reciAng
the
refuge
and
bodhiciLa
prayers.
The
refuge
links
with
what
we
looked
briefly
at
yesterday,
about
finding
an
orientaAon
to
that
which
is
truly
reliable.
Outer
things
in
the
world
change,
our
own
thoughts
and
feelings
are
not
so
reliable
either
–
so
what
can
we
cleave
to,
what
can
we
hold
to?
In
the
tradiAon,
it
is
by
taking
refuge
in
the
Buddha,
the
dharma
and
the
sangha.
On
one
level
we
can
see
Buddha
as
a
historical
person
who,
through
the
efforts
of
his
meditaAon
pracAce,
gained
an
understanding
into
his
true
nature,
and
through
that
began
the
lineages
of
buddhist
teachings.
On
another
level,
from
the
dzogchen
point
of
view,
each
of
us
has
buddha
nature,
or
primordial
buddhahood,
present
as
the
substratum
or
the
dimension
within
which
we
are
actually
living.
So
when
we
take
refuge
in
the
Buddha,
this
is
forming
an
intenAon
to
rest
and
relax
into
our
own
natural
state.
In
dzogchen
there
is
a
lot
of
aLenAon
to
relaxaAon,
to
the
natural,
to
what
is
given.
Because,
although
there
are
many
phenomena
in
our
world
and
daily
life
which
we
take
to
be
just
as
they
are
–
in
fact,
these
are
constructs
created
by
our
own
conceptualizaAon.
Now
that
we
have
more
freedom
to
travel
around
many
of
us
have
been
in
different
cultures,
different
countries,
and
through
that
we
have
seen
how
people
in
different
places
live
in
different
ways.
What
was
very
normal
for
us
in
our
family
when
we
were
growing
up,
when
we
go
to
school
we
see
that
this
is
not
normal
for
all
the
other
kids.
As
we
move
out
into
the
world,
we
start
to
see
that
what
we
have
P a g e
|
21
taken
for
granted,
what
we
believe
is
how
it
actually
is,
is
in
fact
just
one
possibility.
That
way
we
can
start
to
see
that
what
we
take
to
be
a
given,
is
actually
a
construct.
Then,
maybe,
we
come
in
contact
with
buddhism,
and
it
seems
to
be
an
interesAng
idea,
seems
to
be
something
constructed
in
the
East
–
another
import
that
we’re
ge:ng
–
and
it
seems
in
some
ways
arAficial,
because
when
you
become
involved
at
first
it’s
quite
strange.
As
you
try
to
fit
it
in
with
your
own
life
it
doesn’t
quite
fit.
The
more
we
come
into
the
pracAce,
the
more
we
can
see
that
this
is
speaking
to
something
which
is
true
in
itself.
You
don’t
have
to
make
effort
to
make
it
true.
We
have
to
make
effort
to
make
most
things
in
life
true.
Although
we
don’t
see
that
because
we
get
used
to
making
the
effort.
However
when
we
see
that
other
people
use
their
effort,
their
potenAal,
to
make
very
different
things
true
for
them,
then
we
can
see
that,
relaAvely,
all
the
construcAons
of
our
lives
are
indeed
just
that
–
construcAons.
Sangye
But
buddha
nature
is
not
a
construct.
What
does
Buddha
mean?
The
Tibetan
word
is
sangye
and
is
made
of
two
parts.
Sang
means
pure,
purified,
and
gye
means
expanded
or
increased
or
full,
which
means
that
limitaAons
are
removed
and
all
good
qualiAes
are
revealed.
The
limitaAons
which
are
removed
are
taking
the
moment
for
the
totality
so
that
we
get
caught
up
in
what’s
happening
in
the
moment
and
believe
that
that’s
really
really
important.
Part
of
purificaAon
is
to
have
a
large
perspecAve.
Most
of
us
in
our
lives
have
been
in
difficult
situaAons,
we
may
have
done
things
that
we’re
not
proud
of,
or
things
have
happened
that
make
us
feel
very
strange
inside.
We
shrink
when
we
remember
these
moments;
we
feel
shame
or
regret.
It’s
as
if
that
moment
was
condensed
and
very
intense
and
so
that
when
we
remember
it
we
become
trapped
in
it
and
we
go
‘Ugh!
Egh.’
There
we
see
this
freezing
into
a
moment
in
Ame
which
is
already
gone.
Even
when
the
terrible
thing
was
happening
it
was
just
a
moment
in
the
infinity
of
Ame,
just
as
every
gesture
that
we
make
is
a
gesture
within
the
infinity
of
space.
The
limitaAons
that
arise
are
from
our
grasping,
or
aLachment,
whereby
we
seize
onto
something
with
the
judgement
‘This
is
good,
this
is
bad,’
and
squeeze
it
so
that
it
condenses
into
something
solid,
and
then
build
on
each
solid
construcAon
to
create
the
parAcular
palace
of
our
own
existence.
In
taking
refuge
in
the
Buddha
we
are
looking
into
the
natural
purity
of
our
mind.
Of
course
our
mind
is
full
of
thoughts
and
feeling,
memories
and
so
on,
but
these
are
transient,
they’re
just
passing
through.
They’re
not
building
blocks
for
construcAng
anything.
Rather
these
are
aestheAc
moments
–
these
are
moments
of
being
touched
and
moved,
moments
of
responsiveness
into
the
unfolding
dimension
of
existence.
So,
in
saying
that
we
have
a
natural
buddhahood,
it’s
an
encouragement
not
to
be
so
busy,
and,
in
parAcular,
not
to
be
desperate.
In
the
tradiAon,
this
world,
samsara,
comes
into
being
through
ignorance.
Ignorance
means,
essenAally,
not
ge:ng
it.
Something
is
going
on
and
you
don’t
get
it,
and
when
you
don’t
get
it
you’re
on
the
outside
–
like
when
you’re
young
at
school
and
big
kids
are
telling
a
joke
and
you
don’t
get
what
they’re
talking
about,
and
you
look
a
bit
stupid.
But
then
you
don’t
want
to
not
get
it,
so
you
get
something
else
instead.
If
you
mistake
something,
if
you
get
it
the
wrong
way,
you
can
conAnue
to
use
the
ingredients,
but
you’re
creaAng
a
false
confecAonary.
It’s
false,
not
in
the
sense
of
not
exisAng,
but
it’s
false
in
the
sense
of
not
being
necessary.
If
you
forget
where
you
are,
if
you’re
out
walking
in
the
country,
you
walk
and
walk
and
walk,
looking
to
try
to
find
out
where
you
are,
but
ojen
you
don’t
even
know
what
the
landmarks
are,
what
the
significant
signs
are,
so
you
can’t
rescue
yourself.
In
fact
the
more
you
walk,
the
more
you
can
get
lost.
The
effort
that
you’re
making
to
find
yourself
becomes
the
very
means
by
which
you
become
more
lost.
In
the
same
way,
when
the
natural
ground
of
being,
the
natural
openness
of
the
mind
is
lost
sight
of,
and
the
thoughts,
feelings,
and
so
on,
all
the
experiences
that
we
have
are
no
longer
completely
integrated
with
that
openness,
or
non-‐dual
with
that
openness,
we
then
take
them
as
being
parAcular
separated
essences
or
substances,
and
then
start
to
move
them
around
to
make
paLerns.
This
effort
is
an
effort
to
make
sense
of
things
–
to
make
meaning.
Why?
Because
we’ve
lost
meaning.
We
don’t
feel
intrinsic
meaning.
We
don’t
feel
intrinsic
value.
All
of
us
have
probably
spent
Ame
and
money
on
personal-‐development
groups
of
some
kind,
going
to
sit
in
an
encounter
group
or
something
like
that
in
order
to
develop
ourselves,
to
find
ourselves.
And
of
course
you
get
lots
of
experiences
there
and
you
can
open
your
personality
in
various
ways.
However,
what
you’re
doing
there
is
accumulaAng
experiences.
You’re
building
a
richer,
perhaps
more
arAculated,
a
more
joined-‐up
sense
of
your
potenAal,
but
it’s
directed
towards
manifestaAon
–
‘How
will
I
be?’
Especially,
‘How
will
I
be
with
others
so
that
they
think
I’m
okay’,
because
this
is
the
root
anxiety
of
the
isolated
ego.
Being
full
of
self
doubt.
‘Am
I
acceptable?
How
can
I
know
that
I’m
okay?‘
However
because
the
ego
is
a
construct,
that
is
to
say
something
arAficial,
it
can
never
be
okay.
This
is
a
real
problem.
No
maLer
how
much
effort
you
make
to
improve
it,
it
cannot
be
perfect.
It
cannot
be
complete
because
it’s
born
from
a
fissure,
it’s
born
from
a
tear,
from
a
crack,
from
a
separaAon
between
the
ground
of
existence
and
the
moments
of
manifestaAon.
No
moment
could
be
complete,
because
each
moment
links
with
other
moments.
Moments
are
part
of
a
picture.
It’s
like
if
you
were
to
take
a
jigsaw
puzzle,
and
you
have
one
piece
of
it
and
you
really
like
the
liLle
bit
of
the
picture
that’s
on
that
piece,
and
you
think
‘Oh,
this
is
the
whole
story.’
It
can’t
be
the
whole
story.
It
needs
to
be
put
in
its
context
to
take
on
a
meaning.
So,
no
maLer
how
many
qualiAes
we
develop
in
ourselves,
they
need
a
context
to
come
into
being,
because
we
show
ourselves
through
being
with
others.
Moreover
we
find
ourselves
through
our
showing.
You
can
sit
in
your
room
and
think
about
being
compassionate,
but
it’s
only
when
you
try
to
help
people
and
you
realize
how
stupid
they
are
and
how
they
just
refuse
to
be
helped
–
that
you
then
start
to
understand
what
compassion
is.
It’s
through
their
applicaAon
that
our
own
limitaAons
–
and
twists
and
anger
and
rage
and
jealousy
and
so
on
–
get
manifested.
So,
if
we
say
we
take
refuge
in
this
buddha
potenAal
–
which
is,
from
the
dzogchen
point
of
view,
the
actuality
of
our
being
–
we
are
not
taking
about
a
potenAal
as
something
far
away
that
you
have
to
go
on
a
big
journey
to
find.
It’s
something
which
is
exactly
here.
Then
we
have
to
think,
well,
how
do
we
get
to
that
refuge?
If
it’s
raining,
you
might
see
a
tree
in
the
distance
and
you
run
to
stand
under
the
tree,
and
then
you
get
some
refuge.
So
where
is
this
buddhanature
that
we
can
take
refuge
in
it?
Because
if
we
don’t
actually
get
contact
with
it,
the
idea
of
taking
refuge
is
something
abstract
and
theoreAcal.
This
brings
us
back
to
the
central
quesAon
of
meditaAon:
if
the
mind
is
pure
from
the
very
beginning,
yet
if
we
as
individuals
are
ojen
disturbed
by
what’s
happening
in
our
mind,
something’s
not
quite
right.
We
are
out
of
kilter,
we’re
off
balance.
And
yet,
the
teaching
is
saying
the
mind
is
pure
from
the
very
beginning.
‘Well,
if
the
mind
is
pure
from
the
very
beginning,
how
come
I’m
so
fucked
up?
Something
must
be
wrong.
What
is
that?
What
is
alienaAon?
Where
have
we
gone
when
we’re
not
at
home
in
ourselves?
So,
the
first
part
of
the
refuge
which
we
will
be
doing
is
looking
for
the
primordial
ground
present
in
ourselves.
That
looking
requires
not
being
so
caught
up
in
thought.
There
is
nothing
wrong
with
thought,
all
the
thoughts
we
have
have
some
kind
of
funcAon
or
use.
However,
the
thought
is
an
effulgence,
it’s
a
display
or
manifestaAon
of
our
potenAal.
If
you
take
the
manifestaAon
to
be
the
true
nature,
or
the
true
quality
–
because
there
is
so
much
or
it
and
it’s
always
changing
–
there
is
always
a
lot
to
be
caught
up
in.
What
is
the
ground
of
the
thought?
In
other
words,
where
does
the
thought
come
from?
The
thought
itself
is
both
the
means
of
distracAon
–
since
you
get
caught
up
in
it
and
then
it
takes
you
here,
there
P a g e
|
23
and
everywhere
–
but,
if
you
really
stay
close
to
the
thought,
and
you
observe
how
it
funcAons,
it
will
show
you
its
own
ground.
Because
the
thought
never
leaves
the
ground.
The
mind
is
the
ocean
in
which
we
are.
Everything
that
we
have
is
an
experience.
The
noAon
of
subject
owning
the
object
is
just
a
kind
of
experience.
Everything
in
this
room
is
experience
–
the
colours,
the
shapes,
being
in
our
own
body,
how
our
knees
feel,
how
our
back
feels,
and
so
on.
This
is
the
revelaAon
of
experience.
So
what
is
the
ground
of
that
experience?
That
is
our
mind
–
without
your
mind
you
wouldn’t
have
any
experience.
So
to
find
in
our
meditaAon
the
sang
bit
of
sangye,
the
pure
nature
in
the
buddha,
we
stay
close
to
the
thoughts
as
they
arise,
and
we
observe
them
–
where
they
come
from,
the
translucency
of
their
manifestaAon,
and
then
their
passing.
And
the
thoughts
themselves
illustrate
the
ground.
Just
as
in
the
tradiAonal
example,
if
you
want
to
understand
what
a
mirror
is,
you
look
into
the
mirror,
and
what
you
see
is
a
reflecAon.
You
can’t
see
the
mirror
itself,
because
the
mirror
is
always
full
of
reflecAons.
But
if
you
see
that
the
reflecAon
is
a
reflecAon,
then
you
see
the
nature
of
the
mirror.
The
nature
of
the
mirror
is
to
show
reflecAons.
In
the
same
way,
if
you
look
for
your
mind
as
if
it’s
some
special
substance
hidden
somewhere
else,
you
won’t
find
it,
because
you’re
looking
for
your
mind
as
if
it’s
a
special
kind
of
thought,
a
special
kind
of
experience.
The
mind
reveals
itself
through
its
own
revelaAon
in
terms
of
experience.
Whenever
you
have
experience,
you
have
the
basic
pure
open
nature
of
the
mind
itself.
So
rather
than
try
to
scrape
away
thoughts
as
if
they
were
some
kind
of
scum
on
the
surface,
to
get
to
this
pure
nature
which
is
underneath,
the
pracAce
is
to
relax
into
the
non-‐appropriaAon,
the
non-‐grasping
of
opening
to
what
is
there.
And
in
that
very
moment
you
find
that
you
are
both
the
mirror
and
the
reflecAon.
So
in
this
Tibetan
word,
sangye,
the
sang,
the
purity,
is
like
the
mirror,
and
the
gye,
the
expression
or
the
expansion,
is
like
the
reflecAon,
and
these
two
are
inseparable.
If
you
want
to
get
back
to
the
given,
or
the
natural,
or
that
which
just
is,
you
have
to
stop
cooking.
You
have
to
stop
doing
things,
which
is
why
the
heart
of
the
meditaAon
pracAce
is
to
relax,
to
cease
from
engagement,
and
just
be
with
whatever
is
occurring.
Don’t
enter
into
judgement.
Don’t
enter
into
limitaAon.
That
means
when
some
thought
arises,
or
some
feeling,
and
you
think,
‘This
is
intolerable.
I
don’t
like
this.
This
can’t
be
me,’
we
have
two
choices.
We
can
believe
that
reacAon
and
therefore
have
to
change
the
thought,
or
we
just
stay
relaxed
and
open
and
the
irritaAon,
the
feeling
of
impossibility,
goes.
All
arising
things
are
passing.
Everything
is
impermanent.
The
openness
of
the
mind
means
there
is
space
for
everything.
The
closed-‐ness
of
the
ego
means
there
is
space
for
very
liLle.
So
the
heart
of
the
meditaAon
is
to
relax
out
of
the
ego
into
the
spaciousness
of
awareness,
or
rigpa,
or
natural
presence.
What
is
the
ego?
The
ego
is
a
nexus
of
energy.
It’s
a
set
of
vibraAons
which
are
constantly
discriminaAng
between
me
and
not
me,
like
and
not
like.
It’s
a
process
of
triage
or
sorAng
out
of
self,
other,
self,
other
all
the
Ame.
This
is
why
the
ego
is
very
acAve.
It
is
a
parAcular
kind
of
posiAoning
within
the
unfolding
flow
of
experience.
We
can
experience
that
for
ourselves.
Just
go
down
for
breakfast,
sit
at
a
table,
and
look
around.
You
see
that
other
people
aren’t
eat
the
same
as
I
do.
Some
people
want
to
have
bread,
some
have
muesli,
some
have
porridge,
some
have
porridge
plain,
others
put
a
lot
of
fruit
on
it.
Why
do
they
do
that?
Because
they
are
them.
What
does
it
mean
that
they
are
like
that,
but
I
am
like
this?
It
means
that
there
are
certain
paLerns
which
I
take
to
be
me,
which
then
influence
my
percepAon
of
the
world
and
what
I
go
towards
and
what
I
go
away
from.
This
is
what
the
ego
is.
It’s
a
paLerning
of
energy
which
is
involved
in
our
discriminaAons
in
the
world
all
the
Ame.
It’s
clearly
unreliable,
because,
if
the
ego’s
basic
agenda
is
to
survive
–
which
I
think
it
is,
even
though
it
doesn’t
really
exist
–
it
will
do
anything
to
survive.
You
can
observe
that
in
how
vulnerable
teenagers
are
to
peer
pressure.
In
wanAng
to
belong
to
the
group,
the
anxious
teenager
goes
along
with
the
group
and
does
things
that
maybe
they
don’t
parAcularly
want
to
do.
So
they
dress
the
same
as
other
people,
and
they
get
really
into
this
music,
or
they
think
they
have
to
drink
a
lot
of
vodka,
or
whatever
it
is,
but
they
want
to
belong
in
the
group,
because
that
kind
of
belonging
gives
a
temporary
shelter.
And
then,
through
experience,
we
become
‘our
own
person.’
We
individuate,
and
as
individuated
individuals,
we
now
have
the
full
confidence
to
have
porridge
with
our
kind
of
fruit
on
it.
We
look
at
other
people
and
think
‘You
are
welcome
to
your
breakfast.
I
am
at
home
in
my
own
skin.’
There
is
a
kind
of
security
in
that,
because
you
now
can
predict
more
what
it
is
you’re
going
to
do.
But,
of
course,
how
we
make
these
decisions
depends
on
the
environment
around
us.
The
environment
may
not
provide
the
kind
of
breakfast
buffet
that
you
want,
and
so
there
is
a
kind
of
longing:
‘How
can
I
be
myself
if
I
don’t
have
some
nice
ham
for
breakfast?’
So,
the
more
you
know
about
yourself,
there
comes
a
kind
of
confidence
in
the
definiAon
but
also
a
less
certain
interface
with
the
environment
around
you,
because
now
you
have
more
of
an
agenda,
more
of
a
menu,
in
which
you
need
parAcular
ingredients
to
prepare
the
dish
of
yourself.
That
can
set
us
going
off
in
all
sorts
of
direcAons.
Because
you
can
meet
someone
and
fall
in
love,
and
then
suddenly
think,
‘Hmm.
They
don’t
have
quite
enough
salt.
They
don’t
have
enough
of
this,
enough
of
that.
How
can
we
cook
a
nice
dish?
I
thought
they
would
have
exactly
what
I
needed,
but
it’s
not
true.’
And
so
there
is
a
disappointment,
because
the
more
you
formulate
a
fixed
shape,
the
more
limited
you
become.
This
is
a
central
understanding
in
buddhism:
that
the
very
pathways
through
which
the
ego
develops
confidence
and
certainty
and
a
sense
of
security
is
in
fact
the
producAon
of
a
prison,
because
real
freedom
lies
in
adaptability.
That
is
why
in
the
general
mahayana
tradiAon
we
talk
a
lot
about
the
relaAon
between
wisdom
and
compassion.
Wisdom,
generally
speaking,
is
understood
as
the
experience
of
empAness
–
to
see
that
there
is
no
inherent
truth
or
self-‐substance
in
any
phenomena.
Not
in
our
body,
not
in
our
memories,
not
in
the
people
around
us,
or
parents,
our
children,
and
so
on.
Compassion,
arising
from
that
empAness,
is
the
willingness
to
become
whatever
is
necessary.
So
in
the
bodhisaLva
understanding
we
take
a
vow
and
we
say,
‘In
this
and
all
my
future
lives,
I
will
work
for
the
liberaPon
of
all
beings.’
Beings
are
very
very
different.
If
we’re
going
to
help
different
people,
we
have
to
be
able
to
meet
them
as
they
are,
otherwise
we’re
doing
a
violence
on
them
in
pulling
them
into
our
world.
To
meet
people
where
they
are
means
we
have
to
change.
If
we’re
going
to
offer
ourselves
in
different
forms
for
others,
that
is
easier
if
we
don’t
have
a
home
base
of
thinking
‘this
is
who
I
am.’
Because
otherwise,
we
start
to
feel
it’s
a
sacrifice:
‘I
am
doing
this
for
you.
I
am
going
out
of
my
comfort
zone,
I’m
going
out
of
where
I
feel
okay
in
order
to
help
you,
and
you
should
be
humble
and
grateful,’
‘Because
I
am
a
good
person.’
And
when
you
do
that,
the
whole
thing
loses
it’s
meaning.
P a g e
|
25
So,
the
movement
of
generosity,
to
be
relaxed
and
easy,
has
to
be
cut
free
of
a
home-‐base.
That
is
to
say,
there
is
no
parAcular
shape
of
‘I,
me,
myself.’
‘I,
me,
myself’
manifests
in
different
ways
according
to
different
circumstances.
What
does
it
manifest
from?
The
open
nature
of
the
mind.
The
wisdom
of
recognizing
there
is
no
fixed
essence
in
myself,
or
in
other
beings,
means
that
compassion
is
a
ceaseless
movement
of
developing
ourselves
in
different
ways.
That
becomes
a
great
holiday,
but
in
order
to
do
that,
we
have
to
loosen
up
our
experience
of
the
ego.
Clearly,
we
all
have
our
own
kind
of
body.
Some
people’s
bodies
are
very
healthy,
others
are
not
so
healthy.
Some
people
have
young
bodies,
some
people
have
older
bodies.
We
have
different
knowledge
bases
that
we
built
up,
some
people
know
many
languages,
others
not
so
much.
Some
people
have
skills
that
they
can
make
money
very
easily
with,
other
people
find
that
very
difficult.
So,
the
kind
of
profile
that
we
have,
gives
us
access
to
the
world
in
different
ways.
We’re
not
like
angels
flying
in
the
sky
and
just
float
down
and
become
anything
at
all.
So,
there
is
a
kind
of
dialecAc
here
between
the
openness
of
the
heart
in
its
availability
to
meet
the
other
as
they
are,
and
the
actuality
of
our
embodied
situaAon.
This
is
important
to
pay
aLenAon
to
because
if
you
don’t
support
the
body,
that’s
not
helpful,
but
if
you’re
overprotecAve
of
the
body
you
never
manage
to
achieve
very
much.
We
need
to
remain
aware
of
the
impermanent
nature
of
our
manifestaAon.
None
of
us
knows
how
long
we’re
going
to
live.
At
any
moment
some
aberrant
form
can
transform
our
body
–
we
get
a
stroke,
we
get
a
cancer.
There
are
endless
numbers
of
diseases
which
exist
in
the
world
whereby
we
can
become
crippled
and
die.
That
means
that
what
we
are
now
is
not
some
self-‐exisAng
form,
rather
we
are
being
held
in
place
by
the
invisible
threads
of
dependent
co-‐originaAon.
Even
the
diseases
we
get
are
context
determined.
With
some
diseases,
if
you
are
living
in
the
West
you
can
get
treatment
and
recover
but
if
you
are
living
in
Africa
that
is
not
so
likely.
How
will
I
stay
open
to
the
world?
You
can’t
do
that
as
an
act
of
will,
because
deciding
‘I
am
going
to
help
other
people,’
although
it
sounds
sweet,
has
embedded
in
it
a
limitaAon
of
‘I
am
the
one
who
is
going
to
do
it’.
That
is
why
the
central
point
in
all
the
schools
of
dharma
is
to
invesAgate
what
is
the
meaning
of
‘I.’
What
is
self
idenAficaAon?
Or,
in
other
language,
what
is
the
ground
of
my
being?
When
we
see
that
the
ground
of
being
is
unborn
empAness,
then
this
form
which
arises
is
just
a
small
part
of
the
potenAal
of
experience.
So,
if
you’re
out
walking
and
you
see
the
beauAful
mist
in
the
valley,
in
the
moment
of
being
touched
by
the
gorgeousness
of
the
trees
just
poking
though
the
mist,
that
is
your
world.
Perhaps
someone
could
have
wheeled
you
out
there,
if
you
were
in
a
wheelchair,
and
you
would
sAll
have
that
experience,
as
long
as
you
can
open
to
what
is
there.
That’s
a
central
point.
So
in
the
meditaAon
instrucAon,
the
basic
encouragement
is
to
meditate
sky
to
sky.
That
is
to
say,
in
the
centre
of
your
heart
is
an
infinite
sky,
and
in
front
of
you
is
the
infinite
sky.
Moving
in
the
external
sky
are
all
the
colours
and
shapes
of
the
world,
and
moving
in
the
internal
sky
are
all
the
thoughts,
feelings,
and
sensaAons.
These
are
movements
in
space.
Outer
space,
inner
space
–
it’s
the
same
space.
In
Sanskrit
that’s
called
the
dharmadhatu,
the
spaciousness
within
which
all
dharmas,
all
phenomena,
arise.
So
when
we
take
refuge
in
the
dharma,
we’re
taking
refuge
in
how
things
are
in
themselves,
which
means
observing
the
drivers
of
our
own
acAvity,
observing
the
spirals
of
our
habitual
obsessions
–
what
we
get
caught
up
in,
and
observing
how
–
although
they’re
very
intense
–
they
rapidly
vanish.
If
we
aLend
to
the
intensity,
it’s
like
a
demand,
we
have
to
follow
them,
we
have
to
do
what
they
say.
But,
if
we
just
sit
sAll
and
observe,
they
vanish.
So
now
we
have
two
aspects
in
all
arising
experience:
intensity
and
transience.
Which
one
do
we
Alt
towards?
Once
you
start
to
see
the
transience,
you
don’t
have
to
take
it
so
seriously.
It’s
just
passing
though.
If
you
think
of
the
last
three
years
of
your
life,
most
of
us
have
had
some
fairly
intense
experiences
–
sickness
in
the
family,
or
children,
or
something
or
other.
There’s
been
something
to
worry
about.
Then
ajer
a
while,
what
we
were
worrying
about
is
not
something
we’re
worrying
about
any
longer.
Why?
Because
we’re
worrying
about
something
else.
So,
what
we
were
worrying
about
had
an
intensity,
which
acted
like
a
powerful
hook
–
‘you
have
to
pay
a>enPon
to
this,
it’s
very
important’
–
but
even
in
its
importance
it
was
already
going.
This
is
why
impermanence
is
taught
in
all
the
buddhist
schools,
because
it’s
such
an
important
understanding.
If
you
see
the
impermanence
of
things
it
doesn’t
mean
that
they’re
not
there
at
all,
but
that
they
are
there
and
therefore
don’t
over
invest
them
with
too
much
importance.
Just
allow
them
to
be
there,
and
they
go.
Be
there,
and
they
go.
You
can
have
a
full
phenomenological
aLenAon
–
you
can
see
the
shapes,
the
colours,
the
smells;
you
can
be
fully
in
touch
with
the
moment,
but
it’s
not
being
invested
with
the
significance
that,‘This
is
so
special.
I’ll
die
without
this.
This
is
the
meaning
of
my
life,’
Thinking
back
over
the
years,
many
many
things
have
been
the
meaning
of
our
life,
and
then
they
have
gone.
We
pour
ourselves
into
different
moments
like
water
into
jugs
of
different
shapes.
When
the
water
is
in
that
jug,
that
seems
to
be
the
thing
itself.
Then
the
jug
breaks
and
the
water
goes
out
and
flows
into
something
else,
and
something
else.
This
is
the
history
of
our
lives.
So
the
key
thing
is:
‘Don’t
worry
about
the
jug,
be
with
the
water’.
The
water
is
the
presence
of
the
one
who
experiences
the
aliveness
which
is
the
conAnuing
factor
through
all
our
experience.
Taking
refuge
in
the
sangha:
We
are
always
and
already
in
it
Then
we
have
the
sangha,
or
the
assembly.
To
take
refuge
in
the
sangha
means,
tradiAonally,
that
we
take
refuge
in
the
bodhisaLva
sangha,
the
group
of
people
surrounding
the
Buddha,
those
who
have
high
aLainment
and
good
qualiAes.
More
generally,
it
means
the
associaAon
of
all
that
is
associated.
That
is
to
say,
everything
in
this
room
is
linked,
and
everything
in
this
room
is
linked
to
what
is
outside.
There
are
no
self-‐exisAng
phenomena
in
the
world.
So,
in
taking
refuge
in
the
sangha
–
sangha
in
Sanskrit
simply
means
‘to
join’
or
‘to
meet’
–
to
take
refuge
in
the
meeAng
means
you
take
refuge
in
everything
that
meets,
which
is
the
heart
of
the
Buddhist
teaching
on
dependent
co-‐originaAon.
On
the
basis
of
this
arising,
that
arises.
Each
thing
leads
into
another
thing.
Each
moment
of
our
lives
is
connected
with
the
other.
Each
thing
that’s
happening
in
the
farmers’
acAvity
out
in
the
fields
affects
us,
because
the
farmers
are
affected
by
the
cost
of
ferAlizer,
and
by
the
business
people
in
Frankfurt
who
are
trading
on
corn
futures,
and
so
on.
The
cost
of
corn
for
the
farmer
is
determined
by
the
hedge
funds,
and
the
hedge
funds
are
determined
by
the
narcissisAc
fantasies
of
the
bankers
and
so
on.
There
are
many
many
factors
that
lead
into
parAcular
ways
that
people
operate,
and
all
of
us
are
caught
up
in
this
interlinked
matrix
of
co-‐emergence,
of
arising.
This
is
the
real
meaning
of
taking
refuge
in
the
sangha.
It’s
not
so
much
that
we’re
relying
on
holy
people
who
are
going
to
save
us,
it’s
an
awakening
to
the
fact
that
we
are
always
and
already
in
it.
We’re
not
standing
on
the
threshold,
on
the
doorstep
of
life,
deciding
will
we
go
in
or
not.
We
don’t
have
a
private
world
from
which
we
go
out
to
be
with
other
people.
Our
world
is
always
the
world.
The
idea
that
you
can
live
in
a
private
bubble
is
a
complete
illusion.
Our
world
is
other
people,
is
the
animals,
the
insect,
the
weather,
and
so
on.
So
we
are
in
it
together.
In
taking
refuge
in
the
sangha,
is
a
sense
of
having
to
parAcipate,
of
taking
your
place,
of
being
with
others.
That
then
raises
all
sorts
of
quesAons
for
us:
‘How
will
I
manifest
with
other
people?
What
is
required?
Do
I
follow
the
invitaPons
of
others?
Do
I
take
a
leadership
role?
What
will
be
right?’
Nobody
P a g e
|
27
can
tell
you.
There
is
no
rulebook.
‘So
what
will
I
do?’
Well,
you
have
to
be
there
to
work
it
out
–
and
if
you
really
are
there
you
don’t
have
to
work
it
out.
Once
you
are
more
at
ease
and
you
trust
it
will
be
okay,
you
don’t
need
to
have
rules
and
regulaAons
in
your
mind.
If
you
hang
onto
them,
they’ll
get
in
the
way
of
being
there.
Once
you’ve
been
doing
these
kind
of
acAviAes
for
a
while,
and
somebody
asks
what
you
do,
you
can
say
even
less
than
somebody
who’s
in
the
first
year
of
their
training,
because
the
beginners
have
all
their
rule
books
ready
to
hand
and
can
spout
it
out
like
a
parrot,
but
the
experienced
person
says,
‘Well,
I
just
see
what’s
necessary
and
…’
That’s
the
real
confidence
in
life,
isn’t
it?
Will
we
trust
it
will
be
okay?
Why
will
it
be
okay?
Because
we
are
part
of
it.
This
is
the
basic
principle
of
taking
refuge
in
the
sangha,
is
trusAng
parAcipaAon
–
which
means
being
in
our
bodies,
feeling
all
the
sensory
input,
and
allowing
that
to
feed
into
our
free
response.
Not
as
a
kind
of
taking
it
in,
processing,
and
feeding
it
back,
but
just
in
the
automaAc
movement
of
the
response.
If
you
play
tennis,
once
you’ve
hit
the
ball
and
it’s
passing
oer
to
the
other
person,
you
see
the
other
person
running
towards
the
ball,
and
how
their
body
is
moving
to
prepare
to
hit
the
ball
towards
you
–
your
own
body
is
already
starAng
to
move,
because
you’re
ge:ng
an
immediate
embodied
sense
of
how
the
pressure
in
their
arm
is
going
to
return
the
ball
towards
you.
It’s
like
one
connected
system
is
flowing
through.
This
is
the
heart
of
what,
in
dzogchen
is
called
lhundrup.
Lhundrup
means
effortlessly
arising
or
immediately
manifest.
It
means
that
the
world
is
not
made
up
of
separate
enAAes
who
have
to
meet
as
strangers
but
that
by
relaxing
any
estrangement
from
grasping
at
individual
essences,
we’re
then
not
strangers,
we’re
not
estranged,
we’re
not
alienated.
It
is
actually
the
basis
of
dissolving
ignorance,
because
ignorance
is
alienaAon.
So taking refuge in Buddha, dharma, and sangha, can be understood on many different levels.
Other
people
are
our
world.
This
is
the
most
fundamental
understanding.
For
as
long
as
we
see
other
people
as
separate
we
will
be
making
effort
to
join
with
them,
and
that
effort
will
condemn
us
to
arAficiality.
As
soon
as
we
see
that
the
one
thing
that
is
not
a
construct
is
that
we
are
in
this
together,
then
being
available
for
others
is
as
normal
as
breathing.
Being
connected
to
others
is
the
on-‐going
possibility
of
offering
them
the
space
within
which
they
can
integrate
their
manifestaAon
with
the
ground.
We’re
not
taking
people
from
one
place
to
some
other
place.
It’s
not
like
being
a
kind
of
travel
agent
and
giving
people
nice
dharma
holidays.
There
is
nowhere
else
to
go
except
where
you
are.
So
the
quesAon
is
always
‘How
can
we
help
other
people
be
where
they
are?’
and
the
best
way
to
do
that
is
to
be
where
we
are.
The
more
relaxed
we
are,
that
gives
people
a
confidence
that
it’s
okay
to
relax,
that
it’s
okay
to
be
less
defended.
Whereas
if
we’re
selling
something,
if
we’re
proposiAonal,
if
we’ve
got
some
dogma
or
some
truth,
people
may
have
some
hunger
for
that,
but
at
a
certain
point
it
feels
a
bit
much,
because
in
order
to
fit
in
with
your
noAon
of
my
salvaAon,
I
have
to
change
myself.
The
parAcular
quality
of
dzogchen
pracAce
is
that
nothing
in
your
life
has
to
change.
It’s
not
saying
that
you
should
change
your
behaviour
or
your
belief
system.
Instead
you
look
at
your
beliefs
to
see
whether
they’re
really
reliable.
It’s
not
about
believing
more
or
believing
differently.
But
it
is
about
moving
from
belief
into
direct
experience.
In
the
tradiAonal
example
they
say
a
belief
is
like
a
piece
of
cloth
that’s
sewn
onto
a
torn
garment,
like
a
patch.
The
patch
and
the
cloth
are
never
the
same;
the
patch
will
come
off
–
it’s
not
woven
into
the
texture
of
the
garment.
But
if
you
have
direct
experience,
then
your
own
life
is
the
living
texture
of
awareness,
and
that
then
is
strong
and
robust
and
can
deal
with
all
situaAons.
Now
we
will
recite
this
verse
together.
The
pracAce
is
to
recite
it
slowly,
to
be
present
in
the
sound
as
it’s
arising.
Although
the
semanAc
meaning,
the
meaning
of
the
words,
is
important,
in
some
ways
more
important
is
the
energeAc
experience
of
expressing
sound
and
seeing
sound
arising
from
silence.
Out
of
this
open
empty
silence,
sound
arises
and
vanishes.
So
there
you
have
the
illusory
nature
of
phenomena
revealed.
བདག་གིས་9ིན་སོགས་བ:ིས་པའི་བསོད་ནམས་+ིས།
DAG GI JIN SOG GYI PAI SO NAM KYI
I doing generosity other perfections doing, practicing virtue through
Through
the
virtue
of
practicing
generosity
and
the
other
perfections
འ=ོ་ལ་ཕན་?ིར་སངས་$ས་འ@བ་པར་ཤོག།
DRO LA PHEN CHIR SANG GYE DRUB PAR SHO
all beings to benefit in order to buddha accomplish may it happen
May
I
attain
buddhahood
for
the
bene?it
of
all
beings
Sitting practice
Now
let’s
do
some
basic
si:ng
pracAce.
We
do
this
si:ng
in
a
comfortable
way.
Generally
in
dzogchen
we
do
the
pracAce
with
our
eyes
open,
le:ng
the
gaze
rest
in
the
space
in
front
of
you.
We’re
not
staring
at
the
wall
or
at
something
like
that,
but
trying
to
let
the
gaze
just
rest
in
space.
If
you
find
that
kind
of
pracAce
difficult
you
can
just
lower
your
gaze
and
run
it
down
the
line
of
your
nose
with
the
eyes
slightly
open,
or
you
can
close
your
eyes.
The
main
thing
is
that
you
can
find
a
pathway
for
yourself
into
the
experience.
This
opens
us
up
to
the
field
of
what’s
occurring,
because
all
the
Ame
we’re
working
to
dissolve
the
arAficial
disAncAon
between
inside
and
outside,
between
self
and
other.
Then
we
relax
into
the
out-‐breath,
we
support
this
by
making
the
sound
of
Aa.
Aa
is
a
releasing
sound,
it
allows
the
tensions
in
the
body
to
release
out
so
that
various
things
that
we’re
holding
through
our
musculature,
through
our
sensaAons
and
thoughts
and
so
on
are
just
released.
Symbolically,
in
the
tradiAon,
Aa
represents
empAness
–
Aa
is
the
seed
syllable
of
the
prajnaparamita,
and
of
the
prajnaparamita
literature,
the
literature
on
empAness.
So
in
releasing
we’re
seeing
that
all
that
we’ve
held
to,
all
that
creates
tensions
in
ourselves,
is
generated
because
subject
seems
real,
object
seems
real,
and
the
connecAon
between
them
seems
real.
In
the
tradiAon
these
are
called
the
three
wheels,
or
the
three
circles,
and
when
they’re
moving
together
they
generate
the
sense
of
a
fixed
solid
world.
So
when
we
say
Aa,
just
open
that
up,
into
a
state
of
not
knowing
anything
at
all,
because,
again,
it’s
about
le:ng
go
of
cogniAon.
CogniAons,
linked
thoughts,
thinking,
is
very
helpful
for
making
paLerns;
it’s
helpful
for
communicaAon.
But
in
being
caught
up
into
that
thinking,
we’re
caught
up
into
the
realm
of
acAvity
and
movement.
If
we
want
to
be
close
to
that
which
is
given,
to
the
natural
state
of
the
mind
itself,
we
have
to
release
this
web
of
P a g e
|
29
constructed
meaning,
in
order
to
appreciate
intrinsic
meaning,
or
intrinsic
value
–
that
which
is
there
from
the
very
beginning,
which
is
the
natural
state
of
the
mind.
So
we
say
this
syllable
Aa
three
Ames,
and
we
can
do
it
in
various
ways,
but
this
Ame
we’re
just
releasing
into
the
open
space
in
front
of
us,
and
then
we
sit,
and
whatever
arises,
we
just
allow
it
to
be
there
without
any
interference.
Not
pushing
away,
not
pulling
toward
ourselves.
As
before,
if
you
get
caught
up
in
any
parAcular
thoughts
or
feelings,
as
soon
as
you
recognize
that,
you
just
release
them.
Don’t
worry
about
where
you’ve
gone
or
why
you
went
there
or
whether
it’s
important.
SomeAmes
when
we’re
relaxed
like
this
we
get
some
very
interesAng
ideas,
and
we
might
think
‘Oh,
I
have
to
remember
this,
this
is
very
important.’
This
is
very
tempAng,
but
it’s
important
just
to
let
everything
go.
It
doesn’t
maLer
at
all.
Just
let
it
go.
This
is
a
point,
a
crossroads,
where
we
really
are
making
a
decision
that
openness
is
more
important
than
parAcular
substances.
There
will
always
be
interesAng
ideas,
there
will
always
be
things
which
are
important.
Why
is
this
important?
It’s
important
for
me
in
the
parAcular
shape
of
my
life.
This
beauAful
tempAng
thought
is
confirming
my
individual
idenAty,
which
may
be
very
sweet,
but
it
is
the
complete
opposite
of
what
the
meditaAon
pracAce
is
about.
The
meditaAon
pracAce
is
to
dissolve,
to
give
us
a
holiday
from,
a
moment
of
space
from,
the
preoccupaAon
with
our
habitual
karmic
shape,
and
to
see
the
open
dimension
of
awareness.
So,
in
the
text
it
says,
‘Whatever
comes,
comes,
whatever
goes,
goes.’
Don’t
block
it
in
its
arising,
and
don’t
block
it
in
its
passing,
and
in
that
way
the
free
pulsaAon
of
movement
in
the
space
of
becoming
starts
to
become
clear.
In
this
kind
of
pracAce
the
main
thing
is
awareness
rather
than
concentraAon.
If
you’re
doing
a
concentraAon
pracAce
it
can
be
important
not
to
move
your
body.
However
many
of
you
are
not
used
to
si:ng
on
the
floor,
so
your
hips
and
your
knees
are
likely
to
get
sore
so
in
this
type
of
pracAce,
you
may
move
your
body.
Moving
your
body
does
not
mean
that
you
also
move
your
mind.
If
you’re
trying
to
hold
your
body
in
place
and
are
in
pain,
not
only
will
your
body
be
twitching,
but
your
mind
will
be
acAvated
by
that
as
well,
and
it
will
develop
into
some
kind
of
ego
struggle,
a
kind
of
pushing
through
with
strength
and
resilience
and
so
on.
These
are
not
the
qualiAes
that
this
parAcular
kind
of
pracAce
is
going
for.
So
if
your
leg
gets
sAff
you
can
just
stretch
it.
But
in
the
moment
of
stretching
your
leg,
it’s
just
an
impermanent
occurrence,
and
you
can
integrate
the
movement
of
the
body
into
space.
[PracAce]
So,
we’ll
do
this
pracAce
many
Ames.
Since
it’s
a
pracAce
which
is
not
about
effort,
we
do
it
for
fairly
short
periods
of
Ame
in
order
to
maintain
a
freshness.
As
soon
as
you
get
into
struggling,
and
trying
to
moAvate
and
mobilize
yourself,
you’re
already
back
in
a
dualisAc
structure:
‘I
have
to
make
myself
do
this.’
Although
that
kind
of
understanding
can
be
very
helpful
for
doing
some
kinds
of
pracAce,
for
example
prostraAons
or
mandala
offerings,
it’s
not
at
all
helpful
here.
In
de-‐centering
the
ego,
the
ego
doesn’t
have
to
die.
That
is
to
say,
our
sense
of
being
an
individual
is
not
a
fundamental
problem
–
rather
it’s
a
contextual
problem.
When
you
lose
the
context
of
your
own
openness,
all
you’ve
got
is
your
noAon
of
who
you
are,
which
is
built
up
of
memories
and
thoughts
and
so
on.
In
loosening
that,
you
get
more
sense
of
openness
and
empAness,
but
also
more
freedom
to
become
whatever
is
required.
It’s
not
that
we’re
hoping
to
get
a
state
where
there
is
no
self.
In
the
Tibetan
they
say
dag
me
which
you
could
translate
as
‘no
I’
or
‘no
self.’
EssenAally
what
it
means
is
no
intrinsic
self,
that
is
to
say
no
self-‐exisAng
self,
no
self-‐proving
self,
no
enAty
which
exists
in
and
of
itself.
Whatever
we
are
is
historically
developed,
contextually
developed.
It
doesn’t
mean
that
we
don’t
exist,
but
we
exist
as
par.cipants.
We
exist
as
part
of
something
which
is
unfolding.
We
speak
parAcular
languages
because
of
our
educaAon
and
the
families
we
grew
up
in.
We’re
drawn
to
certain
colours,
shapes,
acAviAes
because
of
the
influences
from
our
environment.
So
what
I
call
‘myself’
operates
harmfully
in
that
it
seals
us
inside
a
kind
of
egg
where
we
don’t
remember
the
fact
that
all
that
we
have
belongs
to
the
world.
For
example,
everything
in
this
room
has
come
from
somewhere
else.
We
could
say,
‘Everything
here
belongs
to
this
monastery
so
they
belong
here,’
but
they’ve
all
come
from
different
places,
some
of
the
painAngs
from
Nepal,
maybe
some
of
the
statues
from
Tibet,
some
of
the
paints
have
come
from
the
local
paint
shop,
some
of
the
furniture
from
Ikea
perhaps.
Everything
is
imported.
When
it’s
here,
it
seems
to
be
here,
and
in
its
here-‐ness
–
in
the
appropriateness
of
it
being
here
we
forget
that
it
came
from
somewhere
else.
This
is
exactly
the
same
posiAon
with
ourselves.
All
the
knowledge
and
skills
we
have,
we’ve
acquired
through
relaAons
with
others,
whether
it
was
from
parents,
or
in
schools,
or
from
books
or
televisions,
or
whatever.
We
are
communicaAve
creatures.
The
world
nurtures
us
and
we
nurture
the
world,
and
this
is
the
on-‐going
interacAon
of
our
being.
To
say
that
I
exist
as
an
independent
enAty
is
an
illusion.
To
say
that
I
don’t
exist
at
all
would
be
quite
false.
So
we
have
to
be
very
careful.
Buddhist
books
may
say
that
there
is
‘no
self’.
So
what
does
this
mean?
To
say
there’s
nothing
at
all
is
a
nihilisAc
view,
which
is
one
of
the
extreme
views
which,
from
the
earliest
teachings
of
the
Buddha’s
Ame,
is
seen
as
unhelpful.
If
we
way
that
we
truly
exist
is
eternalism,
the
other
extreme
view
of
believing
that
there
is
a
conAnuity
to
a
self
substance
through
Ame.
Rather,
we
emerge
in
context,
we
are
co-‐emergent,
and
that
co-‐emergence
is
arising
as
the
creaAvity
of
the
ground.
So
again,
we
have
these
three
aspects
we
touched
on
yesterday:
the
openness
of
the
ground;
the
immediacy
of
the
richness
of
the
field
of
experience;
and
within
that
the
parAcularity
of
our
gestures,
and
our
gestures
are
part
of
our
connecAon
with
others.
The
more
self-‐referenAal
we
are,
the
more
restricted
the
range
or
repertoire
of
our
moves
with
others.
The
more
connected
we
are
with
others,
the
more
we
find
ourselves
doing
new
things.
Truly,
other
people
are
a
holiday
from
the
self,
and
for
most
of
us
having
a
holiday
from
ourselves
is
preLy
nice!
Co-‐emergent
ignorance
TradiAonally
it’s
explained
that
there
are
three,
or
four,
stages
of
ignorance.
In
the
first
stage,
the
relaxed
openness
of
the
ground
and
the
closure
arise
simultaneously.
This
is
called
co-‐emergent
ignorance.
That
is
to
say,
the
openness
of
the
mind,
and
closure
–
absorpAon
into
a
thought
or
a
feeling
–
are
happening
at
the
same
Ame.
If
the
energy
of
the
closure
cuts
it
off
from
the
ground
there
is
then
the
sense
of
‘I’
and
‘you,’
self
and
other.
For
example,
say
you
have
a
piece
of
paper,
and
you
take
a
pen
and
make
a
dot
on
the
paper.
The
paper
is
clear
underneath
the
dot,
but
the
dot
seems
to
have
done
something
to
the
paper.
Now
your
aLenAon
is
going
onto
the
dot,
and
the
shape
of
the
paper
is
changed.
Or
if
you
are
going
to
paint
or
draw,
you
have
a
clear
piece
of
paper
and
anything
is
possible.
Any
kind
of
mark,
any
colour,
any
shape
is
possible.
As
soon
as
you
make
that
first
small
mark,
the
potenAal
of
the
paper
is
now
changed.
You
are
working
with
the
potenAal
of
the
paper
to
show
marks
yet
paradoxically
every
mark
you
make
is
diminishing
the
potenAal
of
the
paper.
This
indicates
what
buddhism
means
by
ignorance.
The
more
you
try
to
make
sense
of
what
is
going
on,
that
is
to
say,
the
more
thoughts
manifest,
the
more
reliance
there
is
on
thoughts.
Although
each
of
P a g e
|
31
these
thoughts,
being
the
flower,
or
the
display,
or
the
radiance
of
the
open
mind
–
as
these
thoughts
start
to
weave
together
into
paLern
and
they
become
the
means
by
which
we
lose
contact
with
the
openness
of
the
mind.
Mind
is
hidden
from
itself
by
its
own
creaAvity.
The
mind
is
not
intending
to
create
this.
It’s
not
like
a
creator
god
who
has
some
master
plan,
so
in
that
sense
it’s
not
a
voliAonal
intenAonality.
It’s
a
happenstance
–
it
just
happens.
Think
of
the
two
main
theories
of
life:
we
have
conspiracy
theory
and
we’ve
got
the
fuck-‐up
theory.
Buddhism
belongs
to
the
fuck-‐up
theory.
It
just
happens,
and
all
this
stuff
is
going
on,
and
in
the
midst
of
it
all
what
does
it
mean?
And
that’s
what
it’s
like
to
be
alive
isn’t
it?
We
do
things,
and
we
don’t
really
know
why,
and
yet
other
people
say,
‘You
did
it.’
‘Yeah,
okay,
I
did
it.’
but
our
agency
is
not
usually
raAonal
or
logical.
I
live
in
London,
and
I
travel
in
the
rush-‐hour
where
there
are
many
many
people
moving
together,
and
it’s
like
a
kind
of
elaborate
dance.
When
I
come
out
of
the
staAon
at
the
hospital,
there’s
probably
two,
three
thousand
people
moving
very
quickly,
and
mostly
we
don’t
bang
into
each
other.
But
we
have
to
move
in
strange
direcAons
because
you
have
to
go
around
people.
You
go
around
some
person
and
you
find
you’re
drijing
across
and
then
you
have
to
try
to
get
back
through
the
people.
That
kind
of
movement
is
because
we
react
in
specific
situaAons.
You
can’t
just
say,
‘I’m
going
in
a
straight
line’
and
try
push
through
people.
It
wouldn’t
be
very
efficient
because
this
group
movement
is
bigger
than
yourself,
so
we’re
adapAng
into
the
circumstances,
and
in
each
moment
of
adapAon,
we’re
re-‐placed.
So
the
phenomenology
of
our
existence
is
based
always
on
the
view
from
here.
We’re
actually
being
relocated
moment-‐by-‐moment
according
to
circumstances.
However,
we
also
develop
a
game
plan.
That
is
to
say,
we
have
an
intenAon
to
achieve
something.
In
fact
mental
health
depends
on
a
balance
between
the
capacity
to
be
situaAonally
adapAve
and
the
capacity
to
have
an
intenAon.
If
you’re
always
adapAng
to
other
people,
you
get
very
placatory
and
you
get
lost.
If
you’re
always
trying
to
impose
your
will,
you’ll
have
a
lot
of
conflict
since
you’re
living
in
a
monologic
world,
a
world
of
your
own
discourse,
which
is
non-‐relaAonal.
So,
once
self
and
other
come
into
being,
self
–
because
it’s
actually
in
the
world
with
the
other
–
has
to
relate
to
the
other.
This
can
lead
to
the
familiar
dynamic
of
dominance
and
submission.
Do
we
coerce
other
people
to
do
what
we
want,
or
do
we
submit
and
go
along
with
what
they
want?
Usually
there
is
some
pulsaAon
of
that
in
an
average
life,
but
some
people
take
a
very
dogmaAc
posiAon
and
always
seek
to
assert
themselves.
Theravadin
and
mahayana
buddhism
places
a
lot
of
aLenAon
on
conscious
intenAonality:
‘I
will
get
enlightened
and
then
I
will
help
all
senPent
beings.’
There
is
this
clear
sense
of
agency,
that
is
to
say,
‘I
can
make
things
happen.’
But
that,
of
course,
is
an
aspiraAon,
actual
life
doesn’t
live
in
this
abstract
domain
of
aspiraAons;
it
lives
in
a
world
with
real
other
people,
and
then
real
other
people
become
obstacles
to
the
path.
The
more
you
formulate
a
clear
intenAon
and
see
yourself
as
somebody
who
can
carry
it
through,
the
more
you
will
have
obstacles.
Obstacles
arise
with
intenAon.
If
you
don’t
have
any
intenAon,
you
won’t
have
any
obstacles.
This
is
one
of
the
reasons
why
old
people
are
happier.
There’s
a
very
interesAng
piece
of
research
which
shows
that
when
people
are
in
their
early
twenAes
they
tend
to
be
very
happy,
and
by
the
Ame
they
reach
forty
they
become
very
sad
and
depressed
and
average
mental
health
goes
down,
and
by
the
Ame
you
get
into
your
fijies
and
sixAes,
it
goes
back
up
again.
I
find
that
very
interesAng.
When
you’re
in
the
middle
of
your
life
everything
seems
very
important;
you’ve
got
to
hold
it
together,
got
to
do
it.
Got
to,
got
to...
And
that,
of
course,
brings
a
lot
of
tension.
As
you
get
older
and
you
noAce
that
you
are
beginning
to
forget
words,
or
that
you
have
gone
into
a
room
but
you
don’t
know
why
you’ve
gone
into
it,
this
is
very
wonderful
because
then
you
can
hand
back
your
card
that
says,
‘I
am
a
raPonal
agent’.
Instead
you
think,
‘Well,
let’s
see
what
happens.‘
You
have
a
lot
of
freedom
then.
The
ignorance
of
the
stupidity
of
not
recognizing
the
nature
of
karma.
And
then
you
come
into
the
third
level
of
ignorance,
which
is
called
the
ignorance
of
the
stupidity
of
not
recognizing
the
nature
of
karma.
Karma
says
every
acAon
has
a
consequence.
But
the
more
your
world
is
in
front
of
your
nose,
the
more
your
immediate
concerns
feel
like
‘this
is
it,‘and
you
don’t
think
about
consequences.
You’ve
got
shopping
that
has
to
be
done,
and
planning
for
the
weekend,
and
you
need
to
remember
to
phone
a
friend…
There
you
are,
just
in
the
acAvity:
‘I’ve
got
to
do
these
things.’
Then
you
look
in
your
diary,
‘Oh
shit,
I
forgot
that.’
It
as
if
the
world
is
coming
at
you
and
you’re
trying
to
fill
what
you
can
in
it.
Then
everything
closes
down
and
you
have
run
out
of
Ame.
There
is
just
the
facAcity
of
the
given
moment.
‘This
is
it.’
However
from
the
point
of
view
of
karma,
this
is
it,
and
it
has
a
consequence.
What
then
about
the
future?
‘I
don’t
care,
I’ve
had
it
up
to
here!
Leave
me
alone,
I
just
have
to
finish
this.’
Everybody’s
very
fraught,
just
full
of
stuff
and
in
that
vibratory
state
there’s
a
huge
accumulaAon
of
karma
since
we
don’t
have
the
space
to
think
clearly
about
what
we’re
doing.
Then
if
life
is
very
nice,
we
slip
to
the
other
side
and
become
complacent.
‘Oh,
things’ll
be
fine.
Life’s
good.
I’ll
always
be
happy.
I’ll
never
die.
The
banks
won’t
collapse...’
In
that
state
also
we’re
not
thinking
in
terms
of
karma.
Karma
is
saying
samsara
is
like
a
spider’s
web
and
you
are
like
a
fly.
Every
Ame
the
fly
moves
in
the
web,
something
is
happening.
Maybe
the
spider
is
coming
closer,
or
you
move
and
you
get
more
bound
into
the
sAcky
substance
of
the
web.
Best
not
to
move.
‘But
I’m
a
fly!
I
have
to
fly!’
That
is
very
hard
for
us
because
we
believe,
‘I
have
to
do
something.
I
have
energy,
I
have
to
express
myself.’
As
soon
as
babies
are
born,
they’re
moving,
aren’t
they?
Movement
is
part
of
our
existence.
So
one
of
the
reasons
for
studying
impermanence
and
karma
is
to
see
that
our
frame
of
reference
is
much
too
small.
We
have
to
think
in
a
very
big
way.
Being
reborn
–
if
we
just
imagine
that
you’re
going
to
be
reborn!
This
body
that
you
have
now
will
die.
All
the
knowledge
that
you
have,
connected
with
this
body,
will
vanish.
The
knowledge
you
have
of
where’s
the
best
place
to
buy
good
cheese
and
so
on
–
these
very
important
facts
of
life...
All
gone!
So
the
mind
goes
off,
carrying
very
liLle
with
it
except
vibraAons
and
charges,
which,
in
another
life,
manifest
as
parAcular
energeAc
qualiAes.
P a g e
|
33
There
is
an
English
expression,
‘Don’t
put
all
your
eggs
in
one
basket.’
Hmm?
So,
don’t
put
all
your
thoughts
into
a
vision
of
one
life.
As
soon
as
you
start
to
consider
the
possibility
of
more
lives,
then
that’s
going
to
influence
what
you
do.
If
you’re
a
farmer
at
the
end
of
the
harvest
you
gather
the
crop,
the
wheat
or
whatever,
and
you
have
a
big
pile.
You
have
to
decide
what
to
do
with
it.
Usually
you
to
divide
it
in
three
parts:
one
part
to
take
to
the
market
to
sell
so
you
can
buy
other
things,
or
trade
with
it;
one
part
for
eaAng
through
the
winter;
and
one
part
for
planAng
as
seed
the
next
spring.
If
you
forget
about
spring,
and
just
eat
a
lot,
then
when
springAme
comes
you’ve
nothing
to
plant.
As
we
know,
from
many
poor
farmers
in
Africa,
that
becomes
a
problem.
If
you
get
a
very
poor
harvest,
what
do
you
do
when
the
children
are
hungry?
You
have
to
feed
them
the
grain
–
but
that’s
the
seed
grain.
So
this
is
really
a
problem.
When
life
becomes
very
intense,
we
forget
about
the
future.
We
don’t
put
something
aside.
ReflecAng
on
karma
reminds
us
to
put
something
aside.
It’s
a
bit
like
raising
a
tent-‐pole.
You
lay
your
tent
out
on
the
ground
and
you
put
the
pegs
in
for
the
corners;
then
you
have
to
put
the
pole
in
the
middle
and
it
lijs
the
tent
up.
So
karma
does
that,
it
lijs
it
up
–
gives
a
bit
more
space.
Then
we
have
to
think,
‘What’s
the
consequence
of
living
the
way
I
do?
How
will
I
survive
if
I’m
going
to
create
all
these
twisted,
narrow,
negaPve
funcPons?’
There
are
various
things
you
can
do.
You
can
work
on
the
outer
level
to
change
behaviour
and
to
live
life
in
a
beLer
way
and
to
calm
your
mind.
This
would
be
dealing
with
this
third
level
of
ignorance.
You
can
start
to
look,
through
meditaAon,
at
the
way
your
thoughts
arise,
and
explore
how
to
be
less
invested
in
them,
less
caught
by
them.
This
would
be
dealing
with
the
second
level
of
ignorance.
However
to
deconstruct
or
dissolve
the
first
level
of
ignorance,
you
have
to
look
at
the
mind
itself,
because,
on
that
level
of
ignorance,
confusion
and
clarity
are
there
together.
For
example,
imagine
you
are
in
front
of
you
a
mirror.
When
you
look
in
the
mirror,
what
do
you
see?
You
see
yourself
–
that’s
obvious.
Yes,
it’s
obvious,
but
it’s
completely
stupid,
because
that’s
not
you.
That’s
a
reflecAon.
We
don’t
see
the
reflecAon
as
a
reflecAon,
we
take
the
reflecAon
to
be
almost
like
a
kind
of
photograph,
as
something
real
and
substanAal.
There
is
no
solidity
in
the
reflecAon.
The
reflecAon
is
not
contaminaAng
the
mirror.
If
you
have
a
piece
of
paper
and
you
have
a
pen,
and
you
make
a
mark
on
the
paper
with
the
pen,
it’s
difficult
to
get
that
mark
out
of
the
paper.
The
paper
has
been
changed,
and
there
are
consequences
of
what
you
can
do
with
that.
As
we
looked
earlier,
your
freedom
to
make
other
marks
is
constrained
by
the
nature
of
the
first
mark
you
make.
But,
if
you
look
in
a
mirror,
and
you
see
this
parAcular
reflecAon,
and
it’s
very
precise,
you
see
your
ears,
your
nose,
and
so
on;
if
you
then
turn
the
mirror
around
it
will
show
everything
in
the
room.
There
will
be
no
mark,
or
no
trace,
of
the
image
of
your
face
on
the
mirror.
Like
a
piece
of
paper,
the
ego
has
been
marked,
and
marked,
and
marked,
with
a
great
accumulaAon
of
marks
but
the
mind
itself,
awareness,
is
like
the
mirror.
It’s
not
an
illusion
that
we
get
marked
by
events.
If
somebody
upsets
us
we
get
hurt
–
we
cry,
we
get
frightened,
we’re
not
sure,
we
become
mistrusvul,
and
so
on.
These
are
normal
reacAons
to
what’s
going
on.
The
ego
is
a
shape
which
is
influenced
by
other
shapes.
Shapes,
when
they
meet
together,
are
mutually
influencing.
The
reflecAon
and
the
mirror
are
not
mutually
influencing
because
the
nature
of
the
mirror,
the
capacity
of
the
mirror
to
show
reflecAons,
is
not
altered
by
the
reflecAon.
As
the
reflecAons
come
and
go
and
change,
the
mirror
maintains
its
own
quality.
If
this
image
makes
sense
to
you,
it’s
can
be
useful
in
your
meditaAon.
Whenever
you
find
yourself
being
marked
by
events
–
perhaps
being
worried
or
anxious
or
excited
or
depressed
–
that’s
paper
being
marked.
It
got
to
you.
You
are
impacted
and
effected
and
changed.
That
is
a
sign
you’re
not
relaxed
and
open.
As
soon
as
you
noAce
that,
you
can
relax
into
the
out-‐breath
‘Ooo,’
and
that
liLle
paLern
will
vanish
–
both
the
object
bit,
the
thoughts
that
were
in
your
head,
and
the
subjecAve
response,
the
despondency,
the
physical
symptom.
All
of
that
vanishes.
In
that
moment
you
have
exactly
the
first
level
of
ignorance.
You
have
these
two
possibiliAes:
to
stay
with
and
develop
the
thought
or
to
stay
with
the
experience.
If
you
stay
with
the
experience
–
even
if
it
feels
terrible
and
exactly
what
you
don’t
want
–
it
goes.
The
dzogchen
tradiAon
says
there
is
one
ground
and
two
paths.
So
in
that
moment,
if
you
go
into
the
thought,
believing
the
thought,
it
takes
you
on
the
path
of
samsara.
If
you
relax
and
open
and
allow
the
experience
of
the
object-‐side
and
subject-‐side
to
arise
and
pass,
it
cleans
the
mirror
as
it
goes
by.
It
leaves
no
trace.
That’s
what
is
meant
by
‘the
self-‐liberaAon
of
phenomena’.
Self-‐liberaAon
is
a
term
that
you
find
a
great
deal
in
dzogchen.
It
means
that
because
everything
is
impermanent,
you
don’t
have
to
be
the
editor,
you
don’t
have
to
be
the
gardener,
you
don’t
have
to
be
Adying
things
up,
organizing
things
in
the
‘right’
way.
An
ego-‐agency
is
not
required
because
all
arising
phenomena
are
impermanent.
Everything
vanishes,
everything
vanishes.
I
was
listening
on
the
radio
to
an
interview
with
a
man
in
America
who
had
been
in
a
solitary
confinement
for
twenty-‐seven
years
in
a
maximum-‐security
prisons.
That’s
a
long
Ame.
He
said
that
the
main
thing
is
each
Ame
you
get
up
in
the
morning
to
think,
‘It’s
a
new
day.’
He
said,
‘My
room
was
nine
foot
by
six
foot
and
nothing
was
changing
inside
it,
but
each
day
is
a
new
day.’
Thinking
like
that,
he
said,
was
the
reason
he
stayed
healthy.
I
find
that
very
wonderful,
very
clear.
In
some
old
movies
you
see
a
prisoner’s
making
a
mark
on
the
wall
to
count
each
day’s
passing.
In
this
way
you
burden
yourself
with
hopelessness,
as
week
piles
on
week,
months
on
month,
years
on
year.
Whereas
if
you
say,
‘Oh,
new
day!
Right.
Oh,
what
a
funny
li>le
room.’
then
you
are
keeping
some
spirit
of
freshness,
which,
essenAally,
is
the
a:tude
of
dzogchen.
Dzogchen
is
concerned
with
freshness.
Garab Dorje. First point: direct introduction into your own nature.
We
will
now
talk
about
the
mind
more
directly.
The
teachings
of
dzogchen
in
the
human
world
come
through
Garab
Dorje.
The
lineage
goes:
the
Primordial
Buddha,
Samantabhadra
or
Kuntu
Zangpo,
gave
a
mind
transmission
to
the
Buddha
VajrasaLva,
or
Dorje
Sempa.
Garab
Dorje
got
teachings
directly
from
VajrasaLva,
and
he
brought
these
teachings
into
the
human
world.
He
gave
many
teachings
but
not
very
much
of
what
he
taught
has
come
down
to
us.
His
main
teachings
are
contained
in
these
three
verses,
or
three
statements.
The
first
is
concerned
with
direct
introducAon
into
your
own
nature.
Direct
introducAon
means
to
be
able
to
see
your
own
nature.
This
can
be
described
in
words
and
with
images,
but,
essenAally,
the
transmission
of
this
comes
through
meditaAon
pracAce.
Words
can
do
some
of
the
work,
but
only
you
can
see
yourself.
Nobody
else
can
ever
see
your
mind,
and
in
fact,
even
you
cannot
see
your
mind!
Buddhism
talks
a
lot
about
seeing
and
about
light,
but
in
fact
you
can’t
see
your
own
mind,
because
your
mind
is
not
a
thing.
What
you
can
do
is
be
your
own
mind.
You
can
return
from
alienaAon
to
presence
as
yourself.
Nowadays
many
people
translate
rigpa,
or
awareness,
as
‘presence’.
What
it
is
referring
to
is
not
to
be
anywhere
other
than
where
you
are.
Using
the
word
‘Presence’
is
a
gesture
towards
ge:ng
away
from
a
mentalisAc
language
of
cogniAons,
even
including
wisdom.
So,
what
is
this
mind?
Here
we
are;
we’re
all
alive.
We
can
register
things
going
on,
we
can
hear
these
sounds
coming
from
outside.
To
be
alive
is
to
be
having
experience.
Who
is
the
experiencer?
Well,
I’m
having
the
experience
so
it
must
be
me.
Who
is
the
one
who
says,
‘I
am,
myself,
the
experiencer?’
You
can
go
into
an
infinite
regression
with
this,
but
in
the
pracAce,
we
want
to
look
directly,
and
be
present
as
the
experiencer.
This
experiencer
has
certain
qualiAes.
Firstly,
it’s
primordially
pure.
That
is
to
say
from
the
very
beginning,
through
all
the
various
permutaAons
of
our
existence,
our
mind
has
been
like
the
mirror:
not
P a g e
|
35
touched
or
marked
by
any
event.
No
maLer
what
has
happened
to
us,
it
has
gone.
It
has
gone.
The
traces
that
seem
to
remain
are
also
manifesAng
phenomena.
Going
back
to
the
prisoner,
of
course
some
days
he
would
be
remembering,
I’ve
been
here
ten
years.
This
is
crap,
I
hate
this.’
When
these
thoughts
arise,
if
he
goes
into
that
bubble
his
world
will
become
very
small.
What
he
was
able
to
see
is
that
if
you
let
go
of
something,
it’s
gone.
If
you
hang
onto
it,
it
will
stay.
So,
the
natural
purity
of
the
mind,
what
in
Tibetan
is
called
kadag,
is
the
indestrucAble
nature
of
the
mind.
The
mind
is
vajra,
means
like
a
diamond,
it’s
not
something
which
can
be
marked
or
harmed
or
limited
in
any
way.
If
you
look
at
your
own
life,
there
are
many
marks
that
you
carry
around
your
heart
–
many
wounds
and
bruises.
The
heart
itself
is
open
and
empty.
Where
are
these
bruises?
These
are
paLerns
of
repeAAon,
of
repeAAon-‐compulsion.
When
evoked,
these
movements
someAmes
grab
us
around
the
neck,
someAmes
squeeze
our
belly.
We
get
trapped
,‘Awh,
Oww,
Ugh.’
These
are
movements.
A
movement
is
moving,
it’s
not
a
fixed
thing.
Due
to
certain
hooks
in
the
environment,
the
limiAng
movement
arises
for
a
while,
and
then
vanishes.
Who
is
the
experiencer
of
the
experience?
As
long
as
you
don’t
recognize
the
nature
of
the
experiencer,
you
are
trapped
in
the
flow
of
experiences
–
someAmes
up,
making
you
happy,
someAmes
down,
making
you
sad.
However
the
mind
itself
is
never
changing.
The
mind
is
fresh
–
soma.
Soma
means
not
condiAoned
by
anything
–
just
like
a
beauAful
fresh
peach,
it’s
just
fully
itself.
The
mind
is
also
naked
–
it’s
not
covered
by
anything.
My
body,
because
it
exists
in
the
world,
is
in
this
room
in
a
parAcular
place.
So
I’m
si:ng
here,
and
I
see
the
room
from
here.
Each
of
you
is
in
your
body,
and
due
to
that,
from
where
you’re
si:ng,
you
see
parAcular
bits
of
the
room.
It
is
impossible
for
any
one
person
to
see
the
whole
room
at
once
because
if
you
look
to
the
right,
you
see
that,
if
you
look
to
the
lej,
you
see
that.
To
be
embodied
through
the
senses
means
you
get
a
parAcular
take
on
the
world,
a
parAcular
quality
of
experience
comes
to
you.
But
the
mind
itself
is
not
a
thing
–
it’s
not
posiAoned
anywhere.
It
is
like
space.
Whenever
an
experience
is
arising,
the
mind
is
there.
It’s
not
there
because
it’s
got
a
presidenAal
jet;
it’s
not
there
because
it’s
got
a
chauffeur-‐driven
car;
it’s
not
tele-‐transporAng
itself
across
like
in
Star
Trek.
It’s
not
going
from
here
to
there,
because
the
mind
is
always
here.
It
never
goes
‘there.’
When
we
get
caught
up
in
a
thought,
the
thought
takes
us
from
here
to
there.
One
minute
we’re
looking
at
the
breath,
the
next
minute
we’re
off.
We
go
from
here
to
there.
But
the
mind
never
moves.
That
doesn’t
mean
the
mind
is
nailed
down
and
fixed
someplace,
like
a
rock.
It
doesn’t
move
because
it’s
like
space.
The
wind
moves
through
space;
the
rain
falls
through
space;
airplanes
go
through
space.
Space
is
the
dimension
within
which
movement
occurs.
Similarly
the
mind
is
the
dimension
within
which
everything
is
occurring.
Mind
itself
is
not
an
enAty.
For
that
reason
you
cannot
find
your
mind
but
also,
you
cannot
lose
your
mind.
From
the
very
beginning
the
real
agent,
the
one
who
is
the
experiencer,
has
always
been
the
mind
itself.
Unlike
ordinary
agency,
the
mind
does
not
have
to
work.
When
the
mirror
shows
a
reflecAon,
it’s
not
having
to
work
hard.
A
camera,
whether
it’s
an
old-‐fashioned
one
or
a
new
digital
one
is
having
to
work
to
make
a
photograph,
but
the
mirror
doesn’t
have
to
work
at
making
a
reflecAon.
The
reflecAon
is
just
there,
because
the
potenAal
of
the
mirror
to
show
the
reflecAon,
and
the
object,
these
two
create
the
reflecAon.
In
a
similar
way,
the
mind
itself
is
not
moving,
is
not
working.
The
mind
is
free
of
work.
That’s
why
one
descripAon
of
these
great
yogis
is
‘chatral’,
or
a
‘chatralpa’
–
they
have
ceased
their
work,
they
don’t
have
to
do
anything
any
more.
That
doesn’t
mean
that
things
don’t
happen.
It
means
they’re
not
making
things
happen.
We
spend
a
lot
of
Ame
making
things
happen
because
they’re
important
for
us
…
we’re
doing
things
as
a
means
to
an
end.
That
is
to
say,
we’re
caught
up
in
dualisAc
intenAonality.
When
you’re
at
school
you
have
to
write
essays,
and
if
you
go
to
university
you’ve
got
projects
and
things
to
do
because
you
want
to
get
a
degree.
You
want
to
and
you
want
to
–
it’s
mushrooming
off
desires
into
the
future.
This
acAvity
is
taking
you
from
here
to
there.
People
say,
‘That
was
a
good
career
move,’
that
it
has
developed
your
career,
because
you
went
from
this
post
to
that
post.
‘Oh,
I’ve
had
promoPon.
I’ve
been
moved
up.’
So,
this
is
our
ordinary
domain
–
that
we’re
moving
somewhere.
Being
busy,
in
itself,
is
not
the
problem,
according
to
the
dzogchen
view.
Being
busy
as
the
one
who
is
busy
–
that’s
the
problem.
The
busyness
is
movement
within
the
space
of
the
mind.
The
mind
is
sAll
and
calm
and
open.
In
the
course
of
the
day,
many
many
things
happen
whether
you’re
teaching
in
a
class,
or
seeing
paAents,
or
working
in
an
office
with
many
many
accounts
and
so
on
to
be
processed.
All
of
this
is
movement.
Where
is
the
movement
occurring?
It’s
occurring
in
space.
Who
is
the
one
who
is
making
it
happen?
Now
this
is
a
very
interesAng
quesAon,
because
this
is
a
real
point
of
temptaAon
since
it’s
very
easy
for
us
to
come
back
into
our
sense
that
‘I
am
making
it
happen.’
Think
of
a
tennis
compeAAon,
say
the
men’s
final
at
Wimbledon.
You
have
two
aggressive,
testosterone-‐
driven
men,
each
determined
to
annihilate
the
other.
One
smashes
the
ball.
The
other
smashes
it
back.
Who
is
the
master
of
the
game?
The
ball.
The
ball
determines
who
is
moving
where.
Now,
one
descripAon
of
that
event
is
‘FantasPc
stroke!
What
a
backhand.
Amazing!
How
did
he
do
it?’
The
ball
made
him
do
it.
We
imagine
the
agency
as
being
inside
a
person,
but
the
agency
is
co-‐emergent.
The
person
is
linked
with
the
ball,
they
move
toward
the
ball,
they
have
a
repertoire
of
moves,
and
they
hit
the
ball.
The
ball
made
them
hit.
So
that’s
the
important
thing
–
to
see
that
the
connecAons
determine
the
acAon.
Say
you’re
in
your
kitchen
preparing
food.
You’ve
probably
got
different
knives.
Depending
on
what
you’re
chopping
you
might
choose
different
knives.
A
big
turnip
is
quite
difficult
to
cut
into,
so
you
probably
need
quite
a
strong,
broad-‐bladed
knife
and
you
might
push
it
down
with
two
hands.
If
you’re
chopping
liLle
green
beans
you
might
use
a
different
knife.
You
decide
which
knife
to
use?
No!
The
vegetable
tells
you
what
kind
of
knife
to
use.
Hmm?
The
knife
arises
in
the
relaAonship
between
you
and
the
vegetable.
The
central
thing
is
to
de-‐centre
the
ego
and
experience
yourself
as
a
parAcipant.
If
the
mind
is
open,
the
field
of
experience
includes
yourself.
We
emerge
in
the
world,
and
because
we’re
in
the
world,
we’re
connected
–
the
knife,
the
chopping
board,
the
tomatoes,
the
carrots,
whatever
it
is
–
and
we’re
chopping.
We’re
chopping
according
to
the
nature
of
the
dish
we
want
to
prepare.
So
we
don’t
say,
‘I
always
cut
carrots
this
way.’
That
would
be
stupid,
because
you
cut
carrots
in
different
ways
according
to
what
you’re
trying
to
achieve.
This
is
not
rocket
science,
but
it’s
ojen
hidden
from
us
because
we
live
in
a
world
of
a
personal
agenda,
of
being
the
one
who
decides,
the
one
who
makes
things
happen.
All
of
that
is
actually
not
very
necessary
because,
in
being
non-‐dual
with
the
circumstances,
the
acAvity
arises
spontaneously.
We
talk
in
different
ways
to
different
people.
If
you’re
talking
to
a
young
child
or
an
old
person,
if
you’re
talking
to
someone
above
you
or
below
you
in
a
hierarchical
organizaAon
if
you’re
at
all
wise,
you’ll
talk
in
different
ways.
That’s
just
how
it’s
done.
That
is,
the
words
come
out
of
you
according
to
who
you
see
in
front
of
you.
P a g e
|
37
So,
the
openness
of
the
mind
is
the
basis
for
the
arising
of
these
different
forms
of
behaviour.
It’s
not
that
the
mind
has
a
parAcular
kind
of
agency
–
it
just
displays.
It’s
ready
to
display,
and
how
it
displays
depends
on
the
context.
The
difference
between
this
percepAon
and
ordinary
percepAon
is
that
if
I
am
living
in
my
skin
bag,
if
I’m
living
in
my
isolated
self,
I
will
be
coming
towards
you,
or
I
will
experience
you
coming
towards
me.
That
is
to
say,
there’s
a
spacial
differenAaAon,
which
means
that
there
are
two
separate
things,
two
separate
beings.
Exactly
the
same
phenomena
are
revealed
differently
if
we
see
that
we’re
in
the
same
world
–
that
we
start
from
the
‘between’,
and
the
between
is
always
located
in
the
ground.
I
am
both
an
experiencer
and
an
experience.
When
mind
as
the
mirror
reveals
whatever
is
occurring,
that
includes
myself.
All
that
I
take
myself
to
be
is
experience.
This
is
not
an
abstract
proposiAon;
you
can
check
this
out
for
yourself.
I
have
just
moved
my
leg
because
my
hip
was
a
liLle
bit
sore.
The
pain
in
the
hip
told
me
to
move
my
leg.
That
is
to
say,
my
experience
of
my
body
is
something
unfolding.
When
I
was
walking
around
the
stupa
this
morning
my
hip
wasn’t
hurAng.
Si:ng
here
on
this
cushion
it
starts
to
hurt
a
liLle
bit
so
I
move
my
leg.
I
don’t
have
a
fixed
body.
Of
course,
if
somebody
showed
me
a
photograph
taken
of
me,
I
would
say,
‘Oh,
that’s
me’
because
I
would
recognize
some
shape
of
my
body,
but
my
actual
experience
of
being
alive
is
the
body’s
always
changing.
Is
that
the
same
for
you?
The
body
is
movement.
Our
emoAons
are
movement.
Our
mental
processes
are
movements.
This
is
the
key
thing,
and
out
of
that
movement,
ego-‐grasping,
or
duality,
or
belief
in
a
self,
concreAzes
certain
paLerns
and
features,
and
through
that
we
create
the
sense
‘This
is
me.
I
am
this.’
Of
course
we
have
to
revise
whatever
proposiAon
we
make
again
and
again,
so
we’re
endlessly
telling
the
story
of
ourselves,
because
it
only
exists
in
the
moment.
When
you
take
a
small
child
to
the
park
they’ll
run
to
the
swings,
then
to
the
slide,
then
to
the
climbing
frame
and
from
Ame
to
Ame
they
will
look
or
call
to
you
to
make
sure
you
are
looking
at
them.
They
will
insist
that
you
see
what
they
are
doing.
That’s
very
interesAng.
Why
do
children
want
to
be
seen?
Because
it’s
only
real
when
it’s
shared.
We
exist
in
the
world
of
others.
The
child
is
very
wise
in
that
moment
–
it
knows
‘I
am
not
self-‐validaPng.
I
need
your
validaPon.’
All
though
our
lives
we
seek
other
peoples’
validaAon.
This
is
not
a
sign
of
some
kind
of
immaturity;
we
do
actually
share
the
world
with
others,
and
how
they
are
with
us,
and
how
we
are
with
them
is
vital.
Being
connected,
being
seen,
responding,
is
part
of
the
movement
of
existence.
If
you
don’t
see
the
child
coming
down
the
slide,
it’s
not
shared,
and
then
it’s
gone,
and
it
doesn’t
come
back.
Each
moment
is
important.
So
if
the
child
wants
to
be
seen
twenty
Ames
going
down
the
slide,
and
the
parent
says,
‘But
I’ve
already
seen
you
doing
it,’
that’s
not
the
point.
See
me
doing
it
again
and
again
because
each
Ame
it’s
different,
each
moment
is
fresh.
There
you
can
see
how
difficult
it
is
for
many
adults
to
enter
into
the
world
of
the
child.
We
spend
much
more
Ame
and
energy
as
a
culture
ge:ng
children
to
go
into
the
world
of
the
adult
than
ge:ng
adults
to
go
into
the
world
of
the
child,
but
we
would
benefit
a
lot
more
going
into
the
world
of
the
child,
because
there
is
such
a
lot
of
immediate
truth
in
that.
Shared
moments.
Can
you
see
with
fresh
eyes?
Is
it
happening
as
if
for
the
very
first
Ame,
or
are
you
within
a
world
of
accumulaAon?
Generally
speaking,
in
buddhism
the
world
of
accumulaAon
is
the
world
of
ignorance.
So
in
terms
of
the
five
skandhas,
the
five
basic
heaps
or
building
blocks
according
to
the
theravadin
tradiAon,
the
fourth
one,
samskara,
means
compounding,
bringing
together.
In
Tibetan
it’s
called
duché;
du
means
to
gather,
and
ché
means
to
make,
so
it’s
a
bringing
together
of
things.
Samskara,
duché
is
represented
in
painAngs
of
The
Wheel
of
Life
as
a
poLer
working
on
a
his
wheel,
taking
the
clay
and
turning
it
into
objects.
Once
the
object
exists,
once
it’s
removed
from
the
lump
of
clay
and
takes
on
a
life
of
its
own,
then
you
know
what
it
is.
As
long
as
it’s
in
the
mass
of
the
clay,
the
clay
could
be
anything.
Once
it
becomes
a
cup
you
think
‘Oh,
it’s
a
cup.’
Unless
it’s
a
very
beauAful,
unusual
cup,
you’re
probably
not
going
to
look
at
it
very
much;
you
just
think,
‘A
cup’s
a
cup.
I’ve
seen
a
cup
before.’
In
this
way,
knowledge
makes
you
stupid,
makes
you
dull
because
you
know,
and
therefore
you
don’t
have
to
look.
This
is
very
very
important.
The
pracAce
is
to
keep
looking
with
fresh
eyes
because
fresh
eyes
are
open.
As
I
was
saying
earlier,
there’s
a
saying
that
we
should
meditate,
and
also
live,
sky
to
sky.
In
front
of
you
is
this
infinity
of
vibrant
experience
potenAal,
and
you
yourself
are
this
infinite
availability,
this
awareness,
which
is
open
and
fresh,
and
empty
like
the
mirror.
And
there’s
this
moment,
and
this
moment,
and
this
moment,
and
this
moment...
Each
of
these
is
fresh.
QuesAon:
Although
everything
is
arising
together,
we
ojen
find
ourselves
looking
for
something
extra.
Is
it
the
ego
or
the
mind
which
is
searching?
James:
The
ego
is
the
mind
as
well.
Everything
is
the
mind.
So,
when
the
subject
loses
the
object,
then
the
subject
will
seek
for
the
object,
because
a
subject
and
object
are
born
together,
and
this
is
what
we’re
always
looking
for.
For
example,
in
the
story
Ovid
tells
about
Eros
he
describes
how
at
one
Ame
all
human
beings
were
both
male
and
female,
and
then
as
a
punishment
they
got
separated.
And
so
each
part,
the
man
and
the
woman
are
always
looking
for
their
missing
half
–
the
half
that
will
complete
them.
And
you
could
take
that
as
a
story
about
the
nature
of
the
self,
or
that
we
recognize
something’s
missing,
but
we’re
looking
in
the
wrong
place,
and
all
the
effort
that
we
make
to
find
that
missing
bit,
when
its
projected
out
–
whether
it’s
in
a
love
story,
or
in
possessions,
or
in
children,
or
ge:ng
a
nice
house,
or
a
good
holiday
or
taking
drugs,
it
could
be
anything
…
but
‘Now
I’ve
found
this
good
thing,
and
if
I
have
this
good
thing,
then
I
will
be
okay.’
However,
it’s
very
difficult
to
find
a
thing
that
will
always
be
with
you,
because
even
if
you
get
a
nice
house,
in
order
to
pay
for
your
nice
house
you
have
to
go
out
to
work,
and
when
you’re
at
work
you’re
not
having
your
nice
house.
So
it’s
like
that.
The
object
is
always
going
to
be
vanishing
in
Ame.
Which
is
why
we’re
always
on
this
treadmill,
looking
for
some
new
object
and
some
new
object,
because
no
object
can
complete
the
subject
for
long.
It
can
for
a
while,
and
you
get
an
immersion,
and
then
it’s
gone
–
the
moment
is
gone.
And
then
what?
Do
it
again,
do
it
again.
The
object
will
always
be
vanishing,
and
the
subject’s
parAcular
need
for
the
object
will
also
vanish.
The
divorce
rate
is
very
high
now
but
let’s
say,
two
people
do
manage
to
stay
together.
It’s
highly
unlikely
that
they
stay
together
without
some
degree
of
dissaAsfacAon,
because
this
beloved
other
is
somehow
not
quite
what
we
had
ordered.
How
can
this
be?
I
mean,
it
necessarily
would
be
the
case,
because
the
subject
is
looking
for
a
parAcular
thing
and
the
object,
the
other
person,
will
change.
We
too
will
change,
so
what
we
are
looking
for
now
is
no
longer
this
person.
Then
we
feel
sad
and
ask,
‘Why
can’t
you
give
me
everything
I
need?’
The
soluAon
to
this
endless
problem,
from
the
point
of
view
of
dzogchen,
is
to
look
for
the
bit
that
is
really
missing,
which
is
the
ground
of
our
being.
The
subject,
instead
of
projecAng
out
a
fantasy
of
compleAon
onto
the
object,
experiences
its
own
natural
compleAon
through
integraAng
with
the
ground
of
its
being.
In
fact
the
term
dzogchen
means
great
compleAon.
It
means
that
like
a
full
circle,
nothing
is
missing.
Everything
that’s
required
is
there.
Our
hungry
longing
to
find
the
perfect
other
is
the
source
of
a
great
deal
of
suffering.
It’s
also,
in
our
modern
culture,
the
energy
that
drives
the
scienAfic
revoluAon
and
the
whole
modernist
transformaAon
of
the
world,
which
has
many
advantages,
but,
as
we
know,
also
many
disadvantages.
For
example,
chemists
are
looking
for
the
missing
object
in
looking
for
cures
for
cancers.
The
pharmaceuAcal
company
is
happy
to
offer
these
preparaAons
for
sale
at
a
price.
People
are
living
longer,
more
people
are
needing
these
medicines
and
the
insurance
companies
or
the
health
services
cannot
afford
to
keep
paying
that
for
these
medicines.
So
the
insurance
premiums
increase
resulAng
in
fewer
people
able
to
pay
the
premiums.
That’s
what
happens.
Good
things
bring
bad
things.
Bad
things
bring
good
things.
Round
and
round
and
round.
You
can’t
get
a
perfect
soluAon
in
samsara.
So,
a
lot
of
busyness
arises
from
this
a:tude.
P a g e
|
39
MeditaAon
is
to
shij
the
focus
from
idenAfying
with
the
subject,
who
has
a
lack
and
is
therefore
seeking
compleAon,
to
recognizing
ourselves
as
an
energy,
which
is
itself
the
energy
of
the
ground,
and
therefore
is
inseparable
from
the
ground.
So
we
shij
from,
‘I
am
a
thing,
and
I
miss
something.’
to,
‘I
am
a
reflecPon
–
I
am
form
and
empPness,
taste
and
empPness,
sound
and
empPness,
and
so
on.
Like
a
rainbow
in
the
sky,
I
am
this
manifesPng
movement
of
energy.’
Where
am
I
manifesAng
from?
What
is
my
ground,
and
what
is
the
sphere
within
which
I
manifest?
This
is
the
dharmadhatu.
So,
within
the
natural
purity
of
the
mind,
I
am
the
radiance
of
the
mind.
Then
the
ego
is
at
peace,
because
the
ego
recognizes
it
has
a
place
at
the
feast.
It
is
not
the
king
or
the
queen,
but
it
is
the
radiance
of
the
dharmakaya.
Should
the
ego
pretend
to
be
the
dharmakaya
itself,
pretend
to
be
the
truth
of
our
idenAty,
then
you
really
have
a
problem.
For
this
reason
the
main
focus
of
the
meditaAon
is
on
relaxing
and
opening,
relaxing
and
opening,
so
that,
hopefully,
we
can
start
to
see
that
what
I
take
to
be
‘myself’,
is
a
movement.
It’s
always
a
movement,
therefore
it
can’t
be
the
thing
itself.
The
thoughts
and
sensaAons
and
colours
and
so
on
that
I
see,
they
also
are
moving
and
so
they
can’t
be
the
soluAon
either.
The
ground
is
stable
and
unchanging,
therefore
it
is
not
a
thought
or
a
colour
or
a
memory
or
a
hope
or
an
anxiety
or
a
fear,
because
these
are
all
transient
phenomena.
So,
when
you
have
that
experience
in
your
meditaAon
it’s
very
useful
to
noAce,
‘Oh,
I
am
looking
for
something.’
Then
look
to
see:
who
is
the
one
who
believes
they
need
something;
who
is
the
one
who
has
a
lack;
who
is
the
one
that’s
looking
like
a
snail
for
a
shell
to
live
inside.
You
can
look
with
a
telescope,
you
can
look
with
a
microscope.
In
these
situaAons
you’re
focusing
on
something
in
parAcular
–
something
far
away,
something
very
small.
In
the
act
of
looking,
you
stand
in
relaAon
to
what
you’re
looking
at.
Perhaps
you
have
a
problem
at
work
and
tell
yourself
,‘when
I
get
home
I
need
to
sit
down
and
think
about
it.’
So
you
sit
there,
maybe
with
paper
and
pencil,
or
just
in
your
head,
and
you
track
across
what
you
said,
what
they
said.
It’s
as
if
you’re
doing
a
replay
of
that
situaAon
and
trying
to
see
it
more
clearly
or
see
it
from
another
point
of
view.
That
again
is
a
dualisAc
seeing.
There
is
a
subject
aLending
to
something.
But
we
are
the
one
who
is
alive.
We
are
experiencing
something.
What
we
want
to
do
is
to
see
the
one
who
is
seeing.
Seeing
the
one
who
is
seeing
is
not
the
object;
in
order
to
see
the
one
who
is
seeing
you
have
to
catch
yourself
in
the
act
of
seeing.
You
have
to
be
present
with
yourself
as
you
are,
being
the
one
who
is
present.
This
involves
a
looking
without
looking.
It’s
a
‘not-‐looking
for
something.’
So,
when
we’re
si:ng,
we
relax
into
an
open
presence
which
is
registering
what
is
occurring.
If
there
was
nothing
registering
we
would
just
be
unconscious.
Something
is
happening
and
it’s
happening
to
me.
The
quesAon
then
is,
‘Who
is
this
one
that
we
call
me?’
There
are
five
tradiAonal
quesAons
in
order
to
explore
this.
I
suggest
we
take
them
up
one
at
a
Ame
and
sit
with
them
for
about
ten
minutes
each.
Unless
you’re
very
experienced
in
meditaAon,
si:ng
for
a
long
period
of
Ame
is
usually
not
helpful,
because
the
mind,
the
ordinary
mind,
is
an
energeAc
system,
and
it
becomes
Ared.
There
are
two
main
faults
which
can
develop
when
you
try
to
force
your
mind.
One
is
sinking
through
Aredness
–
becoming
foggy
and
unclear
and
losing
the
freshness
of
what’s
arising.
The
other
is
becoming
agitated
and
excited,
having
a
mind
buzzing
with
too
many
thought.
It
is
important
to
remain
calm
and
clear,
with
a
steady
gaze
is
important.
Although
there
are
buddhist
methods
where
that
capacity
is
developed
through
discipline,
in
dzogchen
we
want
to
enter
that
path
as
the
natural
state
of
the
mind.
The
first
quesAon
to
take
up
when
we’re
si:ng
is
‘What
shape
is
the
mind?’
That
is
to
say,
is
the
mind
big
or
small?
Is
our
mind
something
inside
us?
Is
it
something
outside
us?
Is
it
coterminous
with
our
skin?
These
are
not
intellectual
quesAons,
these
are
quesAons
of
examining
the
phenomenology
of
your
own
existence
as
it’s
occurring.
For
example,
say
you
were
dancing,
and
your
body’s
moving
–
you
know
your
body’s
moving.
You’re
not
observing
your
body,
you
are
being
your
body
in
the
process
of
the
movement.
You
can
feel
whether
your
gesture
is
graceful
or
not,
you
can
feel
whether
your
limbs
have
a
line
or
not,
you
can
feel
your
centre
of
gravity.
You
don’t
have
to
think
about
what
you
are
doing
–
it’s
as
if
the
propriocepAve
registering
from
the
inside
is
showing
you
immediately
how
it
is.
That
the
sort
of
looking
that
we
want.
Not
looking
at
something,
but
finding
it
by
inhabiAng
it.
By
actually
being
the
presence,
the
presence
will
reveal
itself
as
it
is.
That
is
to
say,
the
mind’s
nature
is
self-‐
luminous,
it
has
a
natural
clarity
–
and
that
clarity
is
not
the
same
as
the
illuminaAon
based
on
concepts.
Concepts
build
up
a
picture
of
something.
They
tell
us
about
something,
the
give
us
bits
of
the
jigsaw
which
we
then
put
together
and
make
a
composite
picture,
but
the
natural
clarity
of
seeing
what
is
going
on
…
it’s
just
revealed.
Say
for
example,
you’re
si:ng
talking
with
a
friend
and
you
suddenly
are
aware,
‘Oh,
I’m
talking
too
much.’
It’s
a
sudden
…
it
almost
comes
up
through
the
body,
doesn’t
it?
Suddenly
you
feel,
‘This
is
a
bit
much!’
So
it’s
in
that
way
you
catch
yourself
in
the
moment
of
being
yourself,
not
by
being
a
judge
on
the
outside
examining
like
a
policeman,
but
suddenly
you
allow
yourself
to
register
with
yourself.
You’ve
gone
from
being
caught
up
in
what
you’re
saying
to
just
suddenly
being
with
yourself
in
the
act
of
being
yourself.
It’s
a
kind
of
non-‐dual
clarity.
This
is
what
we
aim
for.
So,
when
we
look
at
the
mind
–
what
shape
is
it?
We
do
the
pracAce
with
the
eyes
open,
which
helps
you
to
quesAon,
‘Is
this
room
inside
my
mind,
or
not?’
Again,
not
a
conceptual
thing
but
you’re
just
si:ng,
‘Am
I
…
is
the
mind
small,
is
the
mind
big?’
Different
concepts
will
arise
and
pass.
Just
stay
with
them.
See
what
they
do.
‘Is
the
mind
above
me,
below
me?
Does
it
stand
in
relaPon
to
my
sense
of
this
shape?’
Keep
looking
and
looking
in
this
way.
Because
this
is
us.
We’re
talking
about
ourselves.
If
you
think,
in
your
life,
how
many
things
you
have
learned
–
thousands
and
thousands
and
thousands
of
things.
We
know
about
a
lot
of
things,
but
we
don’t
really
know
ourselves.
This
is
something
very
very
strange,
because
we
make
all
sorts
of
decisions
about
our
lives
without
really
having
a
sense
of
‘Who
is
the
liver
of
our
life?
What
is
this
mind?’
Without
the
mind
we
would
just
be
like
a
piece
of
wood.
The
mind
means
to
be
alive.
What
is
this
lively
awareness
which
is
registering
experience?
This
is
the
heart,
the
centre,
the
nature
of
our
existence.
So
it’s
quite
a
good
idea
to
get
to
know
it
a
liLle
bit
beLer.
We’re
just
si:ng,
relax
into
a
slow
out-‐breath,
and
when
you’re
in
that
state,
just
very
gently
take
up
this
quesAon.
If
you
take
it
up
too
strongly,
you
start
judging
and
invesAgaAng
in
a
differenAated
way
–
you
want
to
avoid
that.
Just,
‘I
have
a
mind,
I
am
the
mind.
The
mind
is
aware.
What
shape
is
this
awareness?’
Okay.
[PracAce]
If you found that difficult to do you might think, ‘Why is it difficult?’
Most
of
the
Ame
we
are
concerned
with
representaAons
and
representaAons
of
representaAons.
RepresentaAons
are
very
fascinaAng
because
they
show
aspects
of
something,
and
we
can
go
through
the
details
of
the
representaAon
to
get
an
impression
of
something.
So,
for
example,
someAmes
a
photograph
of
someone
seems
to,
as
it
were,
capture
them.
They
seem
to
just
come
right
through
the
photograph,
the
whole
of
them
is
just
in
that
glance
or
gaze
or
whatever.
But
the
photograph
is
a
P a g e
|
41
representaAon,
a
re-‐presentaAon.
And
what
we
are
concerned
with
here
is
presence
itself
–
presence
presenAng
itself.
Not
as
something,
it’s
not
mediated
or
re-‐presented
through
anything
else.
Maybe
we
start
to
see
that
I
can’t
catch
it,
that
every
Ame
I
think
I’ve
caught
something,
it
goes
away.
What
would
it
mean
if
my
mind
was
uncatchable?
Uncatchable
by
me.
Well,
how
come
I’m
not
in
charge
of
my
mind?
I
can
scratch
my
ear;
when
I
scratch
my
ear,
my
ear
doesn’t
move
away
and
sAck
itself
on
my
nose.
‘Help,
help,
he’s
scratching
me!’
Things
stay
where
they
are.
Our
feet
stay
down
there,
and
our
nose
stays
on
our
face.
But
our
mind
doesn’t
do
that.
This
is
very
important
–
the
mind
is
not
like
anything
else.
One
of
the
reasons
it’s
so
elusive
is
because
we
keep
looking
in
the
manner
of
trying
to
find
the
mind
as
if
it
would
fit
into
our
exisAng
categories.
The
path
to
wisdom
lies
through
not
knowing.
These
subtle
traces
of
knowing
create
pigeonholes,
or
categorizing
systems
in
our
mind,
which
then
hide
the
mind
from
itself,
because
we’re
seeking
to
locate
this
experience
into
a
frame
of
reference
we
already
have.
So
when
we
say
Aa
and
are
relaxing,
we
also
relax
the
mental
categories
we
use
to
formulate
narraAves,
story
lines.
So
in
a
sense
the
pracAce
is
to
renounce,
or
abandon,
the
will
to
power,
the
desire
to
know
what
is
going
on,
in
order
to
be
with
what
is
there.
That
is
part
of
the
challenge
of
this
pracAce.
In
relaAon
to
our
body
we
know
that
there
are
definite
markers.
Bodies
have
weight,
they
have
shape,
they
have
smell.
They
have
effecAve
force
–
strength
to
impact
on
the
environment
around
them,
and
so
on.
Our
voices
have
volume,
resonance,
pitch,
and
so
on
–
but
does
the
mind
have
idenAfiable
features?
EmoAons
have
idenAfiable
features.
We
know
when
we’re
sad.
We
know
the
difference
between
feeling
jealous
of
someone
or
feeling
happy
for
them.
We
have
a
sense
of
what
these
feelings
are
like.
We
can
even
describe
unpleasant
feelings
such
as
shame,
jealousy,
stupidity
because
somehow
they
are
almost
palpable.
They
have
a
kind
of
resonance
or
a
shape.
But
the
one
who
experiences
jealousy,
pride,
happiness,
the
one
who
is
the
experiencer
of
experience
–
does
that
have
a
shape?
This
is
the
quesAon
we
will
look
at
now.
So
we
do
it
in
the
same
way,
we
just
relax
into
the
out-‐breath.
[PracAce]
One
of
the
common
experiences
we
have
is
of
standing
in
relaAon
to
other
things.
We
know
from
our
body
that
we
look
outside
to
see
what
is
going
on.
Inside
our
own
head,
we
can
also
have
a
dialogic
relaAonship.
We
can
think
about
our
past,
we
can
think
about
our
future.
The
future
doesn’t
exist,
but
we
can
plan,
‘What
will
I
do
in
the
summer?
What
will
I
do
next
weekend?
When
I
get
back
home,
what
do
I
have
to
do?’
So
in
that
way
it’s
as
if
we’re
situated
somewhere,
thinking
about
something
else.
So
here
we
want
to
really
look
into
the
mind
–
does
it
have
a
shape?
–
because
everything
that
has
a
shape
is
located
somewhere.
We
can’t
imagine
a
shape
which
isn’t
located
somewhere.
Even
a
cloud,
we
can
describe
it
as
being
in
the
north
or
in
the
south,
as
looking
dark
or
light,
as
moving
fast
or
slowly.
We
can
deduct
from
that
whether
it’s
going
to
rain
or
not.
Shapes
not
only
tell
us
something
about
what’s
out
there,
but
they
allow
us
to
posiAon
ourselves
in
relaAon
to
them.
The
quesAon
then
is,
‘Who
is
the
one
who
is
posiPoned?’
For
example,
if
somebody
says,
‘I
like
chocolate
ice-‐cream,’
and
there
is
chocolate
ice-‐cream,
then
their
shape
expands.
‘Oh!
I
like
chocolate
ice-‐cream!’
But
if
they
say,
‘I
like
chocolate
ice-‐cream,’
and
they
look
in
the
freezer
but
there’s
no
chocolate
ice-‐
cream,
then
they
shrink.
They
ask,
‘Who
ate
the
ice
cream?
Who
finished
it?
I
wanted
it!’
and
the
shape
of
the
person
changes
–
the
psychological
shape.
We
are
a
bit
like
an
accordion,
expanding
on
the
good
days
and
contracAng
on
the
bad
days.
Who
is
the
one
doing
the
expanding
and
contracAng?
Is
this
the
content
of
the
mind?
That
is
to
say,
is
it
paLerns
of
experience?
Or
is
it
the
mind
itself,
the
one
who
is
aware?
That’s
what
we
are
looking
at
–
at
the
difference
between
the
mind
and
the
content
of
the
mind,
which
creates
the
familiar
sights
of
our
idenAficaAon,
because
we
are
usually
idenAfying
ourselves
with
our
mood.
‘I
am
happy
because…
I
feel
in
a
good
mood
today
and
I
feel
like
running
and
dancing.’
Or
‘I
felt
like
staying
in
bed.’
These
moods
give
us
a
parAcular
shape,
which
is
to
say,
the
things,
the
mental
and
emoAonal
experiences
we
have,
have
shapes.
The
quesAon
is,
does
the
one
who
experiences
these
shapes,
be
they
inside
or
outside,
have
a
shape
or
not?
So
that’s
what
we’re
looking
at:
does
the
mind
itself,
the
one
who
tastes,
who
smells,
who
sees,
who
touches
–
is
there
any
shape
in
that?
There’s
clearly
a
shape
in
what
is
touched,
seen,
smelled,
and
so
on.
Perhaps
you
experience
some
pain
or
discomfort
in
your
body
when
you
are
in
meditaAon.
There’s
a
sense
that,
‘This
is
happening
to
me.’
This
pain
is
coming
to
me.
This
pain
is,
as
it
were,
aLacking
me,
or
disturbing
me.
‘It’s
happening
to
me’
seems
to
be
self-‐evidently
clear,
but
our
quesAon
is
always,
‘Who
is
the
one
who
calls
themselves
“me”?’
Because
‘me’
is
like
a
frosted-‐glass
door.
You
can’t
really
see
through
it.
You
may
imagine
that
there
is
access
but
actually
it’s
blocked.
So,
the
pain
is
happening
to
‘me.’
What
shape
is
‘me?’
That
shape
could
seem
to
be
anywhere
–
someAmes
outside
the
body,
someAmes
inside
the
body.
What
is
‘me?’
It’s
a
concept.
The
pain
is
a
sensaAon
which
is
giving
rise
to
a
concept.
The
pain,
ajer
some
Ame,
vanishes.
The
concept,
ajer
some
Ame,
vanishes.
And
then
something
else
is
happening,
and
something
else
is
happening...
The
concept
‘me’
is
not
my
mind.
It’s
not
what
is
called
my
true
nature,
or
my
real
nature,
or
my
natural
face,
or
my
buddha
nature.
It’s
just
another
phenomena.
This
is
what
makes
this
enquiry
very
difficult
because
our
tendency
is
to
give
habitual
answers,
linguisAc
answers,
conceptual
answers
rather
than
just
registering,
‘Is
there
a
shape?’
This
is
the
general
paLern
in
life,
that
things
are
moving
through
Ame
and
space.
The
quesAon
is
whether
the
mind
is
something
similar
to
that?
Does
it
have
the
qualiAes
of
other
objects?
Does
it
come
from
someplace,
stay
someplace,
go
someplace?
So
the
first
quesAon
we
look
at
is,
‘Does
the
mind
come
from
anywhere?’
We’re
si:ng
here.
Our
mind
is
here,
we
are
present.
So
when
we
go
into
the
pracAce,
is
this
sense
of
presence
coming
from
someplace?
Is
something
causing
it,
generaAng
it,
making
it
happen?
This
is
someAmes
not
a
very
easy
kind
of
quesAon.
The
first
thing
is
to
seLle,
open
and
relax,
and
observe
what
is
movement
and
what
is
sAllness.
Movement
is
fairly
easy
to
determine,
because
it’s
moving.
However
movement
may
appear
sAll
if
you
idenAfy
with
it.
For
example
when
you
have
a
mood.
Let’s
say
you
feel
depressed,
and
you
have
felt
depressed
before.
Now,
you
can’t
really
take
a
sample
of
your
depression,
and
compare
it
to
the
depression
from
yesterday.
Is
it
the
same
or
is
it
not?
You
just
think,
‘I’m
sPll
depressed,’
so
it
feels
as
if
there
is
a
conAnuity.
It’s
the
same
with
pain.
You
wake
up
in
the
morning
and
you
think,
‘Ouch,
my
back’s
sPll
hurPng.
It’s
that
same
old
pain.’
No,
it’s
not
the
same
pain
at
all.
Pain
has
a
wide
variaAon
of
ways
of
registering.
SomeAmes
biAng,
someAmes
cu:ng,
someAmes
turning.
It’s
very
rare
to
have
a
P a g e
|
43
fixed
form
of
pain,
say
all
the
pain
clinics.
Nowadays
the
main
intervenAon
in
Britain
is
meditaAon,
because
almost
nothing
else
works.
The
main
funcAon
of
the
meditaAon
is
to
help
to
disrupt
the
narraAve
of
the
conAnuity
of
the
pain,
because
that’s
the
thing
that
makes
us
feel
terrible:
‘I’ll
never
get
out
of
this.
I’ll
always
be
trapped
by
this,’
where
‘this’
is
this
conAnuing
same
phenomenon
of
‘a
pain’
or
‘a
depression.’
The
more
one
can
aLend
to
the
experience,
the
more
we
see
that
it
has
fluctuaAons
and
movements.
So
all
these
contents
of
the
mind
are
coming
and
going,
coming
and
going.
It’s
when
we
fuse
into
them
that
they
feel
fixed
and
seLled.
So
the
first
bit
of
our
work
is
just
to
separate
out
from
the
content
of
the
mind,
and
in
a
relaxed
way,
observe
the
movement
of
thoughts,
feelings,
and
sensaAons.
‘Who
is
the
one
observing
this?’
‘Is
it
always
here?’
‘Has
it
come?’
‘Has
it
just
arrived?’
Say
your
mind
goes
off
in
a
liLle
riff
of
thoughts,
you’re
wandering
off
and
then,
‘Oh,
here
I
am.’
Have
you
come
back?
If
so,
where
did
you
go?
Because
then
you
have
the
thought
that
my
mind
goes
from
here
to
there
and
that’s
why
I
got
lost.
‘I
went
somewhere.’
This
kind
of
quesAoning
is
very
important
for
the
mediaAon.
Did
the
mind
actually
ever
move?
Because
if
the
mind
moves,
then
it’s
just
like
another
thought-‐formaAon
and
we’ll
always
be
at
the
mercy
of
circumstances.
So,
one
again
just
relax
into
the
out-‐breath.
When
you
seLle,
take
up
this
first
quesAon
‘Does
the
mind
come
from
anywhere?
Does
it
have
a
source?
Is
it
arising?
Are
there
casual
factors?’
Just
see
if,
as
it
shows
itself,
because
it’s
showing
itself
through
the
presence
of
you
being
alive,
is
it
coming
and
going?
Is
it
coming
and
arising?
[PracAce]
The
next
quesAon
we
look
at
is
‘Where
does
the
mind
stay?
Does
it
rest
anywhere?
Does
it
rest
on
anything?
Does
it
occupy
a
parPcular
situaPon
when
it’s
here?’
If
we’re
talking
about
the
contents
of
this
room,
we
can
have
lots
to
say;
we
can
describe
the
colours
in
the
painAngs
or
the
shapes
and
colours
and
names
of
the
flowers
in
the
vase.
There
are
so
many
stories
we
could
tell
about
everything
we
see
in
this
room.
What
sort
of
vocabulary
do
we
have
to
describe
the
space
in
this
room?
When
you
look
around,
you
can
see
above
the
shapes
of
peoples’
heads
liLle
kind
of
pockets
of
space.
I
don’t
know
that
we
have
any
words
for
that
because
they’re
not
squares
or
circles
or
rectangles,
they’re
weird
liLle
shape-‐y
bits.
So,
something
which
is
there
–
which
is
the
container,
or
the
medium
within
which
we
are
having
our
existence
–
is
also
ungraspable.
We
can’t
get
a
handle
on
it.
The
reason
why
I
am
highlighAng
this
is
because
I
am
suggesAng
that
this
is
something
very
similar
to
the
mind.
The
mind
is
the
facilitaAng
medium
through
which
all
experience
is
occurring,
but
it
itself
it
is
not
an
object
of
consciousness,
so
you
can’t
catch
it.
When
you’re
looking
for
where
the
mind
is
staying,
you
learn
to
look
in
a
different
way.
Just
try
for
a
moment.
Look
around
the
room,
look
at
some
definite
things
like
the
lamp,
or
the
back
of
someone’s
head,
and
allow
yourself
to
give
a
liLle
descripAon
of
that
in
your
head.
Choose
any
object
you
like.
It’s
not
very
difficult,
is
it?
And
then
look
at
a
liLle
bit
of
outline
shape
around
someone’s
head.
What
would
you
say?
Become
aware
of
that
shape.
Have
a
feeling
tone
about
it.
Have
a
sense
of
how
the
formlessness
of
the
shape
of
the
space
and
the
shape
next
to
it,
coexist.
You
can
take
this
flavour
into
the
meditaAon.
You
are
si:ng,
stuff
is
happening.
Some
of
the
stuff
feels
like
the
subject,
feels
like
me.
Some
of
the
stuff
feels
like
the
object.
Then
you
may
think,
‘I’m
having
this
experience.
What
is
that?’
That
is
a
thought.
‘Is
the
thought
“me”
or
is
it
a
thought
that
I
am
having?‘
If
it’s
a
thought
I’m
having,
it’s
then
not
me,
because
if
you
have
been
at
all
alive
in
the
last
ten
years,
you’ve
had
more
than
one
thought.
You’ve
had
many
many
different
thoughts,
just
as
this
glass
has
water
in
it
at
the
moment,
but
you
could
put
any
kind
of
juice
into
it
or
beer
or
wine
or
urine
or
whatever
you
like.
It’s
a
container,
so
anything
can
go
in
this.
The
glass
fills,
the
glass
empAes.
The
glass
fills,
the
glass
empAes.
In
the
same
way,
your
mind
has
had
many
thoughts
in
it,
many
experiences.
Some
of
these
experiences
have
seemed
to
be
the
object.
When
we
look
around
the
room
we
see
many
things
and
everything
we
see
is
the
content
of
our
mind.
This
is
our
experience.
Everyone
in
this
room,
whoever
they
think
they
are,
we
know
that
they
are
our
experience.
We
don’t
have
anything
else,
we
just
have
our
experience
of
the
people;
we
only
have
access
to
other
people
through
our
experience
of
them.
Experience
is
what
we
have
–
we
don’t
have
an
objecAve
access
to
the
world.
Our
subjecAve
experienAal
access
can
be
formulated
in
pseudo-‐scienAfic
language
to
give
it
different
parameters,
but
none
the
less,
it’s
always
about
opinions,
its
always
about
interpretaAon.
So,
when
we
have
an
experience,
and
the
experience
seems
to
be
‘me,’
what
does
that
mean?
That
me-‐ness
is
a
consAtuent
of
my
personality;
it
becomes
part
of
my
history,
my
repertoire
of
responses,
which
is
triggered,
or
evoked,
or
called
into
being
by
certain
circumstances.
It’s
not
permanent,
but
it
seems
to
be
a
kind
of
resource
that
I
have
around
me,
and
if
the
hook
is
right
from
the
outside,
this
aspect
of
myself
will
arise,
whether
it’s
happiness,
or
sadness,
or
confidence,
or
confusion.
This
is
the
content
of
the
mind.
Confuse
the
content
of
the
mind
with
the
mind
itself
is
the
biggest
mistake
we
can
make
in
meditaAon.
Returning
to
the
image
of
the
mirror
and
the
reflecAon,
the
reflecAon
is
in
the
mirror,
but
it’s
not
the
mirror.
When
you
look
in
the
mirror,
you
don’t
see
the
mirror,
you
see
the
reflecAon.
That’s
why
this
tradiAonal
example
is
used
again
and
again.
When
we
sit
in
the
meditaAon,
‘Where
is
my
mind?’
What
we
see
is
our
experience,
or
what
we
get
is
our
experience.
In
the
moment
when
we
experience
this
or
that,
this
is
the
content
of
our
mind.
It’s
filling
us
up
and
then
it’s
gone,
just
like
the
reflecAon
in
the
mirror.
What
is
the
mirror
of
the
mind?
What
is
this
lucidity
of
the
mind?
This
is
the
quesAon.
What
is
this
mind,
and
does
it
rest
on
anything?
Is
it
a
substance
among
other
substances?
Our
bodies
are
here
in
this
room,
standing
in
relaAon
to
the
posiAon
of
other
people’s
bodies
in
the
room.
Our
minds,
are
they
similar?
For
example,
when
we
have
a
break
and
we
all
go
out
of
the
door,
the
door
is
quite
narrow
and
we
have
to
be
careful
as
we
go
past
people.
We
take
our
place,
we
take
our
Ame,
we
aLend
to
the
space
available
for
us
to
pass
through,
because
as
bodies,
we
occupy
space.
We
are
fillers
of
space
and
our
thoughts
fill
our
mental
space,
our
emoAons
and
sensaAons,
and
so
on.
Is
the
mind
something
which
fills
space,
or
is
it
more
like
space
itself?
That
is
the
real
focus
for
this
enquiry
just
now.
We
breathe
out,
we’re
here,
experiences
are
arising.
‘Who
is
the
one
who
is
experiencing
this?’
And
where
is
it?
Is
it
situated
in
a
parAcular
place?
Is
it
resAng
on
something?
Does
it
stand
in
relaAon
to
anything
else?
Is
it
bigger
than
other
things,
smaller
than
other
things?
Where
does
it
abide?
Where
does
it
stay?
[PracAce]
Then
the
last
of
the
quesAons
is,
‘Does
the
mind
go
anywhere?’
We
know
that
our
aLenAon
can
move
about.
Our
aLenAon
can
go
into
parAcular
thoughts,
or
people,
or
projects,
and
then
it
can
be
taken
out.
We
can
invest
beings
with
significance
for
us,
and
then
we
can
take
that
significance
back.
We
project
bits
of
ourselves
into
other
people,
as
described
by
psychoanalysis.
But
in
terms
of
the
mind,
in
terms
of
the
basic
noeAc
capacity
–
the
capacity
to
be
present,
to
be
aware,
to
be
open,
to
register
what
is
going
on
–
does
that
go
into
the
object?
Does
it
go
anywhere
else?
Does
it
vanish?
This
is
what
we
need
to
become
clear
about.
This
is
not
some
abstract
theoreAcal
quesAon.
This
is
about
ge:ng
to
know
who
we
actually
are.
This
is
the
basis
of
our
own
existence.
Because,
if
we
live
in
a
series
of
category
confusions,
if
we
can’t
tell
the
difference
between
a
paLern
of
thought
and
the
one
who
is
aware
of
the
paLern
of
thought,
then
we’re
not
doing
very
well.
Thoughts
are
very
useful
as
thoughts,
but
thoughts
create
idenAAes
which
are
unreliable.
For
example,
German
idenAty
has
changed
enormously
in
the
last
two
hundred
years.
It
Ames
in
some
places
people
resisted
a
noAon
of
German
idenAty
and
at
other
Ames
in
other
places
there
were
proponents
of
German
idenAty,
and
so
on.
So
what
it
means
to
be
German
has
been
reinvented
many
many
Ames,
and
it’s
sAll
in
the
process
of
being
reinvented.
So
you
have
a
situaAon
where
many
people
here
would
have
to
say,
‘I
am
German,’
but
what
that
means,
you
can
redefine
for
yourself.
So
that’s
a
very
interesAng
thing.
We
can
build
our
house
on
sand.
As
long
as
the
sand
is
stable
for
a
while,
we
know
what
we’re
talking
about,
then
something
happens
and
it
starts
to
crumble.
Luckily,
we’re
preLy
quick.
We
reinvent
some
new
noAon
as
to
who
we
are.
So
that’s
observing
the
movement
of
the
mind,
and
the
quesAon
is
always
–
is
the
movement
of
the
mind
the
same
as
the
mind
itself?
We
need
to
know
this
directly.
We
need
to
taste
it
on
our
own
tongue.
Reading
it
in
a
book
and
knowing
the
right
answer
and
Acking
the
box
–
that’s
not
going
to
help
us.
These
are
very
pracAcal
quesAons
because
if
you
know
directly
the
openness
of
the
mind,
then
le:ng
go
of
phenomena
is
very
easy.
But
if
you
build
your
idenAty
on
transient
phenomena
–
on
paLerns
and
habits,
and
the
way
your
personality
has
developed
–
you
are
tying
yourself
into
something
which
is
fundamentally
unreliable.
In
situaAons
of
interacAon
with
other
people
we’re
likely
to
get
confused,
because,
fundamentally,
we
don’t
know
who
we
are.
We
create
a
confecAonary,
a
construct,
and
then
take
that
to
be
who
we
are,
and
act
as
if
that’s
the
case
for
a
while.
When
that
no
longer
works,
we
change
it.
And
then
we
change
it.
And
then
we
change
it...
In
our
life
so
far,
we’ve
had
many
many
different
idenAAes
–
someAmes
expansive,
someAmes
contracAng.
Some
people
spoke
one
language
when
they
were
young
and
now
they’re
speaking
another
language.
Many
things
like
that
will
have
changed.
Where
is
the
solid
ground?
If
the
teaching
is
right,
that
the
mind
itself
is
vajra,
is
indestrucAble,
that
sounds
preLy
reliable.
Since
we
know
that
the
content
of
the
mind
is
always
changing,
that’s
not
such
a
good
investment.
So
where
are
we
going
to
put
our
money?
In
the
bank
of
change,
or
in
the
unchanging
bank?
That’s
a
serious
quesAon.
Looking
into
this
point
is
important.
So
we’ll
do
some
more
si:ng
now
and
ajer
we
can
see
if
there
are
any
quesAons
or
thoughts
about
this.
[PracAce]
These
quesAons
are
methods,
and
we
keep
applying
the
method
unAl
we
get
some
clarity.
Unfortunately
there
is
no
other
way
to
do
it.
No
one
else
can
do
this
for
you.
You
can
get
instrucAons
again
and
again,
but
only
you,
yourself,
can
get
that
understanding.
You
may
have
heard
the
story
about
Gampopa
and
Milarepa.
Gampopa
was
a
close
student
of
Milarepa
and
ajer
he
had
been
with
him
some
years,
and
he
asked,
‘Master,
how
can
I
become
like
you?’
Milarepa
answered,
‘This
is
something
you
don’t
want
to
know.’
but
Gampopa
insisted,
‘Please,
please
tell
me.
Please
show
me
the
way!’
So
Milarepa
stood
up
and
turned
around
and
lijed
his
skirt,
and
showed
Gampopa
his
bum
–
and
his
bum
was
covered
with
very
thick
calloused
skin
because
he’d
been
si:ng
for
many
many
years.
That
was
the
secret
of
his
success!
QuesAon:
You
don’t
want
to
see
my
bum!
My
quesAon
is,
‘What
is
the
purpose,
what
is
the
meaning
of
the
mind?’
James:
Well,
maybe
it
has
no
purpose
at
all.
It
just
is,
and
in
the
openness
of
the
mind,
many
things
arise.
The
sAllness
of
the
mind
just
is.
It’s
there
always.
This
is
the
essenAal
issue
with
quesAons
such
as,
‘Where
does
the
mind
come
from?
Where
does
it
go
to?’
because
if
it’s
not
coming
from
anywhere
and
not
going
anywhere,
it’s
always
here.
It’s
both
the
substratum
of
everything
and
the
medium
through
which
everything
is
operaAng.
It
has
no
purpose
at
all.
However,
the
nature
of
the
mind
is
to
be
radiant
–
that
is
to
say,
we
have
experience.
The
mind
is
empty,
which
means
we
can’t
grasp
it,
but
it
has
clarity,
which
is
the
revelaAon
of
all
the
experiences
we
have.
Inside
that
clarity,
we
have
the
light
or
luminous
sheer
presence
of
things,
and
then
we
have
the
specificity
of
individuals.
The
energy
manifests
as
we
communicate
with
each
other.
And
the
purpose
of
that
is
–
if
there
is
no
lack
there’s
no
need,
and
if
there
is
no
need
then
there
is
play.
So,
in
the
buddhist
tradiAon,
they
have
a
word,
rolpa.
Rolpa
means
play;
it’s
the
same
as
the
Hindi
word
leela,
meaning
a
dance.
So
this
is
a
cosmic
dance.
It
has
no
parAcular
meaning.
Life
only
becomes
serious
when
you
have
a
lack,
because
then
you’re
looking
for
something
to
deal
with
your
lack.
But
since
the
mind
is
present
and
full
from
the
very
beginning,
there
is
nothing
to
be
achieved.
That’s
why
it’s
called
‘the
great
perfecAon’
–
it’s
already
fine,
so
there
is
nothing
parAcular
to
be
done.
James:
The
Tibetan
tradiAon
has
many
stories
about
what
happens,
but
these
are
essenAally
stories.
What
you
can
experience
for
yourself
is
the
infinite
calmness
of
the
mind,
and
the
movement
of
the
mind.
SomeAmes
the
mind
is
moving,
and
someAmes
it’s
calm.
One
noAon
of
death
is
that
movement
goes
down
and
then
you
have
the
calmness.
The
calmness
is
indestrucAble,
because
it’s
not
a
thing
and
therefore
it
conAnues,
and
something
else
will
arise,
and
something
else
will
arise,
and
something
else
will
arise…
ManifestaAon
is
always
occurring.
The
quesAon
is,
‘Why
do
I
manifest
in
this
parPcular
way?‘
‘What
is
my
purpose?
What
is
my
intenPon?’
If
it’s
my
purpose
and
my
intenAon,
the
base
is
quite
small
but
if
we
relax
into
this
non-‐dual
state,
then
the
purpose
is
given
in
the
moment
of
the
interacAon,
so
we
don’t
need
to
impose
our
own
agenda
on
the
situaAon.
QuesAon:
When
we
are
asleep
or
unconscious
we
are
not
having
experiences.
SomeAmes
we
have
an
accident
that
causes
us
to
go
unconscious.
Is
there
an
explanaAon
for
having
no
experience?
James:
When
we
look
around
this
room
there
is
all
this
space
and
the
space
is
always
there
but
we
don’t
see
it.
It
doesn’t
mean
anything
to
us
because
we’re
fixated
on
people,
and
colours,
and
cushions,
and
so
on.
The
more
Ame
you
spend
being
sAll,
the
more
it’s
possible
to
have
a
sense
of
presence
in
sAllness
when
nothing
much
is
going
on.
If
you
take
small
children
to
an
art
gallery,
at
first
they
look
but
soon
they
say
they
are
bored
and
want
to
leave.
This
is
how
we
are,
we
have
a
kind
of
children’s
mind.
As
long
as
life
is
exciAng,
we
think
something
is
going
on
and
we
feel
alive.
However
there
are
many
more
subtle
levels
of
experience
P a g e
|
47
which
only
reveal
themselves
when
we
aLend
to
them.
So
part
of
the
pracAce
of
meditaAon
is
learning
to
sit
when
nothing
is
happening,
and
not
sArring
it
up.
Just:
‘I’m
not
asleep,
but
there’s
nothing
going
on.
The
mind
is
empty,
yet
I’m
sAll
here.’
In
Tibetan
it’s
called
mitogpa,
the
state
of
no
concept,
no
thought.
We
are
not
unconscious.
Nothing
is
happening,
but
we’re
sAll
present.
QuesAon:
You
compared
the
mind
with
a
glass.
The
mind
can
be
filled
and
it
can
be
empAed.
If
my
mind
can
be
filled
and
be
empAed
I
am
containing
experience
but
are
any
traces
lej
when
the
glass
/mind
is
empAed?
James:
As
long
as
our
surface
is,
if
you
like,
porous
then
we’re
absorbing
experience.
So
long
as
the
ego,
or
the
personality,
is
constantly
wanAng
experiences
or
rejecAng
experiences,
that
going
forward
and
going
away
makes
liLle
holes
in
the
surface
of
our
psychic
skin
which
get
filled
up
with
stuff.
The
more
equanimity
we
have,
the
less
uninvolved
we
are
in
hopes
and
fears,
the
smoother
the
surface
becomes.
In
a
mahayana
descripAons
of
the
ten
bhumis,
the
ten
levels
towards
enlightenment,
you
have
to
get
up
to
the
seventh
stage
before
you
stop
having
traces,
and
even
then
traces
…
subtle
traces
remain.
For
example
in
the
descripAon
of
the
life
of
Buddha
Shakyamuni,
they
say
that
when
he
got
enlightened
under
the
Bodhi
tree,
from
that
moment
onward,
he
didn’t
do
any
bad
things
at
all,
he
didn’t
have
any
of
the
five
poisons
or
the
lesser
poisons
operaAng
in
his
mind,
but
he
sAll
had
subtle
traces
lej
from
before.
These
subtle
traces
were
the
reason
that
he
had
many
difficult
experiences
even
ajer
he
became
enlightened.
So
that
will
give
us
a
sense
that
subtle
traces
last
for
a
long
Ame.
But
they
arise,
and
if
they’re
not
fed
into,
or
not
aLended
to,
then
they
won’t
be
acAvated.
So,
for
example,
you
might
have
smoked
for
some
years
and
then
you
stop.
Then
one
night
you’re
at
a
party
and
someone
next
to
you
is
smoking
a
Gauloise,
and
‘[sniffing]
…
nice,’
Suddenly
you
want
to
have
a
cigareLe.
Why
do
you
want
to
have
a
cigareLe?
You
don’t
smoke.
Because
there
is
a
subtle
trace
of
the
habit
of
smoking
which
just
gets
hooked.
It’s
similar
with
mental
phenomena,
and
so
you
have
to
be
aware,
‘I
don’t
smoke.’
That
doesn’t
stop
the
trace
acAvaAng,
but
as
long
as
you’re
clear
not
to
jump
into
it,
it
won’t
lead
you
into
a
path
of
conAnuity.
But
it’s
a
very
important
point
that
you’re
raising.
We
can
always
cheat
ourselves
by
imagining
we’re
more
sorted
than
we
are
which
is
why
the
more
we
pracAce,
the
more
careful
we
have
to
be.
QuesAon: In zen they refer to ‘when the mind moves’. Is this the same as ‘the movement of the mind’?
James:
Yes,
‘When
the
mind
moves
the
ten
thousand
things
arise.’
EssenAally
what
that
means
is
that
when
mental
acAvity
starts,
then
you
start
to
perceive
all
the
phenomena
around
you,
for
example
in
this
room.
If
mental
acAvity
is
not
funcAoning,
if
you
are
unconscious
say,
you
won’t
experience
the
differenAaAon
of
the
room.
If
you
really
relax
your
mind,
you
just
have
some
sense
of
colour,
but
it’s
even
prior
to
the
differenAaAon
of
colour.
There
is
a
luminous
field,
and
in
order
to
make
sense
of
it,
in
order
to
put
it
in
its
places,
the
mind
has
to
move.
What
does
that
mean?
These
are
just
words
used
to
describe.
From
this
point
of
view,
the
mind
itself
doesn’t
move,
but
the
mind
moves.
Language
becomes
very
odd
here.
So,
the
mind
as
the
mirror
doesn’t
move,
but
the
mind
as
the
potenAal
which
reveals
the
reflecAon,
is
an
energeAc
movement.
In
the
Tibetan
language
they
talk
about
rigpa
as
the
state
of
presence
or
awareness,
and
rigpa
itself
as
the
energy
of
the
awareness.
SomeAmes
the
image
used
is
that
awareness
is
like
the
sun.
The
sun
is
just
in
the
sky,
peacefully,
seemingly
always
the
same,
but
it’s
radiaAng
light.
So
light
comes
out
and
when
the
light
comes
to
us,
it
touches
us
and
we
feel
the
heat.
The
expressive
movement
of
sun’s
rays
coming
out
is
the
image
for
the
creaAvity
of
the
mind.
The
sun
doesn’t
have
to
come
to
deliver
its
heat
to
us
–
just
being
in
itself,
it
freely,
generously
releases
this
energy.
In
the
same
way
awareness
in
its
sAllness,
from
its
shimmering
surface,
manifests
energy
into
the
world.
TradiAonally
it
is
said
that
the
dharmakaya,
meaning
awakening
to
your
own
natural
state
of
purity,
is
for
yourself,
and
the
rupakaya
or
form
kayas,
namely
sambhogakaya
and
nirmanakaya,
are
for
the
other.
As
soon
as
the
mind
is
open,
energy
has
no
parAcular
purpose,
unlike
in
our
ordinary
ego
state
when
our
energy
is
harnessed
for
our
own
personal
concerns.
Once
we
have
some
openness
to
feeling
clear
and
relaxed
and
at
ease,
there
is
a
saAsfacAon.
SaAsfacAon
in
Tibetan
is
called
sim
pa.
It
is
not
the
same
as
happiness
or
joy;
it’s
just
a
kind
of
calm
okay-‐ness.
A
slightly
posiAve
flavour
of
tranquillity
with
no
feeling
of
lack,
no
need
for
anything
more.
However
there
is
sAll
all
this
energy,
this
potenAal
so
what
will
we
do
with
it?
It
flows
out
into
the
world
in
being
with
others.
Now
we
will
do
some
tonglen
pracAce
using
movement
and
sound.
Tonglen
is
a
general
mahayana
pracAce
integraAng
wisdom
and
compassion.
The
wisdom
aspect
is
empAness.
Another
way
to
express
this
is
that
you
can
have
compassion
without
empAness.
We
all
know
many
good-‐hearted
people
who
have
no
understanding
of
empAness,
people
who
are
caring
and
concerned
about
the
welfare
of
others
and
are
troubled
when
they
hear
stories
about
other
people’s
suffering.
That
is
to
say,
the
story
they
hear
about
somebody’s
situaAon
affects
them,
and
upsets
them,
and
so
they
want
to
do
something.
It
is
as
if
the
situaAon
is
real;
the
response
or
feeling
is
real;
and
the
desire
to
do
something
is
also
real.
So
you
have
these
three
wheels
where
subject,
object,
and
the
relaAon
between
them
are
all
real.
Although
this
generates
some
virtuous
karma,
it
also
generates
a
lot
of
ignorance,
because
it
is
holding
subject
and
object
as
real.
What
we
want
to
do
is
develop
open
responsive
compassion,
but
within
the
understanding
of
empAness.
EmpAness
simply
means
that
from
the
very
beginning
all
the
forms
that
we
see
including
ourselves,
are
devoid
of
any
internal
defining
essence.
We
and
all
the
forms
of
the
world
arise
in
relaAonship;
there
are
no
self-‐discreet
or
autonomous
enAAes
at
all.
Everything
is
already
interconnected.
AnalyAc
examinaAon
is
also
used
to
discover
empAness
and
we
look
again
and
again
to
see
whether
we
can
find
any
essence
in
anything.
If
we
look
at
all
the
objects
in
this
room,
they
are
all
destrucAble,
because
all
are
composite.
Whether
it’s
the
lamps,
or
the
walls,
or
the
ceilings,
or
the
floor,
all
have
been
put
together
from
different
bits
and
pieces.
That
indicates
that
they
are
not
self-‐sufficient,
they
are
not
living
in
a
world
of
their
own.
Similarly,
when
we
think
of
people
who
are
suffering,
their
pain
may
seem
terrible
but
what
is
that
suffering?
It’s
a
moment
of
momentary
arising.
That
doesn’t
mean
that
we
say,
‘Oh,
it
doesn’t
ma>er.
Never
mind,
it
will
pass.’
That
would
be
rude
and
insulAng
because
when
people
are
suffering,
that’s
suffering.
However,
when
we
can
see
there
is
no
real
person
who
suffers,
and
that
the
suffering
itself
is
transitory,
then
we
can
respond
to
the
suffering
without
validaAng
or
strengthening
any
sense
that
there
is
a
real
person
who
is
suffering.
So,
on
our
side,
our
nature
is
relaxed,
open,
and
responsive.
On
the
side
of
the
other,
we
see
that
there
is
no
essence.
What
unites
us
is
the
empAness
in
our
heart
and
the
empAness
P a g e
|
49
in
the
hearts
of
all
beings.
At
the
centre
of
every
being
is
not
some
essence
of
John,
or
Mary,
or
Peter…
It’s
just
the
leLer
Aa,
it’s
just
empAness,
manifesAng
that
parAcular
form
for
a
while.
Practicing Tonglen
Tonglen
means
giving
and
receiving.
Tong
means
to
give,
and
len
means
to
receive
or
to
take.
We
begin
by
imagining
all
senAent
beings
in
the
world
and
that
rays
of
light
are
spreading
out
from
our
heart
to
them
offering
them
infinite
happiness.
We’re
offering
them
long
life,
good
health,
supplies
of
food,
everything
they
would
need.
Beneficence,
goodness,
is
spreading
out
from
us
to
them.
We
experience
the
centre
of
our
being,
our
heart,
as
an
infinite
cornucopia,
a
horn
of
plenty,
out
of
which
an
infinite
amount
of
light
and
love
can
move
out
to
all
beings.
We’re
giving
out
love
to
all
beings.
As
we
do
this,
we
make
a
movement
with
our
hands
together
at
our
heart,
opening
out
our
arms,
offering
out.
Again
and
again,
offering
out,
and
as
we
do
it
we
make
the
sound
of
Aa.
We
make
the
sound
of
Aa
conAnuously
all
the
way
through,
because
Aa
is
the
sound
of
empAness.
Do
this
in
your
own
rhythm.
At
a
certain
point
we
become
aware
of
the
suffering
of
all
beings.
We
then
start
to
invite
all
the
pain
and
all
the
misery
of
all
senAent
beings
to
come
into
us.
Open
you
arms
and
draw
them
in
so
that
your
hands
are
back
at
your
heart.
Lest
we
get
overwhelmed
by
this,
imagine
that
in
the
centre
of
your
heart
there
is
the
leLer
Aa,
or
an
infinite
sky,
and
that
as
the
difficulty
and
pain
are
coming
in,
they
flow
into
your
heart
and
dissolve.
There
is
no
limit
to
the
amount
of
universal
pain
that
can
be
brought
into
us.
And
we
make
the
gesture
of
bringing
it
into
the
heart,
bringing
it
into
the
heart.
You
make
these
gestures
in
your
own
speed,
at
your
own
Ame.
When
you
feel
to,
you
just
reverse
it
so
that
you
are
offering
out
light,
and
offering
out
light
and
again,
you
reverse
into
receiving
the
negaAve.
You
are
alternaAng
radiant
light
with
happiness
and
goodness
going
out
to
all
beings,
and
the
gathering
together
of
all
the
sufferings
of
the
world
which
dissolve
into
the
empAness
of
your
heart.
Infinite
spaciousness
in
your
heart
takes
everything
in,
and
dissolves
it
into
light.
This
is
something
we
can
pracAce
together
for
a
liLle
bit.
If
you
feel
you
don’t
want
to
do
it
you
can
just
sit
quietly,
but
I
think
it’s
a
very
helpful
way
of
feeling
a
connecAon
with
all
beings.
You
can
do
it
with
your
eyes
open
or
closed.
James:
If
you
start
to
make
it
very
strongly
real
for
yourself,
and
think,
‘I
am
being
infected.
I
am
being
contaminated
by
all
of
this,’
then
you
open
up
your
heart
into
the
space,
and
just
let
it
pass
through.
The
pracAce
is
not
saying
that
you
are
a
receptacle
like
some
kind
of
waste
disposal
mechanism.
Tonglen
is
not
a
disposal
system.
It’s
that
we’re
dissolving
the
negaAve
into
space,
into
space.
Out
of
space
all
goodness
comes,
back
into
space
all
difficulAes
go.
With
that
a:tude
there
is
no
harm
or
danger.
Okay?
So, in your own speed, in your own Ame, with the sound of Aa.
[PracAce]
We
will
begin
with
some
quite
si:ng,
and
from
that,
we
will
move
into
the
refuge
and
bodhiciLa
prayers
and
then
into
the
three
Aa
pracAce.
From
being
calm
and
quiet,
as
we
move
into
the
sound
of
the
refuge
and
bodhiciLa,
see
if
you
can
experience
sound
arising
out
of
silence.
This
is
a
chance
to
invesAgate:
what
is
the
nature
of
sound?
We
know
that
the
breath
comes
up
and
goes
through
the
throat
where
the
various
posiAons
and
contracAons
lead
to
vibraAons,
which
we
hear
as
parAcular
sounds.
The
breath,
which
can
be
very
silent,
through
it’s
shaping
in
the
tube
of
the
throat,
takes
on
resonances
which
we
hear
as
parAcular
sounds.
Sound
is
just
a
vibraAon.
The
whole
of
our
world
is
really
constructed
out
of
vibraAons
of
various
kinds.
Some
vibraAons
register
with
us,
and
some
not.
We
know
that
animals
hear
and
smell
frequencies
which
we
don’t
hear
or
smell.
All
of
these
are
actually
simply
vibraAonal
qualiAes.
So,
as
we
move
from
silence
into
movement,
it’s
a
chance
to
have
a
sense
of
the
integraAon
of
the
two.
In
parAcular,
is
silence
destroyed
by
sound?
Or
is
there
a
more
non-‐dual
or
integraAve
relaAon
between
them?
Is
there
actually
the
sound
of
silence
itself,
just
as
we
have
movement
as
the
movement
of
space.
Although
space
itself
never
moves,
it’s
not
eliminated
by
movement.
The
heart
of
non-‐duality
is
to
hold
what
appear
to
be
opposites
at
the
same
Ame,
and
see
that
this
opposiAon
is
an
illusion
based
on
the
intensity
of
the
conceptual
categories
that
we
make.
‘Now
we’re
doing
this,
now
we’re
doing
that.
When
we
stop
doing
this,
then
we
begin
to
do
that.’
When
we
experience
in
this
way
we
get
a
sequence,
a
juxtaposiAon
of
different
forms,
each
of
which
has
a
hiatus
–
a
tear
or
a
gap
in
between
them,
rather
than
there
being
an
open
field
of
infinite
non-‐blocking.
In
the
Tibetan
language
there
are
very
many
words
to
indicate
‘direct’
or
‘unblocked,’
the
idea
that
space,
silence,
the
unmoving
indestrucAble
vajra
nature,
is
not
something
which
is
at
the
mercy
of
any
kind
of
transformaAon.
Remember
the
image
of
the
mirror
and
the
reflecAon?
We’re
si:ng
very
quiet,
minimal
acAvity,
and
then
we
start
to
make
sound.
The
sound
is
like
the
reflecAon
arising
in
the
mirror.
It
doesn’t
destroy
the
mirror
–
it
appears
in
the
mirror,
as
the
mirror,
but
it’s
not
the
mirror.
It’s
neither
the
same,
nor
is
it
different.
That’s
a
quality
we
can
explore
a
liLle
in
our
own
experience.
So,
silence,
quiet
si:ng,
and
then
we
recite
the
refuge
and
bodhiciLa
prayers,
and
then
we
do
the
three
Aa’s.
[PracAce]
We
eat
and
drink,
we
piss
and
shit,
we
sweat,
we
secrete
waxy
things
in
our
noses
and
in
other
places,
and
so
on.
That
is
to
say,
the
movement
of
the
world
and
the
movement
of
the
body
are
not
two
different
things.
The
body
is
consAtuted
out
of
that
which
is
available
in
the
world
–
the
same
chemicals
coming
into
their
various
combinaAons
to
make
bones
and
lungs
and
hearts,
and
so
on.
We
can
say
that
‘We
have
a
body’
and
that
it
makes
it
seem
like
a
possession,
but
actually
moment-‐by-‐
moment,
our
body
is
revealed
to
us
as
an
experience.
For
example,
you
might
be
si:ng
in
meditaAon
and
become
aware
that
your
body
is
slouching
a
liLle
bit.
So
you
pull
yourself
up
and
sit
more
straight,
P a g e
|
51
and
you
feel
your
spine
ge:ng
straight
and
your
weight
hangs
more
easily.
You
tell
your
body
what
to
do.
How
is
that
possible?
You
think,
‘My
body’s
not
right,’
and
somehow
that
thought
makes
muscles
contract
–
pulls
you
up.
‘I
am
going
to
liu
my
hand’
…
how
does
this
happen?
It’s
completely
amazing,
because
if
the
body
was
one
thing
and
the
mind
was
another,
how
would
that
work?
There
would
be
a
border
guard
in
between
who
might
say,
‘Our
factory’s
closed
at
the
moment.
Go
away
now.
Leave
us
alone,’
but
the
mind
says
something
and
the
body
does
it.
The
body
is
an
experience.
Our
speech
is
also
an
experience.
We
hear
ourselves
speaking.
It
is
the
vibraAon
of
sound
which
is
interpreted.
We
have
to
interpret
what
we
are
saying.
SomeAmes
we
are
even
surprised
at
what
we
are
saying.
‘How
is
it
that
these
words
are
coming
out
of
my
mouth?’
So
we
experience
that
and
we
experience
our
thoughts
and
our
emoAons.
We
experience
propriocepAon,
a
sensaAon
inside
the
body.
Our
world
is
a
world
of
experience.
This
maybe
seems
very
obvious,
but
I
would
suggest
that
it’s
really
something
quite
radical,
because
it’s
the
point
that
frees
us
from
the
manipulaAon
of
objects.
It’s
the
point
where
you
can
move
towards
non-‐duality.
In
the
Tibetan
tradiAon
it’s
called
rigpai
rangjung.
Rigpa
is
wisdom
or
awareness;
rangjung
means
self-‐
appearance.
Appearance
here
means
‘experience’,
because
we
may
that
say
the
world
appears
around
us,
but
rigpai
rangjung
refers
to
our
experiencing
that.
It’s
not
a
thing
out
there,
it
is
the
vitality
of
existence.
This
is
the
point
where
the
world
becomes
alive.
There
are
no
dead
things
at
all,
because
our
access
to
everything
is
in
the
moment
of
living
experience.
In
the
registering
moment-‐by-‐moment
of
tastes,
colours,
touch,
smells,
arising
and
passing,
arising
and
passing.
Ceaseless
waves
of
experience
–
and
who
is
the
experiencer?
This
is
the
mind
itself.
The
experience
arises
as
the
kind
of
health.
In
the
tradiAon,
you
have
three
terms
for
describing
this.
The
first
is
ngowo
–
ngo
means
our
own
nature,
but
it
also
means
our
face.
We
recognize
people
by
their
face.
Their
face
is
something,
as
it
were,
very
descripAve.
It’s
how
you
know
what
some
thing
is
–
you
see
its
face.
But
the
face
also
has
its
own
moods.
These
are
our
complexion;
we
talk
of
the
bloom
of
youth,
and
bloom
is
also
used
for
a
flower,
so
when
a
flower
is
blooming
it’s
spreading
out,
expanding,
showing
that
gorgeous
freshness.
You
see
all
the
life
and
vitality
coming
through.
Children
who’ve
been
running
around
and
playing,
their
cheeks
are
shinning
and
their
eyes
are
so
excited
…
whoo.
The
term
for
this
is
rang
zhin,
and
rang
zhin
is
like
the
radiant
complexion,
also
called
rang
dang,
which
means
the
radiance.
So
the
radiance,
or
the
health,
of
the
mind
or
the
body
is
showing
itself
in
this
complexion.
The
mind
is
calm
and
peaceful,
but
it’s
not
dead.
It’s
a
vital
capacity,
a
potenAality,
which
shows
itself
in
this
luminous
shimmering
world
that
we
live
in,
the
world
of
vibrant
experience.
Within
that
field
of
experience,
we
have
our
precise
gestures
moment-‐by-‐moment.
This
is
called
thug
je,
and
can
be
translated
as
compassion.
Thug
means
heart,
and
je
means
kind
of
noble.
It’s
the
energy
of
the
heart,
the
quality
of
the
heart.
So,
we
move
into
the
world
in
a
heart-‐felt
way,
making
gestures.
The
body
is
always
already
part
of
the
world.
Speech
has
no
other
funcAon
but
communicaAon.
Our
thoughts
and
emoAons
are
relaAonal
–
we
think
about
things;
we
have
emoAons
in
response
to
things.
We
feel
fear
or
love
or
tenderness
in
relaAon
to
something
else.
We
can
do
it
in
relaAon
to
ourselves
when
we’re
feeling
in
a
dualisAc
relaAon
towards
our
own
being.
The
central
point
is
that
our
world
is
nothing
but
communicaAon.
It’s
a
matrix
in
which
every
part
is
connected,
and
the
moments
of
connectedness
shimmer
and
flicker
across
all
the
Ame.
The
sun
shines
in
the
window
and
we
think,
‘Oh,
I’m
glad
it’s
a
good
day.
If
it’s
sPll
nice
in
the
auernoon,
I
can
go
for
a
walk.’
Just
a
liLle
bit
of
sunlight
coming
in
triggers
a
whole
set
of
responses.
In
that
way,
we
are
part
of
the
world.
Just
as
when
you
are
by
the
sea,
you
can
someAmes
see
seaweed
moving
around
in
the
waves.
Or
liLle
jellyfish
being
washed
around.
We’re
also
like
that.
The
Ades
of
the
world
are
blowing
us
here
and
there;
we
open,
we
close.
There
is
no
solidity
in
anything
we
encounter
and
experience
is
always
transient.
There
is
nothing
to
rely
on,
but,
why
do
we
burden
ourselves
with
seeking
something
solid
to
sit
on?
There
is
something
in
our
way
of
experiencing
the
world
that
is
seeking
for
solidity,
because
we
feel
solid.
We
don’t
like
things
being
unclear,
however
a
central
point
in
dzogchen
is
that
our
world
is
essenAally
unknowable.
Unknowable
is
not
the
same
as
unknown,
as
something
which
is
beyond
knowledge.
Rather,
unknowable
means
things
reveals
themselves
through
parAcipaAon.
Knowledge,
in
a
sense,
is
like
a
doggie
bag;
you
take
something
away.
You
have
a
pizza
and
you
can’t
eat
all
of
it
so
they
put
it
in
a
liLle
box
and
you
can
take
it
home
with
you.
There
was
too
much;
you
couldn’t
digest
what
was
there.
In
the
same
way
knowledge
is
an
accreAon,
an
excess.
We
have
all
these
excesses
and
then
want
to
use
them
and
we
put
them
onto
the
situaAon;
but
situaAons
themselves,
we
don’t
know.
In
my
private
psychotherapy
pracAce
I
see
many
women
whose
primary
preoccupaAon
is
how
to
get
a
man.
So
I
hear
many
stories
about
women’s
mental
processes
in
relaAon
to
men.
Ajer
the
first
date,
there
is
the
quesAon,
‘Will
he
phone?
How
long
do
wait
before
I
phone
him
…‘
I
see
this
incredible
movement
of
the
female
mind
trying
to
figure
out,
‘How
do
I
catch
this
fish?‘
The
thing
is,
you
don’t
know,
nor
can
you.
What
I’m
say
is,
‘Why
don’t
you
wait
and
see?’
You
can’t
know,
and
it’s
anxiety.
So
the
anxiety
says,
‘I
need
to
know
what
is
going
on,
and
therefore
I’m
going
to
go
out
into
the
world
to
try
to
get
one
object
or
the
other
to
give
me
the
answer
which
will
then
let
me
se>le.’
But
the
quesAon
is,
‘Why
am
I
not
se>led?’
Why
do
I
feel
that
not
knowing
is
something
unusual,
when
in
fact
every
day
of
our
lives
we
don’t
know
what’s
going
to
happen?
How
to
stay
seLled
and
calm
in
a
world
that
you
don’t
know?
Well,
we
have
to
trust
it
will
be
okay.
It
will
be
okay
however
it
is,
which
means
we
integrate
experience
as
it
arises.
We
find
enough
space
in
ourselves
to
work
with
whatever
is
there.
If
you
fill
the
space
of
your
mental
capacity
with
hopes
and
fears,
they
clunk
in
like
heavy
old
fashioned
furniture
made
of
oak
and
ebony,
and
so
on.
Then
you
bang
your
knees
on
them,
and
you
can’t
move
them
around.
So,
waiAng
for
the
man
to
phone.
‘Why
hasn’t
he
phoned
me?
Why
not?
Maybe
he
doesn’t
like
me.
Was
it
a
mistake
to
have
gone
to
bed
with
him
or
not?
What
should
I
do?’
Who
knows
what
you
should
do
–
you
don’t
know.
‘But
I
want
to
know.’
You
can’t
know.
Life
will
be
as
it
comes.
‘That’s
too
bad.
I
refuse
to
accept
this,
I
will
control
what
happens.’
People
will
do
what
they
do.
This
fantasy
that
we
can
control
other
people
is
part
of
our
confusion
that
we
can
only
feel
okay
if
things
are
a
certain
way.
Not
only
are
we
separated
in
our
loneliness
and
anxiety,
but
we’re
desperately
linked
together
out
of
a
demand
that
the
other
person
becomes
the
way
we
want
them
to
be.
This
is
the
taste
of
suffering
embedded
in
duality,
with
no
tolerance
or
acceptance
of
how
things
are.
Dzogchen
challenges
this.
It
says
if
you
want
to
have
freedom,
you
have
to
open
your
mind
to
the
infinite
complexity
of
the
world
around
you.
There
are
endless
factors
in
operaAon
which
will
generate
paLerns
you’ve
never
imagined,
paLerns
you’ve
never
dreamed
of.
‘How
can
you
be
present
with
however
life
is?’
That’s
the
quesAon.
If
you
start
from
a
noAon
that
you
are
a
limited
person
with
a
parAcular
shape
and
that
there
are
only
certain
shapes
in
the
world
that
will
fit
with
you,
then
you
will
have
a
long
and
difficult
journey
trying
to
find
these
shapes.
It’s
very
rare
that
things
really
fit
together
for
long.
Yesterday
we
were
starAng
to
look
at
the
nature
of
the
mind
itself,
and
finding
that
it’s
not
a
thing.
It
doesn’t
have
a
shape.
It’s
not
resAng
on
anything.
Because
it’s
not
heavy,
it’s
not
a
burden.
Space
and
awareness
are
inseparable.
In
Tibetan
they
say
ying
rig
yerme
meaning
that
dhatu
(ying)
and
vidya
(rig)
are
inseparable.
All
of
space
is,
if
you
like,
intelligent,
or
alive.
It’s
not
that
there
is
dead
space
with
a
few
living
things
inside
it.
Space
itself
is
luminous,
and
this
is
the
space
of
the
mind.
There
is
no
other
space.
When
we
look
for
our
mind
we
don’t
find
a
thing,
and
yet
there’s
not
nothing
because
we
have
experience.
Yet
P a g e
|
53
when
we
try
to
catch
the
experience
it
falls
away,
because
it’s
an
illusion.
It’s
an
appearance
without
an
essence.
There
is
no
essence
anywhere.
An
essence
is
like
a
disAllaAon
–
you
take
the
grapes,
you
squeeze
them
and
you
have
the
juice,
you
make
the
wine,
then
you
disAll
the
wine,
and
you
get
the
brandy.
The
brandy
is
the
essence
of
the
grape,
it’s
a
condensaAon.
Or
you
squeeze
the
lemon
and
get
the
juice
and
the
juice
is
the
essence
of
the
lemon
–
it
expresses
the
life
of
the
lemon.
You
can
evaporate
some
of
the
water
from
it
and
get
a
more
concentrated
form.
But
there
is
no
essence
in
us.
We
arise
in
relaAon
to
the
other.
For
example
our
bodies
are
in
relaAon
to
how
we
are.
Most
of
us
are
used
to
si:ng
in
chairs.
When
we
come
to
a
Buddhist
place
we
tend
to
sit
on
the
ground
on
cushions,
and
then
our
bodies
get
a
bit
achy
because
we’re
not
used
to
doing
that.
Why
do
our
bodies
start
to
ache?
Because
of
the
nature
of
the
cushion,
because
of
the
nature
of
the
joints.
These
angles
are
not
the
usual
angles
the
joints
are
in
when
you’re
si:ng
in
a
chair.
That
is
to
say,
my
body
and
the
cushion
are
having
a
conversaAon.
They’re
in
communicaAon.
In
the
same
way,
the
light
of
the
sun
coming
in
the
window
has
a
communicaAon
through
our
eyes.
Or
we
suddenly
hear
church
bells
and
there’s
a
communicaAon.
Or
suddenly
we
want
to
scratch
ourselves
because
some
nerve
ending
is
sending
a
liLle
message.
Since
you
woke
up
this
morning,
there
has
been
nothing
but
communicaAon.
You’ve
had
messages
from
inside
your
body
about
whether
you
felt
supple
or
Aght,
you’ve
had
messages
when
you
went
to
eat
about
what
you
wanted
to
eat
–
maybe
your
hand
went
towards
something
but
then
you
thought,
‘No,
not
today.’
So
there’s
a
sense
in
which,
if
we
stay
present
in
the
world,
that
communicaAon
will
be
shaping
our
body,
what
we
eat,
how
we
eat,
who
we
eat
with
and
so
on.
We
start
to
see
that
the
world
is
pulsaAons.
PulsaAons
inside
what
we
call,
‘my
body’,
the
pulsaAons
of
our
speech,
the
pulsaAons
of
our
thoughts
and
feelings.
This
is
the
radiance
of
awareness.
When
I
was
si:ng
in
the
meditaAon,
I
became
aware
my
back
was
slumping
a
liLle
bit,
and
I
said,
‘Oh,
up
we
go,’
and
so
then
I’m
si:ng
more
upright.
A
message
arises,
and
the
message
is
communicated
to
the
body,
and
the
body
does
something.
For
a
while.
Look
around
and
see
if
you
can
discover
any
aspect
of
your
experience
which
is
not
a
communicaAon.
We
think
about
other
people
–
we
like
them,
we
don’t
like
them.
We
think
about
our
work.
We
think
about
the
future
–
we
might
think
about
dying,
we
might
think
about
the
summer
holidays,
we
might
have
to
think
about
money.
There
could
be
all
sorts
of
thought
we
have.
Thoughts
are
about
something,
that
is
to
say,
they
link
us
to
the
world
in
parAcular
paLerns,
in
parAcular
ways.
Because
there
is
no
essence
in
the
subject
and
no
essence
in
the
object,
the
communicaAon
is
not
like
sending
a
leLer
from
someone
in
one
town
to
another
town,
where
a
parAcular
object
is
sent
across
Ame
and
space
to
arrive
in
another
place.
There
is
no
Mr
A
and
Mrs
B
between
whom
this
correspondence
is
going
on.
Mr
A,
in
wriAng
a
leLer
to
Mrs
B,
is
a
movement
of
the
body.
Once
we
start
to
see
things
in
that
way,
there
is
no
stability.
This
is
not
a
punishment.
Impermanence
is
not
some
terrible
curse
that
has
been
put
upon
us
and
that
we
have
to
struggle
with.
Feeling
that
way
comes
about
when
we
think,
‘I
exist
as
this
thing,
and
I
have
to
resist
fate’.
From
Ame
to
Ame
I
go
to
a
liLle
place
in
the
middle
of
France.
When
I
walk
in
the
fields
and
look
at
the
stone
walls,
which
are
incredibly
thick,
I
ojen
imagine
the
peasants
who
went
around
the
fields
picking
up
stones,
and
pu:ng
them
on
their
backs
and
taking
them
and
building
these
incredible
walls.
The
fields
are
sAll
preLy
full
of
stones.
Now,
you
can
take
two
readings
of
this.
One
is,
‘This
is
back-‐breaking
work,
this
is
terrible
work
in
the
rain
and
the
cold,
but
it
must
be
done.’
The
other
reading
is,
‘This
is
the
movement
of
the
body
in
space.’
Now
that
may
sound
idealisAc
and
very
romanAc
,
but
it’s
also
the
story
of
Milarepa.
When
you
read
these
stories
of
the
great
Tibetan
saints,
and
they’re
walking
in
the
caves
or
going
out
and
finding
their
neLles,
they’re
always
working
with
circumstances.
All
we
have
is
circumstances.
Circumstances
means
the
environment
we
are
in
is
not
predictable
and
not
stable,
and
working
with
it
means
we
are
also
moving.
So
the
field
of
experience
is
moving,
and
we
are
moving.
If
you
see
it
in
those
ways,
then
we’re
always
working
with
whatever
it
is.
When
the
weather
gets
cold
you
put
on
a
coat;
when
the
sun
starts
to
shine
you
take
your
coat
off.
That’s
just
working
with
circumstances.
Since
we
can’t
stop
the
world
being
as
it
is,
all
we
can
change
is
ourselves.
So
the
main
thing
we
have
to
look
at
is:
what
is
this
contracAon
in
ourselves?
What
is
my
sense
of
hosAlity?
That’s
the
taste
of
duality
–
me
against
the
world,
rather
than
me
parAcipaAng
with
the
world.
Think
back
to
these
three
principles,
these
three
aspects
of
existence
someAmes
called
the
three
kayas.
Infinite
spaciousness,
which
is
vibrant
and
alive.
Within
it
is
the
field
of
experience
as
its
own
display.
We
are
in
that,
we
are
part
of
the
field
of
display.
We’re
not
coming
from
the
outside
in,
we’re
in
the
world,
and
in
the
world
we’re
moving
with
the
world.
That
is
the
meaning
of
compassion
–
to
move
in
the
world,
with
the
world,
as
part
of
it.
So
as
we
need
to
move.
Say
you
get
a
call
from
a
friend
and
they’re
sick.
You
think,
‘Oh,
I
need
to
go
and
visit
them.’
Their
communicaAon
of
their
difficulty
causes
your
body
to
get
up
and
go
on
a
journey
to
be
with
them.
That’s
preLy
understandable
and
straight
forward,
but
it’s
a
wave,
isn’t
it?
Some
wave
comes
to
you,
and
you
have
a
corresponding
wave
across
to
them.
And
so
you
might
go
out
and
do
some
shopping
for
them,
or
you
might
cook
for
them,
or
you
might
phone
some
other
friends
and
organise
a
rota
of
people
who
could
help.
All
of
that
is
movements
of
energy,
and
the
movement
of
energy
is
happening
in
Ame
and
space.
[Break]
Karma
Now
would
be
a
good
Ame
to
return
to
the
topic
of
karma
and
the
tradiAonal
explanaAon
of
how
karma
funcAons.
Karma
means
acAvity,
in
parAcular,
acAvity
which
has
a
consequence.
So
in
Tibetan
it’s
called
le
gyu
dre.
Le
means
doing,
or
acAon,
gyu
means
a
cause,
and
dre
means
a
result.
So,
it’s
an
acAon
which
is
a
cause
for
a
future
result.
Take
an
acAon
which
has
an
immediate
result,
for
example,
I
hit
someone.
The
police
are
called,
and
they
take
me
to
the
police
staAon,
and
maybe
I
have
to
go
to
court.
Clearly
there
is
an
immediate
consequence
which
is
unpleasant.
I
get
my
name
in
the
newspaper,
and
so
on,
but
that’s
not
what
we
call
the
karma,
although
each
stage
of
that
acAon
could
generate
its
own
karma.
In
the
act
of
hi:ng
the
person,
I
have
some
kind
of
moAve
or
feeling
towards
this
object,
some
intenAon.
I
am
enacAng
something
onto
them.
Having
done
that,
I
then
think,
‘Good,
I
got
you,
you
nasty
bastard.‘
There
you
have
the
four
stages
of
karma.
The
first
stage
is
called
the
basis,
and
the
basis
is
duality.
As
long
as
we
live
in
a
split
sense
of
a
subject
and
an
object
–
‘I
am
real.
You
are
real.’
–
these
two
points
have
a
kind
of
vibraAon
between
them.
Maybe
in
school
you
looked
at
the
Van
Der
Graaf
generator.
Did
you
ever
see
this?
Big
columns
with
glass
balls
on
the
top,
and
you
turn
a
handle
and
it
starts
to
spark
between
the
two
points.
That’s
what
subject
and
object
is
like;
subject
and
object
are
not
truly
self-‐exisAng,
they’re
the
result
of
a
tear.
There
was
not
a
real
tear,
but
it
is
as
if
there
had
been
a
tear.
Or
it’s
like
pulling
an
elasAc
band;
these
two
polariAes
are
held
with
a
tension
between
them,
a
vibraAon.
So
the
first
stage
of
karma
is
to
feel
that
you
are
an
individual
self,
operaAng
in
a
world
of
real
separate
people,
and
real
separate
things.
P a g e
|
55
The
second
step
is
called
sampa
or
thought.
That
is
to
say,
‘I
develop
some
intenPon
towards
it.’
If
it’s
something
I
like,
I
have
desire,
if
it’s
something
I
don’t
like,
I
feel
an
aversion
or
an
aggression.
I
might
think
that
you
are
my
enemy
and
so
I
am
going
to
hurt
you
or
block
you.
The
third
stage
is
the
enactment.
In
Tibetan
it’s
called
the
consummaAon,
or
jorwa,
and
is
the
same
word
as
is
used
for
having
sex.
In
sex
two
bodies
come
together
–
subject
and
object
come
together.
When
you
have
the
act,
whether
it’s
punching
someone,
or
stealing
something,
or
helping
someone,
subject
and
object
are
now
connected.
The
fourth
stage
is
called
the
compleAon,
or
the
fulfillment,
tagtuk.
It
means
you
are
aware
of
what
you
have
done,
and
you
think,
‘Good,
I’m
glad.’
If
these
four
stages
are
present,
then
you
get
the
full
impact
of
karma
being
built
up,
because
now
you
have,
as
it
were,
built
up
a
big
charge,
a
polarity
inside
yourself
–
an
energeAc
vibraAon
which
manifests
at
some
Ame
later.
However
if,
having
done
the
acAon,
you’re
filled
with
regret
and
you
think,
‘Shit,
what
have
I
done.
That
was
terrible,’
and
you
want
to
apologise,
then
you
lessen
the
impact.
If
in
the
moment
of
doing
the
acAon
you
think,
‘What
am
I
doing,
this
is
crazy,’
and
you
stop,
that
lessens
it
even
more.
If,
when
you
have
the
iniAal
intenAon,
you
think,
‘Oops,
I
be>er
not’
and
stop,
then
that
also
lessens
it.
However
each
of
these
is
a
counteracAon;
you’re
having
to
counter-‐act,
to
be
conscious
and
then
acAve.
So
it’s
like
a
conAnuous
ediAng
of
what’s
going
on,
which
requires
a
mindful
vigilance
about
your
own
mental
acAvity,
and
the
acAvity
of
your
body,
and
so
on.
The
best
way
not
to
develop
karma
is
not
to
enter
into
the
first
stage,
which
is
the
separaAon
of
subject
and
object.
That
is
why
they
say
that
if
you’re
in
the
state
of
contemplaAon,
or
if
you’re
integraAng
all
phenomena
in
the
ground,
there
is
no
karma.
When
you’re
not
doing
that,
there
is
always
karma.
Karma
is
not
a
kind
of
punishment,
it’s
just
how
things
are.
If
you’re
living
in
a
world
of
separated
objects,
every
interacAon
you
have
with
them
is
an
energeAc
communicaAon
which
produces
a
residue
–
and
it’s
this
residue,
or
this
excess,
which
is
the
quality
of
karma.
In
the
theravadin
and
mahayana
tradiAons,
they
spend
a
lot
of
Ame
thinking
about
morality,
about
what
is
good
or
bad
to
do.
This
heightens
an
awareness
of
having
an
aLributed
value
in
the
world.
There
are
two
kinds
of
value:
intrinsic
value
and
aLributed
value.
Intrinsic
value
is
the
value
which
is
there
in
and
of
itself,
which
is
to
say,
the
value
of
empAness
and
awareness.
This
is
a
given.
All
human
constructs
are
aLributed
value.
We
like
certain
kinds
of
people,
we
don’t
like
other
kinds
of
people.
We
like
some
kinds
of
food
and
not
others.
Different
people
like
and
dislike
different
things.
The
value
that
I
may
impute
as
being
intrinsic
in
the
object
is
not
intrinsic,
it’s
extrinsic.
I
am
pu:ng
it
on
the
object,
but
I
see
it
as
inside
the
object.
The
openness
of
the
sky,
the
openness
of
the
mind,
the
natural
purity
of
the
mind,
the
freshness,
and
so
on
–
these
are
seen
as
inherent,
as
intrinsic.
In
Tibetan
they’re
called
rangjung
or
in
Sanskrit
swayambhu.
It
means
coming
of
itself,
not
produced
by
anything
outside.
So
we
might
meet
someone
and
think,
‘Oh,
they’re
lovely.’
That’s
an
aLribuAon.
That
doesn’t
mean
that
they
are
lovely.
For
example,
you
meet
someone
and
you
think
that
they
are
gorgeous.
You
get
to
know
them,
talk
to
them
a
bit,
and
then
they
tell
you,
‘I’m
very
sad.
I
just
broke
up
with
my
boyfriend.
He
leu
me.
I
don’t
know
why.’
What
we
don’t
think
is
if
they
really
were
intrinsically
gorgeous
everybody
would
love
them
so
they
cannot
be
intrinsically
gorgeous,
it
is
just
that
I
find
them
so.
We
are
pu:ng
the
value
into
the
person
–
we
are
reading
something
in
there
that
we
want
to
be
in
there,
but
it’s
not
in
there.
One
of
the
major
reasons
that
we
accumulate
karma
is
because
we
consider
that
‘This
person
is
my
enemy
–
I
hate
them.
This
person
is
my
friend
–
I
must
help
them.’
My
teacher,
C
R
Lama,
used
to
say,
‘There
is
no
virtue
in
the
family.’
Family
is
obligaAon,
so
to
help
people
in
your
family
doesn’t
make
any
virtue
at
all.
Virtue
begins
with
strangers.
That’s
quite
and
interesAng
idea,
because
it’s
a
way
of
asking
ourselves,
‘What
is
the
nature
of
my
self-‐interest
in
helping
this
person.’
Only
when
there
is
no
real
self
interest
does
it
really
become
an
altruisAc
gesture.
Developing
the
paramitas,
generosity,
paAence,
endurance,
meditaAonal
strength,
wisdom,
and
so
on,
these
are
very
good
qualiAes,
but
they
are
arAficial.
We
have
to
develop
them
and
then
we
have
to
remember
them,
and
remember
to
mobilize
them.
They
are
ways
of
being,
part
of
an
extending
repertoire
of
responses
which
you
apply
as
an
anAdote
to
another
response
which
is
arising
inside
you.
Why
do
we
invest
the
object
with
so
much
importance?
Why
do
we
rely
on
such
things?
There
is
a
very
beauAful
liLle
meditaAon
prayer
by
Rigdzin
Godem
in
which
he
says,
‘I’ve
given
up
all
my
worldly
possessions,
and
I’m
living
a
very
simple
life,
but
I
find
that
I’m
sPll
gekng
caught
up
in
the
objects
of
my
daily
use,’
and
he
wrote
this
when
he
was
thinking
about
the
bowl
he
was
eaAng
his
tsampa
out
of,
because
he
realized,
‘I
like
my
bowl.’
You
know,
‘I’m
living
like
a
yogi,
I
don’t
have
any
possessions,
but
my
bowl
is
now,
well…
“my
bowl.”
‘
There
is
a
desire
for
the
object
to
be
special,
the
desire
to
have
something
reassuring
around
us,
is
like
a
liLle
soj
toy
that
comforts
us
because
we
know,
‘this
is
there,
this
is
my
companion.’
It’s
like
that.
There
is
also
a
very
nice
song
from
Milarepa
about
the
clay
pot
that
he
used
to
cook
his
neLle
soup
in.
He
had
cooked
it
for
a
long
Ame,
and
then
one
day
the
clay
pot
broke
leaving
just
the
outline
of
the
dregs
of
the
neLle
lining.
Milarepa
was
very
sad
because
he
had
lost
his
pot,
and
he
sang
a
nice
song
about
the
impermanence
of
objects.
That’s
what
we
have
to
look
for
in
ourselves
–
how
we
give
ourselves
to
others.
Say
for
example
you
buy
potatoes,
and
you
keep
them
in
the
kitchen
and
you
don’t
eat
them
for
a
while.
Ajer
some
Ame
liLle
sprouts
start
to
come
out.
Why?
Because
the
potato
says,
‘I’m
alive.
UnPl
you
boil
me
I
will
go
on
living!
’
and
they
put
out
their
liLle
things
…
So,
even
though
they’re
not
in
the
soil,
and
they
don’t
have
a
good
environment,
and
there’s
nowhere
for
these
liLle
hopes,
these
liLle
movements
to
embed
themselves,
there’s
nowhere
for
them
to
go,
the
potato
knows,
‘I
need
to
be
planted.
I
belong
in
the
earth.
I
don’t
belong
in
a
bowl.
What
am
I
doing
here?
I’m
a
displaced
person!
I’m
a
refugee!
I
demand
my
rights.‘
In
the
same
way,
the
ego
is
looking
for
an
environment
to
be
in.
The
ego,
as
this
isolated
self,
is
always
sending
out
these
tendrils
trying
to
plug
itself
into
the
world,
because
we
don’t
do
well
by
ourselves.
This
is
why
prisons
use
solitary
confinement
as
their
worst
punishment.
To
cut
people
off
from
others
makes
them
feel
very
bad.
Our
desire
to
connect
with
others
operates
on
two
levels.
On
one
level,
it’s
showing
exactly
the
nature
of
non-‐duality
–
that
subject
and
object
belong
together.
They’re
actually
born
together,
and
the
illusion
of
separaAon
is
a
kind
of
fantasy
which
creates
a
non-‐recogniAon
of
the
actual
integraAon
of
all
phenomena.
On
the
second
level,
our
yearning
to
be
plugged
in
takes
us
into
situaAons
which
are
not
very
good.
People
may
stay
in
jobs
that
are
not
very
saAsfying
for
them
too
long,
because
they’re
worried
about
security
or
safety.
The
fantasy
in
their
head
about
the
future
means
that
they
don’t
aLend
to
what’s
actually
happening
in
the
moment.
‘My
life
is
not
very
good.
But
never
mind,
in
the
future
it
will
be
be>er.’
So
the
quesAon
would
be,
‘Why
am
I
doing
this?
Is
this
really
the
only
opPon
open
to
me?
Where
is
my
niche?
Where
in
this
world
is
the
environment
where
I
will
thrive?’
That’s
a
really
important
quesAon.
And,
of
course,
you
have
to
know
your
own
shape
to
find
out
where
you
fit.
Once
you
find
where
you
fit,
then
of
course
you
have
to
work
a
way
to
make
that
thrive.
Being
plugged
in
is
a
vital
part
of
our
existence.
P a g e
|
57
When
we
move
towards
the
environment
we
tend
to
try
and
make
it
more
comfortable.
‘What
I
need
is
more
cushions.
No,
not
that
cushion,
I
need
that
firmer
one
over
there...‘
So
we
have
desire,
and
we
have
aversion.
These
are
the
primary
movements.
In
buddhism
when
they
talk
of
three
root
poisons,
the
first
is
stupidity,
which
is
to
recognise
non-‐duality.
Out
of
that
two
forces
arise
–
pushing
away
what
we
don’t
like
and
trying
to
pull
in
what
we
do
like.
We
see
that
going
on
all
the
Ame.
So
when
people
accumulate
karma,
it’s
not
that
they
are
fundamentally
bad,
it’s
not
that
they’re
infected
by
evil
–
but
they
find
themselves
living
in
a
vision
of
the
world
which
is
erroneous,
which
is
wrong,
which
is
confused,
and
on
the
basis
of
that,
they
do
the
best
they
can
in
order
to
be
happy.
For
example,
when
I
was
six
or
seven
I
got
stung
by
a
wasp.
I
had
gone
out
into
the
garden
with
a
golf
club
from
my
father,
and
I
was
looking
for
all
the
wasps
and
was
trying
to
hit
them.
My
mother
came
out
and
she
asked
me
what
I
was
doing.
I
said,
‘These
wasps
that
stung
me
…
I
hate
these
wasps.
I’m
going
to
kill
them.’
She
said,
‘This
is
terrible,
the
world
is
full
of
wasps.
How
many
do
you
have
to
kill?’
I
said,
‘I’m
going
to
kill
them
all.
I
hate
them.’
She
was
a
very
very
peaceful
person,
so
she
was
very
upset,
and
gradually
I
could
see,
from
her
face
that
this
was
not
a
good
thing
to
do.
However
for
me,
in
being
angry
with
the
wasps,
it
had
seemed
exactly
the
right
thing
to
do:
remove
my
enemies
and
once
they
are
all
destroyed
I’ll
be
happy
because
they
won’t
be
aLacking
me
any
more.
And
then,
of
course
we
want
to
get
other
things.
You
know
how
children
are
ojen
taking
other
kid’s
toys?
You
ask
them,
‘Why
have
you
taken
that?’
‘Because
I
like
it.’
That
seems
preLy
obvious
to
a
child:
‘If
I
like
it
why
shouldn’t
I
have
it?’
‘Because
it’s
not
yours.’
‘Well
it’s
in
my
hand
now.
I
want
it,
I
like
it,
It’s
mine.’
It’s
all
very
very
obvious.
When
countries
do
that,
we
object.
The
history
of
the
world
is
this
endless
movement
of
people
provoking
and
goading
each
other,
taking
what
is
not
theirs.
So
karma
is
the
dynamic
of
duality.
As
soon
as
you’re
separated
from
the
environment,
you’re
going
to
be
acAng
on
the
environment
to
try
to
shape
it
in
the
way
that
best
suits
your
interests.
MeditaAon
is
so
important
because
trying
to
resist
each
of
these
movements
in
the
moment
is
very
very
hard
work.
You
have
to
be
so
alert,
so
quick
to
stop
yourself.
The
tradiAonal
example
is
that
if
you
have
a
tree
and
you
want
to
get
rid
of
it,
you
could
climb
the
tree
with
a
pair
of
scissors
and
start
to
cut
off
each
leaf.
That
would
take
a
very
long
Ame,
because
as
you’re
cu:ng
off
some
leaves,
new
ones
are
growing.
And
that’s
what
we
tend
to
do
when
we
focus
on
the
level
of
outer
behaviour,
while
you’re
trying
to
control
one
bit
of
your
behaviour,
another
bit
is
coming
in.
We
tell
ourselves,
‘I
mustn’t
do
this,’
which
may
be
a
good
way
of
controlling
ourselves,
but
when
we
say,
‘mustn’t’
and
‘should,’
this
words
are
a
violence
against
the
situaAon.
These
superego
formulaAons,
these
controlling
definiAve
true
statements,
act
in
a
rough
crude
way
causing
a
disturbance
in
the
environment.
So,
even
when
we’re
trying
to
be
good,
we
end
up
creaAng
parAcular
charges.
Cu:ng
the
root
is
the
best
way
to
get
rid
of
the
tree.
What
is
the
root?
The
root
is
ignorance.
Ignorance
means
experiencing
the
world
in
terms
of
me
living
in
my
own
skin-‐bag,
me
looking
out
of
my
sense
organs
to
what
is
going
on
out
there.
I
am
centred
somewhere
inside
myself.
For
that
reason
we
have
to
go
back
into
the
spaciousness
again
and
again.
One
way
we
can
support
this
is
through
breath.
Through
the
centre
of
the
body,
runs
this
empty
channel,
the
avadhuP,
and
when
out-‐breath
is
moving
it
tends
to
get
side-‐tracked
into
the
side
channels
and
then
into
the
minor
channels,
and
because
of
this,
we
are
dispersed
in
our
body.
That
is
to
say,
we
are
not
grounded
and
centred,
and
since
we
are
over-‐
sensiAve
to
what’s
going
on,
we
react
very
quickly
to
things
that
are
happening.
The
reacAons
happen
without
a
space
of
contemplaAon
and
consideraAon.
We’re
on
a
knife-‐edge.
We
move
very
quickly.
Through
controlling
the
breath,
and
centering
it
into
the
central
channel,
you
can
have
the
sense
that
dispersal
can
be
reunited
in
the
ground
of
spaciousness,
and
therefore
the
movement
out
is
always
movement
from
space.
That’s
a
yoga
pracAce,
but
it
is
also
a
metaphor.
The
more
energy
is
grounded
in
space,
the
more
it’s
movement
into
the
world
is
always
from
space
and
within
space.
That
is
to
say,
in
non-‐duality
we
don’t
move
out
of
space
into
contact,
we
move
in
space,
in
contact
with
other
movements
in
space.
Does
that
make
sense?
That’s
the
central
point.
Because
if
you
feel
that
you’re
going
out
of
sAllness
into
movement,
then
you’ve
got,
again,
a
dualisAc
split.
So
the
whole
world
is
illusion.
There
are
different
techniques
for
controlling
and
direcAng
the
breath.
Techniques
have
to
be
applied,
so
a
technique
is
as
good
as
the
energy
of
applicaAon.
When
you
start
to
apply
a
technique,
ajer
the
first
burst
of
enthusiasm
what
you’re
likely
to
experience
is
resistance.
You
know
what
you
should
do,
but
you
don’t
do
it.
Saint
AugusAne
said,
‘The
good
that
I
would
do,
I
don’t
do.
The
ill
that
I
would
not
do,
I
do.’
That
was
two
thousand
years
ago,
and
nothing
much
has
changed.
IntenAon
is
highly
problemaAc.
Certainly
you
can
aLend
a
workshop
and
learn
a
technique,
but
then
you
don’t
apply
it.
You
then
have
a
piece
of
useless
knowledge
which
stands
as
a
persecutor
because
you
keep
thinking,
‘I
should
do
this.
I
know
I
should
do
it,
but
I
don’t
do
it.’
Well,
why
don’t
you
do
it?
Because
it’s
arAficial.
Perhaps
you
would
be
more
likely
to
do
it
if
it
led
to
a
job,
or
if
other
people
were
to
pay
you
to
teach
them
to
do
it.
However
you
probably
already
have
a
busy
life,
maybe
a
job
or
a
family
already
and
so,
not
much
space.
It
is
interesAng
to
reflect
on
the
dilemma
that
‘the
road
to
the
natural
lies
through
becoming
arAficial’.
Why
would
you
have
to
be
arAficial
to
be
natural?
If
you
were
at
school
and
the
teacher
set
that
as
an
essay
topic,
what
would
you
write?
The
road
to
the
natural
is
by
means
of
becoming
arAficial:
discuss.
Two
thousand
words.
It’s
a
very
interesAng
quesAon.
The
basic
teaching
in
dzogchen
is
don’t
do
anything
at
all.
It
doesn’t
say
do
something
be>er,
or
do
something
different.
UnAl
the
mind
itself
is
clear,
doing
things
in
parAcular
ways
is
a
form
of
arAficiality.
Once
the
mind
itself
is
clear,
everything
is
clear,
and
you
don’t
need
to
be
arAficial.
The
dzogchen
approach
is
not
one
of
pu:ng
more
thoughts,
more
concepAons
in
our
mind.
It
is
rather
to
be
spacious
enough
to
allow
the
movement
to
be
occurring
without
being
disturbed
by
it.
You
are
si:ng
on
the
beach,
looking
out
at
sea.
Many
people
come
walking
along
the
beach,
and
they’re
walking
in
front
of
you,
between
where
you’re
si:ng
and
the
sea.
They
are
interrupAng
your
view
of
the
sea,
but
they
are
also
part
of
what
is
there.
You
can
integrate
them,
noAcing
that,
‘I
see
the
sea
through
the
gaps
between
the
people.’
This
is
an
interesAng
perspecAve.
If
you
have
a
camera,
you
may
even
take
a
photo
of
them.
That
could
be
interesAng.
So
it’s
always
like
that,
can
we
integrate
what
is
going
on?
When
we’re
si:ng
in
meditaAon
pracAce,
thoughts
and
feelings
and
sensaAons
arise.
Don’t
try
to
push
them
away.
They’re
not
aLacking
you,
they’re
not
defining
you
–
in
any
case,
who
are
you?
You
are
the
one
who
is
aware.
This
awareness
has
no
parAcular
content.
Relax
and
open,
and
if
you
allow
space
to
everything,
you
will
find
that
it’s
moving
through
space,
it’s
not
blocking
space.
When
we
are
outside
and
see
a
big
dark
cloud,
we
think
that
the
dark
cloud
is
hiding
the
blue
sky,
that
it’s
hiding
the
sun.
When
we
see
a
rainbow,
the
rainbow
is
not
hiding
the
sky,
because
we
can
see
the
sun’s
rays
shining
through.
Our
work
is
to
see
clouds
as
rainbows.
When
we
sit
in
the
meditaAon,
stuff
is
arising.
It
feels
like
a
cloud
because
it’s
ge:ng
in
the
way.
‘I
get
caught
up
in
all
this
stuff.
It’s
so
annoying.’
Actually,
everything
is
the
radiance
of
the
mind
so
instead
of
being
annoyed
with
this
parAcular
form
of
radiance,
just
allow
it
to
be
there,
and
it
passes.
Allow
it
to
be
there
and
it
passes.
P a g e
|
59
Returning
to
the
issue
of
intrinsic
value,
if
something
is
truly
of
value
in
and
of
itself,
it
doesn’t
need
something
on
top.
It
doesn’t
need
any
extra;
it’s
just
delicious,
sufficient.
A
fresh
piece
of
fruit,
it
doesn’t
need
any
sugar
or
salt
or
anything
added
to
it.
It’s
just
mmm,
as
it
is.
When
we
see
the
intrinsic
value
of
all
the
phenomena
which
are
arising
and
passing
in
the
mind,
we
don’t
have
to
enter
into
judgement
with
them,
and
we
don’t
have
to
change
them.
This
it
the
fundamental
point
in
terms
of
the
three
aspects:
the
open
nature,
the
field
of
experience,
and
the
parAcularity
of
experience.
The
field
of
experience
arises
in
the
open
field
of
empAness;
it’s
the
shining
quality
of
the
open
field.
So
when
we
sit
in
pracAce,
if
we
think,
‘I
don’t
like
this
thought,’
or
‘I
have
to
be
involved
in
this
thought,’
or
‘Shit,
here
I
go
again
in
these
thoughts’
–
all
these
kind
of
judgements
and
interpretaAons
and
descripAons
are
ways
of
us
adding
value
to
something
which
is
already
full
of
value.
Moreover
by
adding
our
value,
we
hide
the
intrinsic
value
from
ourselves;
and
therefore
we
see
that
there
is
a
lack
of
value,
which
then
encourages
us
to
add
more
value,
and
the
more
value
we
add,
we
make
it
forever
impossible
to
see
the
intrinsic
value.
This
is
why
the
basic
instrucAon
is,
don’t
do
anything
at
all.
Just
relax.
Be
open
which
whatever
is
there.
The
more
you
open,
the
more
you
can
experience
what
we
looked
at
yesterday,
namely
that
the
mind
has
no
shape,
no
colour,
no
form.
It
is
unspeakable.
Nobody
can
ever
put
into
language
what
the
mind
is
however
you
can
be
your
mind,
you
can
be
the
openness
within
which
all
this
amazing
stuff
is
coming
and
going,
coming
and
going.
There
are
many
different
versions
of
this.
A
very
simple
one
is
to
imagine
in
front
of
us
a
white
leLer
A.
You
can
imagine
a
Tibetan
leLer
if
you
know
it,
or
just
a
capital
A.
Aa
represents
empAness,
the
ground
of
existence,
out
of
which
all
the
wisdom
of
all
the
lineage
masters
through
the
generaAons
have
come.
We
imagine
this
white
leLer,
about
a
fist
with
the
thumb
high,
inside
a
rainbow
ball
of
light,
and
about
two
arms
length
away.
As
we
say
the
Aa,
we
imagine
that
our
state
is
integrated
with
that
state.
By
integrated,
it
simply
means
that
there’s
no
difference
between
the
two.
Here
is
something
in
front
of
us,
an
object,
here
is
ourselves,
a
subject
–
but
when
we’re
saying
Aa,
the
fact
that
our
ground
is
empAness,
and
the
ground
of
all
these
teachers
is
empAness,
means
that
they
have
the
same
nature.
For
example,
if
you
have
a
great
ocean…
in
the
ocean
many
different
waves
arise.
These
waves
have
different
shapes
according
to
the
wind,
the
rocks
underneath
the
sea,
and
so
on.
But
all
the
waves
have
the
same
nature;
they
are
manifestaAons
of
the
sea.
So
when
we
see
a
great
teacher,
this
is
a
manifestaAon
of
the
ground.
When
we
see
ourselves
as
ordinary
beings,
we
are
also
manifestaAons
of
the
ground.
On
the
level
of
judgement
and
the
dualisAc
evaluaAon
of
different
qualiAes,
we
can
say,
‘This
person
is
high,
this
person
is
low.’
but
in
terms
of
their
connecAon
with
the
ground
nature,
they’re
completely
the
same.
So
sit
in
this
relaxed
way,
saying
Aa.
Have
this
visualizaAon,
in
the
sense
of
the
idenAficaAon,
or
the
unificaAon,
of
our
state
with
the
state
of
the
teacher.
Then
ajer
a
short
Ame,
the
ball
just
dissolves
in
light
and
you’re
back
in
the
state
of
openness.
You
might
think,
‘Why
do
we
need
to
use
something
in
that
state?
Why
don’t
we
just
always
go
into
this
by
ourselves?’
The
quesAon
is
really
asking,
‘Why
do
we
need
transmission?’
Because
of
the
nature
of
duality.
Duality
means
that
we
are
cut
off
from
the
environment
around
us.
We
exist
in
relaAon
to
other
things
–
things
which
are
other.
The
way
back
from
that
is
non-‐duality.
Two
has
to
become
one,
to
become
not-‐two.
The
one
who
feels
apart,
has
first
of
all
to
become
part
of
two,
and
then
they
can
understand.
So
here
we
are
as
one;
now
there
is
two;
one
and
two
have
the
same
nature,
which
is
nothing
–
infinity.
Out
of
infinity
everything
arises.
As
long
as
we
stay
as
something
in
parAcular,
inside
that
bubble,
the
only
way
out
is
by
trying
to
get
out,
because
it’s
up
to
us.
When
you
make
use
of
the
other
–
whether
in
a
more
dualisAc
way
by
praying
to
Padmasambhava
and
asking
for
blessings,
or
whether
you
do
it
through
dissolving
with
the
tantric
deity,
or
whether
you
do
it
through
direct
integraAon
with
this
visualized
form
of
Aa
–
essenAally,
we’re
always
starAng
with
the
posiAon:
one
plus
one;
two,
who
are
not
two.
All
of
these
are
methods
of
dissolving
the
experience
of
duality
into
the
actuality
–
that
which
is
always
there
–
of
non-‐duality.
Okay, so we will try this and then we just sit for some Ame.
[PracAce]
Even
if
you
find
yourself
caught
up
in
the
experience,
first
of
all,
don’t
take
it
that
you
got
lost.
Every
Ame
we
become
caught
up
in
something,
it’s
just
a
moment,
and
then
it’s
gone.
Wherever
you
go,
you’re
always
within
the
dharmadhatu.
You
can’t
get
lost.
You
can’t
go
anywhere
else.
It
is
like
suddenly
falling
asleep
during
the
day;
so
you
fall
into
a
parAcular
thought
paLern.
But
you
fall
asleep
where
you
are,
and
then
when
you
wake
up,
you’re
back
in
exactly
the
same
place.
So
don’t
despair
if
meditaAon
is
difficult
and
you
feel
you
can’t
do
it
and
you
feel
you’re
not
making
any
progress.
These
are
ideas.
These
ideas
themselves
are
empty,
and,
moreover,
they
are
themselves
the
energy
of
the
open
state.
So
the
quesAon
is
always
not
to
take
things
the
wrong
way.
If
you
take
them
the
wrong
way
they’re
not
very
useful.
For
example,
if
you
have
a
very
sharp
knife,
pick
it
up
by
the
handle
and
not
by
the
blade.
That’s
obvious.
If
you
have
some
thoughts
in
your
head,
how
should
you
take
them?
Very
lightly.
If
you
grasp
at
them,
that
grasping,
itself,
creates
the
second
thought
which
is,
‘I
am
grasping
the
thought.’
So,
in
terms
of
not
remaining
in
doubt,
it
means
to
trust
that
the
mind
itself
has
no
shape,
no
colour,
doesn’t
rest
anywhere,
doesn’t
come
from
anywhere,
and
doesn’t
go
anywhere.
What
are
the
implicaAons
of
that?
When
we
look
around
this
room,
we
see
that,
as
far
as
we
can
tell,
there
is
no
machinery.
So
this
glass
in
my
hand
was
not
made
in
this
room.
This
glass
came
from
somewhere
else.
Somehow,
it
came
to
be
in
this
building
and
it
came
to
be
in
this
room,
next
to
me.
That
is
to
say,
there
was
somewhere
else
for
it
to
come
from.
This
dharma
centre
where
we
are
is
not
the
whole
world.
Some
of
us
went
for
a
walk,
and
we
saw
–
whoa,
there’s
a
big
world
our
there
–
the
trees
go
on
and
on
and
on,
beyond
where
you
can
see.
The
world
is
very
big.
Even
so,
at
a
certain
point,
if
you
follow
the
trees
you
come
to
the
ploughed
fields,
eventually
you
will
come
to
a
town,
and
then
you
come
to
the
sea.
There’s
a
kind
of
limit.
P a g e
|
61
Everything
which
has
a
shape
will
have
a
limit.
That’s
what
a
shape
is
–
when
we
think
of
the
shape
of
an
orange,
we
think
of
something
round.
When
we
think
of
a
banana,
we
think
of
something
long
and
curved.
We
can
draw
the
outline
of
it
very
easily
because
the
outline
defines
the
shape.
But
if
the
mind
has
no
shape,
it
means
it
has
no
limit.
This
is
enormously
important.
No
limit
means
there
cannot
be
an
edge
to
it.
If
there
is
no
edge,
there
is
nothing
outside.
The
mind
The
mind
is
ojen
compared
to
a
ball,
like
when
we
were
looking
at
this
Aa
with
a
ball
of
light
around
it.
This
ball
is
someAmes
called
a
Pgle.
There
are
many
different
kinds
of
Pgles;
Pgles
are
essenAally
representaAons
of
the
fact
that
there
are
no
corners
and
edges
on
a
ball.
In
front
of
me
is
a
table,
it
has
a
shape.
Here
in
my
hand
is
a
glass;
we
can
see
what
is
the
top
and
what
is
the
boLom
of
the
glass.
But
if
you
have
a
ball
which
is
made
out
of
exactly
the
same
material
in
all
its
aspects,
when
you
look
at
it
–
at
the
ball
–
where
is
the
top
and
where
is
the
boLom?
You
turn
it
upside
down
and
upside
down
and
upside
down.
Where
is
the
top?
There
is
no
marker
on
a
ball
that
says
this
is
the
top,
this
is
the
boLom,
this
is
the
lej,
this
is
the
right.
It
is
undifferenAated,
without
any
corner
that
you
could
grasp
hold
of
and
say,
‘Ah,
if
I
look
from
here,
then
this
and
this,’
because
each
place
you
look
at
in
a
ball
takes
you
in
the
same
direcAon.
This
is
how
the
ball
symbolises
the
ungraspability
of
the
mind,
that
wherever
you
extend
your
awareness,
the
mind
is
already
there.
Because
you
can’t
find
any
limit,
therefore
nothing
is
outside
it.
When
a
thought
arises,
where
does
the
thought
come
from?
You
can
provide
an
answer
based
on
a
thought
such
as,
‘Well,
it
comes
from
the
acPvity
of
my
brain,’
and
then,
if
you’ve
studied
neuroscience,
you
can
have
many
many
thousands
and
hundreds
of
thousands
of
words
about
that,
how
that
may
or
may
not
be
happening.
This
is
the
pracAce
of
thought
chasing
thought.
This
is
the
pracAce
of
samsaric
producAon.
In
every
branch
of
science
there
are
millions
and
millions
of
ways
in
which
the
mind
can
move,
proving
or
disproving
hypotheses.
The
issue
for
us,
though,
if
there
is
only
the
mind,
or,
that
is
to
say,
if
there
is
nothing
which
is
bigger
than
the
mind,
nothing
which
encloses
the
mind,
or
nothing
which
cuts
up
the
mind,
then
the
mind
–
although
it
has
no
shape
–
is
the
ground.
Ground
here
doesn’t
mean
something
underneath,
it
means
a
base,
a
basis;
or
in
another
language,
it’s
a
sphere
of
operaAons.
It’s
not
really
a
dimension,
because
a
dimension
is
a
measuring
across
two
points,
and
this
is
an
infinite
complexity
of
vectors
such
that
you
can’t
imagine.
So
the
mind
is
space,
with
no
limit;
everything
is
in
the
mind.
Everything
is
in
the
mind.
That
makes
it
very
easy.
It
means
whenever
something
happens,
where
did
it
come
from?
The
mind.
‘Oh,
where
did
you
get
these
socks?’
‘Oh,
the
mind.’
So,
when
we’re
si:ng
in
meditaAon,
and
thoughts
and
feelings
and
sensaAons
are
arising,
they
present
themselves
as
if
they
are
coming
from
somewhere
else.
They
are
coming
from
the
factory
of
our
memory,
or
the
factory
of
our
hopes,
or
the
factory
of
our
self-‐hatred
and
our
doubt
and
our
confusion.
Each
of
these
liLle
factories
seems
to
be
pumping
out
parAcular
kinds
of
thoughts,
and
then
we
try
to
change
it
and
switch
off
producAon
in
that
factory,
and
increase
producAon
in
the
happy
factory.
But,
really,
if
we
can
see
thoughts,
feeling,
sensaAons,
percepAons
–
all
of
this
is
from
the
mind.
What
does
that
mean?
If
you
look
at
something
concrete
like
a
motorcar,
what
does
it
mean
to
say
the
motorcar
comes
from
the
mind?
Clearly
you
have
to
buy
it,
so
it
costs
money.
It
was
produced
in
a
factory,
which
involves
labour
and
acquisiAon
of
raw
materials,
and
their
preparaAon
and
so
on.
Okay,
so
the
car
seems
to
be
something
I
can
know
about
–
something
out
there.
I
have
thoughts
about
the
car.
Where
are
these
thoughts
about
the
car?
In
the
mind.
When
we
see
the
car,
it’s
clearly
outside
of
our
body,
but
then
we’re
back
with
the
quesAon,
‘Is
the
mind
in
the
body?’
We
are
very,
very
used
to
the
sense
that
we
are
in
here,
in
this
skin-‐bag,
in
this
bone-‐box,
looking
out
at
stuff
in
the
world.
‘I
am
stuff.
I
am
a
thing.
This
is
all
stuff
–
lots
of
different
things.’
When
you
really
look
in
the
mind
in
the
meditaAon
you
see
this
is
an
illusion.
This
is
all
a
construct.
When
you
go
to
the
car
and
you
touch
it
you
think,
‘Oh,
this
is
very
hard.
This
is
very
real.’
‘This
is
very
hard’
–
who
says
that?
We
say
that.
‘This
is
very
real,’
–
who
says
that?
We
say
that.
We
say
the
car
is
red,
we
say
the
car
is
old,
we
say
the
car
is
new,
it’s
expensive,
its
got
new
Ares,
and
whatever.
Who
says
all
these
things?
We
do.
The
mind
makes
the
car.
The
mind
makes
the
car
–
the
car
is
an
experience.
If
you
go
into
the
experience
of
thoughts
about
the
car,
si:ng
inside
these
thoughts,
they
will,
very
generously,
very
easily,
create
for
you
the
theatre
of
self-‐exisAng
material
car.
And
inside
that
you
will
have
a
motorcar
that
is
something.
Something
different
from
you.
You
will
know,
‘I
am
not
a
motorcar.’
That
is
a
thought.
This
is
why
it’s
very
tricky.
It’s
so
much
easier
to
believe
that
everything
is
solid
and
real.
That
is
to
say,
we
are
trapped
in
a
semioAc
dream-‐Ame
–
a
nightmare
–
in
which
we
take
our
thoughts
as
telling
the
truth.
Our
thoughts
aLribute
value.
Our
thoughts
cover
intrinsic
value.
Intrinsic
value
is
revealed
when
we
realise
that,
‘We
look
for
the
mind
but
can’t
see
anything.
This
is
really
strange.
I
know
where
my
nose
is,
my
ears,
my
hair,
but
where
is
my
mind?
I
can’t
catch
it.’
The
mind
is
the
basis
of
my
experience,
but
it’s
not
a
thing.
It’s
nothing,
and
yet
it’s
showing
everything.
It’s
empAness
and
clarity,
and
yet
there
are
motorcars!
What
are
these
motorcars?
Very
important
to
know,
because
if
you’re
crossing
the
road
they
will
hit
you.
So
you
have
to
take
the
motorcars
seriously
as
a
dream-‐phenomenon
that
will
seriously
injure
your
dream-‐phenomenon
body,
and
will
have
you
in
a
dream-‐phenomenon
hospital,
or
a
dream-‐
phenomenon
cemetery.
It’s
like
that.
Because
people
do
go
to
the
hospital
and
say
describe
how
they
were
hit
by
a
car
and
tell
the
doctor
as
much
as
they
can
about
it.
What
are
they
doing?
They’re
telling
you
a
story
–
‘A
car
hit
me.’
The
doctor
says,
‘This
is
very
serious,’
and
then
he
gives
then
a
whole
load
of
LaAn
which
tells
you
just
how
serious
is
the
condiAon
of
his
paAent.
All
of
this
is
a
flow
of
experience.
The
paAent
will
either
die
or
recover.
If
they
die
we
tell
one
kind
of
story,
if
they
recover
we
tell
another
kind
of
story.
It’s
stories.
That’s
not
to
say
that
if
you’re
careless
with
a
knife,
it
won’t
cut
your
finger.
Blood
will
come
out.
This
is
one
kind
of
experience
–
the
chopping
of
the
carrot,
followed
by
another
experience
–
the
chopping
of
the
finger,
followed
by
another
experience
–
‘Oww!‘
Later
there
will
be
another
experience,
and
another
experience.
What
we
have
is
a
flow
of
experiences
–
none
of
these
experiences
is
final
because
they’re
all
occurring
in
the
dharmadhatu,
in
the
sphere
of
experience.
This
is
someAmes
difficult
to
understand,
and
explaining
it
again
and
again
is
someAmes
not
very
helpful,
since
the
only
way
to
really
experience
it
is
through
the
meditaAon.
SomeAmes
as
we
sit
here
in
this
dharma
centre
we
can
hear
the
church
bells
from
outside.
When
we
walk
down
the
road
and
see
the
church,
we
know,
‘Ding
dong
ding,’
this
is
coming
from
the
church.
‘The
sound
is
coming
from
the
bell,
through
the
air,
into
my
ear,
into
my
mind.’
My
mind
is
in
my
head?
Is
this
true?
We
have
been
trained
to
believe
this.
‘The
sound
is
arising
in
my
mind.’
The
thought,
‘My
mind
understands
the
sound
of
the
church
bell,
which
is
down
the
road,’
is
a
thought
that
arises
in
my
mind.
The
sound
is
directly
in
the
mind.
Sound
comes
from
the
mind.
Without
the
mind
you
wouldn’t
have
any
sound.
This
is
a
classic
quesAon
in
Indian
philosophy
–
if
a
tree
falls
in
a
forest
far
from
any
human,
does
the
tree
make
a
sound?
Is
there
a
sound
if
you
don’t
hear
it?
It’s
an
imputaAon
that
there
would
be
a
sound.
You
can’t
have
a
direct
percepAon
if
there’s
nobody
there.
It
exists
as
experience
if
we
are
there.
We
have
tended
to
fuse
imputaAon,
or
deducAon,
and
to
P a g e
|
63
take
deducAve
logic
as
being
the
same
as
direct
percepAon.
By
fusing
deducAon
and
imputaAon
into
percepAon,
we
can’t
actually
see
what
we
see,
because
we’re
always
interpreAng
what
we
see
before
we
actually
see
the
vibrancy
of
it.
Garab
Dorje’s
second
point
is
to
alert
us
to
be
careful
with
the
thoughts
that
arise
in
our
mind.
The
mind
will
conAnue
with
its
vast
contents
of
stories
and
interpretaAons
and
raAonales
and
so
on.
If
you
see
them
in
the
moment,
this
is
the
arising
and
passing
of
the
energy
of
the
mind.
If
you
fall
into
them,
this
liLle
story
line
will
take
you
on
a
journey,
and
then
you
get
picked
up
by
another
story,
which
takes
you
on
another
journey,
and
another
journey,
and
another
journey,
so
that
we
experience
ourselves
moving
from
here
to
there,
from
there
to
here.
All
of
these
experiences
are
happening
in
the
mind.
The
mind’s
nature
is
empty.
In
the
dzogchen
tradiAon
they
say
everything
is
complete
from
the
very
beginning.
Some
translators
prefer
to
use
the
word
‘perfect’.
I’m
not
so
sure
about
‘perfect’,
because
it
has
such
a
moral
connotaAon.
But,
if
we
say
everything
is
complete,
that
is
to
say,
it
is
what
it
is
…
a
thought
arises,
it
has
a
feeling
tone,
the
feeling
tone
creates
the
sense
of
something,
and
then
it’s
gone.
Just
see
this
as
an
experience;
we
don’t
have
to
block
the
experience
or
be
afraid
of
it
because
it
doesn’t
have
the
power
to
condiAon
awareness.
However
the
thought,
if
you
fall
into
it,
the
thought
will
condiAon
you.
Who
is
condiAoned?
The
next
thought.
What
then
happens
is
that
the
thought
is
passed
to
the
thought,
is
passed
to
the
thought.
A
bit
like
in
the
old
days
when
they
had
steam
engines
and
they
would
do
loose
shunAng.
There
would
be
a
whole
series
of
goods-‐carriages
lined
up,
not
linked
together,
and
the
train
bangs
the
first
one,
and
they
just
poom,
poom,
poom,
poom,
all
the
way
along.
And
you
get
this
movement,
a
concatenaAon,
a
vibrancy
that
passes
through.
That’s
what
we
have.
One
thought
leads
to
another
to
another.
Ques%on:
If
you
don’t
fall
into
your
thoughts,
where
are
they?
They
are
in
the
mind
but
nobody
is
at
home.
Is
that
not
a
bit
frightening?
James:
Presumably
in
your
house
you
have
various
things,
tweezers,
screwdrivers,
spare
keys,
some
rice,
all
sorts
of
things.
These
are
very
useful
to
have,
but
every
Ame
you
go
out
of
your
house
you
don’t
pack
them
all
and
take
them
with
you.
You
trust
that
when
you’re
at
home
and
when
you
need
something,
it
will
be
there.
So,
in
that
sense,
the
potenAal
of
your
house
is
there,
peacefully.
It’s
not
calling
out,
‘You
must
use
this!’
It’s
just
there.
In
the
same
way,
the
potenAal
of
the
mind
is
that
it
will
give
rise
to
whatever
is
required.
You
know
how
when
you
meet
someone,
you
find
yourself
speaking.
You
don’t
have
to
think,
‘What
will
I
say?’
When
you
start
to
think,
‘What
will
I
say,’
you
usually
don’t
speak
very
well,
because
anxiety
has
caught
you.
The
sense
that
somehow,
if
I’m
not
holding
it
together,
‘it’
or
‘I’
will
fall
apart
is
the
anxiety
which
comes
with
the
burden
of
ignorance.
The
anxiety
that
having
been
separated
from
our
ground,
we
live
inside
this
bubble
of
myself
which
carries
this
terrible
burden:
‘It’s
all
up
to
me.
I
have
to
do
it.
If
I
don’t
do
it,
who
will
do
it?’
The
whole
basis
of
the
noAon
of
relaxaAon
in
dzogchen
and
the
idea
of
non-‐duality
is
that
if
you
fall
over,
you’ll
be
okay.
You
don’t
have
to
hold
the
whole
world
together.
The
tension
that
we
carry,
the
stress
that
we
carry
in
our
body,
in
our
minds,
in
our
planning,
and
our
hopes
and
fears
–
all
of
this
rigidity,
is
not
necessary
because
it’s
a
given.
Given-‐ness
is
something
which
may
seem
to
belong
to
a
phantasy
realm.
Most
cultures
have
a
myth
that
a
long
Ame
ago
there
was
a
golden
period
in
which
food
came
effortlessly
in
the
fields,
and
everybody
was
healthy
and
had
a
long
life,
and
so
on.
Gradually
difficulAes
came
into
the
world,
and
the
gold
period
went
to
the
silver,
and
the
silver
to
the
copper,
and
the
copper
to
the
lead,
and
then
it’s
all
a
mess.
There
is
the
fear
that
if
we
don’t
make
effort
things
will
get
even
worse.
However,
maybe
the
golden
period
is
always
there.
Maybe
it’s
our
very
effort
which
is
covering
the
gold
with
lead.
The
funcAon
of
meditaAon
is
to
explore
that.
This
Tibetan
term
lhundrup,
or
effortlessly
arising,
means
that,
without
effort,
the
perceptual
field
is
here.
We
didn’t,
ourselves,
make
the
trees.
We
didn’t,
ourselves,
make
our
own
bodies.
We
didn’t
make
all
this
stuff
around
us
–
it’s
here.
We
will
have
histories
and
stories
about
who
planted
the
trees,
and
what
the
history
of
such
and
such
a
building
is,
and
so
on;
that’s
one
version,
but,
in
the
immediacy
of
direct
experience,
what
is
occurring
is
just
here.
Once more we are at the crossroads; there is the one ground of openness, and there are two paths.
One
path
says
that
resAng
in
the
open
nature
of
the
mind,
I
look
around
and
nowhere
do
I
find
any
limit
at
all.
Each
thing
which
is
arising
is
in
the
mind,
be
it
inside
or
outside
my
head,
be
it
indoors
or
outdoors,
the
trees,
the
clouds,
the
sun
the
moon...
Everything
is
the
experience
of
the
mind
coming
and
going.
The
other
path
says
that
I
am
having
thoughts
about
all
of
these
phenomena.
The
one
who
is
thinking
is
me,
the
things
that
I’m
thinking
about
are
those
things.
The
thoughts
are
like
the
mediators
between
the
self,
which
is
real,
and
the
other,
which
is
also
real.
This
is
the
crossroads
we
are
at.
We’re
always
having
to
decide
which
way
to
go.
Garab
Dorje’s
second
statement
is
that
if
you
remain
in
doubt,
if
you
remain
on
that
crossroads,
then
it
gets
very
troubling
for
you.
What
we
need
to
examine
again
and
again
is,
‘What
is
this
experience?’
and
trust
the
immediacy
of
the
experience.
If
we
trust
the
thought,
rather
than
the
experience,
the
thought
will
bring
in
a
whole
raAonale
about
subject
and
object,
and
things
being
self-‐exisAng,
and
being
truly
defined
by
their
name,
and
so
on,
unAl
suddenly
everything
is
very
solid.
Inside
that
world
of
thoughts
everything
is
experienced
as
very
solid.
We
are
at
the
crossroads
between,
as
it
were,
two
different
worlds.
They’re
not
essenAally
different,
because
both
have
the
same
basis
of
empAness,
but
they
are
funcAonally
very
different.
If
you
follow
the
path
into
trusAng
the
thought
and
believe
that
your
thoughts
are
telling
you
the
truth
about
your
experience
then
you
will
be
forever
in
narraAves
about
...,
about
what
is
coming,
about
what
is
going.
That
is
the
essenAal
difficulty.
When
we
do
the
meditaAon,
and
find
ourselves
ge:ng
caught
up
in
thoughts,
according
to
Garab
Dorje’s
second
statement,
we
should
look
and
ask
‘Where
do
thought
come
from?’
What
is
the
ground
of
a
thought?
If
the
thought
is
coming
from
the
mind
and
the
mind
is
empty,
then
the
thought,
like
a
rainbow
in
the
sky,
has
no
substance.
Yes,
it
can
have
funcAon
or
impact,
but
it
has
no
substance.
That
is
to
say,
it’s
an
energeAc
form
which
appears,
takes
a
parAcular
form,
and
then
vanishes.
In
it’s
vanishing,
there’s
then
a
space
for
another,
and
another,
and
another.
And
that’s
what’s
going
on
all
the
Ame,
so
every
Ame
you
go
into
the
thought,
see
for
yourself
what
happens.
What
kind
of
world
is
revealed
to
you
when
you
enter
your
thoughts?
The
thought
is
like
a
messenger
–
it’s
coming
and
showing
something,
and
then
going.
Just
coming
and
going.
If
you
don’t
merge
with
the
thought,
you
won’t
become
stupid,
because
in
fact
thoughts
give
you
their
informaAon
very
very
quickly.
We
don’t
need
to
hang
onto
them.
James:
Well,
for
example,
if
you
look
around
the
room
you
see
everything
very
quickly.
You
see
what
it
is.
You
can
then
tell
stories
about
it,
but
the
immediacy
of
these
phenomena
gives
you
its
sense
P a g e
|
65
straight
away.
So
if
you
have
a
thought,
‘Ouch,
my
back’s
sore,’
that’s
enough.
You
can
elaborate
that
with
thought
upon
thought
upon
thought,
‘Maybe
I
need
to
go
see
an
osteopath,
but
they’re
a
bit
unreliable,
and
it
costs
money,
and
blah,
blah,
blah,’
‘I
had
a
friend
and
they
went,
and
their
back
got
even
worse
…‘
Blah
Blah
Blah.
Thoughts
will
very
quickly
engage
with
other
thoughts.
You
just
have
the
first
thought.
Ques%on:
When
we
are
in
a
quieter
state
of
mind,
then
maybe
the
thoughts
are
more
interesAng
thoughts,
more
spiritual
thoughts.
Then
I
think
that
I
need
to
follow
them
up
and
remember
them,
and
maybe
even
record
them
in
some
way.
But
you
say
we
should
not
do
that
either?
James: No.
Ques%on: So then they all come down to the same kind of level.
James: Yes.
Ques%on: Just thoughts. So that’s the informaAon it’s telling me.
James: Yes.
Ques%on:
Well,
that’s
what
I
worked
out
when
I
was
about
five.
I
could
see
there
was
a
linkage,
a
well
and
one
ajer
another
the
thoughts
seemed
to
go
down
there.
One
ajer
the
other.
And
in
a
way
I
can’t
see
that
what
you
are
saying
is
different.
James:
Well,
good
luck
with
your
bucket
in
emptying
the
well!
But
you’ll
never
get
to
the
boLom
of
the
well.
James:
We’re
talking
about
two
things
here.
One
is
that
yes,
indeed
our
minds
are
all
psychoAc.
We’re
not
nearly
as
raAonal
as
we
think
we
are.
On
a
general
level
we
don’t
have
much
conAnuity
between
our
thoughts,
which
is
what
we
understand
in
basic
meditaAon.
We
sit,
and
we
see
thoughts
going
here
and
there
–
it’s
like
liLle
fireflies
on
a
summer’s
night.
Having
thoughts
arising
in
the
mind
is
very
different
from
thinking.
Thinking
is
linking,
and
if
you’re
good
at
thinking,
you
can
make
sequences
of
thoughts
that
are
very,
very
long.
However
when
you
are
just
si:ng
with
thoughts
coming
and
going
in
your
head,
they’re
usually
quite
short
sequences.
The
central
quesAon
is
where
do
they
come
from?
If
you
look
at
the
content
of
the
thought,
you
may
noAce
that,
‘Oh
yes,
I
remember,
this
thought
is
due
to
that
thing
that
I
was
experiencing
earlier...’
and
you
link
that
to
something
else,
and
to
something
else,
and
to
something
else.
We
build
up
these
networks
of
thoughts.
What
we’re
looking
at
here
is
that
if
there
is
no
limit
to
the
mind,
then
everything
is
in
the
mind.
So
although
we
may
say
something
is
coming
from
somewhere
else,
for
example,
‘My
watch
came
from
a
shop
in
an
airport
and
I
bought
it
when
I
lost
my
other
watch.’
So
I
know
where
it
came
from.
What
does
that
tell
us?
It
tells
us
that
there
is
a
story
about
this
watch.
Where
does
the
thought,
‘The
watch
came
from
a
shop
in
an
airport’
come
from?
Well,
you
could
say
it
comes
from
my
memory
bank.
One
of
you
said
it
comes
from
her
well.
But
these
thoughts
are
arising
in
my
mind.
In
the
meditaAon
we
are
examining
‘where
is
the
mind?’
What
shape
is
it?
What
colour
is
it?
Where
does
it
come
from,
where
does
it
go?
Where
does
it
stay?
We
think
it’s
staying
here,
but
when
we
look
again,
that
place
is
gone!
We
think
it’s
here
inside
us,
we
look
and
look,
and
that
also
place
is
gone!
Something
else
is
arising.
So
all
kinds
of
thoughts
and
experiences
are
arising
in
the
mind,
but
the
mind
itself
is
not
a
thing.
So,
when
the
thought
arises,
‘This
watch
is
from
a
shop
in
an
airport,
Heathrow
Terminal
1’
this
doesn’t
tell
us
anything
except
that
a
thought
arises
in
my
mind.
What
is
the
real
status
of
the
thought?
It
is
the
luminosity
or
the
clarity
of
the
mind,
and
if
we
stay
with
that,
then
all
the
details
of
all
the
thoughts
don’t
maLer
so
much.
Ques%on:
Is
this
the
creaAvity
of
the
mind?
I
like
to
paint
and
I
can
read
all
sort
of
things
into
what
I
see.
James:
How
you
interpret
the
content
of
the
mind
depends
on
your
karma.
Ajer
lunch
today
I
walked
up
the
path
outside
here
and
there
were
many
holes
in
the
grass
because
the
wild
pigs
around
here
are
snuffling
around,
turning
over
the
ground
with
their
snouts
sniffing
out
tasty
liLle
roots.
Having
just
eaten,
I
was
not
minded
to
get
down
on
all
fours,
put
my
nose
on
the
ground
and
look
for
roots.
Even
if
I
were
very
hungry,
I
probably
wouldn’t
be
using
my
nose
to
try
and
find
these
roots,
because
I
live
in
a
different
dimension
from
the
pig.
The
pig
sees
a
different
world
from
me.
The
birds
see
a
different
world
from
me.
So
in
that
sense,
yes
it’s
like
a
painAng;
the
world
is
interpretaAon.
However
we
can
go
round
and
round
endlessly
talking
about
this,
making
judgements,
and
evaluaAons,
and
so
on.
The
quesAon
is,
in
the
moment
of
the
arising
of
the
experience,
who
is
the
experiencer?
This
is
the
mind
itself.
Like
the
mirror,
it
reveals
this
thought.
We
have
spent
so
many
years
linking
thoughts
together
and
making
paLerns
of
illusion.
All
these
sand
castles
we’ve
built
that
have
already
washed
into
the
sea.
Now
rather
than
looking
at
the
grains
of
sand,
we
look
at
the
nature
of
the
mind
itself,
and
then
see:
this
is
how
the
mind
looks
today;
this
is
how
the
mind
looks
today;
this
is
how
the
mind
looks
today.
This
is
the
look
of
the
mind.
Earlier
today
I
was
using
the
example
of
how
the
complexion
of
the
face
shows
the
health
of
the
body.
When
you’re
si:ng
in
meditaAon,
the
mind
is
open.
That’s
the
natural
face,
nothing
to
grasp.
The
thoughts
that
arise,
this
is
the
radiance
of
the
mind.
If
we
stay
with
that,
we
can
start
to
see
the
non-‐
duality
of
the
thought
and
the
mind,
or
of
the
thought
and
the
thinker,
which
is
not
an
individual
thinker,
it’s
just
the
source.
By
going
into
the
semanAc
content
of
the
thoughts
and
and
developing
these
loops
and
connecAons
which
take
us
here
and
there
we
are
choosing
to
stay
in
samsara.
This
is
always
the
crossroads
that
we’re
at.
When
Garab
Dorje
is
telling
us
not
to
remain
in
doubt,
he’s
saying,
‘Don’t
imagine
that
the
value
which
you
a>ribute
to
things
is
the
real
value.
Stay
with
the
intrinsic
value
–
stay
with
the
clarity
of
the
mind,
because
the
empPness
of
the
mind,
the
clarity
of
the
mind
will
stay.
These
are
the
natural
qualiPes
of
the
mind,
whereas
the
flow
of
thoughts
and
interpretaPons
and
what
sense
you
make
of
things,
this
is
just
like
sand
trickling
through
your
fingers.’
Ques%on:
My
experience
is
that
thoughts
come
with
the
sense
of
an
‘I’
who
has
to
decide
what
to
do
with
‘them’.
P a g e
|
67
James:
This
is
a
big
quesAon
and
an
important
one,
because
what
we’re
faced
with
is
the
nature
of
subjecAvity.
So,
‘I’
exist
as
a
conscious
subject,
which
includes
my
consciousness
–
being
aware
of
things
out
there,
and
being
aware
of
things
in
here
–
but
it’s
also
the
site
where
my
memories
of
the
past
and
plans
for
the
future,
and
all
coincide.
The
conscious
self
is
like
a
crossroads
where
many
messages
can
arrive
very
quickly.
A
thought
comes
and
if
our
address
is
this
‘I,
me,
myself’
crossroads,
then
of
course
we
will
have
to
respond
to
it.
However
this
‘I,
me,
myself’
is
another
aspect
of
the
energy
of
the
mind.
It’s
a
manifestaAon
of
the
mind.
The
mind
itself
is
not
being
asked
to
make
any
decision
at
all
about
anything.
The
one
who
makes
decisions
is
already
a
manifestaAon.
Just
as
the
mirror
is
not
called
on
to
do
anything
–
having
no
bias,
no
prejudice,
being
is
only
reflecAons
reflecAng
reflecAons
–
so
is
the
mind
not
being
called
on
to
make
any
responses.
Does
that
makes
sense?
When
the
reflecAon
‘I,
me’,
myself,
who
I
am
in
my
world’,
is
confronted
with
this
new
possibility
of
choice,
‘Do
I
want
it?
Do
I
not
want
it?’
then
you
get
this
endless
pulsaAon
of
mental
acAvity.
The
thing
is
to
catch
the
sense
of
subjecAvity.
For
example,
yesterday
ajernoon,
when
we
were
doing
the
pracAce
of
looking,
‘Where
is
the
mind?
Where
does
it
rest?’
this
is
usually
the
place
where
we
experience
a
lot
of
this
subjecAve
nexus.
We
feel
maybe
‘My
mind
is
in
my
head,’
or
‘My
mind
is
in
my
heart,’
or
‘My
mind
is
just
here,’
or
‘This
is
my
mind.’
It
seems
to
take
on
some
kind
of
form,
but
if
we
stay
with
it,
it
dissolves.
Nevertheless
it’s
very
tempAng
just
to
think,
‘Oh,
this
is
it.
This
is
it.’
So
here
we
have
this,
like
a
liLle
vortex,
a
liLle
whirlpool
of
energy,
that
brings
itself
into
being
for
a
moment,
and
in
that
moment
is
the
totality
of
my
idenAty.
So
in
that
moment
when
the
thought
comes,
this
parAcular
paLerning
that
you’re
in
at
that
moment
has
to
respond
from
where
it
is.
Yet
you
would
have
responded
to
the
same
thought
in
a
different
way
if
it
had
come
in
the
morning,
or
when
it
was
raining,
or
something
different.
You
get
the
temporary
constellaAon
of
the
self
object
encountering
the
arising
of
another
object,
and
they
get
into
some
kind
of
interplay.
Both
are
manifestaAons
of
the
mind.
Both
are
the
energy
of
the
dharmakaya.
However
we
are
prone
to
idenAfying
with
one
and
holding
onto
it
as
definiAonal
of
‘who
I
am.’
Of
course,
when
we
go
for
a
cup
of
tea,
it
is
who
we
are.
Somebody
asks,
‘Hi,
what
are
you
doing
on
Sunday
auernoon?’
And
we
tell
them,
‘Oh,
I’m
going
to
do
this.
I’m
going
to
do
that.’
This
aspect
of
‘I,
me,
myself’
is
our
conversaAonal
or
communicaAve
point
for
engaging
in
the
world
with
others.
Its
funcAon
is
in
the
house
of
compassion.
The
problem
is
that
when
we
take
something
which
is
primarily
relaAonal
and
responsive,
as
being
in
the
house
of
wisdom
then
we
distort
its
actual
funcAon,
because
it’s
a
temporary
construcAon
which
provides,
moment-‐by-‐moment,
more
or
less
possibility
of
relaAng
to
others.
When
buddhist
texts
say
there
is
no
self,
they
are
saying
there
is
no
self-‐exisAng
self,
no
self-‐determining
self,
which
is
the
fundamental
basis
of
idenAty.
Moment-‐by-‐moment
there
are
these
gestures
of
manifestaAon
which
become
our
launching
points
of
connecAng
with
the
world
and
with
ourselves.
So
when
we
find
ourselves
thinking
about
our
own
lives
–
‘Why
should
I
do
that?
Is
this
really
what
I
want
to
do?
I
was
planning
to
do
that,
but
is
it
worthwhile?’
–
what
you’ve
got
are
paLerns
of
manifestaAon
in
interacAon.
They
create
a
kind
of
son
et
lumière
effect
where
nothing’s
really
there.
It’s
an
illusion.
Again
and
again,
what
we
want
to
do
is
to
relax
into
very
open,
and
just
let
it
roll.
Let
it
roll.
TradiAonally
the
texts
talk
of
a
term
rangbab,
which
means
falling
like
water
down
a
mountain.
Don’t
interrupt
the
flow
of
the
mind
–
someAmes
it’s
clear,
someAmes
it’s
unclear.
SomeAmes
there
seems
to
be
a
dialogic
turmoil
in
which,
as
you
say,
we’re
provoked
by
all
sorts
of
stuff.
SomeAmes
it’s
very
calm.
Let
it
run
as
it
runs.
The
more
we
do
that,
the
more
we
see
that
this
stuff
–
which
appears
to
be
running,
horizontally
as
it
were,
through
us
on
the
arc
of
Ame
–
is
actually
manifesAng
moment-‐by-‐moment;
that
the
arc
of
Ame
is
an
illusion
created
out
of
the
paLerning
of
the
thoughts.
Semde
is
the
mind
series,
and
so
it’s
concerned
primarily
with
the
nature
of
the
mind,
or
with
rigpa,
or
our
presence;
and
so
the
approach
to
the
meditaAon
problems
that
I’ll
describe
now
is
from
that
point
of
view,
but
we
can
also
look
at
it
from
other
points
of
view.
In
my
book,
Simply
Being,
you
will
find
chapters
where
the
authors
Patrul
Rinpoche
and
Chetsangpa
describe
very
common
problems
in
meditaAon.
They
always
give
a
single
soluAon,
which
is
to
stay
present
on
whatever
is
happening.
I’ll
try
to
describe
precisely
what
they
mean
by
this,
and
then
we
can
look
at
it
in
relaAon
to
the
different
sort
of
experiences
that
we
have.
It
will
link
this
to
what
we’ve
been
studying
so
far:
that
the
mind
has
no
shape
or
form,
that
it
is
a
presence,
a
quality
of
being.
That
is
to
say,
we
are
with
ourselves,
we
are
with
experience.
We’re
here.
Now,
our
here-‐ness
is
something
which
is
here
with
whatever
is
happening.
So
when
I
go
to
London,
I
do
have
to
take
my
bag
with
me,
but
I
don’t
have
to
take
my
presence
with
me.
Presence
is
always
there,
whatever
is
going
on.
It’s
not
like
trying
to
remember
where
I
put
my
keys,
it’s
not
like
trying
to
remember
what
I
have
to
do
first
thing
on
Monday,
it’s
not,
as
we
have
spoken
of
before,
taking
something
from
somewhere.
Because
the
mind
is
not
fixed,
is
not
anywhere,
it
is
everywhere.
Whatever
occurs,
you
are
already
there.
Presence
is
always
present
–
that’s
what
it
is.
So,
we
wouldn’t
have
any
experience
if
we
weren’t
there.
So
when
an
experience
arises
…
say
a
very
dull
experience.
You’re
si:ng,
nothing
much
seems
to
be
going
on.
You
feel
a
bit
heavy,
you
may
get
some
associated
thoughts
like
‘This
is
a
waste
of
Pme’
or
‘I
can’t
do
this,’
and
the
general
feeling
is
small,
limited,
and
a
bit
stuck.
Someone
is
having
that
experience.
Again
we’re
at
the
crossroads
where
we
have
to
decide
which
of
the
two
answers
to
follow.
Who
is
having
the
experience?
‘I
am
having
the
experience.’
If
you
take
that
route
then
you’re
pulled
into
wanAng
to
do
something
about
the
experience.
We
make
a
judgement:
‘This
is
not
a
good
kind
of
experience
to
have,
therefore
I
want
to
push
this
experience
away
and
get
a
be>er
kind
of
experience.’
We
all
know
that
path
very
well,
because
we
do
it
a
lot.
It’s
very
difficult
not
to
follow
that
path.
Following
the
other
route:
here
is
an
experiencer.
Where
is
the
experiencer?
The
experiencer
is
here.
Be
the
experiencer.
Here
you
are
with
whatever
is
going
on.
It’s
very,
very
close.
You’re
not
falling
into
the
experience,
so
that
there
is
only
the
experience.
Nor
are
you
stepping
back
from
the
experience,
but
you’re
staying
with
it.
You’re
being
with
what
is
going
on.
Now,
this
‘being
with’,
this
is
the
openness
of
being.
This
is
not
‘being
me’
being
with
it,
because
if
I’m
‘being
me’
I’m
back
into
the
subjecAve
nexus
of
me
standing
in
relaAon
to
it,
and
all
the
consequent
feeling
tones
that
will
be
generated.
This
is
where
this
parAcular
view
is
very
different
from
most
spiritual
paths.
Most
spiritual
paths
see
the
true
nature
as
some
kind
of
subtle
or
sacred
quality
which
is
hidden
from
us,
and
which
we
need
to
approach
through
removing
obscuraAons,
removing
faults
and
demerits,
and
so
on,
unAl,
finally,
we
P a g e
|
69
become
one
with
that
which
we’re
seeking.
Sufi
literature
such
as
the
Songs
of
Kabir,
express
this
view
and
it
is
normal
in
Indian
religious
systems.
However,
what
this
dzogchen
view
is
saying
is
that
the
natural
luminosity
of
the
mind
is
here
and
is
showing
itself
as
the
enArety
of
samsara
and
nirvana.
When
you
have
an
experience
like
dullness
in
your
mind
and
you
say,
‘I
don’t
like
this,’
or
‘This
is
bad,’
or
‘This
shouldn’t
be
happening,’
what
you’re
doing
is
not
recognizing
what
it
is.
This,
itself,
is
the
radiance,
or
the
experience,
or
the
complexion,
or
the
showing
of
the
mind.
Therefore,
what
is
required
is
simply
to
be
present,
to
be
there,
to
be
with
that
experience.
How
do
we
do
that?
We
do
that
by
not
doing
anything
else.
Being
is
revealed
when
everything
else
falls
away.
When
we
take
our
clothes
off,
we’re
naked.
When
we
put
our
clothes
on,
we’re
sAll
naked
but
we
can’t
see
the
nakedness,
we
only
see
the
clothes.
Clothes
don’t
remove
nakedness,
clothes
hide
nakedness.
If
you
hold
that
as
an
analogy,
all
these
obscuraAons
in
the
mind
are
a
clothing
that
hides
the
nakedness
of
the
mind.
It
is
not
that
they
remove
it,
because
the
mind
is
always
naked.
Just
as
the
clothing
that
we
wear
expresses
our
body,
and
in
a
sense
shows
the
body,
so
these
thoughts
show
the
mind.
If
you’re
present
with
it,
it’s
always
already
there.
The
one
who
doesn’t
want
to
be
present
with
the
dullness
is
the
one
who
has
entered
into
a
judgement
that
‘This
isn’t
good.
I
don’t
want
my
mind
to
be
dull.’
Why?
What’s
wrong
with
being
dull?
It’s
very
popular
among
cows.
Possibly
a
couple
of
us
here
today
will
be
born
as
cows
in
our
next
life,
so
we
might
as
well
get
used
to
it
now!
So
long
as
the
ego
discriminates,
saying,
‘This
is
not
good.
I
don’t
want
this
to
be
happening’,
it
will
be
impossible
to
see
the
intrinsic
value
of
everything
which
occurs.
There
is
no
meaning
in
parroAng,
‘Everything
is
self-‐perfected
from
the
very
beginning,’
repeaAng
it
again
and
again
and
again,
if
you
then
follow
it
up
with,
‘...but
I
don’t
want
this
one.‘
In
such
moments
there
is
the
chance
just
to
open
to
what
is
there.
Of
course,
we
have
a
fear
and
reluctance.
It’s
almost
like
post-‐traumaAc
stress.
Post-‐
traumaAc
stress
condiAons
are
caused
because
at
one
Ame
the
person
experienced
a
trauma,
and
this
trauma
has
become
embedded
in
their
energeAc
system,
so
that
they
conAnue
to
have
an
experience
of
hyper-‐vigilance
and
tensions
of
various
kinds,
and
the
system
can’t
relax.
When
ignorance
arises
in
the
mind,
you
could
say
this
is
a
great
trauma,
because
the
natural
integraAon
of
openness
is
torn
by
the
arising
of
duality
wherein
subject
is
kept
apart
from
object.
This
is
a
real
trauma,
and
in
that
trauma
there
is
a
lot
of
fear,
a
lot
of
anxiety.
For
the,
if
you
like,
the
small
self,
the
quality
of
what
is
coming
from
the
environment
is
very
important.
We’ve
already
been
hurt
very
badly
–
we’ve
lost
our
ground;
we
don’t
know
who
we
are;
we’re
wandering
around.
As
we
know,
sadly,
refugees
are
very
vulnerable.
They
can
be
exploited
very
easily,
made
into
sex
slaves
and
so
on.
We
are
like
these
refugees.
We
can
be
captured
by
all
kinds
of
things,
so
we
need
to
be
a
bit
careful.
That’s
why
we
chose
to
think
that
good
experiences
are
okay,
and
bad
experiences
are
not
okay,
because
bad
experiences
carry
with
them
an
echo
of
the
big
trauma
when
things
really
went
wrong.
When
dzogchen
tells
us
to
open
up
to
everything
bad,
that
doesn’t
sound
very
good,
does
it?
Open
up
to
hopelessness?
Open
up
to
despair?
Don’t
protect
yourself
against
these
things?
On
the
level
of
an
ego-‐self,
that
sounds
completely
stupid
–
why
would
you
do
that?
Once
again,
we’re
at
the
crossroads.
The
ego-‐self
is
quite
small,
and
does
need
to
protect
itself.
Since
it
is
an
energeAc
formaAon,
it
will
always
be
vulnerable.
The
ego
cannot
be
safe
because
it’s
just
an
accumulaAon,
a
meeAng
together,
a
paLerning,
a
juxtaposiAon,
of
parAcular
traits
and
habits,
formaAons
–
it
has
no
essence
or
substance
to
it.
It
can
always
be
moved
around
and
influenced.
In
contrast,
presence
or
being,
is
open,
is
like
the
sky,
like
the
ocean.
When
storms
go
off
in
the
sky
–
when
there’s
lightning
and
thunder,
great
clouds
rolling
around,
noise,
excitement,
electricity
–
ajer
a
while
they
go
by,
and
the
sky
is
just
the
same.
The
sky
is
indestrucAble.
The
dzogchen
tradiAon
describes
the
mind
as
being
like
the
sky;
the
mind
is
indestrucAble,
it
is
vajra.
We
have
to
really
try
to
take
this
idea
into
us,
that
the
real
nature
of
my
being,
who
I
really
am,
is
indestrucAble.
The
energy
of
that
being
manifests
itself
as
the
vulnerable
forms
‘I,
me,
myself.’
If
we
can’t
tell
the
difference
between
the
two,
we’re
stupid.
They’re
not
the
same.
The
mind
itself
is
indestrucAble,
whereas
the
personality
is
very
destrucAble.
The
personality
gets
very
disturbed
by
all
sorts
of
things.
Allowing
the
personality
to
move
is
a
kind
of
freedom,
but
this
is
a
secondary
freedom
because
the
fundamental
freedom
is
the
indestrucAbility
of
the
mind.
When
you
really
start
to
see
for
yourself
that
the
mind
is
empty,
then,
when
depressed
states
come,
when
agitated
states
come,
or
fearful
states,
you
stay
with
them.
You’re
not
afraid,
because
they
will
not
harm
the
open
awareness.
Awareness
is
like
the
sky.
This
experience
is
here,
it’s
me,
and
it’s
gone.
It’s
me,
and
it’s
gone.
This
is
the
great
freedom.
This
is
the
purpose
of
meditaAon
–
to
give
us
the
confidence,
the
direct
experience
of
our
indestrucAble
nature.
So,
when
we’re
meditaAng,
whatever
occurs
in
the
mind,
whatever
sensaAon
or
emoAon
or
thought,
don’t
block
what
is
occurring.
Don’t
enter
into
judgement
about
it.
Just
offer
hospitality
to
it.
The
nature
of
the
mind
is
infinite
hospitality.
It’s
always
open,
always
welcoming.
That
is
how
we
enter
into
our
own
state,
by
opening
again
and
again.
On
a
relaAve
level
we
did
this
last
night
with
the
tong
len
pracAce,
where
we
take
other
people’s
suffering
into
ourselves.
On
an
ordinary
level
this
may
seem
a
very
strange
thing
to
do.
Why
would
I
want
their
suffering?
Then
we
realize
it’s
not
toxic,
it’s
not
poisonous.
If
a
friend
is
very
sick
and
maybe
dying,
then
we
can
feel
very
sad.
Yes,
this
is
very
very
sad
but
sadness
is
part
of
life.
It’s
just
what’s
happening.
‘It
shouldn’t
be
happening,’
or
‘It’s
terrible,’
or
‘It’s
cruel’
–
these
are
all
judgements.
Someone
is
dying.
Some
people
die
in
the
womb;
some
people
die
at
birth;
some
people
die
in
the
first
few
years
of
life;
some
people
die
at
ninety.
Some
people
die
asleep
at
night;
some
people
die
in
car
crashes.
There
are
many
ways
to
die.
We
are
all
going
to
die.
So
this
person
is
dying.
Be
with
whatever
happens.
Very
important,
just
this
is
it.
This
is
it.
This
doesn’t
mean
that
you
become
some
kind
of
passive
idiot
to
be
pushed
around
by
everything
in
life.
Opening
to
circumstances
allows
you
to
work
with
the
circumstances.
So,
whatever
is
occurring
in
the
meditaAon,
just
be
with
it.
Being
with
it
means
that
if
you
have
a
friend
who’s
telling
you
about
some
difficulty
in
their
life,
and
they’re
upset,
you
don’t
start
crying
too
and
weeping
and
wailing.
That
would
be
stealing
their
story.
Being
able
to
listen
to
someone
doesn’t
mean
having
all
their
tears
for
them,
but
neither
does
it
mean
being
unfeeling.
When
we’re
with
someone
we’re
touched
and
moved,
but
we
are
not
caught
up
in
it,
because
if
you
want
to
help
someone
you
can’t
be
too
far
in
the
story.
Let
their
story
be
present
and
register
…
it’s
almost
as
if
we
open
our
heart
and
we
make
a
space
in
our
heart,
and
the
other
person
can
dwell
in
there
for
a
liLle
bit.
Something
like
that.
It’s
exactly
the
same
in
the
meditaAon.
Whatever
thoughts
or
sensaAons
or
feelings
are
arising,
let
them
arise
in
the
space
of
the
heart,
in
the
centre
of
our
being.
And
then
they’re
gone.
And
then
they’re
gone.
Not
defending
ourselves
against
what
is
occurring
is
the
taste
of
non-‐duality;
because
in
non-‐duality
there’s
nothing
to
defend
yourself
against.
So,
according
to
semde,
this
is
the
essenAal
way
of
dealing
with
all
meditaAon
problems.
In
meditaAon
someAmes
the
mind
is
empty
of
thoughts,
open
yet
with
nothing
much
going
on.
Other
Ames
the
mind
is
suffused
with
happiness.
SomeAmes
the
mind
has
a
great
clarity.
When
such
experiences
arise,
don’t
hang
onto
them,
don’t
appropriate
them,
don’t
feel
that
you’ve
arrived
anywhere.
Just
allow
them
to
come
and
go.
Of
course
this
is
difficult
for
us
because
if
we
get
a
good
experience
we
want
to
build
on
it.
What
do
we
need
a
building
for?
The
mind
is
naked
and
empty,
it
has
no
pockets.
We
can’t
get
anything,
so
if
we
can’t
get
anything
why
are
we
trying
to
get
something?
We
don’t
need
it.
This
also
is
difficult.
In
the
ChrisAan
tradiAon
they
say,
‘sufficient
unto
the
day’
which
means
‘give
us
this
day
our
daily
bread’,
meaning
that
this
is
enough.
ALend
to
the
moment.
ALend
to
the
moment.
That’s
very,
very
interesAng
P a g e
|
71
because
this
moment
is
enough.
In
dzogchen
language,
it
is
self-‐perfected,
completed.
Having
had
many
many
moments
in
your
life,
did
any
of
them
have
a
hole
right
through
the
boLom
of
them?
There’s
always
something
else.
Or,
as
we
say
in
ordinary
language,
‘it’s
just
one
damn
thing
auer
another.!
Having
an
anxiety
that
experience
is
going
to
stop
is
a
bit
unnecessary.
It
is
guaranteed
that
this
experience
will
go,
and
then
another
will
come.
‘But
I
like
this
one.
I
can
use
this
one.
It
suits
me.’
This
is
the
land
of
the
ego.
Let
it
go
–
then
you’re
in
the
land
of
awareness.
Here
is
a
very
simple
kind
of
litmus
test
to
see
the
difference
between
the
ego
and
awareness.
Awareness
doesn’t
need
to
hold
onto
anything
–
like
the
mirror,
it
just
is
with
whatever
is
there.
There
is
nothing
to
take
away
because
no
experience
is
beLer
than
any
other.
In
the
world,
when
we’re
interacAng
with
other
people,
experiences
have
value;
they
have
the
relaAve
value
of
exchange.
One
cup
of
coffee
can
be
a
lot
beLer
than
another
cup
of
coffee.
It
would
be
ridiculous
to
say
everything
is
the
same,
that
all
coffee
is
the
same,
that
all
apples
taste
the
same.
But
in
terms
of
meditaAon,
phenomena
are
all
arising
and
passing,
and
the
more
we
allow
that
to
happen,
the
more
free
we
are.
We
can
try
another
pracAce
now.
This
is
a
way
of
loosening
up
our
fixaAon
on
objects,
including
ourselves,
as
being
strongly
real.
Imagine
in
your
heart
a
small
ball
of
blue
light,
about
as
big
as
to
the
first
joint
of
your
thumb.
Inside
that
you
imagine
a
blue
Hung,
The
blue
light
represents
the
open
spacious
dimension
of
the
Buddha’s
mind.
Focus
your
aLenAon
on
this
blue
ball,
which,
although
it’s
small,
it’s
also
as
big
as
the
whole
universe.
And
then
start
to
make
this
sound
of
Hung.
‘Hung,
hung,
hung,
hung...’
As
you
say
that
imagine
small
Hungs
or
small
balls
of
blue
light
are
flying
out
with
enormous
power.
As
they
pass
through
your
body
they
dissolve
it
into
dust.
As
they
pass
out
into
the
world,
they
dissolve
everything
they
encounter.
They’re
crunching
up
the
whole
universe
unAl
nothing
is
lej
except
this
small
ball
of
blue
light.
Then
that
too
dissolves
into
empAness.
Just
sit
in
empAness,
but
keep
the
chanAng
of
Hung
for
quite
a
long
Ame
to
give
you
Ame
to
revisit
any
bits
that
need
a
bit
more
grinding.
So,
anything
that
you
feel
you’re
aLached
to
–
your
books,
your
lover,
your
wine
cellar,
whatever
needs
a
parAcular
grinding
into
dust,
give
it
a
lot.
Hung
is
the
sound
of
the
five
wisdoms,
of
all
the
qualiAes
of
immediate
wisdom
that
the
buddhas
have.
This
force
is
a
very
pure
force.
The
actual
nature
of
all
phenomena,
including
our
own
body,
is
like
an
illusory
form,
like
a
rainbow
so
any
feeling
tone
of
things
being
solidly
real
is
a
false
percepAon
which
we
have
projected
onto
the
phenomena.
ReciAng
the
Hung
again
and
again,
we
just
clear
all
the
space,
infinitely
expanding,
infinitely
expanding
unAl
there
is
no
trace
lej.
And
then
we
bring
all
the
light,
all
these
forms,
back
into
this
one
Hung
in
the
heart,
or
into
this
one
blue
spot
in
the
heart.
It
dissolves
into
that,
into
empAness,
and
then
we
just
sit
in
that
open
state
for
some
Ame.
[PracAce]
The
real
difficulty
for
us
is
the
nature
of
judgement.
Clearly
in
life
we
have
to
make
choices.
When
you
go
for
breakfast
you
have
to
decide
what
you’re
going
to
eat.
Everything
is
okay,
but
you
sAll
have
to
decide.
When
you
make
that
decision
it
doesn’t
mean
you
have
to
insult
the
things
you
don’t
eat.
They’re
not
bad,
it’s
just
that
you
don’t
want
to
eat
them
today.
In
a
similar
way
we
make
parAcular
choices
with
everything
in
life.
There
are
many,
many
roads
that
are
open
to
us,
many
paths
we
could
go
down,
but
we
have
to
choose.
One
of
the
ways
we
reassure
ourselves
that
our
choice
has
been
good,
is
to
decide
that
the
other
choices
are
bad.
This
creates
the
heaviness
of
dualisAc
interpretaAon.
Carried
to
its
extreme
form
this
accounts
for
the
witch
trials
throughout
Europe.
There’s
a
noAon
of
standard
behaviour,
and
there’s
a
noAon
of
unusual
behaviour.
If
there’s
a
need
to
find
out
why
something
inexplicable
is
happening,
you
choose
the
people
whose
behaviour
is
different
from
yours,
you
isolate
them
and
then
persecute
them.
Something
similar
happens
in
the
modern
phenomenon
of
terrorism.
People
who
disagree
with
government
policy
in
various
countries
are
accused
of
being
terrorists,
and
having
being
marked
as
terrorists,
they
are
then
exposed
for
torture
and
killing.
So
the
quesAon
is
how
to
avoid
judgement.
Judgement
is
a
quality
of
duality:
‘I
have
this
opinion
about
that.’
In
the
making
of
the
judgement,
the
posiAoning
of
the
self
becomes
very
small
and
Aght.
There
is
a
difference
between
judgement
and
discernment.
Discernment
is
prajna
in
Sanskrit,
sherab
in
Tibetan.
Sherab
means
good
knowing
or
best
knowing
–
it
means
able
to
know
precisely
what
something
is,
what
it’s
qualiAes
are.
For
example,
if
you
drink
some
wine,
you
can
know
whether
the
wine
is
dry
or
sweet,
you
can
know
whether
it
has
a
good
taste
or
a
bad
taste,
whether
it’s
rich
or
full
or
empty
or
acidic.
This
can
all
be
neutral
informaAon
or
it
can
be
fuel
for
a
judgement.
You
may
then
say,
‘Oh,
this
is
horrible.
It
is
very
sharp.’
Instead
of
saying
that
I
do
not
like
sharp
wines
and
keeping
the
feeling
tone
in
me,
I
project
the
horribleness
onto
the
wine.
The
wine
is
somehow
aLacking
me
by
being
not
what
it
should
be.
There
we
can
see
some
of
the
essenAals
of
judgement:
that
we
start
with
a
map
–
with
a
model
of
how
the
world
should
be.
Another
example,
we
might
have
a
sense
that
this
world
we’re
in
is
samsara,
and
that
samsara
is
full
of
problems,
and
that
the
people
we
see
have
the
five
poisons
and
so
they
are
all
very
limited.
This
is
a
general
buddhist
view
and
explains
why
we
say
to
people,
‘May
you
be
happy,
may
you
get
enlightened’,
because
it’s
obvious
that
the
people
we
meet
are
not
enlightened.
This
is
a
judgement.
This
is
a
judgement
based
on
a
parAcular
viewpoint,
or
a
perspecAve.
Remember
that
it
is
most
important
to
always
to
be
clear
what
is
the
view
that
you
are
pracAcing
with,
because
not
all
views
are
the
same
and
the
view
and
the
meditaAon
and
the
acAvity
and
the
result
all
go
together.
In
dzogchen
the
view
is
that
everything
is
fine
as
it
is.
It’s
okay.
It’s
complete
as
it
is
–
it
doesn’t
need
anything
done
to
it.
If
we
say,
‘it’s
perfect’
It
doesn’t
mean
perfect
in
the
sense
of
superior
to
things
which
are
imperfect.
Although
the
language
in
dzogchen
is
always
gesturing
towards
non-‐duality,
language
itself
is
structured
around
binary
opposiAons
so
you
have
to
deconstruct
your
dualisAc
reading
of
the
word
that
is
being
applied.
Otherwise
we
just
can’t
say
anything.
So,
saying
that
everything
is
perfect
doesn’t
mean
that
it’s
superior
to
imperfect
things.
‘Everything
is
perfect’
means
there
are
no
inferior
things.
P a g e
|
73
So
what
does
perfect
mean?
It
means
that
the
ground
is
perfect.
A
tradiAonal
example
that’s
given
is
that
if
you
go
to
the
land
of
gold,
everything
is
made
of
gold,
and
you
won’t
find
anything
there
that
is
not
gold.
Everything
will
have
value.
When
we
do
the
pracAce
and
we
open
the
mind,
we
see
that
the
mind
is
empty.
It
has
no
limitaAon,
it
has
no
shape,
it
doesn’t
rest
anywhere.
The
mind
is
the
ground
of
everything.
It
is
the
basis,
or
the
ground,
the
kun
zhi,
the
absolute
dimension
out
of
which
everything
arises.
This
is
not
a
view
that
is
shared
by
all
the
schools
of
buddhism.
Many
would
say
that
the
phenomena
of
the
world
are
arising
from
the
alayavijnana,
the
kun
zhi
nampar
shepa,
which
is
to
say
that
they’re
arise
from
subtle
habitual
traces,
and
that
we’re
constantly
regurgitaAng
the
same
stuff
again
and
again,
reconstrucAng
this
familiar
dimension.
This
fundamental
ground
consciousness
is,
itself,
uncompounded.
There
are
no
true
essences,
so
what
people
take
to
be
the
ground
is
always
a
false
ground
because
the
ground
itself
is
not
a
ground
that
you
can
grasp.
The
basic
ground
is
empAness,
an
empAness
which
is
suffused
with
awareness,
and
has
the
quality
of
clarity.
In
the
meditaAon,
is
there
any
thought
that
we
need
to
get?
No.
No
one
thought
is
more
important
than
another
thought.
The
answer
doesn’t
lie
in
the
thought.
Thoughts
are
transient
rays,
like
the
rays
of
the
sun.
The
sun
itself
remains
the
same.
So,
the
quality
of
rigpa,
awareness,
or
being,
or
presence
is
self-‐
effulgent;
it
has
it’s
own
light,
and
this
light
displays
itself
as
all
the
forms
of
existence.
These
forms
are
not
important,
they’re
just
moments.
They
are
ungraspable
moments.
When
we
think
that
we
have
arrived
someplace
by
tying
ourselves
to
a
fixed
moment,
we
are
going
to
be
lost.
This
is
the
difference
between
dzogchen
and
the
lam
rim
paths.
The
lam
rim
path
is
a
gradual
process
of
building
up
stage
by
stage
by
stage,
but
each
moment
of
each
stage
is
an
impermanent
phenomena.
The
Buddha’s
basic
teaching
is
impermanence.
Impermanence
is
viewed
in
dzogchen
as
self-‐liberaAon.
Whatever
arises
is
passing,
therefore,
don’t
be
excited
by
things
you
like,
for
the
shiny
object
and
the
limited
subject
will
arise
and
pass
together.
Also
don’t
be
disappointed
by
things
you
don’t
like,
for
the
negaAve
object
will
be
linked
with
another
limited
and
transient
paLern
of
mental
formaAon
and
both
will
soon
vanish
of
their
own
accord.
This
mind,
in
that
context,
is
simply
another
energeAc
form,
whether
it’s
the
object
or
the
subject;
as
it
arises,
it’s
already
going.
We
think
that
we
get
to
know
other
people
through
Ame
and
that
we
develop
and
build
up
friendships.
Friendships
don’t
happen
in
five
minutes
or
in
a
day.
If
you
meet
someone
on
a
bus
journey
and
talk
to
them
for
half
an
hour
but
are
likely
never
to
see
them
again,
it
would
probably
be
rather
strange
to
say,
‘That’s
my
best
friend.’
You
wouldn’t
rely
on
a
stranger
because
a
stranger
is
passing
by.
Likewise
these
thoughts
that
arise
in
our
mind
are
essenAally
strangers.
They
are
never
going
to
be
in
our
world.
Paradoxically,
of
course,
they’re
always
in
our
world
because
they
are
the
flowers
of
the
dharmakaya,
they
are
the
flowers
of
the
sky,
but
you
cannot
catch
them.
So
all
the
energy
that
goes
into
judgement
–
into
liking
and
not
liking,
pu:ng
things
here,
taking
things
away
–
all
this
is
the
energy
of
duality,
which
is
just
like
a
swirl
on
the
surface
of
the
infinite
ocean
of
awareness.
However
these
surface
swirls,
in
their
turbulence,
can
distract
us
very
easily,
and
then
we
forget
this
calm
openness.
We
can
look
at
our
own
lives
and
think
about
how
many
thoughts
we’ve
had,
and
ask
what
stability
have
these
created?
The
various
enthusiasms
that
we’ve
had
at
different
periods
in
our
lives
have
gone.
It’s
very,
very
important
to
reflect
again
and
again
how
you
have
given
yourself
to
acAviAes,
to
projects,
to
people
–
and
then
it’s
vanished.
People
who
were
very
important
are
now
vanished
from
your
life,
someAmes
with
sadness,
someAmes
you’re
happy
to
see
the
back
of
them.
Anyway
they’re
gone.
You
cannot
build
idenAty
on
the
object.
Also,
the
subject
who
is
looking
to
build
its
idenAty
on
the
object
is
also
always
changing.
Subject
and
object
interact,
and
mutually
influence
and
change.
They’re
never,
ever
stable.
What
we
call
our
subjecAvity
is
a
desire
to
be
involved;
this
is
why
it’s
the
basis
of
the
energy
of
compassion.
We
arise
into
the
world,
as
part
of
the
world,
wanAng
to
be
involved
in
it.
That
involvement
can
happen
without
judgement.
When
you’re
in
a
mood
for
dancing,
you
can
dance
to
anything
but
if
we
sit
waiAng
for
the
perfect
song
that
we
like,
then
maybe
we
will
wait
for
a
long
Ame.
So
when
we’re
looking
at
these
three
aspects
of
idenAty,
ngowo,
rangzhin,
thugje
–
the
open
dimension,
the
field
of
experience,
and
the
parAcular
movement
of
experience
–
that
parAcular
movement
is
embedded
in
the
field.
That’s
the
most
central
thing,
that
we
are
always
already
dancing.
We’re
always
in
some
kind
of
movement,
in
some
kind
of
rhythm
in
everything
we
do.
Whether
it’s
traveling
to
work,
or
going
into
the
shops,
thinking
about
what
to
buy,
planning
for
a
holiday;
these
are
all
interacAons
with
parAcular
kinds
of
melodies
that
pass
through
us.
The
dance
goes
on.
The
music
doesn’t
stop.
In
the
general
tantric
tradiAon
they
say
that
our
nature’s
encompassed,
that
it’s
unborn
and
unceasing.
It
doesn’t
come
into
existence
at
all
as
anything,
so
it’s
pure
empAness,
and
yet
the
quality
of
this
empAness
is
the
ceaseless
flow
of
experience,
which
is
both
subject
and
object.
In
terms
of
Garab
Dorje’s
third
point,
confidence
means
that
everything
which
occurs,
including
myself,
this
whole
field,
is
the
radiance
of
openness.
That
is
what
it
is.
On
top
of
that,
all
kinds
of
narraAves
move.
These
narraAves
are
also
part
of
the
radiance
–
whether
the
narraAve
is
a
narrow,
pain-‐inducing
one,
or
an
open,
joyful,
connected
one,
they
have
the
same
nature.
Remember
this
basic
proposiAon
that
there
is
one
ground
and
two
paths?
These
paths
are
whether
we
stay
related
to
the
ground,
or
we
don’t.
The
path
of
samsara
is
forgevulness
of
the
ground;
the
path
of
nirvana
is
integraAon,
or
remembrance
of
the
ground.
That’s
the
main
difference
between
them.
When
we
forget
the
ground,
we
have
to
work
out
what’s
going
on
and
then
we
enter
into
judgement,
and
that
keeps
us
very
busy.
If
you
remember
the
ground,
if
you
open
to
everything
in
that
way,
you
will
find
an
easy
flow
of
responsiveness
coming.
This
takes
us
back
to
the
quesAon
of
agency
–
what
we
take
to
be
the
ego
agency,
the
one
who
does
things.
Tibetan’s
call
this
the
che
pa
po,
the
actor,
the
enactor.
This
is
itself
the
energy
of
awareness,
rigpa
itself.
It
means
every
Ame
you
are
doing
something,
this
is
just
the
movement
of
the
mind.
We
run
the
story
‘I
am
doing
this,’
but
a
great
deal
of
what
we
do
is
just
happening.
Now
you
could
take
a
western,
biochemical,
neurophysiological
interpretaAon
of
this.
Take
a
fairly
automaAc
behaviour
such
as
walking.
Walking
on
a
busy
flat
city
road,
or
walking
in
the
countryside
when
your
feet
are
adjusAng
to
the
height
and
stability
of
stones
large
and
small.
There
is
a
huge
amount
of
responsive
interplay
between
the
contouring
of
the
environment
and
how
we
inhabit
it.
Some
people
will
analyse
this
enArely
in
terms
of
brain
funcAon
and
neurotransmiLers
and
so
on.
Dzogchen
is
not
making
that
kind
of
interpretaAon
at
all
–
the
view
would
be:
this
is
the
arising
of
awareness.
We
don’t
need
to
think
of
it
in
terms
of
‘I
am
walking.
I
am
doing
this.
This
hill
is
very
steep,
I
am
gekng
Pred.’
It’s
not
that
you
can’t
say
these
things,
but
if
you
put
your
energy
into
it
as
a
true
account
of
what
is
going
on,
then
you
think,
‘I
am
climbing
the
mountain.’
What
is
this
‘I’
that
has
so
much
power?
Because
if
we
say,
‘I
am
Pred,’
then
you
could
say
P a g e
|
75
—
Well,
Mr.
I,
you’re
able
to
climb
mountains.
Why
are
you
Pred?
Don’t
go
to
bed,
climb
a
mountain!
—
No,
I’m
Pred.
—
But
I
thought
you
were
climbing
a
mountain.
—
I
do
different
things.
I’m
different
people.
You
can’t
catch
me
like
that.
And
this
is
exactly
true:
‘I’
is
an
empty
signifier.
‘I’
has
no
content
in
it
at
all,
and
this
is
why
ignorance
catches
us
again
and
again
–
because
‘I’
is
empty
you
can
put
any
kind
of
bullshit
into
it.
You
can
say
anything
you
like
–
‘I
am
this.
I
am
that.
I’m
whatever
I
fancy.’
What
is
this
‘I’?
Well,
if
it
can
take
on
all
these
significaAons,
it
must
be,
indeed,
an
empty
signifier.
It
has
no
content
of
its
own.
The
‘I’
is
empty.
What
we
call
‘I’
is
actually
the
dharmadhatu,
it’s
ying
rig
yer
me.
It
is
the
radiance
of
awareness.
So
the
ordinary
ego
is
actually
awareness
itself,
except,
instead
of
looking
at
it’s
ground,
it
looks
at
it’s
content:
‘I
am
Pred.’
So
if
you
take
the
sentence
‘I
am
Pred,’
and
ajer
the
first
two
words
you
put
in
a
comma:
‘I
am,
Pred.
I
am,
hungry.
I
am,
BriPsh.’
It
can
be
‘I
am,
anything,’
but
the
‘I
am’
comes
first.
What
is
the
‘I
am?’
‘I
am
empty,
therefore
I
can
be
BriPsh.
Therefore
I
can
be
hungry.
Therefore
I
can
be
Pred.’
So
that’s
the
missing
bit
of
the
sentence.
‘I
am
empty,
therefore
…’
you
can
say
whatever
you
like
about
yourself,
but
if
you
miss
out
this
middle
bit,
you
get
lost.
The
reason
that
‘I,’
all
of
us,
can
be
so
many
different
things,
is
because
we’re
empty.
We
can
be
sad,
happy,
and
so
on.
We
can
be
indifferent
to
other
people’s
sufferings,
or
very
upset
by
other
people’s
sufferings
because
we
can
be
filled
with
many
different
contents.
The
individual
ego-‐self
is
empty
and
is,
itself,
the
point
between
the
open
dimension
and
the
closed
dimension.
The
closed
dimension
is
never
closed
–
it’s
simply
an
enclosure
in
the
openness.
If
you
go
up
in
a
liLle
airplane
and
you
fly
across
the
land
here,
you
look
down
and
you
see
hills
and
forests,
and
so
many
things,
and
when
you
see
this
more
open
area,
you
see
fields.
And
how
we
know
it’s
a
field
is
because
it
has
a
fence
around
it
–
the
fence
is
a
convenAonal
signifier.
The
farmer
who
owns
the
field
has
that
field
registered
with
the
land
registry,
so
that
if
he
gets
into
a
conflict
with
his
neighbour,
they
know
exactly
who
owns
what
bit
of
land.
All
the
land
on
the
earth
now
is
owned
by
somebody.
But
the
land
itself,
underneath
the
fence
…
I
mean
the
fence
post
is
only
going
down
half
a
meter,
if
that.
Underneath
that
is
just
the
land.
So
the
imposiAon
of
these
convenAonal
cu:ng
ups,
the
aLribuAon
of
ownership,
‘This
is
mine,
this
is
not
yours,’
we
see
how
this
funcAons
outside.
It
also
funcAons
in
our
mind.
We
do
the
same
thing.
This
open
field
of
experience,
the
uncondiAoned
dharmadhatu,
is
chopped
up
into
liLle
pieces
by
the
ego
registry
office
that
says,
‘This
is
mine,
this
is
yours.’
Except
the
person
in
the
ego
registry,
under
the
table,
has
a
liLle
boLle
of
whisky,
so
they
get
a
liLle
bit
drunk
and
confused,
and
one
minute
they’re
saying,
‘No,
this
is
what
I
really
want.
No,
no,
no
–
that’s
wrong,
no.
This
is
what
I
really
want.
No,
no,
no,
no.
This
is
what
I
really
want.’
So
all
day
long,
we’re
changing
our
mind
about
who
we
are,
but
we
say
it
with
absolute
convicAon!
This
is
how
the
mind
goes
on
in
the
turbulence
of
samsara.
Because
the
self
is
empty,
how
could
it
be
reliable?
It
will
not
be
stable,
because
it
doesn’t
have
a
fixed
content.
It’s
like
asking
the
mirror
‘What
do
you
look
like?’
The
mirror
says,
‘I
look
like
whatever’s
in
front
of
me.’
—
No,
but
what
do
you
look
like?
—
I
told
you,
I
look
like
whatever’s
in
front
of
me.
—
Don’t
you
have
any
idenPty
of
yourself?
—
Well,
don’t
you
want
to
look,
look
at
your
own
nose?
—
My
giu
to
you
is
the
reflecPon.
Don’t
ask
me
for
anything
more.
You
won’t
catch
the
mirror.
You
won’t
catch
the
mind.
The
mind
will
endlessly
give
you
these
reflecAons.
So
this
is
the
essenAal
thing.
Opening
to
the
empAness.
TrusAng
the
open
dimension
of
being,
the
un-‐
capturable
nature
–
which
is
not
nothing
at
all,
because
we
also
call
it
vajra.
It’s
indestrucAble,
the
radiant
field.
So
we’re
si:ng
in
the
pracAce
with
our
eyes
open.
Lot’s
of
things
are
going
on:
noises
from
outside,
people
moving,
sensaAons
in
our
own
body,
shijs
in
the
visual
field,
memories,
thoughts,
and
so
on.
All
of
this,
where
does
it
come
from?
This
is
why
we
have
to
look
at
these
five
quesAons
we
looked
at
before.
Again
and
again
and
again,
unAl
you
are
sure.
The
mind
is
infinite.
My
mind
is
infinite.
I
am
infinite.
Infinity
has
no
limit.
There
is,
therefore,
nothing
outside
it;
everything
which
arises
is
the
display
of
the
mind,
the
play
of
the
mind.
This
is
exactly
what
Garab
Dorje
is
meaning
by
the
confidence
–
so
it
means,
whenever
something
is
occurring,
this
is
the
radiance
of
the
mind.
Like
a
rainbow
in
the
sky:
there
yet
ungraspable;
and
vanishing.
So,
from
that
point
of
view
you
don’t
need
to
enter
into
heavy
judgements
because
there
is
no
territory
to
secure.
You
already
have
the
territory.
This
is
the
great
freedom
of
relaxing
into
the
dharmakaya.
Then
from
that
state,
we
find
ourselves
moving
and
responding
in
the
world
with
others.
Responding
arises
with
discernment.
Discernment
means
that
we
modulate
our
behaviour
through
connecAon.
That
is
to
say,
we
don’t
have
to
fine-‐tune
it,
but
by
staying
connected
with
the
different
people
and
the
different
environments,
it
corrects
itself,
doesn’t
it?
For
people
who
know
how
to
drive
cars,
when
you’re
driving,
you’re
moving
on
the
road.
It’s
not
your
own
private
road,
so
other
people
are
driving
along
it
too.
As
somebody
is
coming
towards
you,
or
trying
to
overtake
you
from
behind,
you
have
a
sense
of
how
they
are
driving.
If
they
look
scary,
you
are
more
careful.
If
they
look
okay,
you
can
see
what
they’re
doing.
These
cars
are
passing
each
other.
They
are
moving
in
the
same
field,
and
the
whole
thing
about
cars
having
mirrors
is
because
the
driver
has
to
be
in
the
field
as
it’s
unfolding.
You
have
to
read
the
road
and
other
drivers
and
the
movement
of
the
road,
whether
it’s
uphill
or
downhill,
or
around
a
sharp
corner.
That
makes
you
do
what
you’re
doing.
The
road
shows
you
what
to
do.
You
don’t
have
to
sit
worrying
and
worrying,
‘How
will
I
get
round
this
corner?’
because
once
you
have
the
basic
competence,
you’re
simply
moving
with
circumstances.
We
are
working
with
circumstances,
this
is
central
to
Garab
Dorje’s
third
point.
We’re
not
trying
to
impose
ourselves
on
circumstances,
but,
by
allowing
ourselves
to
be
fully
part
of
the
field,
we
have
the
opAmal
sense
of
what
is
going
on,
and
the
movement
arises
from
that.
Questions
What
basic
competencies
are
needed?
Ques%on:
What
are
the
basic
competences
you
need?
You
told
us
that
for
driving
a
car
you
have
to
have
a
driving
cerAficate.
How
do
we
get
a
dharma
driving
licence?
James: It’s an important quesAon: what are the basic competencies that you need.
Firstly,
really
look
unAl
you
see
the
empty
nature
of
the
mind.
Now,
this
is
not
something
that
you
have
to
achieve,
because
the
mind
itself
is
already
empty.
You’re
not
making
your
mind
empty.
You’re
not
doing
something
arAficial
to
yourself
–
you’re
stopping
being
arAficial.
In
the
same
way,
the
first
thing
that
you
would
have
to
do
in
learning
to
drive
is
to
stop
being
a
passenger.
The
passenger
sits
in
the
car
and
looks
out
the
window,
‘Mm-‐mm,’
because
it
doesn’t
maLer
what
the
passenger
is
doing.
They’re
not
influencing
the
movement
of
the
car.
It
somebody
gets
into
the
driver’s
seat,
then
they
have
to
think,
‘Ah!
I’m
not
the
passenger,
I’m
the
driver.’
It’s
a
whole
different
world.
So
in
our
ordinary
samsaric
existence,
we’re
like
the
passenger,
just
wandering
around,
looking
here,
looking
there.
CreaAng
and
creaAng
and
creaAng
kinds
of
experiences
in
the
forgevulness
of
karma,
imagining
whatever
we
do
is
fine,
not
seeing
that
there
will
be
consequences.
P a g e
|
77
When
we
start
to
look
in
the
meditaAon,
and
we
see,
‘Oh,
the
thing
that
hides
my
own
nature
from
me
is
my
involvement
in
these
thoughts.’
DistracAon
is
something
that
I
am
doing
as
an
acAve
ego,
and
it
stops
me
from
being
a
safe
driver.
It’s
not
good
if
drivers
are
distracted.
So,
the
basic
competence
in
dzogchen
pracAce
is
to
release
and
release
and
release
involvement
in
whatever
is
arising.
The
thought
doesn’t
bring
you
anything
that
you
need.
A
long
Ame
ago,
when
I
was
in
Ladakh
doing
some
chöd
pracAce,
I
was
out
in
the
middle
of
a
big
stony
desert,
and
there
was
a
liLle
cemetery
where
I
was,
and
I’d
been
doing
some
pracAce
and
I
had
some
ideas.
But
I
had
no
wriAng
paper,
but
I
did
have
some
incense
packets
so
I
tore
them
open
very
carefully,
and
I
was
wriAng
in
very
liLle
leLers
on
them.
This
person
came
over
the
field
to
see
me,
and
when
he
saw
what
I
was
doing,
he
started
shouAng
at
me.
He
picked
up
some
stones
and
was
banging
them
together.
He
was
very
nice
–
he
was
a
lama
called
Nyoshul
Ken,
and
he
had
walked
a
long
way
out
to
see
me,
because
he
thought
it
was
good
that
someone
was
doing
chöd.
He
was
shouAng
at
me
‘What
are
you
doing?
Look
at
the
stones,
look
at
the
world,
look
at
the
sky,’
and
then
he
started
to
tear
up
my
wriAng.
This
was
very
helpful,
because
it
told
me,
‘If
you
are
doing
the
pracPce,
why
is
your
thought
so
special?
Everything
you
need
is
already
here.’
That
was
very
sweet
for
me.
It’s
like
that
for
each
of
us
when
we
sit
in
the
pracAce.
We
hang
onto
our
thoughts.
We
think
they’re
very
meaningful
–
that
good
thoughts
will
give
us
something,
bad
thoughts
will
harm
us.
This
is
not
true.
The
vajra
nature,
the
indestrucAble
nature
of
the
mind,
means
that
the
thoughts,
the
feelings,
and
the
sensaAons
are
irrelevant.
Irrelevant
in
terms
of
their
semanAc
content
–
because
their
real
value,
their
intrinsic
value,
is
that
they
are
the
radiance
of
the
mind.
If
we
see
that
intrinsic
value,
then
the
secondary
value,
the
aLribuAonal
value,
is
merely
situaAonal.
It’s
conAngent
on
the
factors
around
us.
It
is
potenAally
useful,
yet
there
is
no
need
to
give
it
a
gravitas,
to
give
it
any
parAcular
weighAng.
When
all
we
have
is
thoughts
to
make
sense
of
the
world,
we
overload
them
with
significance.
So
that’s
the
basic
competence
that
we
really
need
to
have,
and
so
when
Garab
Dorje
is
saying
‘conAnue
in
confidence’
it
means
don’t
do
anything
else,
trust
that
this
is
okay.
Directly
taste
this
for
yourself.
Question
about
taking
action
to
change
things
in
the
world
Ques%on:
For
me,
relaxing
into
openness
can
someAmes
feel
like
being
conformist,
or
accepAng
a
world
and
a
society
which
I
don’t
parAcularly
accept.
Does
that
make
sense?
If
the
demand
of
the
Ame
is
to
be
radical,
but
I
just
accept
the
status
quo
and
go
to
the
supermarket
like
everybody
else,
maybe
that’s
not
the
right
thing
to
do?
James:
When
Prince
Siddhartha
was
born
the
court
astrologer
made
a
predicAon
that
either
he
would
be
either
a
great
world
emperor
or
a
great
yogi.
The
king
hoped
he
would
be
a
great
world
emperor,
so
he
trained
and
educated
him
for
that,
to
have
power
over
things.
As
we
know
from
his
story,
he
went
through
all
this
educaAon
to
be
a
great
prince
and
a
king,
and
a
warrior;
but
when
he
was
in
his
mid-‐twenAes,
he
decided
this
was
really
the
wrong
way,
and
so
he
gave
that
up
and
became
a
renunciate,
and
became
a
yogi.
We
can
always
come
back
to
asking
ourselves
the
quesAon
of
whether
and
why
we
seek
to
have
power
on
the
world
to
change
it?
You
know,
in
the
Bible
Jesus
says,
‘the
poor
are
always
with
us.’
You
might
describe
that
as
a
very
fatalisAc
comment,
but
he
made
it
when
Mary
Magdalene
had
brought
some
expensive
oil
and
she
wanted
to
rub
it
on
him,
prompAng
some
of
his
disciples
to
ask,
‘Master,
shouldn’t
we
take
this
oil
to
the
market
and
sell
it,
and
buy
food
and
feed
all
the
poor
people?’
Jesus
responded
with,
‘The
poor
are
always
with
us,
but
I
am
with
you
today.’
So
let’s
have
a
good
Ame,
let’s
have
a
party!
There
are
always
going
to
be
poor
people,
but
does
that
mean
other
people
can’t
have
a
full
belly?
RenunciaAon
can
be
a
kind
of
compensaAon
for
the
difficulAes
of
the
world,
but
so
can
radicalism.
It’s
not
that
we
shouldn’t
try
to
change
things,
but
one
of
the
basic
laws
of
physics
says
that
for
every
acAon
there’s
an
equal
and
opposite
reacAon.
If
you
push
the
wall,
the
wall
is
going
to
be
exerAng
an
equal
force
to
you.
We
find
that
in
poliAcal
systems
too.
So
the
key
point
from
the
dzogchen
point
of
view,
is
that
if
you
want
to
change
things,
do
it
within
the
spirit
of
empAness.
It’s
not
that
in
accepAng
things,
we
are
pu:ng
up
with
them;
it’s
not
a
defeaAst
acceptance.
Rather
its’
a
phenomenological
acceptance:
‘This
is
how
it
is.
I
really
see
this
is
how
it
is.’
Now,
what
can
I
do
with
this?
The
problem
with
a
lot
of
radical
poliAcs
is
that
it
starts
from
an
ideal.
It
starts
from
a
vision,
and
then
people
think,
‘How
can
I
bring
this
vision
into
the
world?’
and
‘All
these
people
are
gekng
in
the
way
of
my
vision,
and
why
couldn’t
we
all
just
do
…’
All
that
can
seem
quite
exciAng.
A
protest
camp
was
set
up
recently
around
St.
Paul’s
Cathedral
by
people
from
a
group
called
‘Occupy
London’.
They
set
up
discussion
groups
to
discuss
how
we
could
change
society
and
so
on.
On
one
level
it’s
all
very
admirable,
but
does
it
make
any
difference?
No
doubt,
it
makes
a
difference
to
the
people
there;
it
changes
their
minds,
it’s
consciousness-‐raising.
But
the
world
system
is
very
powerful,
and
if
you
link
that
with
the
understanding
of
karma…
The
reason
that
people
do
bad
things
is
not
because
they
are
truly
bad,
since
everyone
is
basically
good,
but
because
they’re
caught
up
in
the
karmic
confusion
of
not
understanding.
Trying
to
get
into
a
raAonal
debate
with
people
who
are
confused
doesn’t
really
help,
because
they’re
confused.
Their
confusion
means
that
they
can’t
actually
get
it.
So,
what
is
radical
acAon?
I
would
suggest
to
you
that
dzogchen
and
mahamudra
are
forms
of
radical
fundamentalism.
By
‘fundamentalism’
I
refer
to
the
fundament,
to
the
ground,
and
the
ground
is
the
dharmadhatu.
The
word
‘radical’
comes
from
radix,
meaning
a
root.
We
integrate,
we
put
the
root
of
phenomena
back
into
the
ground
of
empAness,
so
we
dzogchenpas
are
radical
fundamentalists!
That
raises
the
quesAon,
‘If
I’m
gekng
into
opposiPon
with
other
people,
and
I’m
trying
to
change
their
minds,
am
I
grounded?
Am
I
rooted
in
this
openness?’
If
my
distaste
for
what
they
do,
or
my
hope
that
they
do
something
different,
is
taking
me
into
a
small
posiAoning,
then
we’re
just
going
to
get
into
a
dualisAc
ding-‐dong.
Even
if
you
win
the
baLle
you’ll
never
win
the
war,
because
you’re
part
of
the
problem
so
long
as
you
are
within
the
dualisAc
matrix.
That
would
be
my
sense:
it’s
not
about
giving
up
a
sensiAvity
to
what
happens
in
the
world,
but
about
using
empAness
to
find
a
way
through.
For
example,
last
night
when
I
was
watching
the
people
here
dancing,
at
a
certain
stage,
a
circle
formed
and
people
were
kind
of
moving
in
rhythm.
Then
people
were
moving
across
the
circle
in
various
ways.
It
was
a
kind
of
spontaneous
movement.
I
would
say
that’s
a
kind
of
natural
synergy,
that
when
people
are
open
to
each
other,
they
find
themselves
on
the
same
wavelength.
That
might
give
us
a
sense
of
the
condiAons
that
could
bring
about
change.
That
was
a
circle
of
like-‐
minded
people.
Now
the
quesAon
would
be,
does
that
circle
form
itself
by
turning
its
back
on
people
who
are
not
like-‐minded,
so
you
have
an
insider/outsider
thing,
or
how
can
you
extend
the
circle
to
include
more
people
–
maybe
everyone?
Clearly
we
need
to
pracAce
things
like
tenderness,
like
concern,
like
aLenAon
to
the
specificity
of
the
individual
condiAon,
and
not
have
too
many
plans.
But
of
course,
when
you’re
young
and
enthusiasAc,
it’s
very
important
to
have
big
plans
and
high
ideals.
So
it
is
about
how
you
integrate
that
with
wisdom.
Otherwise
the
energy
can
just
bash
into
power
structures,
and
these
power
structures
are
very
very
strong.
They
really,
really
are.
P a g e
|
79
So
I
think
there
is
a
lot
of
hope.
Acceptance
doesn’t
mean
that
I
accept
the
situaAon
and
I’ll
let
it
run
as
it
is.
Acceptance
means,
‘Let
me
really
examine
and
see
how
it
funcPons.’
You
can
do
that
from
a
western
point
of
view
and
you
can
also
do
that
using
a
dharma
point
of
view.
‘These
are
the
five
poisons
in
acPon.
What
can
I
do
to
help
other
people
feel
more
safe?’
People
suffer
fear
and
anxiety
and
these
give
rise
to
all
sorts
of
defensive
structures.
Fear
and
anxiety
arise
from
the
basis
of
ignorance.
That
is
the
basic
proposiAon.
All
these
afflicAons,
the
nyonmong,
these
obscuraAon,
are
actually
defensive.
They’re
ways
of
protecAng
the
empAness
of
the
ego.
Now,
like
a
narcissisAc
personality
structure,
it’s
sort
of
shiny
on
the
outside,
but
depressed
and
lost
on
the
inside.
If
you
challenge
somebody
who’s
very
narcissisAc,
they’re
going
to
feel
humiliated
because
their
inner
depression
is
being
revealed.
So,
the
quesAon
would
be,
how
to
invite
people
to
change,
without
making
them
feel
shamed,
humiliated,
embarrassed,
defended,
and
so
on?
I
think
that
would
be
the
skillful
way.
How
you
do
that,
I’m
not
very
sure.
I
have
my
own
challenges
at
work.
It’s
not
so
easy,
but
these
are
exactly
the
real
points
of
applying
dharma
in
the
world,
of
integraAng
the
pracAce.
We
get
frustrated.
We
think,
‘Why
don’t
you
understand?’
and
the
fact
is
they
don’t
understand.
My
colleagues
are
not
me,
they
have
a
different
background
and
a
different
set
of
values.
If
my
fantasy
hits
their
fantasy,
we
just
get
in
a
mess.
I’m
the
one
who
has
to
drop
the
fantasy
and
try
to
be
with
their
actuality,
how
they
are,
and
work
with
that.
But
it
is
difficult.
How
can
we
integrate
everything
into
the
state
of
meditation?
Ques%on:
What
can
we
do
to
reduce
the
gap
between
the
meditaAon
and
what
we
do
ajer
meditaAon,
for
example
in
our
work,
so
that
there’s
no
difference?
James:
That
depends
on
the
view.
If
your
underlying
view
is
that
you
are
in
samsara
which
is
a
bad,
profane
and
dangerous
place,
then
we
look
to
the
meditaAon
to
give
us
some
relief
from
that.
We
try
to
establish
some
kind
of
sacred
space,
perhaps
we
go
on
retreat
or
onto
our
meditaAon
mat.
Then
we
are
in
another
beLer
world.
If
you
take
that
view,
then
when
you
come
back
into
the
ordinary
world
you
may
feel
even
worse!
So,
rather
than
helping
you
with
the
ordinary
world,
you
now
feel,
that
somehow
it’s
been
debased.
From
the
dzogchen
point
of
view,
the
central
thing
is
that
my
basic
presence
is
inseparable
from
empAness.
This
is
why
over
the
years
we
have
been
doing
such
pracAces
together
as
the
five
quesAons,
the
Aa,
the
Hung
and
so
on.
The
central
experience
that
you
want
to
seLle
in
is
that
the
root
of
my
being,
my
basic
presence,
my
mind
itself,
the
basic
sense
of
my
aliveness,
openness,
availability,
is
a
quality
inseparable
from
empAness.
That
is
to
say,
I
am
not
a
thing.
I
am
space.
SeLling
in
that,
every
experience
which
arises
–
including
all
the
thoughts
of
‘I,
me,
myself,’
my
life,
my
personality,
my
work
–
is
the
manifestaAon
of
space.
The
thoughts
inside
my
head,
and
the
objects
outside
my
head,
all
this
is
the
radiance
of
space.
So,
when
we
go
into
work,
everything
there
is
the
radiance
of
space.
Now,
nobody
in
our
workplace
is
likely
to
confirm
that;
they’re
operaAng
from
another
view,
another
vision.
That’s
what’s
difficult
–
that
we
have
to
hold
on
to
this
sense
of
spaciousness.
But,
again,
it’s
not
that
we’re
se:ng
up
an
opposiAon,
which
would
be
unhelpful
and
counter-‐producAve.
This
space
is
the
field
within
which
everything
is
occurring,
and
the
occurrence
of
everything
is
experience.
When
people
cite
‘hard
facts’
and
give
‘evidence’,
that
is
materialisAc
experience.
Yes,
there
are
things
with
these
properAes,
and
that
is
undeniable.
That’s
a
hard
fact.
Our
freedom
to
move
is
constrained
by
that.
So,
again
and
again,
we
have
to
integrate
these
so-‐called
‘hard
facts’
into
their
ground,
and
to
see:
this
is
an
experience
arising
in
space
itself.
It
is
the
experience
of
space.
For
example,
there
are
pillars
holding
up
the
roof
of
this
room.
These
pillars
have
the
quality
of
the
earth
element.
There’s
a
certain
hard
fact,
so
if
we
bang
our
head
on
the
pillar,
we
will
feel
pain.
The
fact
that
we
feel
pain
doesn’t
make
the
pillar
real.
When
you
have
a
binary
opposiAon,
a
duality
between
reality
and
fantasy,
then
banging
your
head
on
the
pillar
awakens
you
to
the
reality
of
the
pillar,
and
the
idea
that
it’s
illusion
–
well,
that
just
seems
like
a
fantasy!
What
is
all
this
nonsense?
But
it’s
not
like
that,
because
the
experience
of
the
pain
in
your
head
is
an
experience.
The
hardness
of
the
pillar
is
an
experience.
It’s
not
out
there.
Our
access
to
the
world
is
always
in
terms
of
what
registers
with
us
–
that’s
what
we
have.
And
these
experiences
arise
and
pass.
They
have
no
substance
in
themselves.
ReificaAon,
the
creaAon
of
objects,
among
people
and
animals,
and
so
on,
living
things,
objecAficaAon,
the
denial
of
the
lived
vitality
in
the
other,
the
turning
of
the
other
into
an
instrument
for
our
pleasure
or
our
profit
or
something
like
that
–
these
are
all
tendencies
we
have
to
resist.
Being
alive
with
the
other
is
more
vital
than
being
a
thing
in
a
world
of
things.
So
when
we
go
out
of
the
meditaAon,
if
we
have
that
a:tude
that
‘I’m
going
out
of
the
meditaPon’
we’re
going
to
have
problems.
The
basic
proposiAon
is
that
the
meditaAon
never
ends,
because
we
have
these
two
aspects
of
meditaAon:
the
resAng
in
a
parAcular
mode
of
being
with
space;
and
then
opening
that
mode
of
being
with
space
to
integrate
with
everything
that
occurs.
Let’s
imagine
si:ng
on
your
mat,
at
home,
doing
the
pracAce,
si:ng
for
a
while.
Open.
Then
you’re
more
looking
around
the
room.
You’re
registering
the
unique
specificity
of
each
of
the
things
in
the
room.
You’re
at
that
crossroads
again!
‘This
is
a
lamp.
I
like
this
lamp,
I
don’t
like
this
lamp…’
Or,
‘I
am
experiencing
the
lamp.’
Your
ability
to
walk
without
bumping
into
the
lamp
will
be
the
same,
whichever
path
you
take,
but
if
you
say,
‘This
is
a
lamp,’
you
get
into
talking
about
something
which
is
out
there.
But
if
you
hold
exactly
the
same
phenomena
in
the
sense
of,
‘I’m
experiencing
this
lamp.
What
I’m
experiencing
is
lampness.
Wallness,
windowness,
soundness,
legness...,’
as
we
look
around
we
are
aware
of
these
different
things.
This
is
experience.
This
is
experience.
In
that
way
we
can
incorporate
it.
It’s
not
going
to
make
us
blind
or
stupid
or
unable
to
funcAon.
But
it’s
holding
the
vitality
of
the
unfolding
moment
close
to
us.
Every
detail
will
be
there.
In
fact
you
will
have
more
phenomenological
clarity
by
opening
yourself
to
the
situaAon
than
by
staying
in
your
ideas
about
it.
You’ll
be
much
more
precise.
That
would
be
the
way
of
integraAng
everything
into
the
state
of
meditaAon.
Of
course
it
can
be
difficult,
especially
when
people
give
us
a
hard
Ame.
Maybe
you’ve
got
a
boss
who
is
quite
difficult
to
get
on
with,
who
doesn’t
seem
to
acknowledge
your
qualiAes
and
skills.
You
feel
yourself
shrinking.
Who
is
the
one
who
shrinks?
When
you
are
feeling,
‘Poor
me.
Don’t
they
see
how
much
I’ve
done.
Why
don’t
they
appreciate
me?’
that
is
a
thought.
Staying
with
that
thought
–
you
don’t
need
to
block
the
thought,
you
don’t
need
to
be
brave,
or
forgiving,
or
whatever.
You
can
just
be
feeling,
‘Oh,
this
is
not
very
nice.’
That’s
an
experience.
IntegraAng
all
of
these
difficulAes
just
means,
‘I
accept
this
is
how
it
is.’
The
next
thing
is,
‘How
will
I
respond?’
If
I
respond
from
a
hurt,
contracted,
‘poor
me’
posiAon,
it’s
likely
that
I
will
respond
unskillfully,
because
in
feeling
‘poor
me,’
hard-‐done-‐by,
oppressed,
I
now
have
an
oppressor.
Somebody
who
doesn’t
care.
I
now
have
an
image
of
who
that
person
is,
and
I’m
reacAng
to
that
image.
The
image
may
not
be
out
there,
you
may
have
formulated
an
object-‐relaAon
in
your
own
head.
By
that
is
meant
that
you
construct
something
and
then
you
project
it
out
onto
the
world.
You
then
act
toward
your
own
projecAon.
The
ensuing
mismatch
between
your
projecAon
and
what
is
actually
there,
becomes
the
cause
of
a
great
deal
of
trouble.
So,
staying
relaxed
and
open
actually
makes
the
world
much
more
workable.
I
think
that’s
at
the
heart
of
it.
P a g e
|
81
James:
‘Love’
is
a
tricky
word,
in
any
language.
It
has
a
wide
range
of
meanings.
In
the
buddhist
tradiAon,
generally
it
means,
‘May
all
beings
be
happy,’
and
the
rays
of
the
sun
go
out
imparAally
to
every
place.
It
falls
like
the
gentle
rain
from
the
heaven
above,
equally
on
everything.
Our
love
is
normally
a
bit
more
parAal,
liking
and
not
liking,
so
in
the
sense
of
imparAality,
awareness
is
like
love,
in
that
it
gives
equal
aLenAon
to
everything
that
arises.
It
illuminates
everything
equally.
That
is
why
we
can
see
things
before
we
engage
with
them.
The
phenomenological
field,
or
the
field
of
experience,
or
rigpai
rangzhin,
this
is
what
is
here,
but
we
can
only
see
it
if
we
are
open-‐hearted
and
we
see
clearly.
Then,
within
that,
we
make
our
parAcular
moves
of
responding.
So,
rigpa,
awareness,
is
certainly
full
of
love,
but
it’s
a
parAcular
kind
of
love.
It’s
not
an
eroAc
love,
it’s
not
an
acquisiAve
love,
it’s
not
a
dependency
love
–
it’s
the
love
of
availability.
James:
Being
connected
to
people
doesn’t
always
feel
very
warm.
We
all
want
cosy.
We
all
want
to
be
under
the
duvet,
and
the
Buddha’s
teaching
love,
and
it’s
kind
and
it’s
nice.
But
one
of
the
qualiAes
of
awareness
is
clarity,
and
clarity
is
not
cosy.
It’s
clear.
Clear
means
seeing
precisely
how
things
are,
and
so
we
have
to
relate
to
people
as
they
are,
and
someAmes
people
are
a
pain
in
the
ass.
It
doesn’t
mean
that
we
stop
relaAng
to
them,
but
we
relate
with
our
eyes
open
and
with
care.
A
caring
concern,
but
it’s
not
cosy,
and
it’s
not
necessarily
warm.
One
of
the
funcAons
of
the
rays
of
the
sun
is
they
provide
heat
and
light,
but
that
warmth
can
also
burn.
SomeAmes
burning
is
useful.
For
those
of
you
who
have
experienced
teachers
you
will
know
that
most
of
the
teachers
have
a
range
of
emoAons
that
they
show.
SomeAmes
sweet,
and
someAmes
not
so
sweet.
Hopefully
that
has
a
useful
funcAon
for
the
other
person.
But
to
imagine
that
it’s
warm
and
nice,
a
kind
of
tradiAonal
bedside
manner
–
perhaps
not.
Dedication of Merit
GE
WA
DI
YI
NYUR
DU
DAG
By
this
virtue
may
I
quickly
a>ain
the
glorious
Guru's
stage,
then
may
I
put
all
beings
without
even
one
excepPon,
on
that
same
stage!
Song
[The group now sang to James a poem he had written and which they had put to music for this
occasion.]
How to be Naked
Moment by moment
we arise in new forms
clothes in strange patterns
forever unborn.