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For instance, if this was a normal day, I would be at my factory in Parma, which is an hour away by
car from Milano. Zanine’s practice builds on his father’s legacy—in instances using salvaged
materials from demolished homes by Caldas—while also carving a new trajectory for himself that
embraces ceramics, woven textiles, and other, sometimes unexpected, materials, and experiments
with more streamlined and linear aesthetic articulations. The blonde wood open storage box on the
top of the cabinet has a 2 inch moderate scratch to the back side of it. This chart shows how the
artist’s market performed compared to pre-sale expectations. Zanine’s practice embraces and extends
certain traditions of Brazilian modern design grounded in a spiritual and physical relationship with
nature, an awareness and response to the environmental impact on the country’s lush landscapes, and
a commitment to engaging with sustainable materials. This is also true of Zanine’s featured ceramic
vessel, which, with its large scale, parallels the solidity and shape of some of his wooden stools and
chairs, but offers a different tactility and aesthetic experience. Yet I don’t want you to think that
Milan is a coronavirus war zone, that we are all locked in our apartments in a state of panic. Traces of
the original use of Ipe wood, such as nail wholes and imperfections, are preserved in the Balanco
chaise instead of concealing them. The blonde wood open storage box on the top of the cabinet has a
2 inch moderate scratch to the back side of it. Most notable in his diverse body of work however, are
his bright, totemic glass and ceramic works which are enduring icons of postmodern design. It’s like
when you hold your breath and you’re waiting to exhale. TLmag: You embrace solid wood, metal
and other industrially-produced materials. The Peroba bench, made of Peroba wood, resembles a plus
upholstered design as it plays with notions of hard and soft. You come to a point where you only
want to hear what’s truly meaningful and necessary to know. The launch of the new, limited edition
furniture collection coincides with the introduction of Zanine’s new book, Limited Editions, by
Maria Cecilia Loschiavo. Please upgrade your browser to improve your experience. But of course, on
a daily basis, it makes work more complicated, even if everyone is willing to find new ways to do so.
One of the lounge chairs, made from sustainably sourced Piquia wood and a highlight of the show,
conveys the sensation of being cradled within a large tree trunk, as the sitting space is carved out
from within the tree, exposing the natural beauty of it’s rings. Yet it’s not the fall 2020 collection I’m
really worried about. The situation is unprecedented, and it’s not just about Italy, or Europe—it’s the
entire world. O acesso ao site da TopDecor devera ser feito diretamente atraves do seu endereco
eletronico ou por links divulgados oficialmente pela TopDecor ou parceiros reconhecidos pela
TopDecor como oficiais, nao podendo ser atribuida qualquer responsabilidade a TopDecor sobre
acessos realizados por hiperlinks divulgados por pessoas nao autorizadas por esta. In my daily life,
ever since I launched my own label, I’ve been working from home for the last 18 months (I can’t
afford an office!), so in some ways, things aren’t so different. Then, in the amount of time it took to
send an email to Vogue to say that I’d do it, the whole situation escalated and it became the entire
country; that’s how quickly things are moving. For example, a rise in the proportion of unsold works
may indicate that supply is outstripping demand and could lead to a future drop in prices. We aren’t
even figuring it out day by day; it’s more hour by hour. Sottsass later invited Zanini to join the
Memphis group in 1981 and he contributed iconic designs such as the Dublin sofa, Roma chair and
Union shelving unit. I’d be doing fittings for my label Zanini with a model, taking on all of the
feedback I’d gotten about my fall 2020 collection from the buyers, working to perfect it. Despite
everything, our production is on course to deliver this fall. I’ve been convinced of that for the last
few years, ever since I decided to launch my little project Zanini; the last 10 years of being in this
industry has brought me to that thinking. I don’t follow a set process; sometimes pieces arise
naturally as drawings are executed in material that I didn’t necessarily plan for at the start.
Despite everything, our production is on course to deliver this fall. Most notable in his diverse body
of work however, are his bright, totemic glass and ceramic works which are enduring icons of
postmodern design. These angular designs recall classic Mid-Century Modern forms, while their
polished finish suggests solidity, monumentality, and kinship between materials. TLmag: What other
figures have had an impact on you. Zanine’s works capture a connection between the natural and the
manmade, as he amplifies organic lines and forms through skilled craftsmanship and a conceptual
vision. For example, a rise in the proportion of unsold works may indicate that supply is outstripping
demand and could lead to a future drop in prices. ZdZ: Other than my father, Sergio Rodrigues (who
I interned with), the Campanas brothers, Ron Arad, Marc Newson and Maarten Baas are all
designers I keep up with. My orders are manageable; I’m not producing millions of clothes. How
does this background influence your creative process today. We’ve all been advised to stay at home
to reduce our interactions with each other. These cookies help provide information on metrics the
number of visitors, bounce rate, traffic source, etc. I still go to the greengrocers to buy my carrots
and salad, we just all stand that bit further apart. So even if we’re constantly speaking on the phone,
and emailing, we’ve had to slow down the pace of our work to.I wouldn’t say standby, because we
haven’t stopped. TLmag: You embrace solid wood, metal and other industrially-produced materials.
Zanone has lived with Memphis and is a champion of the movement. Then, in the amount of time it
took to send an email to Vogue to say that I’d do it, the whole situation escalated and it became the
entire country; that’s how quickly things are moving. This site is protected by reCAPTCHA and the
Google Privacy Policy and Terms of Service apply. The exhibition opened on February 1 and will be
on view through March 17, 2024. It’s like when you hold your breath and you’re waiting to exhale.
Sottsass later invited Zanini to join the Memphis group in 1981 and he contributed iconic designs
such as the Dublin sofa, Roma chair and Union shelving unit. During difficult times that’s all we can
do. Keep calm. Carry on. Zanini Fall 2020 Ready-to-Wear Arrow Topics Coronavirus Vogue
Shopping The insider’s guide to what to shop and how to wear it. The exchange is quite interesting
as everyone in neighborhood witnesses the creation of new pieces. The blonde wood open storage
box on the top of the cabinet has a 2 inch moderate scratch to the back side of it. This is also true of
Zanine’s featured ceramic vessel, which, with its large scale, parallels the solidity and shape of some
of his wooden stools and chairs, but offers a different tactility and aesthetic experience. It makes me
think that the whole fashion system needs to change. Everything is confusing and disorientating
enough already for all of us, so this lockdown has been a call to everyone to do their duty and be
disciplined. Naturally, the employees are invited to opening to discover the result of their labours.
There is a small loss to the top edge of the large front door. Yet I don’t want you to think that Milan
is a coronavirus war zone, that we are all locked in our apartments in a state of panic. Opening on
February 10, 2022, the exhibition will feature a selection of sensuous, monumental benches, chairs,
stools, and other objects made from felled trees, repurposed wood, and reclaimed materials.
How does this background influence your creative process today. Everything is confusing and
disorientating enough already for all of us, so this lockdown has been a call to everyone to do their
duty and be disciplined. By Carola Lovering Runway Instead of Showing at Copenhagen Fashion
Week, Ganni Is Supporting 7 Emerging Talents. Despite everything, our production is on course to
deliver this fall. I’ve been reading more, to distract myself; I’m currently on a biography of Jackie
and Lee Bouvier, which has been very entertaining. Close Alert Sign In Search Search Fashion
Beauty Culture Living Runway Shopping Chevron Video PhotoVogue Met Gala Fashion Beauty
Culture Living Runway Shopping Chevron More Chevron Open Navigation Menu Menu Story
Saved To revisit this article, visit My Profile, then View saved stories. The blonde wood open storage
box on the top of the cabinet has a 2 inch moderate scratch to the back side of it. To not be able to
be in front of the garments, see how they’re being sewn, how something fits and falls on the body;
how do we continue to work as a team. Then, in the amount of time it took to send an email to
Vogue to say that I’d do it, the whole situation escalated and it became the entire country; that’s
how quickly things are moving. For instance, if this was a normal day, I would be at my factory in
Parma, which is an hour away by car from Milano. The drastic measures that the Italian government
has set in place are, I think, super admirable. TLmag: You embrace solid wood, metal and other
industrially-produced materials. Zanone has lived with Memphis and is a champion of the
movement. This situation is all any of us can talk about, but we’re also the target of too much news.
Since then, he has produced furniture and other design objects using an array of materials, from
reclaimed or sustainably sourced wood to plastic, metal and other discarded consumer products.
These cookies ensure basic functionalities and security features of the website, anonymously. We’ve
all been advised to stay at home to reduce our interactions with each other. Yet it’s not the fall 2020
collection I’m really worried about. Close Alert Sign In Designers Marco Zanini on Why—And
How—He’s Still Working Despite Italy’s Major Coronavirus Shutdown By Marco Zanini As Told to
Mark Holgate March 11, 2020 Image: Courtesy of Marco Zanini Save this story Save Save this story
Save When I was asked to do this on Monday, it was northern Italy that was on coronavirus
lockdown. These cookies track visitors across websites and collect information to provide
customized ads. The designer’s new collection was presented at London Design Festival in
September 2015 by Espasso, a design gallery for modern and contemporary Brazilian furniture, art
and design objects. TLmag: What other figures have had an impact on you. ZdZ: Other than my
father, Sergio Rodrigues (who I interned with), the Campanas brothers, Ron Arad, Marc Newson
and Maarten Baas are all designers I keep up with. Zanine’s practice builds on his father’s legacy—in
instances using salvaged materials from demolished homes by Caldas—while also carving a new
trajectory for himself that embraces ceramics, woven textiles, and other, sometimes unexpected,
materials, and experiments with more streamlined and linear aesthetic articulations. Please upgrade
your browser to improve your experience. Yet I don’t want you to think that Milan is a coronavirus
war zone, that we are all locked in our apartments in a state of panic. Sottsass later invited Zanini to
join the Memphis group in 1981 and he contributed iconic designs such as the Dublin sofa, Roma
chair and Union shelving unit. The chart shows whether an artist’s market over the last twenty-five
years has been driven by the sale of a small number of expensive works or a large number of
inexpensive works. There is a small loss to the top edge of the large front door.
Final results derive from collected influences, humour, staff input and storytelling. This situation is
all any of us can talk about, but we’re also the target of too much news. TLmag: You embrace solid
wood, metal and other industrially-produced materials. My orders are manageable; I’m not
producing millions of clothes. There is a small loss to the top edge of the large front door. To not be
able to be in front of the garments, see how they’re being sewn, how something fits and falls on the
body; how do we continue to work as a team. Yet it’s not the fall 2020 collection I’m really worried
about. Then, in the amount of time it took to send an email to Vogue to say that I’d do it, the whole
situation escalated and it became the entire country; that’s how quickly things are moving. By Carola
Lovering Runway Instead of Showing at Copenhagen Fashion Week, Ganni Is Supporting 7
Emerging Talents. It makes me think that the whole fashion system needs to change. Traces of the
original use of Ipe wood, such as nail wholes and imperfections, are preserved in the Balanco chaise
instead of concealing them. For instance, if this was a normal day, I would be at my factory in
Parma, which is an hour away by car from Milano. Zanine’s works capture a connection between the
natural and the manmade, as he amplifies organic lines and forms through skilled craftsmanship and
a conceptual vision. Two three-legged benches, each made with legs in ipe. I’d be doing fittings for
my label Zanini with a model, taking on all of the feedback I’d gotten about my fall 2020 collection
from the buyers, working to perfect it. The designer’s new collection was presented at London
Design Festival in September 2015 by Espasso, a design gallery for modern and contemporary
Brazilian furniture, art and design objects. We’ve all been advised to stay at home to reduce our
interactions with each other. You need to be close, physically, to the people making it. ZdZ: In sync
with my work, technology weights heavy on the evolution of products and aesthetics. The drastic
measures that the Italian government has set in place are, I think, super admirable. On view is a a
presentation of the four seasons by leading designers of the Memphis movement as well as new
work by other talented Dutch designers. Woven from cane of tucum palm trees, the textiles mirror
the organic and geometric forms of Zanine’s furniture, but offer a new articulation of the designer’s
vision. These cookies track visitors across websites and collect information to provide customized
ads. Close Alert Sign In Search Search Fashion Beauty Culture Living Runway Shopping Chevron
Video PhotoVogue Met Gala Fashion Beauty Culture Living Runway Shopping Chevron More
Chevron Open Navigation Menu Menu Story Saved To revisit this article, visit My Profile, then
View saved stories. Most notable in his diverse body of work however, are his bright, totemic glass
and ceramic works which are enduring icons of postmodern design. I still go to the greengrocers to
buy my carrots and salad, we just all stand that bit further apart. The situation is unprecedented, and
it’s not just about Italy, or Europe—it’s the entire world. You come to a point where you only want
to hear what’s truly meaningful and necessary to know. The blonde wood open storage box on the
top of the cabinet has a 2 inch moderate scratch to the back side of it. Close Alert Story Saved To
revisit this article, visit My Profile, then View saved stories.
Woven from cane of tucum palm trees, the textiles mirror the organic and geometric forms of
Zanine’s furniture, but offer a new articulation of the designer’s vision. The Peroba bench, made of
Peroba wood, resembles a plus upholstered design as it plays with notions of hard and soft. Sottsass
later invited Zanini to join the Memphis group in 1981 and he contributed iconic designs such as the
Dublin sofa, Roma chair and Union shelving unit. The storage element on the right side of the
cabinet that has the drop-down drawer has rounded corners, and wear to the inner edge by the pull.
Will the buyers even come to Milan in late May, or June? Who knows. The most rewarding aspect is
having a new platform from which to communicate a bit about my culture. Since then, he has
produced furniture and other design objects using an array of materials, from reclaimed or
sustainably sourced wood to plastic, metal and other discarded consumer products. ZdZ: In sync
with my work, technology weights heavy on the evolution of products and aesthetics. The material
on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with
the prior written permission of Conde Nast. These cookies track visitors across websites and collect
information to provide customized ads. You need to be close, physically, to the people making it.
Final results derive from collected influences, humour, staff input and storytelling. Two three-legged
benches, each made with legs in ipe. I don’t follow a set process; sometimes pieces arise naturally as
drawings are executed in material that I didn’t necessarily plan for at the start. This sale presents a
unique mix of art and design from the 20th and 21st centuries. These cookies ensure basic
functionalities and security features of the website, anonymously. The blonde wood open storage box
on the top of the cabinet has a 2 inch moderate scratch to the back side of it. The chart shows
whether an artist’s market over the last twenty-five years has been driven by the sale of a small
number of expensive works or a large number of inexpensive works. We aren’t even figuring it out
day by day; it’s more hour by hour. This is also true of Zanine’s featured ceramic vessel, which, with
its large scale, parallels the solidity and shape of some of his wooden stools and chairs, but offers a
different tactility and aesthetic experience. Highlights of the auction include a Dandelion sculpture
by Harry Bertoia, a painting by Roger Brown and a chandelier by Carlo Scarpa. Naturally, the
employees are invited to opening to discover the result of their labours. There is a small loss to the
top edge of the large front door. Most notable in his diverse body of work however, are his bright,
totemic glass and ceramic works which are enduring icons of postmodern design. Most notable in his
diverse body of work however, are his bright, totemic glass and ceramic works which are enduring
icons of postmodern design. Instead it’s a constant process of considering how to move forward as
every day brings new changes and challenges; to find ways to interact with the pattern makers,
cutters, all the people who contribute to the making of my collection. When I think about next
spring, I do need to be meeting with people; visiting fabric suppliers, developing ideas—even if I
want to go to Como, only 30 minutes away, to look at some silk, I can’t. I’ve been convinced of that
for the last few years, ever since I decided to launch my little project Zanini; the last 10 years of
being in this industry has brought me to that thinking. These visual and philosophical installations
create an added dimension through which the work can be experienced and understood. Traces of
the original use of Ipe wood, such as nail wholes and imperfections, are preserved in the Balanco
chaise instead of concealing them.