Ballade

for trombone and piano Eugène Bozza, Op. 62

        
 
Andantino ma non troppo ( = 66)


Trombone

 
 molto espressivo

              
               
  
                
       
         
Piano

       
               
 

  
                    


5


   
 
   
      
         
     

     
           
   
               

                       
          



9

             

        
  
    
              
   
          
 
           

 
      
     


 
1 rit.


13 a tempo

  
           


         
   

      
  

   













       


                  
   
                   
2

       



17


       
3 3

  
3

                       



             

   
           
             


           

      
      


      
2

 
21 3 rit. a tempo


       
     
3

            
     


      
    

    








      
 

           
   

              


      
               

24

      
        
3

    
3




   


          

         


            
            
     

       
  
vibrato

            
27
3 Più vivo


     
3 3

 
3

      
rit. 3

        



 
      


 


 




                   
      


   
          
   
   
3

            



      
30 3


       
   
3

                            



                

                           
     
   

    
   


34

     
       


      
    
         

 
  
         
    
            
      
   
 
       
   


     

          
     
Tempo I (Andantino ma non troppo)

              
4


38 3
3

3 3 3 3




   
3


3

     
               
    

 
      


             
     
 3

    


                                 
   
Anime

  
41



3 3 3 3 3 3 3 3 3 3


3 3

   
        
        
 
    
  



   
 
     
                  
4

            
rit. 5 Tempo I


44


3


3 3 3 3 3


3 


3 3

         
       
   
        

    
           
 
   
         
3

   
 
3


  
3

 
3

       
3

        

47


3 3 3 3
3

 
3

  
       
     
3

   
  
    
    
  

         


   
rit.

            
a tempo

  
49 3
6
3

       
3 3

  
3 3


     
 
 
    


        
    



       
52

    
  
   
               
   
   
      
    
     
    

          
    

            
      
        
     
     

  
 
 
       
  
        
5

  
7

    
Cadenza ad lib.


58






    



 
         
          
                   


          
vibrato
59

 

3 3


     




     
   
 

 
  


                   
 
5
8

        
60 3 3



3 3


Maestoso

     
         


        
   
         
    
     
 3   
                      Più lento
  
             

               
   
     
   


3

  
62

3 
  3


3 3

  
        
      
 
 
6

 
66 Più vivo


     
       
 





  
      
     




                                                 



67

   
         
         


     
dim.

         
    
   
     
   
 dim.




    
      
                         
Tempo I 9

 
69 3 3


    
          
 marcato

       
    
   

    
       
      
 

     
  
         
 
                 
   


 
73 con sord.

       
             
           
   
 3 3


   
  
     


     
 
                  
    

                   
7
10

       



rit.  = 108 senza sord.

 
76


          
    
 
3

     
                         


 
  

     


79  = 88


         
(dolce) sostenuto, espress.(vibtaro)

         

                        
      


  
      
         
 

  
                     
 


83

   

    

                

      

      

       
   

       
       


         
87


   


                                  

       
   
                 
    

8

     
11


91 à l'aise


         
 3

             
               

      

     
  

                 
       
glissez

 


94

     
         

      

     
  

                  
        



97

                

      

      

       
   

               
      


101

                

      

      

       
   
 9
12

     


105 Allegro moderato ( = 96-100)


     
          

 
                           


            
      
   


  
109

           

             
                    
 
 
          
                 
           
      


  


111

   
          
                  
   
            
     
        
                     
          
                 
     
          



13

                 
 
113


                  


             
   
   
  
                 



       
      
          
               
        

              
        

 
 
10

      



116 3

   



   

3


     
  
     
     
  

  
                
                
    
 


118


 
 
  
 

       
   
      
     

             
     
   
    



120

 
     


      

 
 
 
       
       

           
 
        



122

   
         
        
   
   

 

 

        
         

 
                  
    
                      
          
 

                       
   
11

  
 14

             
125 scherzando


 

  
       
     
    
                     


  
     
 

    

  
    
 Pour la coupure

                        
    
            
  
128

   


      

     
                       
 
     

   
  



   


       
                  
     
15

       
131


     


      
                  

                          
      
  
        
   

       
  
      

12

            
 



134


 
                
   
      
      

    

  
          
  


136

   
             
           
           
  

   
      
  

        
     

   
         
   
16

 
   
  
Più vivo


138 3


3


   
3 3


3 3

    


                   
3

    
      
3

   

 

      


        
3




3
 

           
 
                   
    


140 3
3

   
   
        
3

 
 
         
 
 
          
        
13
17

  
A tempo


Largo


142


          
 3

             
      

     
    


               
3

        
6 6 6

 

 3

 
   
145


            
           


         
       
     

6 6


6 6

 
               
      
Vivo

     
146 gliss.



   
6


6

 


  
        
rit.

  
        
         
    

7

     
7


 