LAGOS STATE UNIVERSITY

FACULTY OF ARTS

DEPARTMENT OF THEATRE ARTS

AREA OF SPECIALIZATION

DIRECTING

NAME:

OSENI OLUWASHINA OLUWASEYI

MATRIC NUMBER:

190371092

APPROVED PROJECT TOPIC

DIRECTING A MUSICAL : A CASE STUDY OF DIS LOYALJUDAS DIRECTED BY SEGUN ADEFILA

PROJECT SUPERVISOR

PROF. OLUSOLA FOSUDO

 ABSTRACT
This final year project presents a comprehensive case study of the theatrical production "Dis Loyal
Judas," directed by the renowned theater artist Segun Adefila. The study delves into the intricate
process of directing a musical, examining the creative choices, challenges, and artistic vision that shaped
the production.

The research utilizes a mixed-methods approach, combining interviews with Segun Adefila, cast, and
crew members, as well as an in-depth analysis of the performance itself. The primary objective is to gain
insight into the directorial strategies employed by Adefila and their impact on the overall artistic
experience.

The findings of this study reveal the multifaceted nature of directing a musical, from script adaptation
and casting to choreography and stage design. It also explores how Adefila's unique directorial style,
rooted in Nigerian theatrical traditions and contemporary influences, contributed to the success of "Dis
Loyal Judas."

Furthermore, the project discusses the production's significance within the broader context of Nigerian
theater, shedding light on the challenges and opportunities faced by contemporary theater directors in
the country. It also highlights the potential for future research in the field of theater studies and the role
of directors in shaping the cultural and artistic landscape.

In conclusion, this case study offers valuable insights for students, scholars, and practitioners of theater,
providing a deeper understanding of the creative and logistical processes involved in directing a musical.
"Dis Loyal Judas" serves as a compelling example of the fusion of traditional and contemporary elements
in Nigerian theater and the transformative power of visionary directors like Segun Adefila.

TABLE OF CONTENTS
Chapter one: Directing a Musical

1. Introduction

1.1 Background to the study

1.2 Statement of the problem

1.3 Purpose of the Study

1.4 Research Questions

1.5 Research Method

1.6 Significance of the research

1.7 Scope of research

1.8 Limitation to the Research

1.9 Operational Definition of Terms

Chapter Two

2.1 Introduction

2.2 Definitions and History of Directing

2.3 Essentials of Play Directing

2.4 The role of the Director in the Theatre

2.5 Musical Theater as a Genre

2.6 Concept of Musical Theatre

2.7 Challenges in Directing a Musical

2.7.1 Technical and Logistical Challenges

2.7.2 Artistic and Creative Challenges

2.7.3 Collaboration and Communication Issues

4.1.4 Audience Engagement and Feedback

Chapter Three

3.1 Introduction

3.2 Segun Adefila's Biography

3.3 Nigerian Theater and Segun Adefila's Contribution

3.4 Segun Adefila's approach to Play Directing

3.5 Segun Adefila's approach to the production of DIS LOYAL JUDAS

4.2 Performance Analysis

4.2.1 Overview of "Dis Loyal Judas"

4.2.2 Interpretation and Impact

4.2.3 Audience Reception and Reviews

4.2.4 Comparisons with Previous Productions

Chapter Four

5.1 Summary of Key Findings

5.2 Directorial Style and Influence

5.3 The Unique Blend of Traditional and Contemporary Elements

5.4 Contributions to Nigerian Theater

5.5 Implications for Theater Studies

5.6 Future Research Directions

5.7 Final Remarks

 CHAPTER ONE
DIRECTING A MUSICAL
1.1 Background to the Study

Musical theater, as a dynamic and multifaceted art form, has undergone a fascinating evolution over the
years, blending elements of music, drama, and choreography into a unique and captivating narrative
experience. This section delves into the historical and contextual underpinnings that provide the
backdrop for the research on the case study, "Dis Loyal Judas," directed by the eminent Segun Adefila.

Evolution of Musical Theater:

The roots of musical theater can be traced back to ancient civilizations, where performances interwove
music and drama in religious ceremonies and festivities. However, it wasn't until the 19th and 20th
centuries that musical theater, as we recognize it today, emerged with the convergence of operatic
traditions, vaudeville, and popular entertainment. From the classic Broadway musicals to contemporary
experimental works, the genre has continuously evolved, embracing diverse influences and cultural
expressions.

Nigerian Theater Landscape:

In the context of Nigeria, a country with a rich tapestry of cultural traditions, the theater scene has its
own unique vibrancy. Traditional Nigerian performance arts, deeply rooted in storytelling, rituals, and
communal experiences, have blended seamlessly with Western theatrical conventions. Segun Adefila, a
luminary in this space, has played a pivotal role in bridging these worlds, infusing traditional Nigerian
aesthetics into contemporary theater.

The Significance of "Dis Loyal Judas":

The chosen case study, "Dis Loyal Judas," stands as a testament to the transformative power of musical
theater. This production, under the directorship of Segun Adefila, serves as a microcosm of the broader
evolution of Nigerian theater and the innovative approaches employed by directors to engage with
traditional narratives in a contemporary setting. The background to this study encompasses not only the
history of musical theater globally but also the specific cultural and artistic influences that have shaped
the Nigerian theatrical landscape.

In summary, the background to this study establishes a foundation for exploring the complexities and
nuances inherent in the art of directing musicals, with a focus on the distinctive contributions of Segun
Adefila to the rich tapestry of Nigerian theater. This contextual exploration sets the stage for an in-depth
examination of "Dis Loyal Judas" and its significance within this broader narrative.

1.2 Statement of the Problem

The world of musical theater is a captivating realm that seamlessly weaves together various artistic
elements, offering a unique form of storytelling. However, within this enchanting domain lies a set of
challenges and complexities that demand scholarly attention. This section articulates the specific issues
and gaps in understanding that prompt the investigation of the case study, "Dis Loyal Judas," directed by
Segun Adefila.

Complexities in Directing Musicals:

The directorial process in musical theater involves orchestrating a harmonious blend of music, dance,
and drama. While this synergy results in spectacular performances, it also introduces intricate
challenges. Understanding the specific complexities faced by directors in this multifaceted genre is
crucial to unraveling the nuances of their creative decisions.

The Need for In-Depth Analysis:

While musical theater has been a subject of scholarly exploration, there is a need for a focused and in-
depth analysis of specific productions to unravel the intricacies of the directorial process. This study
aims to address the gap in the literature by honing in on "Dis Loyal Judas" as a case study, providing
insights into the challenges faced by directors in the context of Nigerian musical theater.

In essence, this section establishes a clear rationale for the research, emphasizing the intricacies
inherent in directing musicals within the Nigerian context and the need for a nuanced examination of
the challenges and opportunities presented by productions like "Dis Loyal Judas."

1.3 Purpose of the Study

The purpose of this research is to embark on a comprehensive exploration of the directorial process
within the realm of musical theater, with a specific focus on the case study "Dis Loyal Judas," directed by
Segun Adefila. The study seeks to fulfill several interconnected objectives aimed at advancing scholarly
understanding and contributing to the broader discourse on theater arts.

At its core, the purpose of this study is to unravel the intricate strategies employed by directors in the
creation and execution of musicals. By closely examining Segun Adefila's approach to directing "Dis Loyal
Judas," the research aims to shed light on the thought processes, creative decisions, and artistic choices
that shape the directorial vision in the context of Nigerian musical theater.

Another primary purpose of this study is to make a scholarly contribution to the field of theater studies,
particularly in the context of African and Nigerian theater. By closely analyzing a specific production, the
research aims to generate new knowledge, theoretical frameworks, and critical perspectives that can
enrich the existing literature on musical theater and directorial practices.

The findings of this study are intended to be valuable not only to scholars but also to practitioners and
educators in the field of theater. By providing insights into successful directorial strategies and the
challenges faced in producing a musical, the research aims to inform future theatrical productions and
educational curricula.

In summary, the purpose of this study is multifaceted, encompassing an exploration of directorial

strategies, a scholarly contribution to theater studies, and practical insights for the benefit of both
practitioners and educators in the field.

1.4 Research Questions

The formulation of precise and insightful research questions is fundamental to guiding the inquiry and
achieving the objectives of this study. The following research questions serve as a compass, directing the
investigation into the complexities of directing a musical with a specific focus on "Dis Loyal Judas"
directed by Segun Adefila:

1. How does Segun Adefila conceptualize and adapt musical elements in the directorial process of "Dis
Loyal Judas," and what influences shape this creative approach?

- This question aims to unravel the director's artistic vision, exploring the ways in which musical
elrments are woven into the fabric of the play and identifying the influences that inform Adefila's
directorial choices.

2. What challenges does Segun Adefila encounter in blending traditional and contemporary elements in
"Dis Loyal Judas," and how does he navigate these challenges during the production process?

- This question delves into the practical aspects of the directorial process, seeking to identify and
understand the challenges faced by Adefila as he strives to merge traditional and contemporary
elements, and how he tactically addresses these challenges.

3. How do the cast and crew perceive and respond to Segun Adefila's directorial style and the unique
fusion of traditional and contemporary elements in "Dis Loyal Judas"?

- This question explores the perspectives of those directly involved in the production, shedding light on
the collaborative dynamics and the impact of the directorial vision on the creative team.

4. What broader implications and contributions does "Dis Loyal Judas" make to the landscape of
Nigerian musical theater.

- This overarching question aims to contextualize the significance of the case study within the broader
landscape of Nigerian musical theater, exploring the production's contributions and its impact on the
ongoing discourse surrounding musical theatre in Nigeria.

These research questions collectively guide the study, providing a structured framework for the
exploration of directorial strategies, challenges, and the broader implications of "Dis Loyal Judas" within
the context of Nigerian musical theater.
1.5 Research Methodology

This research employs a qualitative case study design to provide an in-depth and holistic exploration of
the chosen case, "Dis Loyal Judas." This design is particularly suited for investigating complex
phenomena within its real-world context. By delving deeply into the specificities of the directorial
process and the unique characteristics of the musical production, this methodology allows for a nuanced
understanding of the subject.

- Conducting semi-structured interviews with Segun Adefila & key members of the cast and crew.
These interviews will provide firsthand insights into the director's vision, the challenges faced during
production, and the perspectives and experiences of those involved.

- Systematic analysis of recorded performances of "Dis Loyal Judas." This involves scrutinizing aspects
such as choreography, music, stage design, and overall execution, providing a comprehensive
understanding of the directorial choices and their impact on the artistic presentation.

This research methodology is designed to capture the nuances and intricacies of directing a musical,
providing a comprehensive understanding of Segun Adefila's approach and the broader implications for
Nigerian musical theater.

1.6 Significance of the Research

This research holds substantial significance within the realms of theater studies, cultural exploration,
and the broader understanding of the directorial process in musical theater. The multifaceted
significance of this study is articulated across various dimensions:

- The study contributes to the academic discourse on theater studies, particularly in the context of
musical theater and its evolution within the Nigerian landscape. By focusing on a specific case study, this
research adds depth to existing scholarship, offering nuanced insights into the directorial strategies
employed by Segun Adefila.

- Nigeria, with its rich cultural tapestry, provides a unique backdrop for this research. The exploration
of "Dis Loyal Judas" not only contributes to the understanding of musical theater but also serves as a
cultural exploration. The research delves into how traditional Nigerian elements are preserved and
reinterpreted within a contemporary artistic context, contributing to the broader conversation on
cultural dynamics in the performing arts.

- Practitioners in the field of theater, especially directors, actors, and producers, can also draw
inspiration and practical insights from the findings of this research. By examining the challenges and
successes of a specific directorial approach, the study offers practical lessons that can inform future
productions and contribute to the ongoing growth and innovation in Nigerian musical theater.
In summary, the significance of this research transcends disciplinary boundaries, encompassing
contributions to theater scholarship, cultural exploration, practical insights for practitioners, enrichment
of Nigeria's theatrical heritage, and global engagement with the universal themes embedded in musical
theater.

1.7 Scope of the Study

This research work will focus on the principles and practice of Directing a musical. A focus of Segun
Adefila's directorial style. From choosing the play to staging it, including all intellectual and physical
aspects.

1.8 Limitations of the Research

A major inhibiting factor during the course of this research is the is inability to lay hands on material that
are germane to purpose of the study, That is, the problem of gathering relevant literature to enhance
accurate information for the research. The limited availability of material makes the research tricky and
slow in attainment.

1.9 Operational Definition of Terms

DIRECTING: For Bell-Gam, it is the auditory or visual interpretation of a play script by the artistic
director (71). Oga refers to it as the art of harmonizing the contributions of the various artistic
collaborators in a theatrical production Directing is an intellectual expression of imaginative and
interpretative creativity by a craftsman and coordinator of all theatrical elements in a production
process..

DIRECTORIAL PROCESS: The systematic and creative approach employed by directors in conceptualizing,
planning, and executing a musical production.

CONCEPTUALIZATION: It is the idea that the director cut across in all the element of a play production,
such idea come as 'ism. For example naturalism, realism, expressionism, etc. For the element that is
costume, set, acting, script to be unison they must be an idea that bind it together, that idea is called
directorial concept.

By providing operational definitions for the terms, this research establishes a clear framework for the
subsequent detailed examination of the directorial process in musical theater.
 CHAPTER TWO
LITERATURE REVIEW
2.1 INTRODUCTION: This chapter will include reviews all available works related to directing, directorial
styles, concept and directing a musical. It will also review related articles from various theatre scholars.

2.2