COLLEGE LONDON for Trinity College London exams . 2016-2019Contents GROUP A Anon. [Italian 17th C] Kiffner Mozart Sagreras, arr. Cracknell ‘Trad. American, arr. Sollory Trad. Spanish, arr. Sollory GROUP B Norman, arr. Powlesland Powlesland Rak Searle Sollory Trad. Brazilian Trad. South American Ballett Andantino, op. 80... ae Theme from The Magic Flute... : Marcha* Cape Cod Girls* Inés... James Bond Theme... ‘Spellbound... Un aprés-midi d’été (Summer Afternoon)... Old York®. Alternative pieces for this grade GROUP A Composer Longworth & Walker Ryan Sollory Trad. Japanese, arr: Sollory GROUP B Composer Longworth & Walker Mourat Nuttall Powlesland Trad. Brazilian, arr Rivoal Tromp Mona Lisa = ‘Samba Olé. Tuté Maramb sn 13 Piece Book Publisher café Guitar Basics Workouts Faber 0571536883 Snake in a Basket Scenes for Guitar book 1 Camden CM260 ‘The Moon on the Water* Jooby Tunes Camden CM243 Akita Obako Songs from the East Camden CM268 Piece Book Publisher It's So Calypso Good Guitar Basics Repertoire Faber 0571536875, Swingen La Facilissimo ‘Transatlantiques EMTI676 Rocky Road (On the Way Countryside CTYOO7 Paradise Island ‘The Real Guitar Book vol. 3 Camden CM245, Nesta Rua* Chansons et Danses d'Amérique Latine vol. A Lemoine HL25i61 Metamorphosis String Fingers XYZ 12it *Duet ~ A maximum of two duets may be played. If duets are chosen, the accompaniment must be played in the exam. {Al pieces in this volume have been edited with regard to current concepts of performance practice. Fingering and dynamics have been suggested to assist candidates and their teachers in developing their own interpretations. Markings in square brackets are editorial Metronome marks are given as a quide but do not need to be observed exactly, as fang as the style and character of the piece is maintained. Repeats of more than a few bars should be omitted in the exam unless otherwise instructed in the syllabus or in this book, but all da capo and dal segno instructions should be observed Every effort has been made to trace and acknowledge the copyright owners. lf any right has been omitted or f any detall is incorrect, ‘Trinity College London will rectify this in any subsequent reprints foo Important notification, Candidates and teachers must refer to the Information & Regulations booklet (wwetrinitycollege.com/essentialinformation) {or all exam requirements and regulations.TRINITY COLLEGE LONDON Pieces including Duets for Trinity College London exams 2016-2019 Published by Trinity College London wwectrinitycollege.com Registered in England Company no. 02683033, Charity no. 1014792 Copyright © 2015 Trinity College London First impression, September 2015, Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher. Printed in England by Caligraving Lta.mwuneeey (17th Century Italian) ‘Anonymous pont. ? Fol ts poco rit. = oe F © Copyright 2015 by Trinity College London. Group A Andantino op. 80 Joseph Kilffner (1776-1856) [J= 110) ™ 1bres (rit Do not play the repeat in the exam, ‘© Copyright 2015 by Trinity College London. Group A Theme from The Magic Flute Wolfgang Amadeus Mozart (1756-1790) Andante = 100 Do not play the repeats in the exam, © Copyright 2015 by Trinity College London.Group A Marcha arr. Debbie Cracknell Julio Sagreras Allegretto [J = 104] (1879-1942) Solo Accomp. IS | ‘mf (repeat mp) f » af epeump) 3 1 be Do not play the repeat in the exam. = Secpeanf) Fs = Srepeatmf ) Marcha by Julio S. Sagreras, arranged by Debbie C’ 4 © Oxford UnivGroup A Cape Cod Girls Sea Shant) arr. Lee Sollory Y Traditional American Solo ‘Accomp. 5 | 8 | u Se : ie R or Is = laa | . © Copyright 2015 by Trinity College London.Group A. Inés arr. Lee Sollory Traditional Song from Northern Spain Expressively 1= 76 poco rit. 26 rit, moltoGroup B James Bond Theme arr. Nicholas Powlesland Monty Norman (b.1928) Dramatically = 100 pe —SS Ss 17 swung quavers fe straight quavers Py a 2 es : PP a 2 © Copyright 1962 EMI United Partnership Ltd. All rights reserved. Internation: This arrangement © copyright 2015 EMI United Partnership Ltd. Used by peGroup B Spellbound Nicholas Powlesland (b.1965) Enchanted J= 110Group B Un aprés-midi d’été Stepan Rak (0.1945) Andante [4 = 100] mech f » — > P simile 2 D.C. al Fine © Editions Henry Lemoine, Paris. All rights resGroup B Old York Leslie Searle (6.1937) ‘Medium swing [= 122] J Solo = Accomp. Dynamic markings are editorial 10 © Copyright 2015 by——— mp erese.Group B Mona Lisa Lee Sollory (b. 1959) Calm and majestic 1= 96 Bs » a 7 nf Te Harm, 12 rit, lot a tempo 2 =~ let ring Ne nTGroup B Samba Olé Traditional Brazilian Brightly J= 114 = & a —~ dil v1 D.C. al Fine of E if © Copyright 2015 by Trinity College London. all Say ‘| Group 8 Tutd Maramba Traditional South American Lullaby Andante /=76 le P fe eee - (rit last time) Fine “Ul YI YI fi fF 7 fr 9 pont a D.C. al Fine t 2015 by Trinity College(continued from inside front cover) Pieces ~ three pieces to be performed, at least one from each group Piece t: Plece 2: Chosen from this book or from those in the | chosen from this book or t alternative list alternative list Plece 3: rom those in the CChosen from this book or from those in the alternative list or candidate's own compositio (Gee current syllabus for details) Technical exercise in G major (music may be used, 6) ‘Technical work ~ Candidates to prepare i) Technical exercise Candidates to prepare in full either section ii) or section ili) either it) Scales & arpegglos (trom memory, mf) the arpeagio. Candidates should prepare scales and arpeggios as listed below. When the examiner requests a key, the candidate should play the scale and the a scales: apoyando or trando ee im fingering (candidate's choice) cee scales: one octave arpeggios: trando arpeggios: tothe Sth scale: fingering ral ti ee atpeggio: pm fingering oe min, tempi seales:. = 56 arpeggios: ¢ Nz or ill) Studies (music may be used) Candidates to prepare fa or 1b; 2a or 2b; and 3a or 3 (three studies in total). The candidate will choose one study to play first; the examiner will then select one ofthe remaining two prepared studies to be performed: 1a. Paper Tiger or 1b. Highland Memories _| for tone and phrasing 2a, Scary Monsters or 2b, Rock Bottom {or articulation 3a, Poisson Rouge or 3. Firefly Sky for idiomatic elements Supporting tests - two tests are to be chosen from: sight reading aural improvisation musical knowledge Please refer to the current syllabus for details on all elements of the exam, 7 of Yama Masic Lancs