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I curse you
Dharamvir Bharati's play "Andha Yug" unfolds against the backdrop of the Mahabharata,
offering a profound exploration of human nature, morality, and the consequences of violence.
At the heart of this epic tragedy is the character of Gandhari, whose portrayal embodies the
complexities of allegiances, curses, and retribution. Through Gandhari's tragic journey, Bharti
delves into the paradoxical nature of human relationships and the cyclical nature of violence,
Gandhari's anguish and despair as she curses the divine Krishna, holding him responsible for
the devastation that has befallen her family. In her fury, she condemns not only Krishna but
also his friends and kinsmen, foreseeing a future marked by bloodshed and cannibalism. This
curse, laden with bitterness and resentment, underscores Gandhari's deep sense of betrayal
and loss, as well as her desperate attempt to assert agency in the face of overwhelming
tragedy. The concept of karma, central to Hindu philosophy, posits that every action has
consequences, both in this life and the next. By cursing Lord Krishna and his allies, Gandhari
sets into motion a chain of events that ultimately leads to her own downfall. Her curse, fueled
by her sense of righteous indignation, is itself an act of karma, subject to the same cosmic
laws that govern the universe. Furthermore, Gandhari's inability to see beyond her immediate
grief and anger blinds her to the broader implications of her actions. In cursing Lord Krishna,
she fails to recognize the interconnectedness of all beings and the futility of seeking
vengeance in a world governed by the laws of karma. Her curse, therefore, is not merely an
act of retribution but a tragic misunderstanding of the cosmic order. Moreover, Gandhari's
curse exposes the fragility of human relationships and the inherent contradictions within
allegiances. As a mother, wife, and queen, she is torn between her duty to her family and her
sense of justice. Her condemnation of Krishna, a revered deity and mentor to her own son,
reflects the depths of her despair and disillusionment. Yet, even as she rails against him, she
acknowledges his divine nature, highlighting the complexity of their relationship and the
conflicting loyalties it entails. Her curse is also a potent symbol of the dehumanizing effects
of war and violence. In likening Krishna's allies to "rabid dogs" and predicting their descent
into savagery, she exposes the moral degradation wrought by conflict. By extension, her curse
also implicates humanity as a whole, suggesting that the capacity for cruelty and destruction
lies dormant within all of us. The play unfolds on the final day of the battle, featuring
characters like Gandhari who emerge prominently at this late stage, contrasting with the
epic's protagonists. She is focused on the immediate circumstances of the war, feeling
aggrieved by the unfolding events. However, it's important to recognize that the conflict on
the last day is a culmination of preceding actions that led to the war. Despite her strong voices
in the final moments, it absolves her of taking responsibility for her earlier decisions. For
modernist readers like Bharati, avoiding the war becomes paramount, conflicting with the
pursuit of justice. Yet, when Gandhari claims that "dharma, duty, and honour were illusions"
and advises Duryodhana that victory follows dharma, she reveals her limited understanding
of a holistic truth. Her awareness is clouded by false beliefs, preventing her from making
in, she lacks foresight, influencing her son Duryodhana's choices. Ultimately, Gandhari's self-
imposed blindness alters not only her destiny but also that of Duryodhana. Gandhari's cursing
of Krishna after the death of her sons cannot be justified from a rational standpoint.
moral principles, which can lead to disastrous outcomes in our engagements with the world.
Her perspective is better understood through a psychoanalytical lens rather than historical or
political analysis. As a grieving mother, Gandhari's emotions are raw and intense,
transcending moral or political considerations. She expresses her pain through weeping,
mourning, and anger, detached from ideological positions. In contrast, Krishna's acceptance
interpretations of reality. The ability to seek righteousness while remaining neutral is absent
in Gandhari. Upon realizing the gravity of her curse and Krishna's acceptance of it, Gandhari
experiences a profound moment of reflection. Her regretful acknowledgment, "I did not weep
like this for my hundred sons," suggests a sense of introspection and remorse. In this
moment, Gandhari confronts the limitations of her own grief and recognizes the
disproportionate nature of her response to her sons' deaths compared to her reaction to the
larger consequences of the war. Gandhari's internal conflict extends beyond her grief for her
sons to encompass broader themes of duty, righteousness, and the consequences of actions.
As a character deeply rooted in moral principles, Gandhari grapples with the implications of
her curse and its alignment with her values. This introspection adds depth to her character,
portraying her as more than just a grieving mother but as a nuanced individual wrestling with
complex moral dilemmas .In conclusion, Dharamvir Bharati's "Andha Yug" stands as a
profound exploration of human nature and morality, using Gandhari's character to delve into
the complexities of allegiance, justice, and the consequences of violence within the
Mahabharata narrative. Through her curse against Lord Krishna and his allies, Bharati
exposes the frailty of human relationships and the moral ambiguities inherent in moments of
profound grief and despair. Gandhari's journey serves as a cautionary tale, highlighting the
dangers of clinging to rigid beliefs and prophecies without considering the broader