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Merchant's Tale Master File
Merchant's Tale Master File
Merchant's Tale Master File
Chaucer’s life:
Geoffrey Chaucer was born to the bourgeoisie class and had considerable family
money within the wine-making business (his father was a wine merchant). After
inheriting property from a nasty bout of plague, Chaucer’s father became even more
wealthy and sent his son to be a page for the Countess of Ulster and was further
promoted to public servant. Being raised in a merchant’s household meant that Chaucer
was acclimated to conversing with people from varying classes and backgrounds. It also
meant that he was gifted with ‘people skills’ from a young age and so could speak to
any status of person with both charm and manners. Chaucer served in the Hundred
Years’ War in France until he was eventually captured by the opposition and thus
released from ransom (thanks to his royal connections). He further went on to join the
Royal Service and travelled Europe on diplomatic business. He eventually married
Philippa Roet who’s family standing helped Chaucer even more in working his way up in
English courts.
Fabliau:
Fabliau was a common French genre of story-telling, often written anonymously by
Jongleurs. They were typically short in length and made use of rhyming couplets.
Courtly love:
In the middle ages, it was not uncommon for knights to develop infatuations with
married women. With an emphasis on chivalry and nobility, knights could flirt
surreptitiously with married ladies without getting into trouble. It was a practice meant
for the upper class and women typically did not (or at least, were not expected to) return
such feelings.
Mal Mariees:
In Chaucer’s time, grew in popularity the idea of Mal Mariees; women who cared not for
their own suitor. These women were often forced into marriage, and showed an
apparent disdain and uninterest in the men they were married to. The stereotype likely
stemmed from expectations of the Virgin Mary, and how women were required more
and more to reflect her image. The Virgin Mary became a symbol for suppression of
sexual appetite, and women who embodied this were thought of as pure and innocent.
Senex amans:
A senex amans is a common stock figure in mediaeval literature. It describes the
stereotype of an old man (who is characteristically impotent, ugly or ignorant) that is
cuckolded by a younger suitor. The senex amans character is often subject to mockery
within a work, and was a form of entertainment for readers at the time.
Lombardy:
• The tale is set in Lombardy, a town full of brothels and banks reflecting both Januaries
and the Merchant's personalities.
• From 1359, Pavia - as the capital of Lombardy - and its neighbourhood, were owned
by the Visconti
• Chaucer - on royal duties - visited Lombardy in 1378. He was negotiating for a
possible marriage between the daughter of Bernabo and King Richard II
Decameron:
Chaucer derived a lot of his inspiration for ‘The Canterbury tales’ from Giovani
Boccaccio’s ‘Decameron’. It is similar to the Canterbury Tales in the sense that it follows
a group of people who spend their time solely in each other’s company, who tell one
another stories to pass the time. It differs from Chaucer since they all come from
wealthy standings, whereas the pilgrims come from all different walks of life. Chaucer
took heavy inspiration from Boccaccio’s work, but made it his own through increasing
levels of diversity though his characters as well as making the entire work a satire.
Petrarch: