Evocaciones sobre Bs As, tango.

For symphonic orchestra

Transposing Score Mauricio Charbonnier

   = 75
    

dramatico sempre a 2


Flute 1-2

    
 
sempre a 2


Oboe 1-2

    
 
sempre a 2


Clarinet 1-2

     
Bassoon 1-2


     
Horn 1-2
 

    
  
         
 
Timpani

     
Violins I A 

        


         
div div

 dramatico
Violins I B

3 3

   

 
div


Violins II


                    
dramatico

       

div unis


Violas

 3 3

  
dramatico

            
 
div unis div

   
Violoncellos

dramatico

      

  

    
div unis


  
Contrabass

 dramatico

2024
2 Evocaciones sobre Bs As, tango.

    
  
Poco rit.

 
Fl. 1-2

  
  
 
Ob. 1-2


        

    
Cl. 1-2

   
     

sempre a 2

 
Bsn 1-2

  
          
  
sempre a 2

   
Hn. 1-2

  
             
Timp.
     

    
Vln 1 

  
            
div


div

      
  
Vln I

 

                 
div
unis

  
Vln II

      
        
 
        
    
div

 
div

 
Vla

  
    
    
           
div div

Vc.
      

              
  
              
  
Cb.

5
 Evocaciones sobre Bs As, tango. 3

      

    
a tempo


Poco rall.
A


Fl. 1-2

Ob. 1-2 
   

Cl. 1-2 
   

    
Bsn 1-2


    
Hn. 1-2


    
Timp.


      


                   
dramatico

Vln 1


       
    
   
 
   
      
Vln I

   
    
   
   
      
Vln II

      
   
 
Vla

   
Vc.
       

   
            
    
       

Cb.

10
4 Evocaciones sobre Bs As, tango.

     

a tempo


Fl. 1-2

 
       
   

Ob. 1-2

  
    
     
    
Cl. 1-2



  
 
        



Bsn 1-2

    
Hn. 1-2


    
Timp.


   
Vln 1
 
         
  
          
3

   
3 3

 
3

         
   
  
   
 
Vln I

 
    
   
  
   
    
Vln II

          
Vla
    


 
  div
Vc.
            
    
        
  
Cb.
       
 

15
 Evocaciones sobre Bs As, tango. 5

    
B


con profunda espressione

Fl. 1-2

Ob. 1-2 
   


   
 
Cl. 1-2

  


       
     
  

       




Bsn 1-2

 
          
con profunda espressione

  
Hn. 1-2

    
Timp.



              
  
      
con profunda espressione


piu mosso

Vln 1

 3 3 3 3 cresc

                         
                  
div


Vln I


 
      
div

     
Vln II

 marcato
    
               
       
 marcato
Vla

    
           
div div div

 
Vc.



   
  
 
      
         
     
Cb.

20
6 Evocaciones sobre Bs As, tango.

    
    
a tempo  = 70

  
Rit.


 = 85


rubato

Fl. 1-2


    
3 3

      
Ob. 1-2  

    
3 3

       
 

Cl. 1-2
3 3

       
    

Bsn 1-2

   
       
  
con passione

Hn. 1-2

          

     
  
Timp.

    
        
    
  
   
 
con passione rubato


Vln 1

   
3

 
3

   

       
  
div div


    
Vln I


3

 
  
  
cresc……….

    
   

  
div div div

      
Vln II


  
3


  
cresc……….

   
  
   
  
div div div

 
 
Vla


     
cresc………

    
      
   
div div

   
3

 
Vc.


             
cresc……….

       
    

Cb.

3
 Evocaciones sobre Bs As, tango. 7

         

 
Fl. 1-2

    
Ob. 1-2
    
 

     


Cl. 1-2


      

 
Bsn 1-2

    
Hn. 1-2
 

    
Timp.


         
       
    
Malinconico 3


Vln 1

 

    
   
div



Vln I

     
    
div div


Vln II

          
div

    
      
 

div

Vla
 
 
  
          
   
div div div

Vc.
     

     
       
div div



Cb.

25
8 Evocaciones sobre Bs As, tango.

    
 = 60


Rit.


C teneramente

Fl. 1-2

   
  

meno mosso


Ob. 1-2

  
 
meno mosso

   
Cl. 1-2

 
   

   

Bsn 1-2

   
Hn. 1-2
   


    
Timp.
 


      
        
meno mosso teneramente

       
  
Vln 1

  

     

Vln I


 
   
      
  
div div

 
Vln II

 

 div   
   
div

Vla

  
 
        
div div div



Vc.

  
  
    

  
div


Cb.
 Evocaciones sobre Bs As, tango. 9

  
        

 esspr.
Fl. 1-2

Ob. 1-2 
   

Cl. 1-2  
  

    
Bsn 1-2


  
Hn. 1-2
   


    
Timp.


  
      
  
       

Vln 1


3

       

div div div


Vln I

   

div

      
3 div

  
Vln II

  
     
 3
div div div


Vla

   
      
div

Vc.
   
3

  
         
div div div

Cb.
   
3 35
10 Evocaciones sobre Bs As, tango.

  
       




  
Ritardando

Fl. 1-2
   

     
Ob. 1-2    

  
  
         
div

Cl. 1-2
  

       
   

Bsn 1-2

    


Hn. 1-2

    
Timp.


          
       
Vln 1   
3


3


     
         
div

Vln I
     


     

       
Vln II 
      



     
    

div

 
Vla

 
       
     
Vc.
     

     
       

div

   
        
Cb.


40 3
 Evocaciones sobre Bs As, tango. 11

    
a tempo


D
Fl. 1-2


    
  
Ob. 1-2

Cl. 1-2 
   

  
           
Bsn 1-2


  
   
   

Hn. 1-2

espr.

    
Timp.


            
         


Vln 1

  
     
 
  
unis div unis



Vln I

        
 

  
div

Vln II

          
 

Vla

 
espr.

     
 
div div div

Vc.
   

  
            
div


div

Cb.

12 Evocaciones sobre Bs As, tango.

     
     
  
 
Fl. 1-2

         
  
  
Ob. 1-2

  
    

Cl. 1-2

 

      

 
Bsn 1-2

    
Hn. 1-2


    
Timp.


   
     
piu mosso

       
Vln 1 

  
3

    
     
div


Vln I

   
      
div

 
Vln II

        
     

Vla

    
      


Vc.

      
3

    
   

Cb.

45
3
 Evocaciones sobre Bs As, tango. 13

   = 65
  

E
Fl. 1-2

Ob. 1-2   
  

Cl. 1-2  
  

    
Bsn 1-2


    
Hn. 1-2


    
Timp.


   
          

dramatico

Vln 1   

   
    
Vln I       


 div  

        
div

Vln II
   
   
        
Vla
    

   
             
                
 

Vc.

 
            
Cb.
            

50
14 Evocaciones sobre Bs As, tango.

         
    
Ritardando

 
 
Fl. 1-2

        
      
 
Ob. 1-2

Cl. 1-2 
   

    
Bsn 1-2


    
Hn. 1-2


    
Timp.


   
          
     
 
Vln 1

       
     
       
div

  
        


Vln I

  
 
   
       
div

   
       

 
Vln II

          
div


Vla

  
     
                   
div div div

  

Vc.


      
           
div div

Cb.
         
55
 Evocaciones sobre Bs As, tango. 15

    
 
 = 75
F dramatico

Fl. 1-2

Ob. 1-2  
   

 
   

Cl. 1-2

      


Bsn 1-2

       

dramatico

 
Hn. 1-2

     
Timp.


  
             
dramatico

Vln 1


        
         
 
Vln I


  
  
  
  
Vln II

     
Vla
      


  
          
  

  

Vc.

 
          
    
   

Cb.


60
16 Evocaciones sobre Bs As, tango.

      

     
Poco rit. a tempo


 
Fl. 1-2


    

Ob. 1-2

     
   
Cl. 1-2



  

       

Bsn 1-2

    
Hn. 1-2
   

    
Timp.


      

           
  
 
      

Vln 1

       
3
3

          
   
        
Vln I

   
     
   
          
Vln II

       
Vla
     
     
Vc.

      

   
           
   
Cb.
        
 Evocaciones sobre Bs As, tango. 17

 G            
con profunda espressione

          
 = 80

 
Piu Mosso


Fl. 1-2

      
 
3

        
 
con profunda espressione

   

Ob. 1-2

 
3

     
3



           
  

Cl. 1-2

 
       
          
    
Bsn 1-2

   
  
con profunda espressione


Hn. 1-2

    
Timp.


    
                   
con profunda espressione



Vln 1

3 3
3

 
3

                    
Vln I
                    

 
      

    

       
Vln II


 
           
      

Vla

 
                 
div


Vc.


 
          
        
div div

       
 
Cb.

65
18 Evocaciones sobre Bs As, tango.

                 
 = 86

         
piu mosso con passione

Fl. 1-2 

   
       
3 cresc

     
3

 
   
 
piu mosso con passione

Ob. 1-2

    

 
 
3


3

            
 
Cl. 1-2

         
       
  
Bsn 1-2


           
con passione

Hn. 1-2

          

 
Timp.

    
           
 
 
 
 
 
piu mosso con passione

Vln 1

  
3 3 cresc

         
 
        
   
div div


Vln I


 
cresc……….

   


  
div div

     
  
Vln II


 
      
cresc……….

         
       

 
 
Vla


 
cresc……

      
      
div div div div

   

Vc.


cresc……

          
div div

           
 
Cb.

70
 Evocaciones sobre Bs As, tango. 19

    
        
         
   
 
Fl. 1-2

       
3 3


        
       
Ob. 1-2

 
3

    
3

 
         
       
Cl. 1-2
  
 
3 3

   
    
  

Bsn 1-2

   
     
  



 
     

Hn. 1-2

  
  
     

Timp.

      
    
          

 
Vln 1


3

     
3


  
 
espr.

     
 
div


Vln I


      
   
3

    
  
 
div div


Vln II

 
  
    
div

         
  
div


Vla

     3  
  
           
div div

       


Vc.

  
             
  
  
Cb.


3 75
20 Evocaciones sobre Bs As, tango.

   
    
 = 73
H
Fl. 1-2

 

Ob. 1-2       
 

       
 
Cl. 1-2

   
  


Bsn 1-2

        
   
 
Hn. 1-2

   
Timp.


       
     
molto espressivo

    
 
 
Vln 1
3 3

                     
Vln I



       
 
div

 
Vln II


            
Vla       

 

                   
 
div

Vc.
 


 div
 
        
unis


 
Cb.
 Evocaciones sobre Bs As, tango. 21

        
  

Fl. 1-2

      
 

Ob. 1-2

    

  

Cl. 1-2

        


Bsn 1-2

    
Hn. 1-2
    

    
Timp.
 

            
    
Appassionato

Vln 1


   
3 3

         
     
div



Vln I

       
  
div

Vln II
 

       
     
div

        
div

   
Vla

   
        
        
 
div


Vc.

        
                   
div unis div

 
    
Cb.

80
22 Evocaciones sobre Bs As, tango.

   
    
  

Fl. 1-2

   
     

Ob. 1-2

   
      

Cl. 1-2

       
Bsn 1-2


    
Hn. 1-2


    
Timp.


         
 
Vln 1    

    
     
Vln I    
    

      
Vln II        

     
       
Vla  

    
        
 
div div

Vc.
      
    
           
  
   


Cb.

85
 Evocaciones sobre Bs As, tango. 23

     
  
  

Fl. 1-2

  
       

Ob. 1-2

     
    

Cl. 1-2

      
 
 
Bsn 1-2

   
Hn. 1-2
   

    
Timp.


           

Vln 1 

      
    
Vln I      

     
      
div

Vln II


        
 

Vla

 
       
 
div div

Vc.
   

        
      
div

Cb.

90
24 Evocaciones sobre Bs As, tango.

 
   

I
Fl. 1-2

Ob. 1-2      

    
Cl. 1-2 

       
  
 marcato
Bsn 1-2

   
Hn. 1-2
   

    
Timp.


 
        
   

Vln 1

   
3

     
 
3



Vln I

        
  
        
div


Vln II

      
            

Vla

   
       
        
  
 
Vc.

        

    
  

Cb.

marcato 95
 Evocaciones sobre Bs As, tango. 25

 
    


Fl. 1-2

     


Ob. 1-2

     


Cl. 1-2

    
    
Bsn 1-2
 

    
Hn. 1-2


    
Timp.


    
        
Vln 1  
3

     
  
div

    
Vln I 
  

        
         
div

Vln II 

       
 div 
Vla         

 
        
      
  
div

Vc.

          
 div  

div

Cb.
26 Evocaciones sobre Bs As, tango.

     
  
Piu Mosso Adagio
meno mosso

 
 
Fl. 1-2

     
    
 
meno mosso


Ob. 1-2

     
    
 
meno mosso


Cl. 1-2

     
  

Bsn 1-2

    


Hn. 1-2

 
      
 
Timp.

     
   
meno mosso

 
  

Vln 1

 
    
   
 
Vln I


  
   
   
div



Vln II

  
   
  
div

Vla


  
     

div


Vc.

 
      


Cb.

100
 Evocaciones sobre Bs As, tango. 27

     

 = 50


Rallentando

Fl. 1-2

Ob. 1-2 
    


Cl. 1-2 
    


  
         


Bsn 1-2

  
  
  

Hn. 1-2

    
Timp.
   

  
      
 
  
                  
molto espressivo


3

Vln 1



3

   
  
    

 
 
Vln I


 
   
   

Vln II

  
    
Vla
 
       

Vc.

 
     
 

      
  
  
Cb.

105
28 Evocaciones sobre Bs As, tango.

  
Fl. 1-2 

Ob. 1-2 
 

  
 


Cl. 1-2

  



Bsn 1-2

  
   

Hn. 1-2

  
Timp.



  
  
 
Vln 1

  
  

Vln I

  
  

Vln II


Vla   

  
Vc.


 
  



Cb.

  
 Violas
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

   
  
                     
 = 75



div unis


 3 3

       
dramatico

         
 
        
    
div Poco rit.

 
div

5
 

     
   
 
a tempo Poco rall.
A


10

        
   
a tempo

  
15

 
              

B

       
 marcato 20

  


 = 70

  
Rit. a tempo

    
    
 = 85

  

div div div

   
cresc……… 

          
div

   
       
   

div

25 

   
 = 60

   
Rit.


div


div
C

 
  
     
 3
div div div


     

35

  

div Ritardando

 
40

         
a tempo

 
 espr.

2024
 2 Evocaciones sobre Bs As, tango.
Violas

        
    

    
 
45

      

= 65

   
E


50

        
div Ritardando

 
55

   

 = 75

  
  
F


60

      
     
Poco rit. a tempo

 
        
 = 80

   
Piu Mosso

   
G



 
      
65

      
  
 = 86

     

 
 

70
cresc……

 
      
div

           
 
div


       
         
75

 
       
 = 73

    
H


80

       
    
div div

        
  
        
  

       
85

   

              
  
90

      
I

 95
 Evocaciones sobre Bs As, tango. 3
Violas


 div 
         
  
Piu Mosso

  
100

    = 50

 
div


Adagio

  
   
Rallentando



105



 Bassoon 1-2
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier


   
 = 75


1-7

   
Poco rit. a tempo

sempre a 2 A

 
   
9 - 11

        
Poco rall. a tempo


 
   
15

        
     

B

        

       
 = 85

      
Rit.

  
20


 = 70

      
a tempo

25
 

    

Rit.  = 60
C



    


     
 
34 - 38

    
 
Ritardando
D a tempo


          
40 3

 
 
 
45

    
 = 65


 
47 - 48 49 - 50


E

51 - 55

2024
 2 Evocaciones sobre Bs As, tango.


Bassoon 1-2

       
Ritardando  = 75
F


  
59 - 61

         
Poco rit. a tempo


 
   
65

        
 = 80

      
Piu Mosso
G

      
       
 = 86

      


70

      
   

 
74 - 75


 = 73

  
H

   

    
80

 

   
85

 

 
     

 
    
90

   
 
I

 marcato 95

     
 
 
Piu Mosso


 
100

  
Adagio  = 50



105

    
   
 
Rallentando

  

 Flute 1-2
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier



 = 75


    
dramatico sempre a 2



2-3

     
Poco rit.

 
      
5-7

   
a tempo Poco rall.



 
9 - 11

  
a tempo



14 - 16

  
B
con profunda espressione

17 - 20


 = 70

     
 = 85

  
Rit. a tempo

 
rubato


3 3

        

 

25


 = 60

  
Rit.


C teneramente

       
30 - 35


             
Ritardan

   
 esspr.
 
   
a tempo
D

  
40 41 - 45

      
 = 65

  
 
2024
 2 Evocaciones sobre Bs As, tango.


Flute 1-2


 E
 

    
50 51 - 53

  
    
Ritardando

 
 

55

 
 = 75

  

F dramatico

      

60 - 61

    
Poco rit. a tempo

 

            
64 - 65

G      
con profunda espressione

      
 = 80


            

Piu Mosso

 3 3 3
3

  
          
 = 86

       

piu mosso con passione

 
       
70
cresc

    
     
  
3 3 75


 = 73

      
    
H


  
80

  


     
85

 
  
 
     
 
 

  
90

94 - 98
 Evocaciones sobre Bs As, tango. 3
Flute 1-2

      

Piu Mosso


 100 

  
 = 50

   
Adagio


meno mosso




104 - 105


  
Rallentando

107 - 109
 Horn 1-2
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier



  
 = 75

 
1-5

         
   
Poco rit. a tempo
sempre a 2 A

   

9 - 11


  
Poco rall. a tempo

13 - 16

          
con profunda espressione

 20 

 = 70

 
 = 85

        
Rit. a tempo


  
con passione

  

24 - 26


 = 60

 
Rit.
C

      
 

    


35


       
Ritardando a tempo
D



  
espr.


39 - 40

 
    
44 - 48
 = 65
E

49 - 50 51 - 55
 = 75

     
Ritardando

 
dramatico
F

 
2024
 2 Evocaciones sobre Bs As, tango.


Horn 1-2


      
Poco rit. a tempo

60
 63 - 65

 = 80


       
con profunda espressione
Piu Mosso
G


 = 86

          
  
con passione

70

 
       


     
75   


 
 = 73

         

H

 80 81 - 87


     
90 - 91


     
I

94 - 99


   
Piu Mosso Adagio

100


    

 = 50

 
Rallentando


105

 
  

 Violoncellos
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

  
      
     
 = 75

 
div unis div


  
   
    
dramatico

  
     
   
div div

    
Poco rit.

  

5

     
   
a tempo
Poco rall.
A

  
  
10

        

a tempo
div

15

    
B

           
div div div

 

20

        3
    
a tempo  = 70

     
div div


Rit.

     
 = 85




cresc……….

         
      
 
div div div

      
25

 
 = 60

  
Rit.

        
div div div


C

   
      
div

  
 

3

    
35

    
    
  
Ritardando



40

2024
 2 Evocaciones sobre Bs As, tango.
Violoncellos

  
   
a tempo

 
div div div

   
D

    
      


   
            
45


      
3

  
 = 65

     

E


50


  
     
              
Ritardando

     
div div div

  
 


55

 
          
   
 = 75

 
F



   
60

        

Poco rit. a tempo


               
 = 80

 
Piu Mosso div


G


65

  
           
div div div div

    
 = 86


   
70

 3 
cresc……

  
           
div div

      
75


                      
   
 = 73

       
div

  
H


     
80

       
    
     
div


   
      
 
div div

   
85
 Evocaciones sobre Bs As, tango. 3
Violoncellos

      
   
div div

   
90

   
       
       
      
I

  95

 
         
 
Piu Mosso

  
div

 
100


    
 = 50
div
Adagio

     
Rallentando



105



 Violins II
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

   
 = 75


 
div


 dramatico

     
       
div


     
Poco rit.

   
unis

5

   
   
     
a tempo

   
 
Poco rall.

 
A


 
10

   
   

  
 

a tempo

   
15



 
    
B div


 marcato    
   20

 
     
        
 = 85 a tempo  = 70

   
div div div Rit.

       

3
cresc……….

     
    
div div

25



 = 60

 

Rit.

   
     
  
div div


C


 

   

div div

     
3

   35



      
Ritardando

      

      



40

2024
 2 Evocaciones sobre Bs As, tango.
Violins II

a tempo

   
D

       
  
div

   
      
div

45
 

 div
 = 65

  
        
div

   
E

 
50

  
         
div

     
      
Ritardando

55
   

  
  
 = 75

    
F


 60

   
              
 
Poco rit. a tempo

   
  = 80


    

  
 
Piu Mosso

   
G

65
     
 
   
 = 86



  
div div

  
     


70

      
   
cresc……….

   
  
 
div div

 75


3

     
 = 73

    
div H

 

80

       
       
div


       
   
85
 Evocaciones sobre Bs As, tango. 3
Violins II

       
    
div


div

              
90

 
       
I

 95

   
          
Piu Mosso
div

 

 
100

 
   
div Adagio  = 50


 
    
Rallentando

 

 
105

  

Timpani
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

  
        
 = 75

    
 

              
   
Poco rit.



5

   
a tempo Poco rall.


 
9 - 11


a tempo


  
13 - 16

        
17 - 20

      
 = 85 Rit. a tempo  = 70

  

  

   
25 - 28


Rit.  = 60
C

 
 
30 - 38

  
Ritardando a tempo
D

 
 
39 - 40 41 - 48

  
 = 65
E

 
    
49 - 50 51 - 55


Ritardando  = 75
F


 
56 - 58 59 - 61

 
Poco rit. a tempo


63 - 65

 = 80

   
Piu Mosso
G

67 - 70

2024
 2 Evocaciones sobre Bs As, tango.
Timpani

        
      
 = 86

  
 
     
 = 73
H


75 - 77 78 - 80

   


81 - 93

  
I

94 - 99

     
 
Piu Mosso Adagio

 

100

       
 = 50 Rallentando

105 107 - 109

 Contrabass
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

      

  

 = 75

  
div unis


 
 

           
dramatico

      
   
Poco rit.

         
   
   
5

 
              
 
a tempo Poco rall.

   
  
A


 
   

10

             
    
a tempo

   


  
15

  
 
       
 
B

     
     

20


      
 = 85  = 70

       
Rit. a tempo

       
   

  
 div 
3

        
div


25


 
 = 60

    
 
Rit.

    
div
C

  
         
div div div

  

   
3 35

           

div Ritardando

 
         


40 3

2024
 2 Evocaciones sobre Bs As, tango.
Contrabass

  
          
a tempo


div
div


D

    
      
  

 
     
45

   
3

   
 = 65

          
E

 

50


     
              
div div

     
Ritardando


 
  
           
55

 
 = 75

  
F

 
60

 
  
  
               
Poco rit. a tempo

       
 
          
     
 = 80

 
div div

     
 
Piu Mosso
G

65  

 
         
div div
 = 86

          
 
  

70

             
 
  

3 75

   
   
       
div

  
div unis
 = 73


H

 
             
80

     
         
unis div

 

     

          
    
85
 Evocaciones sobre Bs As, tango. 3
Contrabass

        
     
div

  
90


            

I

 marcato 95

      
 div  
div
 
Piu Mosso


 
100

     
 = 50


Adagio


 
 
     
  


Rallentando

 

105
   

 



 Oboe 1-2
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier



   
 = 75


sempre a 2



1-3

    
Poco rit.

5-7  

   
a tempo Poco rall.

  
9 - 11

    
  

a tempo



14 - 15

  
B


17 - 20

      
 = 85  = 70

   
Rit. a tempo



21 - 22 3 3

    
    
 
25


 = 60

     
Rit.


meno mosso C



30 - 37

    
     
Ritardando a tempo
D

40 41 - 43

 
       

   
  

45

 
  
 
 = 65
E

 50 51 - 53

2024
 2 Evocaciones sobre Bs As, tango.
Oboe 1-2

       
    
Ritardando

 
 

55


 = 75

  

F



59 - 61

    
Poco rit. a tempo

       
  = 80
64 - 65

            
     
Piu Mosso con profunda espressione


G

 3 3 3 3

 = 86

           
  
   
 
  
piu mosso con passione


       
70

         

  
3 75
3

     
 = 73

    
H

 80


    

     
85

   
 
      
 

90

  
I

      
94 - 98

 
Piu Mosso

 
 
100


 = 50

     
Adagio

 
 
meno mosso

104 - 105
 Evocaciones sobre Bs As, tango. 3


Oboe 1-2


  
Rallentando

107 - 109
 Clarinet 1-2
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier



   
 = 75


sempre a 2



1-3

        
   
Poco rit.


   
5


   
a tempo Poco rall.

  
9 - 11

    

    
   
a tempo




15

  
B


17 - 20

       
 = 85  = 70


Rit. a tempo

   

21 - 22 3 3

     

 

25

    
C
meno mosso Rit. = 60

   
 

31 - 32

  

   
34 - 37

 
           
div Ritardando a tempo

  
D


40 41 - 44

  
   

  
45

2024
 2 Evocaciones sobre Bs As, tango.


Clarinet 1-2

  
 = 65

 
E


 
50 51 - 55

  
 = 75

 
Ritardando
F

 59 - 61

     
   
Poco rit. a tempo


65

 

                  
 = 80

   
Piu Mosso


G



        
    
  
 = 86

      
  
         
70

      
 
  
3 3 75

 = 73

         
H

 80

    
 

     
85

    
 
      
  


90

  
I

      
94 - 98

 
Piu Mosso

 
 
100


 = 50

     
Adagio


 
meno mosso

104 - 105
 Evocaciones sobre Bs As, tango. 3


Clarinet 1-2

  
   

Rallentando

107 - 108

 Violins I A
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier



  
 = 75

1-7


   
Poco rit. a tempo

             
A dramatico


10 
       
          
  
        
Poco rall. a tempo

 
3 3 3

       
15
3

      
          
con profunda espressione


B


3 3 3 3

   
 = 85

      
 
 
 
 
 
piu mosso con passione rubato Rit.

20
cresc


 = 70

                   
a tempo


Malinconico

  
3 3 25

 = 60

 

Rit.

           
meno mosso teneramente

       
3 C

  


       
              

   
35 3

        
    
Ritardan


              
         
D a tempo



40 3
3

2024
   
2 Evocaciones sobre Bs As, tango.


Violins I A

  
           

45 3

  
 = 65

       
    
piu mosso dramatico

 
E

  
            
50

     
55
 

 
 = 75

  
Ritardando

      
F dramatico


     
       
   
Poco rit. a tempo


       

 3

 
60

 
3


 
                   
  
Piu Mosso  = 80
con profunda espressione
G


65 3 3
3 3

  
 = 86

      
    

     
 
piu mosso con passione

       
   
cresc

   
70

 
3 3

 
  
 
3 3 75
espr.


 = 73

           
  
molto espressivo

      

H

 
      
3 3

    
    
Appassionato

       
3 3

 
80


  
85
 Evocaciones sobre Bs As, tango. 3


Violins I A

          



90


        
  
I

 3 95


3

     
     
 
3

     
  
Adagio
Piu Mosso meno mosso

 
100   

  
        
Rallentando
 = 50

        

         
molto espressivo



3


3


105

 
  
 
 Violins I B
Evocaciones sobre Bs As, tango.
For symphonic orchestra
Mauricio Charbonnier

       


        
 = 75


div div

 dramatico
1-2 3 3

  
Poco rit.

           
div div

     
   
5
  
       
         
a tempo

         
Poco rall.


A

 
     
10

       
    

   
 
a tempo

 15


                          
B

                  
div



20

       
 
 = 85 a tempo  = 70

   
Rit.

    
   
div div

   
  

3

cresc……….

    
   
div


25 


 = 60

  
Rit.

 
C

    

       

div div div

 35

 


Ritardando

        
    
div

     

40

2024
 2 Evocaciones sobre Bs As, tango.
Violins I B

  
     
 
a tempo

  
unis div unis


D


     
 
    
div


  
45 3

      
      
= 65

50

      
Ritardando

  
           
div

      
       
     
55

  
    
 = 75

    
 
F


60

       
    
   
          

Poco rit. a tempo


  = 80
               


    

  
  
Piu Mosso

            
G



65

 
           
 = 86

            
div div

   


70

      
    
cresc……….

    
 
div



                  
3 75



 = 73

 
     

H

 
80

           
     


div

      
      
   
85
 Evocaciones sobre Bs As, tango. 3


Violins I B

     
      
   

 
   
90

   

I

 95

     
  
div

     
   
Piu Mosso



100


   

 = 50



Adagio

 


  
  
     

Rallentando

 

 
105

  
