Norman F Rockwell

Arranged by Abigail Powers

Songwriters: Elizabeth Grant / Jack Antonoff

   
   
= 70

   
     
        
         

          
    
    


     
sempre legato

     

 

 


  
       
4


  

      
God damn man child.

  

       
God damn man child.

 
   


    
      


     
          
7

    

   
You f*d me so good that I al most said I love you.

           
You act like a kid ev en though you stand six foot two.

   
 
    



         
9 (2)Self loa thing po et, res i dent

  

      
       
(1)You're fun and you're

  
 
    


2

 
     
10 Lau rel Can yon know it all.

       
 

      





wild.

  
    
  

           
  
11

      

     
But you don't know the half of the shit that you put me through.

         
You talk to the walls when the par ty gets bored of you.

   

 
     

    

    
    
13

     
2

 

       
  
Your po et ry's bad and you blame the news

         
But I don't get bored, I just see you through

  
 
                

     
       
15

     
 

       

But I can't change that and I can't change your mood.

       
Why wait for the best when I could have you.

 

 
    
 3

 

      
     
= 80

          
17

       
         
Oo 'Cause you're just a man, it's just what you do.

 


  


   

 


    
    
         
20

  
                
      
Your head in your hands as you co lor me blue. Yeah, you're just a man,


    

   

         
        
23

     
               
 
All through and through, Your head in your hands as you co lor me blue,




  
          
        

  
                   
26
3 3 1. 3 3

 
 
                   
     
blue, blue, blue.

 

   
       


  
      
4

 
 
 
30
2. 3

           

You make me blue, blue,

     
               
           


    
              


         

  
       
34

 
 
    
Oo blue blue,

                    

            
  
   

          

         
    
38

  
      
      
3


blue, blue.

         
    
         
   
 

           

   
42

 

             
 
3

 
  


 