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A World of Poetry 3
A World of Poetry 3
A World of Poetry 3
LITERAL MEANING
A crowd has caught a woman. The persona implies to the reader that the woman is not
decent. She was beautiful, but scared because she had gotten 'roughed up' a little by
the crowd. The persona states that the woman has experienced men's hands on her
body before, but this crowd's hands were virtuous. He also makes it clear that if this
crowd bruises her, it cannot be compared to what she has experienced before. The
persona also speaks about a last assault and battery to come. He justifies this last
assault by calling it justice, and it is justice that feels not only right, but good.
The crowd's 'justice'. however, is placed on hold by the interruption of a preacher, who
stops to talk to the lady. He squats on the ground and writes something that the crowd
cannot see. Essentially, the preacher judges them, thereby allowing the lady to also
judge the crowd, leading to the crowd inevitably judging itself. The crowd walks away
from the lady, still holding stones [which can be seen as a metaphor for judgments] that
can be thrown another day.
LITERARY DEVICES
1. SARCASM
The persona is making the point that the lady was in fact NOT decent looking.
2. PERSONIFICATION
This device is particularly effective because the word 'kisses' is used. Kiss implies
something pleasant, but it is actually utilized to emphasize something painful that has
happened to the lady; she was stoned.
3. PUN
• Title: The title of the poem is itself a pun on two levels. A stone's throw is used
by many people in the Caribbean to describe a close distance. eg. "She lives a
stone's throw away". The other use of the title is to highlight the content of the
poem. It is a figurative stoning, or judging, of a woman.
• Line 23: There is a play on the word 'come'. The persona is telling the reader that
the crowd is planning to rape the lady. This act is to come, or occur, in the near
future. Come, in this context, also means to ejaculate, the culmination of the act
of sex. The rapists in the crowd also plan to 'come'.
4. ALLUSION (biblical)
The content of the poem alludes to the story of Mary Magdalene in the Christian Bible.
See John 8 v 5-7. Please note that the poem is NOT about Mary Magdalene, the content
of the poem simply resembles the story of Mary Magdalene, that is found in the
Christian Bible.
TONE
The tone of the poem is mixed. At times it is almost braggadocious, then it becomes
sarcastic, moving to scornful.
MOOD
The mood of the poem is one of superiority.
THEMATIC CATEGORY
Discrimination, religion, survival, hypocrasy, oppression, alienation.
AN AFRICAN THUNDERSTORM
LITERAL MEANING
The persona gives a vivid description of an African thunderstorm. It comes in from the
west, with clouds and wind, followed by lightening and rain. The village children
respond to the coming storm with screams of delight and mothers respond by dashing
madly about and trying to get out of the storm.
LITERARY DEVICES
1. PERSONIFICATION
• Stanza 1, line 2: This personification emphasizes the movement of the rain
clouds. They are moving just as quickly as the wind. The wind, when moving
quickly, is a violent entity because it sweeps up everything in its path and
destroys it. Therefore, the fact that the clouds are keeping pace with the wind, a
level of violence is implied in the movement of the clouds. We can almost
visualize it whipping and whirling. This action stands out because we are used to
clouds being fluffy, soft and floating in its movement.
• Stanza 1, line 10: The word pregnant implies swollen; swollen belly, ankles, legs
and the list continues. Therefore, the clouds are swollen with rain. This implies
that the storm has not revealed its true strength at this point. There is more to
come.
• Stanza 1. line 11: When the cloud's journey on the wind's back is described as
stately, we get an image of some-one gracefully riding a horse. This image,
therefore, not only communicates grace, but speed as well. The storm is fast
paced, and as a result, there is an implication of violence.
• Stanza 1, line 15: This personification shows the strength of the wind. The trees
are being tossed and turned in the very strong wind.
2. REPETITION
• Stanza 2, line 11: The strength of the wind is, again, emphasized through the
repetition of the action of the trees. They cannot withstand the strength of the
wind, so even though they stand in place, they are whipped about and
manipulated by the wind.
3. SIMILE
• Stanza 1, line 6: The wind and clouds approach like a plague of lotus. This
highlights the sheer volume, or quantity, of the wind and clouds. Locusts are
usually associated with large numbers and destruction, so the implication is that
there are large numbers of rain clouds, coupled with seriously strong wind,
which equates to destruction.
• Stanza 1, line 8-9: This simile compares the wind to a mad man. This association
highlights the lack of structure, thought, or reason, which with the wind moves
and destroys. A mad man is someone without reason, the wind operates without
reason as well. It operates on sheer force and power, with no explainable
structure.
• Stanza 2, lines 12-13: This simile highlights the strength of the wind. It can
literally rip someone's clothes to shreds, while it is on their bodies. This is a
display of force and strength because it now moves from controlling and
manipulating nature, for example the trees, to impacting humans on a personal
level.
MOOD/ ATMOSPHERE
The mood of the poem is calm. The persona is calmly reporting on the storm and
painting vivid images.
TONE
The tone of the poem is reflective. The persona is reporting on the storm.
THEMATIC CATEGORY
Nature.
BIRDSHOOTING SEASON
LITERAL MEANING
Hunters gather at the persona's house during bird hunting season. The persona explains
that the men become very attached to their guns and indulge in a ritual that promotes
male bonding and machismo, ie drinking. The women, on the other hand, perform
domestic tasks that prepare the men for the birdshooting season. The men leave early
in the morning and the children watch them go. The little boys long to become bird
hunters, while the little girls wish that the birds would escape.
LITERARY DEVICES
1. PERSONIFICATION
• Stanza 1, line 3: The home is usually the domain of the woman, so by
personifying the men's 'take over' of the home, during birdshooting season, it
emphasizes the extreme nature of the take over. The term macho means to be
masculine in an overly assertive or aggressive way, therefore, it can be asserted
that it was a take over of the feminine sphere. During birdshooting season, the
home is the domain of the men.
MOOD/ ATMOSPHERE
The mood of the poem is calm. The persona is calmly remembering a time in her life.
TONE
The tone of the poem is reflective. The persona is reporting on the storm.
THEMATIC CATEGORY
Nature.
DREAMING BLACK BOY
LITERAL MEANING
The poem is about a black boy who wishes that he could have regular things in life.
Things such as a congratulatory hug, to be educated to the highest level and to travel
without harassment. The persona yearns to stop fighting for the basic right to be
successful and to rise above societal expectations.
LITERARY DEVICES
1. REPETITION:
The constant repetition of the phrase 'I wish' points to a yearning, a desperation even,
for the basic things that life has to offer. The repetition gives credence to the idea that
the persona might believe that his wishes are actually dreams that might not come true.
2. ALLUSION:
• Stanza 1, lines 6 and 7, alludes to slavery, the state of lacking control over one's
own life and destiny. The fact that reference is made to this hints to how the
persona feels about his life. He does not feel as if he has control over it.
TONE
The tone/mood of the poem is one of sadness. The persona is thinking about how he is
treated and he reacts to this in a sad way. He keeps wishing that things were different.
THEMATIC CATEGORY:
Racism, survival, oppression, desire/dreams.
DULCE ET DECORUM EST
LITERAL MEANING
Wilfred Owen, the poet, tells of his first hand experience in war. He tells the tale of tired
and wounded soldiers walking through dirt and sludge. Suddenly, there is a warning
about gas, which the soldiers hurriedly and awkwardly heed by donning their helmets.
Unfortunately, one soldier is too late in donning the helmet and his companions watch
him 'drowning' in the gas. The unfortunate soldier was thrown in the back of a wagon,
where it is implied that he was left to die. The persona points out that if you (the
reader/ listener) could have witnessed these events, then you would not tell children
the old lie: dulce et decorum est pro patria mori (It is sweet and honourable to die for
one's country).
LITERARY DEVICES
1.SIMILE
• Stanza 1, line 1: This simile introduces the exhaustion of the soldiers.
• Stanza 1, line 2: This emphasizes not only the tiredness of the soldiers, but the
fact that they might be sick as well.
• Stanza 2, line 13: This device gives a visual image of how the soldier physically
reacted to the gas. Floundering implies flopping about, therefore, the soldier was
flopping about violently. We know it was violent because fire and lime illicit
excruciating pain.
• Stanza 4, line 22: This device gives a visual image of the expression on the
soldier's face. This is a particularly grotesque image that highlights the soldier in
the throes of death.
• Stanza 4, line 25: Cancer is a horrible disease that takes many lives on a daily
basis. Therefore, to compare this dying soldiers face to this disease is to
emphasize the agony that the soldier was going through, which was reflected on
his face.
• Stanza 4, lines 25-26: This is another graphic comparison that compares the
soldier's face to incurable sores. 'Sores' is a disgusting visual image of
degradation which, in turn, highlights the soldier in the throes of death.
ALLITERATION
• Stanza 1, line 7: This device points to the level of fatigue that the soldiers were
undergoing.
• Stanza 1, lines 7-9: This highlights not only the fatigue that the soldiers were
feeling, but the fact that they were injured as well.
• Stanza 4, lines 29-30: This device highlights a visually graphic death mask. The
soldier is in the throes of impending death.
MOOD/ ATMOSPHERE
The mood of the poem is one of anger. The persona/ poet is thinking about his
experiences in the war.
TONE
The general tone of the poem is both sarcastic and ironic. The persona/ poet tries to
present a visual of the realities of war while using the haunting words that contradict
that reality. It is, in fact, NOT sweet and honourable to die for one's country.
THEMATIC CATEGORIZATION
War, death, survival, oppression, patriotism
GOD’S GRANDEUR
LITERAL MEANING
The poet expresses that the world is full of God's glory and greatness. This greatness,
however, will burn out in a dramatic manner because of man who smears, smudges and
pollutes everything without consciousness. Nature is resilient, however, and will
persevere from deep in the earth and burst forth, counteracting all of man's ill.
LITERARY DEVICES
1. SIMILE
• Line 3: This line indicates that the world will burn out in a brilliant way. Think of
how shiny and reflective foil can be, that is the brilliance with which the earth
will temporarily burn out.
• Line 4: Think of the manner in which oil slowly spreads across water, eventually
taking over as much of the surface as possible. That is the way in which the
world gathers to a greatness.
2. RHETORICAL QUESTION
The persona questions why men do not care about God's wrath. He implies that this
wrath is sure because the Earth is charged, or commanded with the grandeur of God.
3. ALLUSION (biblical)
This 'rod' refers to the rod of correction that is found in the Christian Bible. See 2 Samuel
7:14. This line implies that God will punish man for being reckless with the world.
4. REPETITION
This device highlights the damage that man has done to the world. Trodding implies that
one walks, or tramples, in order to crush or injure.
5. ALLITERATION
• Lines 10-11: This device emphasizes the impact that man has had on his
environment. He has impacted every crevice of the world in some negative way,
as implied by words such as 'smudge'.
• Lines 14-15: This device clarifies that the Earth is resilient, no matter what man
does to harm it, it will bounce back.
• Lines 18-19: This device simply re-iterates the resilience of the Earth, we can
actually visualize the sun rising.
TONE
The tone of the poem is one of confidence and formality.
THEMATIC CATEGORY
Nature, religion
IT IS THE CONSTANT IMAGE OF YOUR FACE
LITERAL MEANING
The persona reflects on the image of someone he cares for. This love interest accused
him, with their eyes, of breaking their heart. The persona admits that both of them (he
and the love interest) can make no excuses for his behaviour because the love interest
does not take precedence over his land, or country. Despite this fact, the persona begs
for mercy, pleading guilty for being seduced by his love interest's beauty. This person
protects him dearly and he admits that, as a result of this, he has committed treason
against his country. He hopes that his country, his other dearest love, will pardon him
because he loves both his country and his love interest.
LITERARY DEVICES
1. PERSONIFICATION
• Lines 4, 6-7: The love interest's eyes constantly accuses and convicts the
persona. This device highlights the extent to which the persona has hurt this
person.
• Lines 18-20: The persona hopes that his country, his other dearest love, will
forgive him for the treasonous act of loving another. This highlights the
patriotism that defines the persona's relationship to his country.
2. OXYMORON
The term heart's-treachery implies that the heart, something so vital and indicative of
love, has committed a terrible crime. It highlights the heartbreak that the persona has
caused his love interest.
MOOD/ ATMOSPHERE
The mood of the poem is sadness. The persona is thinking about his two loves and how
he is torn between them.
TONE
The tone of the poem is apologetic. The persona is guilt ridden over this love triangle
and sadness permeates the words that he uses to describe it.
THEMATIC CATEGORY
Love, guilt, patriotism, places, desires/ dreams
LITERAL MEANING
A father describes his experience of disciplining his son. He describes the child's
tantrum, as well as his response to the fact that he must discipline his child.
LITERARY DEVICES
1. ALLITERATION
• Stanza 1, lineS 6-7: Alliteration focuses on sound and the effect that it conveys.
Therefore, if you read the lines, you will realize that it conveys the speed of the
slap, which implies that it might also have a loud sound. The effect of this is that
it allows the reader to feel sympathy for the child.
2. ALLUSION
• Stanza 2, lines 8, 12-13:This is an allusion to the fairy tale, Jack and the Bean
Stalk. The father is the ogre/monster who terrifies Jack, and Jack is the little
three year old child (www.bulbsoup.com) who is defenseless against the
threatening figure. The solutions that the little boy has at his disposal, for
defense, are not plausible. Therefore, the child's helplessness, in the face of a
parent that is intent on administering discipline, is highlighted.
MOOD/ ATMOSPHERE
The mood of the poem is reflective. The persona is reporting on the actions of his child
and his feelings about it.
TONE
The tone of the poem is regretful. The persona does not want to have to discipline the
child because it goes against his nature.
THEMATIC CATEGORY
Love and family relationship.
MIRROR
LITERAL MEANING
A mirror defines itself. It reports that it reflects exactly what it sees. It is not cruel, just
honest. It reflected a pink wall and shadows, until a lady started using it every morning.
The more the lady looked in the mirror is the older she became.
LITERARY DEVICES
1. PERSONIFICATION
• The poet personifies the mirror. The mirror becomes the persona that tells the
reader, or listener, about itself. As a result, it moves beyond the realm of an
object, and becomes a voice that the reader listens to. By the end of the poem,
the reader can relate to this mirror's views. It is only reflecting the truth. We get
a feel of the mirror's precise nature, or character, through the constant full stops
or periods. It is straightforward in what it reflects.
• Stanza 3, line 12:The candle and the moon become liars because they do not
give a clear reflection of a person's face. They cast shadows and create illusions,
which is the opposite of a mirror.
2. SIMILE
• Stanza 2, lines 16-17: This simile compares the old woman, that the lady is
becoming, to a fish. This is an effective simile because a fish is very unattractive.
Therefore, it highlights that the lady's descent into 'age' as a terrible thing. She is
becoming unattractive.
3. METAPHOR
• Stanza 2, line 5: The mirror compares itself to a little god. The nature of a god is
that it is all seeing and all knowing. Therefore, the mirror takes on this
characteristic. What it reflects is truth because it sees and knows all.
• Stanza 3, line 10: The mirror compares itself to a lake. One can immerse
themselves in a lake, become one with it when swimming, or drown themselves
in it. This is what the woman does with the mirror, she immerses herself totally
in it, using it as a tool to define herself.
MOOD/ ATMOSPHERE
The mood of the poem is cold. The mirror is relating facts without emotions.
TONE
The tone of the poem is robotic in nature. The persona is simply relating facts.
THEMATIC CATEGORIZATION
Loss of innocence.
MY PARENTS
LITERAL MEANING
The persona speaks about how his parents kept him away from children who were
rough. These children were very unkept and seemingly wild and the persona feared
them because they bullied him. The persona wants to forgive them, but they never tried
to be friendly.
LITERARY DEVICES
1. SIMILE
• Stanza 1, line 2: Stones are very hard and unyielding, and they can literally cause
injury when thrown. When words are compared to stone, it is highlighting the
hurtful nature of those words because they cause emotional injury and scarring.
• Stanza 2, line 5: Iron is also unyielding and represents strength. Therefore, when
the persona compares the boys muscles to iron, it implies that the boys are very
strong. It also implies that the persona might have experienced the strength of
those muscles. This is the case because he states that he fears the boys' muscles
even more than tigers. Tigers are ferocious animals who live in the wild, and are
feared by both other animals and humans alike. If the persona fears the boys'
muscles even more than ferocious tigers, then he must have had a traumatic
encounter with the boys.
• Stanza 3, lines 9-10: A dog's bark is a very loud and persistent thing. It also seems
quite frightening as well, even if the dog is harmless. Therefore, implication is
that the persona would be waylaid and verbally abused at consistent intervals.
2. ALLITERATION
• The lyrical flow that this alliteration facilitates imparts the freedom that these
boys experience.
3. METAPHOR
• The boys' pointing was salt course. This means that their pointing hurt the
persona because salt is abrasive. This highlights the effect of the bullying that the
persona had to endure.
MOOD/ ATMOSPHERE
The mood of the poem is sad.
TONE
The tone of the poem is reflective.
THEMATIC CATEGORIZATION
Loss of innocence
OL’ HIGUE
LITERAL MEANING
In this poem, the Ol' Higue / soucouyant tells of her frustration with her lifestyle. She
does not like the fact that she sometimes has to parade around, in the form of a fireball,
without her skin at night. She explains that she has to do this in order to scare people, as
well as to acquire baby blood. She explains that she would rather acquire this blood via
cooked food, like every-one else. Her worst complaint is the pain of salt, as well as
having to count rice grains. She exhibits some regret for her lifestyle but implies that she
cannot resist a baby's smell, as well as it's pure blood. The 'newness' of the baby tempts
the Ol' Higue, and she cannot resist because she is an old woman who fears death,
which can only be avoided by consuming the baby's blood. She affirms her usefulness in
the scheme of things, however, by claiming that she provides mothers with a name for
their fears (this being the death of a child), as well as someone to blame when the evil
that they wish for their child, in moments of tired frustration, is realized. She implies
that she will never die, so long as women keep having babies.
LITERARY DEVICES
1. SIMILE
Cane-fire has a very distinct quality. It burns very quickly and its presence is felt through
it's pungent smell. Therefore, when the Ol' Higue compares herself to cane fire in her
fireball state, it implies that she uses a lot of energy quickly, and is very visible.
2. RHETORICAL QUESTION
• Stanza 1,line 4: This rhetorical question highlights the scant regard that the
Higue has for the average person. She is thoroughly annoyed that she has to
literally waste her energy on them.
• Stanza 1, line 5: This highlights the fact that, again, she is annoyed that she has
to expend so much energy to obtain a few drops of baby blood.
• Stanza 1, lines 6-8: The Ol' Higue is emphasizing the fact that regular people
ingest blood too, just in a more palatable manner. She would not mind if she
could ingest it in the same manner as well.
• Stanza 3, lines 22-23: At this point the Ol' Higue is making excuses for her
presence, claiming that she serves an actual purpose in the scheme of life. If a
child dies of unknown causes, she can be scapegoated for it.
• Stanza 3, lines 24-25: 'The murder inside your head' refers to the moments,
when out of pure frustration and tiredness, a mother might wish ill on her child.
The Ol' Higue is implying that, again, she can be used as a scapegoat if something
unfortunate happens to the child. The mother is relieved of bearing the burden
of guilt.
3. REPETITION
The repetition of the word 'soft' emphasizes the fact that the call of the child's blood has
captured and beguiled the Ol' Higue'. She implies that she cannot resist that call.
4. ALLITERATION
This device emphasizes the Ol' Higue's dependence, even addiction, to the sweet blood
of the baby.
MOOD/ ATMOSPHERE
The mood of the poem is acceptance and annoyance.
TONE
The tone of the poem is slightly bitter and resigned. She accepts that the cycle of her life
cannot change.
THEMATIC CATEGORIZATION
Supernatural
ONCE UPON A TIME
LITERAL MEANING
A parent is talking to his/her's son and telling him how things used to be. The parent
tells the son that people used to be sincere, but are now superficial and seek only to
take from others. The persona tells the child that he/she has learnt to be just like these
people, but does not want to be like that anymore. The parent wants to be as sincere as
the son.
LITERARY DEVICES
1. METAPHOR
The people's eyes are as cold as ice. This means that there is no warmth or real feeling
in the words that they say, or how they behave.This metaphor literally allows you to
visualize a block of ice, cold and unwelcoming.
2. SIMILE
• Stanza 4, lines 20-21 emphasizes the constant changes in the persona's face. If
you think of how often a woman changes her dress, then that is how often the
persona adjusts his/her's personality to suit an audience. The list of faces that
follow this line emphasizes this point.
• Stanza 4, lines 23-24 compares people's faces to smiles in a portrait. If you think
about a portrait, it is usually very formal and stiff, even uncomfortable.
Therefore, the implication is that the smiles are actually fake and stiff. They are
conforming, or trying to fit, to a preconceived mold that is set up by societal
expectations.
• Stanza 6, lines 38-40 compares the persona's laugh to a snakes. When you think
of a snake, words such as sneaky and deceitful come to mind. Therefore, the
implication is that the persona is fake, just like the people he/she despises.
3. REPETITION
This phrase is repeated at the beginning and the end of the poem. This usually signals
the beginning of a fairy tale. Therefore, it is implied that the persona is nostalgic about
the past.
MOOD/ ATMOSPHERE
The mood of the poem is annoyed, disappointed. The persona is remembering how
things used to be when he was young and innocent, like his son.
TONE
The tone of the poem is sad. The poet's response to his nostalgia is sadness.
THEMATIC CATEGORIZATION
Death, childhood experiences, hypocrasy, loss of innocence, desire/dreams.
* It is IRONIC that the persona is behaving in the exact way that he/she despises. There
is an implication that things cannot go back to what he remembers, due to the influence
of societal expectations.
ORCHIDS
LITERAL MEANING
The persona is moving from a house that she has occupied for five
weeks. She has sent her belongings to her future home, but one item
remains in her old space, an orchid. The persona clarifies
(www.bulbsoup.com) that she was given the orchid as a gift, but implies
that it holds no value because the gifting of orchids is habitual for the
person who gave her. She describes the flower as odourless, but
attractive. She watered the orchid once, expecting it to die, but it
survived. It not only survived, but bloomed. The persona contemplates
plucking the bloom and pressing it between the pages of a book. The
purpose of this is to allow her to appreciate the flower.
LITERARY DEVICES
1. SIMILE
The orchid's full blown blossoms are being compared to a polished
(www.bulbsoup.com) poem. The word polished in this comparison
implies perfection, shiny and pleasant to read.
2. PUN
The purple heart literally refers to the splash of color in the center of the orchid's
bloom, but it could also refer to the bravery of the flower. This is so because a purple
heart, in the army, is a medal that a soldier receives for bravery.
MOOD/ ATMOSPHERE
The mood of the poem is pensive, or thoughtful. The persona is thinking about the lack
of value that she places in the orchid.
TONE
The tone of the poem is calm and contemplative.
THEMATIC CATEGORY
Death, nature, survival, desire/ dreams.
SONNET COMPOSED UPON A WESTMINISTER BRIDGE
LITERAL MEANING
The persona in this poem is reflecting on the perfection of the city. He believes that
there is nothing on Earth so beautiful as the city in the morning. Only a dull person
would not appreciate such a majestic sight. He is awed by the calm of the city.
LITERARY DEVICES
1. SIMILE
The persona compares the manner in which the beauty of the morning settles over the
city, to that of a garment on a body. This emphasizes the perfection of the beauty of the
morning, just as a garment flows smoothly over a body.
2. PERSONIFICATION
• Lines 9-10: The sun is referred to as a male who rises sharply and beautifully. This
emphasizes the beauty of the city in the morning. The use of this personification
also helps the reader to personalize this beauty.
• Line 12: Like the sun, the river is personalized as well. This allows the reader to see
the river as real, instead of a thing. It comes alive and we can visualize it's
movement, gliding, as beautiful.
• Line 13: When some-one is asleep, they are usually peaceful. Therefore, when the
persona describes the houses as sleeping, he is emphasizing the peace that exists
in the city in the morning. The inhabitants of the houses are asleep, therefore
the houses are quiet and peaceful.
MOOD/ ATMOSPHERE
The mood of the poem is pensive, or thoughtful. The persona is expressing his thoughts,
and reaction to, the city in the morning.
TONE
The tone of the poem is one of awe and admiration.
THEMATIC CATEGORIZATION
Nature, places.
SOUTH
LITERAL MEANING
The persona speaks about the fact that today he is recapturing the
beauty of the island of his birth. He reflects on the fact that he has
travelled to the lands of the north, which appeared to be the very
opposite of his island. The persona appeared, at that point, to be
homesick for his island and resented the ease and comfort that the
Northerners felt towards their land. He then shifts back to the present
where he appreciates certain features of the island, particularly those
that remind him of his past on the island.
LITERARY DEVICES
1. ALLITERATION
• Stanza 1, lines 1-2: The sound that the alliteration illicits, when
spoken, is a positive one. This is the case because the alliteration
forces the reader to sound cheerful, thereby facilitating the
interpretation that the persona is happy to be home.
• Stanza 1, lines 4-5: This alliteration, again, draws the reader through
the sound that it illicits. One can almost hear the sound that the
sea makes through the repetition of the 's' sound. It emphasizes
the joy that the persona feels to be home.
• Stanza 2, lines 13-14: This alliteration, when spoken, is staccato. It
literally emphasizes the persona's discomfort, and dislike, of the
new context that he is faced with. It is alien to him, as seen when
contrasted with the scene that he describes in the first stanza.
• Stanza 5, line 31: This device gives the reader a visual image of the
scene. It is simple image that highlights the persona's excitement
at being home and seeing scenes, even seemingly
inconsequential ones, that he knows and loves.
• Stanza 6, line 41: This alliteration gives the reader a visual of what the persona sees as
pleasant and calming, as opposed to the alliteration in stanza 2. The sound that
the alliteration illicits is a calm one, implying that the persona is at peace.
2.PERSONIFICATION
• Stanza 1, lines 6-7: This device gives a beautiful impression of the effect that the
island had on the persona. He felt whole when he was there, at peace.
• Stanza 2, lines 16-17: The shadows, in this context, represents his past life and
experiences on the island. The memories of his island illicits feelings of sadness,
even homesickness. These memories cast an oppressive shadow over his life in
the north.
• Stanza 4, line 25: The river is said to be patient. This represents a turn in the personas
view of the city that he now calls home. There is now respect for it, implying that
the persona has decided to really experience the city, as represented by the
river.
3.SIMILE
The persona compares the flowing of the rivers, which represents the north, to his
longing for his island home. This comparison indicates that his longing is an intense one,
he is homesick.
MOOD/ ATMOSPHERE
The mood of the poem is nostalgic. The persona is thinking about his island home, as
well as places that he has visited in the north.
TONE
The tone of the poem goes from being reflective, to being elated.
THEMATIC CATEGORIZATION
Patriotism, places, desires and dreams
TEST MATCH SABINA PARK
LITERARY DEVICES
1. RHETORICAL QUESTION
• Stanza 2, lines 6-7: This question reveals that, despite the fact that
cricket is a popular sport in England, the venues for the matches
are not crowded. This question could also point to the fact that
Sabina Park was very crowded.
• Stanza 3, line 10: This question represents the general frustration of the West Indians
in the crowd. They are annoyed that the cricket match is progressing so slowly.
• Stanza 4, lines 16-18: These questions imply that the West Indian crowd's level of
frustration has escalated.
2. ALLUSION
The allusion to Lawrence Rowe, a very colourful and successful West Indian cricketer,
emphasizes the fact that the match is slow and boring.
3. SARCASM
To 'boycott' is to abstain from, or to stop, doing something. Therefore, the persona is
being sarcastic because excitement is a good thing. People usually boycott for
something negative, therefore the persona is, again, highlighting the slow and boring
pace of the cricket match.
4. PUN
The word 'boycott', is a play on words. It literally refers abstaining from excitement,
along with referencing the cricket player Geoff Boycott. the second pun is on the word
'amiss'. this literally means that an important element is missing in the match, but it is
also referencing the cricket player Dennis Amiss. This pun is particularly clever because
the poet manages to manipulate the words to indicate that England is missing these two
strong cricketers, or cricketers with their skill, which is why they are playing a slow
game.
*There is a distinct CONTRAST between the beginning of the poem when the persona is
proud, and 'struts'. However, by the end of the poem, he is embarrassed and 'skulking'
VOICES
There are two distinct voices in this poem. The English man's and the West Indian's.
MOOD/ ATMOSPHERE
The mood of the poem is tense embarrassment.
TONE
The tone of the poem is one of frustration and annoyance (West Indian), as well as
embarrassment (English man).
THEMATIC CATEGORIZATION
Discrimination, places, culture and sports
THEME FOR ENGLISH B
LITERAL MEANING
The persona's lecturer gave him an assignment to write a page that
reflects 'him', or his character. The persona wonders if this is a simple
task, and begins to think about his life. Things like his age, place of birth,
race and place of residence. Based on these musings, he surmises that
he is confused due to his youth. He guesses that he is what he feels,
sees and hears, which is Harlem, New York. He continues his musing
about what he likes, and concludes that he likes the same things that
people of other races like. On this basis, he questions whether or not his
page will be influenced by race. He concludes that it will not be white.
He admits that his instructor, as well as the fact that this instructor is
white, will have some influence on his page. He states that they both
influence each other, that is what being American is about. He believes
that both of them might not want to influence each other, but it cannot
be helped. He concludes that both of them will learn from each other,
despite the fact that the instructor has the advantage of being older,
white and 'more free'. All of these musings and conclusions become his
page for English B.
LITERARY DEVICES
1.RHETORICAL QUESTION
• Stanza 2, line 6: The persona ponders the ease of what he is asked to
do. This question, in turn, actually highlights the difficult nature
of the task.
• Stanza 3, line24: This question highlights the persona's confusion as to
who he is, or his character. He is unsure.
• Stanza 4, line 32: The persona is wondering whether his race will
affect what he writes on the page. This is despite the fact that
he concludes that race does not hinder people, in general, liking
the same things.
2. REPETITION
This repetition emphasizes (www.bulbsoup.com) the profound impact that Harlem, New
York, has had on the personality of the persona.
* It is interesting to note that the persona's 'page for English B' becomes a journey of
self discovery that actually does not end. He forms no conclusion as to who he is
because his personality is still 'in process'
MOOD/ ATMOSPHERE
The mood of the poem is contemplative.
TONE
The tone of the poem is also reflective.
THEMATIC CATEGORIZATION
Racism, places
THE WOMAN SPEAKS TO THE MAN WHO HAS EMPLOYED HER SON
LITERAL MEANING
The persona in this poem is telling the story of a mother who loved her
son. The mother became aware of the child's presence when she
experienced morning sickness. She placed all her hopes in the child and
raised him as a single parent because his father was indifferent to the
child's existence. The mother had set no barriers on what the child could
become, but is told that he has an employer who values him so much
that he is given his own submarine gun. The son tells his mother that his
employer is like a father to him, but the mother wonders at the father
figure who purposefully endangers his child. She prepares for her son's
death by going downtown to buy funeral apparel. The mother feels
powerless, so she prays for her child and says protective psalms for him.
On the other hand, she reads psalms of retribution for the employer and
weeps for her son. Her situation does not look good and is likened to a
partner system in which she draws both the first and the last hand.
LITERARY DEVICES
1. SIMILE
• Lines 1-2: The persona emphasizes that the mother placed all her
hopes in her son. When you are poor, generally, you have no
prospects, you only dream and hope. Therefore, the persona
uses this metaphor to emphasize the mother's dependence on
her son's success.
• Line 17: The employer is being compared to a father figure. This
implies that this person fills a gap in the son's life.
2. SARCASM
The persona appears to praise the child's father by referring to him as
'fair-minded'. She is, however, chastising him for not only ignoring his
son, but all of his other children.
3. IRONY (situational)
The son innocently tells his mother that his employer values him so much that he gave
him a whole submachine gun for himself. The irony in this situation is that if you really
care about someone, you do NOT give them a gun due to the negative results that are
bound to occur.
4. ALLUSION (biblical)
• Lines 28-29: This line alludes to a particular verse in the Christian Bible, Luke 11 vs 11.
The verse questions what the actions of a good father should be.
• Lines 38-39: Psalms is a particular chapter in the Christian Bible. In this chapter there
are verses for protection, the mother uses those for her son, as well as verses for
retribution and rebuking. It is implied that the mother chooses those for the
employer. An example of a Psalm of protection is Psalm 121, while an example of
a Psalm of retribution is Psalm 109.
• Lines 43-45: In the Christian Bible, Judas Iscariot betrayed Jesus. Therefore, it does not
bode well for the mother if she is in a 'partnership' with this person's mother
because she might also be betrayed. The banker in the 'partnership' also
happens to be the thief on the left hand side of the cross' mother. This also does
not bode well for the mother if the apple does not fall far from the tree.
• Line 49: Absalom is the son of David, in the Christian Bible. Absalom betrayed his
father, which implies that the mother feels betrayed by her son because she has
placed all her hopes in him.
IMPORTANT WORDS/ PHRASES
5. 'a need to cry for little reasons and a metallic tide rising in her mouth each morning.'
These two symptoms are early signs of pregnancy. The metallic tide refers to vomiting.
These signs usually occur in the first trimester of pregnancy.
6. 'full term'
This means that the mother carried her son for the full nine months that a pregnancy
should last.
7. 'tight up under her heart'
This hints at the love that the mother harbours for her child. He was not simply 'close to
her heart', but 'tight up' under it. It implies that the son holds a special place in her
heart.
8. 'set no ceiling'
A ceiling is something that blocks you in, you cannot get past it. The mother set no limits
on her son, he could be anything he wanted to be.
9. 'his bloody salary'
This implies that the mother believes that the result of the son's 'job' will be death.
10. 'the level of earth'
The mother has no power to change her son's situation. Earth is used to emphasize her
powerlessness on this level, the realm of 'reality'.
11. 'knee city'
This refers to the fact that the mother constantly prayed for her child.
12. 'eye water covers you'
This implies that the mother cried constantly for the plight of her son. The fact that it
'covers him' speaks to the high quantity of tears that were shed.
13. 'partner'
This is an informal saving scheme set up with a specific number of individuals for the
duration of a specific time span. Each person agrees to pay a designated figure on a
monthly basis. The 'draws' are decided, meaning who gets the money first, second, third
etc, on a monthly basis. The banker then collects the money and gives the monthly pool
to the person who is to receive their 'draw'. Therefore, a 'partnership' is dependent
upon the honesty of the banker, who could abscond with the money, as well as the
honesty of the members of the savings scheme, who could decide NOT to pay after they
have received their draw.
14. 'banker'
The banker, or financial controller, of this partnership is the mother of a thief. This does
not bode well for the mother if the thief on the cross learnt it from his mother.
15. 'her draw though is first and last for she still throwing two hands as mother and
father'.
This statement implies that though the mother has the advantage of first draw as
mother, she loses that advantage because she also has the role of father. Mothers
cannot father sons. The fact that the son has found a father figure proves this to be true.
Therefore, she has the last draw, which carries with it the disadvantage of not receiving
a full 'draw'. The longer one waits for a draw is the more likely that dishonesty will come
into play on the part of the participants.
MOOD/ ATMOSPHERE
The mood of the poem is reflective and angry. The persona is thinking about a mother's
response to her son's life choices.
TONE
The tone of the poem is pragmatic, pessimistic and angry. The persona is telling the tale
as it is, with no positive energy.
THEMATIC CATEGORY
Death, love, survival, desires/ dreams, childhood experiences.
THIS IS THE DARK TIME, MY LOVE
The persona speaks to some-one that he cares for. He tells this person
that this is the dark time, which is, in essence, a time of sadness. It is
implied, by certain key terms; such as 'dark metal', that it is a time of
war. The persona warns his 'love' that it is a dark, sad time.
LITERARY DEVICES
1. REPETITION
• Stanza 1, line 1 & stanza 2, line 7: The repetition of this phrase highlights that there is
something seriously amiss. The persona is telling his 'love' that this is a sad and
terrible time.
2. ALLITERATION
This device literally draws the readers' visual attention to the sentence. The
sentence implies that everything that is good and positive is hidden away, or gone. This
alliteration sets a sad tone at the very beginning of this poem.
3. PERSONIFICATION
This device emphasizes the sad tone of the poem. This is the case because flowers are
usually associated with feelings of happiness and cheerfulness. Therefore, if the flowers
- embassadors of joy - are sad, then it highlights how really sad the times have become.
4. METAPHOR
The contrast in this device is startling. The terms 'festival' and 'carnival' not only
describes fun and festivity, but also a large amount of each. Both words are associated
with huge crowds. This emphasizes how terrible the times have become because guns
and misery are plentiful.
5. RHETORICAL QUESTION
• Stanza 3, line 13: This device informs the reader/ audience that a threat exists and
that it comes in the dark of night.
• Stanza 3, lines 14 - 15: It is implied that the threat is a soldier through the term 'boot
of steel'. The 'slender grass' is the innocent youth who is cut down and trampled
by these 'boots of steel'. The fact that we are given this information through the
use of rhetorical question adds mystery and intrigue to the poem.
TONE
The tone of the poem is cautious.
THEMATIC CATEGORIZATION
Racism, places.
WEST INDIES, U.S.A
LITERAL MEANING
The persona is travelling in a plane, looking down at San Juan, Puerto Rico, as the plane
descends. He is saying that this island is the wealthiest in the Caribbean because it has
won the jackpot, it has come up lucky. He then points out that he, and others, had
travelled to many Caribbean islands and received a hint of the flavour of each island
through it's calling card, - its airport - all of which fail when compared to plush San Juan.
As they land, they are instructed to stay on the plane if their destination is not San Juan.
The persona takes offence and states that America does not want blacks in San Juan,
implying that they might be a disruptive force. He notes the efficiency with which things
flow, enabling them to take to the skies once more. During the ascent, the persona
notes the contrast between the influences of the Caribbean and America. He likens San-
Juan to a broken TV, it Iooks good on the outside, but broken on the inside.
LITERARY DEVICES
1. SIMILE
• Line 2: Puerto Rico is compared to dice that is tossed on a casino's baize, it can
either come up with winning numbers, or losing numbers. Puerto Rico comes up
with winning numbers in the game of chance, as reflected in its wealthy exterior,
which is supported by America.
• Lines 7-8: San Juan's glitter is compared to a maverick's gold ring. The word
maverick implies non-conformist, an individualist. This implies that San Juan,
Puerto Rico is in the Caribbean, but not a part of the Caribbean. It belongs to
America.
• Lines 10-11: Airports are compared to calling cards. This means that, like a calling
card, the quality of the airport gives you an idea of the island's economic status.
The airport is also compared to a cultural fingerprint. A fingerprint is an
individual thing, therefore the airport gives the traveler an idea of the island's
cultural landscape.
• Line 39: The road is compared to twisted wires. This means that the roads, from
above, look both plentiful and curvy. This does not carry a positive connotation,
but implies confusion.
2. ALLUSION
• Line 5: Dallas is an oil rich state in America. Therefore, many of its inhabitants
are wealthy, and the state itself, is wealthy. By stating that San Juan is the Dallas
of the West Indies, it implies that it is a wealthy island in the West Indies.
• Lines 5-7: An allusion is being made to the well known cliche; 'every cloud has a
silver lining'. It means that behind everything that is seemingly bad, there is
good. In the context (www.bulbsoup.com) of this poem, it means that the good,
the silver lining, has a mark, or stamp, that authenticates its good quality; it is
hallmarked. This implies that it will always have its silver lining showing.
3. SARCASM
• Line 20: This statement means the exact opposite of what is stated. The persona
is disgusted that Uncle Sam (America) would have such a regulation. This
regulation bars anyone from stepping a toe on Puerto Rican soil, if it is not your
intended destination. You just have to remain in the air craft, no matter the
waiting period, until it is time for takeoff. The persona believes that the
Americans are being blatantly discriminatory, and are attempting to camouflage
it through the use of regulations. He does not believe that they have achieved
their goal of subtlety.
• Line 20: The statement, 'give me your poor...' is particularly sarcastic because it
is a direct quote from the New Collossus, which rests on a plaque on the statue
of liberty, and signifies that the disenfranchised of the world are welcome. The
persona, as a member of the 'disenfranchised' masses, clearly
feels unwelcomed.
•
Line 26: The persona implies that America is all talk and no action. They really do
not want the poor because they bar them from entering and expediently sends
them on their way when they enter their airport. The statement is sarcastic
because it is loaded with an alternate meaning, due to the contrast in statement
and action.
4. PUN
Line 17-18: The pun is placed on 'land of the free', it becomes 'Island of the free'. This
pun emphasizes how isolated Puerto Rico is from the rest of the Caribbean islands. It
belongs to the U.S.A. This state of belonging to, or being owned by the US is asserted
through it's insertion into the Star Spangled Banner.
CONTRAST
The contrast in this poem is found in stanza 5. The American cars etc, against the
pushcarts. The American culture versus the Puerto Rican culture.
MOOD/ ATMOSPHERE
The mood of the poem is perturbed.
TONE
The tone of the poem is slightly bitter, which is fueled by the sarcastic atmosphere.
THEMATIC CATEGORIZATION
Discrimination, oppression, places, culture.