A LIST OF PHILIPPINE NATIONAL ARTISTS

FOR VISUAL ARTS

The Philippines is home to a long and rich history of excellence in visual arts. This tradition
started as early as the 19 century with Damian Domingo, also known as the Father of Filipino
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Painting, who was the first Filipino to paint a self-portrait. He was followed by greats such as
Juan Luna, who painted the world-renowned Spoliarium, and Fabián de la Rosa, uncle and
mentor to Fernando Amorsolo.

The Order of National Artists, also known as Orden ng mga Pambansang Alagad ng Sining,
is the highest national recognition given to Filipinos who have made significant contributions to
the growth and development of arts in the Philippines.

Here’s a list of the greatest names in Philippine visual arts who have been given this honor.

1. Fernando Amorsolo (1972)

(May 30, 1892 – April 24, 1972)

You can’t talk about Philippine painting without talking about Fernando Amorsolo, who is also
known as the Grand Old Man of Philippine Art. Born in Manila, he was educated at the Art
School of the Liceo de Manila, the University of the Philippines School of Fine Arts, and spent
time abroad in Spain and the United States.

Lauded for his skill in depicting light and form, Amorsolo is well known for his paintings of
idyllic Philippine rural life. He rejected Western ideals of beauty and sought to promote
Filipino beauty instead, and his use of chiaroscuro became an artistic trademark that set his
work apart from the rest.

Some of his most famous pieces include Maiden in a Stream (1921), The Mestiza (1943),
and Planting Rice (1946).

2. Carlos “Botong” Francisco (1973)

(November 4, 1912 – March 31, 1969)

If there was ever an area in the Philippines known for its visual artists, it’s Angono, Rizal, and at
the forefront of that community is the name Carlos “Botong” Francisco. A muralist who
brought the art form back into the limelight, his work graces the City Hall of Manila and
the National Art Gallery of the Philippines. He was also one of the first Filipino modernists,
breaking away from the Romanticism of Amorsolo to make use of geometric forms and linear
painting.
Among his most famous works include depictions of the Blood Compact, the First Mass at
Limasawa, and most notably The Progress of Medicine in the Philippines, which has been
restored three times. A famous replica of this mural resides at the lobby of the Philippine General
Hospital.

3. Guillermo Tolentino (1973)

(July 24, 1890 – July 12, 1976)

Guillermo Tolentino is a giant in the landscape of Philippine sculpture, Tolentino studied at

the Royal Academy of Fine Arts in Rome before returning to the Philippines in 1925 to teach at
the University of the Philippines School of Fine Arts.

His masterpiece, the Bonifacio Monument in Caloocan, was completed in 1933 and symbolizes
the Filipino cry for freedom. Other famous works include the Oblation, now an iconic symbol of
the University of the Philippines, as well as the marble statue of Ramon Magsaysay at the GSIS
Building. Tolentino also created numerous busts and statues that can be found at iconic sites
throughout the country.

4. Napoleon Abueva (1976)

(January 26, 1930 – February 16, 2018)

One of the youngest to ever be conferred the Order of National Artist, Napoleon Abueva received the
award at the young age of 46. The Father of Modern Philippine Sculpture, Abueva was instrumental in
shaping sculpture in the Philippines. He was recognized for being adept at a variety of forms and
materials.
In fact, he was equally as comfortable with classical sculpture as he was with more abstract forms, and his
work is made from anything from local hardwood to coral to brass. Abueva’s sculptures have been
installed both in the Philippines and abroad, and include Kiss of Judas (1955), Nine Muses (1994), and
the death mask of slain politician Benigno Aquino, Jr.

5. Victorio Edades (1976)

(December 23, 1895 – March 7, 1985)

Victorio Edades was a key figure in the history of Philippine art, counted as one of the revolutionary
Thirteen Moderns and later called the Father of Modern Philippine Painting. Edades moved away from
the idyllic landscapes of his contemporary Amorsolo and instead preferred to paint a more sobering
picture of Philippine society. His works employed dark and somber colors, and were focused on
depicting the dirt and sweat of laborers, factory workers, and the Philippine proletariat.
Edades became Dean of the Department of Architecture in the University of Santo Tomas, later
instituting an art degree program. He invited Carlos Francisco and Galo B. Ocampo to become professors
of the university, and the three were later known as the Triumvirate. Included among his works are The
Sketch, Portrait of the Professor, and Poinsettia Girl.
6. Vicente Manansala (1981)
(January 22, 1910 – August 22, 1981)

A master of the style of Cubism, Vicente Manansala is credited as one of the figures in the Philippine
art world who popularized neo-realism in the country. He was educated at the University of the
Philippines School of Fine Arts, later training in Paris, Banff, Montreal and at the Otis School of Drawing
in Los Angeles.
Manansala developed a style called transparent cubism, where he masterfully overlaid colors and
shapes to depict forms and figures. This style is exemplified in his works Kalabaw, Mother and
Child, Madonna of the Slums, and Still Life with Green Guitar. Most of Manansala’s artistic estate
currently resides in Holy Angel University’s The Vicente Manansala Collection.

7. Cesar Legaspi (1990)

(April 2, 1917 – April 7, 1994)

Another neo-realist and peer of Manansala, Cesar Legaspi was also a foremost figure in the refining
of Cubism in the Philippines. Also a member of the Thirteen Moderns, his work is set apart by his
daring use of colors, shapes, and themes. Critics have said that his works transform the “unfeeling,
geometric” order of Cubism into a dynamic, rhythmic social expressionism.
His works primarily focused on the dehumanization and struggles experienced by the working class
and mendicants in the city. His work is among many that led to the acceptance and later popularity of
modern art in the Philippines. These include Gadgets I, Diggers, Bayanihan, and The Survivor.

8. Hernando Ocampo (1991)

(April 28, 1911 – December 28, 1978)

Another member of the pre-war group the Thirteen Moderns, Hernando Ocampo was one of the
leading radical modernist artists in the country. A playwright, fictionist, editor, and painter, Ocampo
originally studied law, commerce, and creative writing before eventually moving into the visual arts. With
his friends and peers Vicente Manansala and Cesar Legaspi, Ocampo focused on depicting the harsh
realities of life in the Philippines in his art.
However, he also painted landscapes and countryside scenery, and used fantasy and science fiction
as the basis for his works. Among his works are his masterpiece Genesis, Slum Dwellers, Man and
Carabao, and The Resurrection.

9. Arturo Luz (1997)

(November 20, 1926 – present)

A printmaker, sculptor, designer, and art administrator, Arturo Luz received his Order of National
Artists for Visual Arts award in 1997. One of the founding members of the neo-realists in the
Philippines, Luz’s work exemplifies simplicity and sophistication. He is credited with elevating the
Filipino aesthetic vision, and his work is elegant and economic, employing minimalism, geometric
abstracts, and invoking a universal reality.
Luz is known as one of the greats of Asian modernism, and his work as an art administrator with the
Luz gallery has influenced generations of Filipino artists. Included in his best works are Bagong
Taon, Candle Vendors, Night Glows, and Imaginary Landscapes. His mural Black and White is displayed
in the lobby of the Cultural Center of the Philippines’ Bulwagang Carlos V. Francisco.

10. Jeremias Elizalde Navarro (1999)

(May 22, 1924 – June 10, 1999)

J. Elizalde Navarro was a native of Antique, and studied in the University of the Philippines, Manila
before transferring to the University of Santo Tomas, where he graduated with a Bachelor of Arts, major
in Painting, in 1951. His work in the visual arts spans a variety of media and techniques, including
drawing, printmaking, graphic designing, painting, and sculpting.
Navarro employed the use of mixed media in much of his work, sometimes fusing found objects and
metal parts. A few of his major mixed media works include I’m Sorry Jesus, I Can’t Attend Christmas
This Year (1965), Homage to Dodjie Laurel (1969), and A Flying Contraption for Mr. Icarus (1984).

11. Ang Kiukok (2001)

(March 1, 1931 – May 9, 2005)

Born in Davao to Chinese immigrant parents, Ang Kiukok began his art journey at a young age. The
family later moved to Cotabato, where Kiukok made movie billboards, and then on to Manila, where he
attended the University of Santo Tomas. One of his mentors during this period was the great Vicente
Manansala.
Kiukok began rising in the Philippine art scene in the 1960s thanks to his distinctive style, which
pulled influences from cubism, surrealism, and expressionism. His work was noted for depicting rage
and violence, with subjects such as rabid dogs or the crucified Christ in agony. Included among his works
are Geometric Landscape (1969), Pieta (1962), and Seated Figure (1979).

12. José Joya (2003)

(June 3, 1931 – May 11, 1995)

A printmaker, painter, mixed media artist, and former Dean of the University of the Philippines’
College of Fine Arts, José Joya was a pioneer of abstract impressionism in the Philippines. His
paintings make use of palettes found in the Philippine landscape, such as golden rice fields ready for
harvest.
Joya’s work espoused kinetic energy and spontaneity, and he was a master of gestural paintings.
Among his masterworks include Nanking, a collage rendered with distinctly Asian forms and influences,
the Granadean Arabesque (1958), and Biennial (1964).