Professional Documents
Culture Documents
Group 4, EnL 423 Presentation
Group 4, EnL 423 Presentation
Overview
The year is 1961, and Egypt's revolutionary fervor has morphed into disillusionment. The
shadows of betrayal and unfulfilled promises cast a long shadow over the nation, a palpable
reality that permeates every aspect of Said's life. Released from prison after four years, he
finds himself a stranger in his own world. His wife, the embodiment of trust, has married his
accomplice, and his mentor, a source of guidance, has abandoned him. This sense of
dislocation, of being adrift in a sea of societal upheaval, serves as the foundation upon which
Said's tragic narrative unfolds.
Said Mahran, a skilled thief, returns from prison after four years seeking revenge against
those who betrayed him - his wife, Nabawiyya, and his accomplice, Ilish Sidra, who are now
married, and his mentor, Rauf Ilwan who does not accept him at his return. He tries to kill his
‘enemies’ as a way of revenge but ends up killing two innocent people and keeping the
community in a state of unrest. He is killed by the police while he tries to escape.
Historical Significance
Published in 1961, the novella reflects the anxieties and uncertainties of Egypt after the 1952
revolution. The characters' struggles embody the clash between traditional values and
revolutionary ideals, highlighting the socio-political complexities of the era. Mahfouz's
critique of social injustice and political corruption resonated with a generation grappling with
change.
The Egyptian Revolution had overthrown the Monarchy and installed the Egyptian Republic
with the natives expecting a change but the revolution had not brought forth any change.
Rather, the gap between the rich and the poor seemed to get wider.
THEORY
The situations in the novel exemplify class struggle therefore, we can criticize this novel
using the Marxist theory. Marxism classifies society into two: the Bourgeoisie (the upper
class) and the Proletariat (the lower class).
The novel tells us that Said started stealing from the rich because he considered it as justice to
steal from the elite who stole from the government and distribute it to the poor. His guiding
principle was that stealing from the rich in an unjust society is an act of justice. This principle
was upheld by Said and his ‘enemies’ prior to his imprisonment but Said realizes after his
release that they no longer reason the same way since Ilish and Rauf have now become
members of the Upper class. This realization fuels Said’s hatred and desire for revenge.
The novel engages with Marxist theory to examine socio-economic disparities and power
dynamics within Egyptian society. Mahfouz critiques the class structure, corruption, and
inequality that shape Said's life and choices, reflecting Marxist concepts of exploitation and
class struggle.
The failure of revolution: The Egyptian Revolution of 1952 is referred to only obliquely,
but Mahfouz comments on the various disappointments that resulted. The revolution allowed
men like Ilish and especially Rauf to flourish, men whose revolutionary ideals were easily
corrupted by power and privilege. Those who could not parlay their military experience into
something lucrative languished, their service forgotten. The ubiquity is also a comment on
the post-revolutionary period, which became authoritarian in a way the revolutionaries either
did not expect.
The impact of society: The story also explores the impact of society on the characters. Said
is a product of his environment, and his life of crime is a result of the poverty and desperation
that he has experienced. The other characters in the story are also shaped by their experiences
and the social and economic conditions that they live in.
Mahfouz masterfully casts a discerning eye on the idealized revolution and its subsequent
disillusionment, exposing the flaws in both. He showcases the initial hope and promise
dashed by unfulfilled expectations and societal decay, prompting readers to question the
efficacy of revolutionary ideals. He compels us to question authority figures, societal norms,
and the very motivations that drive our actions. By presenting morally ambiguous characters
and their choices, Mahfouz urges us to critically examine the power structures and societal
norms that influence our behaviour.
Mahfouz critiques the corrupting influence of power, showcasing how it can distort
individuals and societal structures. The novel communicates a message about the importance
of self-reflection and the potential for redemption, offering hope even in the face of societal
challenges.
While set in Egypt, the themes resonate more with a broader African audience facing similar
socio-political issues making the novel relevant and relatable across borders. In essence, the
thief and the dogs masterfully weaves together personal and societal struggles presenting a
thought-provoking narrative that transcends its specific historical and cultural context.
The novel also exemplifies that change is constant and individuals have to grow with it. Ilish
and Rauf understood this and grew with the systems but Said is unwilling to change which is
why he considered their actions as treason.
CONCLUSION
Through the novel, we are able to see that it was the societal conditions that pushed Said into
becoming the pessimistic and cynical character that he is.
The reflections of Egyptian culture derived from the novel can be applicable to other cultures
too. The social alienation that drove Said to be marked by hatred, to steal, and to continue
looking for the dogs despite being searched for the police, being talked about in the press, and
accidently killing two innocent people, is not an experience exclusive to him, or to one
conditioned in a post-revolutionary Egypt.