THEREFORE I GET MY PHONE ON THE NEXT ONE OF MY TWEETS IS COMING UP ON THE

FLOOR I WILL BE ON MY WAY FOR IT I WILL NOT GET MY TWEETS OUT OF MY HEAD I WILL
NOT EVER BE ON MY PHONE HEAD I WILL NEVER BE ABLE TO SEE IT ON AGAIN I WILL
BECAUSE OF THIS ONE DAY I WILL BE THE ONLY THING THAT I CAN EVER SEE FOR MY HEAT
IT ALL AGAIN FOR EVER BUT I HAVE NO YEOWYWOWYWOB HOWEVER THIS ONE IS THE
ONLY THING TO BE THE ONLY TIME EVER TO EVER I CAN EVER HAVE

Fajar Suharno was a theater maestro from the 80’s to the 90’s. He was
imprisoned because his theater activities were considered against the New
Order government. At its peak, he made a show entitled Geger Uwong
Ngoyak Macanabout the events of crushing people who were considered
thugs/criminals (Petrus). The show was held just the day before the
massacre took place. This film experimented with bringing together the
documentary style with the theatrical stage as well as collaboration
between artists in Jogja.

Fajar Suharno was a theater maestro from the 80’s to the 90’s. He was
imprisoned because his theater activities were considered against the New
Order government. At its peak, he made a show entitled Geger Uwong
Ngoyak Macanabout the events of crushing people who were considered
thugs/criminals (Petrus). The show was held just the day before the
massacre took place. This film experimented with bringing together the
documentary style with the theatrical stage as well as collaboration
between artists in Jogja.

Fajar Suharno was a theater maestro from the 80’s to the 90’s. He was
imprisoned because his theater activities were considered against the New
Order government. At its peak, he made a show entitled Geger Uwong
Ngoyak Macanabout the events of crushing people who were considered
thugs/criminals (Petrus). The show was held just the day before the
massacre took place. This film experimented with bringing together the
documentary style with the theatrical stage as well as collaboration
between artists in Jogja.

Fajar Suharno was a theater maestro from the 80’s to the 90’s. He was
imprisoned because his theater activities were considered against the New
Order government. At its peak, he made a show entitled Geger Uwong
Ngoyak Macanabout the events of crushing people who were considered
thugs/criminals (Petrus). The show was held just the day before the
massacre took place. This film experimented with bringing together the
documentary style with the theatrical stage as well as collaboration
between artists in Jogja.

Fajar Suharno was a theater maestro from the 80’s to the 90’s. He was
imprisoned because his theater activities were considered against the New
Order government. At its peak, he made a show entitled Geger Uwong
Ngoyak Macanabout the events of crushing people who were considered
thugs/criminals (Petrus). The show was held just the day before the
massacre took place. This film experimented with bringing together the
documentary style with the theatrical stage as well as collaboration
between artists in Jogja.