SPECIFIC OBJECTIVES At the end of the lesson, students should be able to: • Articulate what culture means to the self as a part of the society; • Analyze the anthropological and sociological constructs of the self; and • Attribute self-understanding and behavior to cultural factors SOCIAL CONSTRUCTIONISM • It is the theory that people develop knowledge of the world in a social context, and that much of what we perceive as reality depends on shared assumptions • It asserts that all meaning is socially created • Social constructs are often created within specific institutions and cultures and come to prominence in certain historical periods • They reflect shared ideas and or perceptions that exist only because people in a group or society accept that they do HOW CULTURE AFFECTS THE SELF • Edward B. Tylor (1832-1917) was an English anthropologist considered as the founder of cultural anthropology • He defined culture as “that complex whole which includes knowledge, beliefs, arts, morals, law, customs, and any other capabilities and habits acquired by man as a member of society” • Culture helps define how individuals see themselves and how they relate to others • Individuals differ in many ways: language diversity, cultural diversity, gender diversity, religious diversity, and economic diversity • All of these aspects of diversity work together to form your sense of self THE LOOKING-GLASS SELF THEORY
• Charles Horton Cooley (1864-1929)
was an American sociologist who used a sociopsychological approach to the understanding of society • He wanted to understand why human beings behave the way they do • The “looking-glass self” is the process by which people evaluate themselves based on how others see them o First, people imagine how they appear to others o Second, they imagine how others judge them based on that appearance o Third, people have an emotional reaction to that imagined judgment, such as pride or embarrassment • The theory suggests that we come to know ourselves by reflecting on how others see us THE SELF AS A PRODUCT OF MODERN SOCIETY (SOCIOLOGICAL PERSPECTIVE) • Your personal and social identity is never static, but this doesn’t mean you are constantly revising who you are according to how you feel • In terms of longer-term personal growth, changes in personal identity are more often gradual and incremental than abrupt and ‘total’ makeovers • It is you and you alone who are responsible for the kind of person you are, the way you live your life, and how you treat others • You cannot change your identity on a whim, or by an act of will • Real changes in personal identity emerge out of the creative interplay between social circumstances and events and the way you as an individual respond to them SELF IN SOCIETY AND SOCIETY IN SELF • No one can stand apart from the social world--- everyone is influenced by society and it makes its permanent mark on us • Although we can never stand completely apart from society, we nevertheless retain a certain amount of independence from it • Society can only present us with a set of choices; it can never completely determine for us which choices we actually adopt • There is always a private, personal space in which we are free to choose for ourselves and to be self-responsible, if we so wish o We are self-directing beings capable of independent thought and behavior. We have the knowledge and skills that allow us to deal with other people and situations in our own terms o We are all unique individuals because we have all had a unique set of experiences. Even if you were brought up in the same family, you experience the world in different ways than your brothers or sisters CORE AND SATELLITE NEEDS OF THE SELF • Self-love, as well as loving others and being loved by others, are important--- they are interdependent • It is difficult to have a loving relationship with yourself without experiencing the love of others • The ability to give love to others is hampered without the love of self • Self-love is not the same as narcissism or an unhealthy preoccupation with oneself • It is more about accepting who you are and taking responsibility for what you do; it is about having integrity, taking care of yourself and being self- protective when it is required APPROVAL OF SELF AND OTHERS • There are close links between self-approval, approval by others and approval of others • Approval (in all forms) is essential for love and loving relationships • Approval implies tolerance (and acceptance) of ‘differences’ in personality, behavior and beliefs • The search for approval has its own challenges o In the formative years of childhood (0-8 years), child seeks the approval of its caretakers as a means of securing their love o During adulthood, it persists where there is a general need for the approval of others, especially loved ones, or those who are admired or looked-up to because they have particular qualities or skills • However, uncertainty about one’s own independence, rights, responsibilities and effectiveness (ability to influence things) can lead to unhealthy, excessive need for approval • Continuous search for approval is based on the fear that other’s love will disappear and that the person will be left helpless and unloved ANTHROPOLOGICAL PERSPECTIVE • Anthropology is the study of people throughout the world, their evolutionary history, how they behave, adapt to different environments, communicate and socialize with one another • It is concerned both with the biological features that make us human and with social aspects • It is the science of humanity INTRODUCTION TO THE FILIPINO CULTURE • The Filipino culture is an exuberant story that tells of the nation's journey through the centuries • Customs reflect the people's faith, their oneness with others, their affinity with nature, and their celebration of life • The Filipino's charm lies in their smiles, in the numerous religious festivals that venerate nature, the Divine and the cycles of life and in the virtue of pakikipag-kapwa tao that treasures relationships, with friends and strangers alike • The concept of kapwa (others) is at the core of the Filipino soul • The nation's charm is in the diversity in ways of life across the archipelago, the splendid colors of its folk arts and the cacophony of foreign influences that have found roots in the Filipino languages, customs and traditions • Another writer observes that the Filipinos tendency towards passionate profusion and unrestrained exuberance in his art stems from his exposure to nature's lush, magnificent landscapes around him the whole year through • Filipinos worship devoutly in their cathedrals and mosques (the busy urban dwellers attend religious services inside shopping malls and al fresco, in parks and plazas) • They can sing and recognize good singing when they hear it • They smile at strangers and babies, and through queues, rain showers and traffic • They socialize in parties and discotheques, as well as in markets and community dances • They make and keep friendships over food, over lambanog (coconut wine), over mobile phone text messaging • They are sentimental and devoted to their families • They have profound respect for elders and show self-effacing hospitality for guests • They speak over 100 local languages and dialects, of which the Tagalog-based Filipino is the lingua franca, as well as English, with an accent • They are basketball fans • They love Hollywood films and television dramas • They are pedestrians who chat while walking and they are the passengers in the ubiquitous jeepneys • They love laughing, at themselves, their politics, their game shows. • They are cosmopolitan in their views but their values are rooted in their faith, their family and their community • The Filipinos' temperament is as warm and constant as their sunshine • Their way of life is rich, diverse and rooted • They are in harmony with others and face the world with an engagingly courageous spirit FILIPINO IDENTITY: THE HAUNTING QUESTION • Through centuries of colonization, there is a loss or a confusion regarding Filipinos’ sense of belonging, as well as the use of colonial language has pervaded every aspect of our lives • The problem of a Filipino identity has oftentimes been regarded as linked to postcolonial legacies and predicaments following American rule of the islands • While people in modern societies now have the benefit of defining and choosing their identity based on reflexive understandings of one’s biography, many are still left out of this whole project