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Pitch to the Guardian publication

‘Netflix release the first part of the final season of The Crown’
Peter Morgan, creator, focuses on the final moments of Princess Diana’s (Elizabeth
Debicki) life reflecting on her position in the monarchy and the fallout in the royal family
after her passing, which was one of the most infamous events in royal history. Offering
a poignant exploration of the emotional aftermath for both the royal family and the
public. The decision to hold a royal funeral or a private affair combined with the young
Prince’s grief over losing their mother is captured in the new season. Prince Charles
attempts to comfort his sons following the passing of their mother as well as focusing on
his campaign to publicly rehabilitate Camilla Parker Bowles (Olivia Williams). An
appropriate review for the Guardian, in the interest of their readers. The Guardian
newspaper targets a well-educated, affluent, digitally-savvy, liberal audience which
relates well to an interest in the monarchy and an upcoming television series.

‘Netflix release the first part of the final season of The Crown’

In its sixth season of The Crown, Peter Morgan, the creator, takes no time in delving
into the events surrounding the obvious looming event of Diana’s death on that fateful
night in 1997. The eerie opening foreshadows the inevitable end for Diana and casts a
somber tone over the four episodes encompassing the first half of the season. Emma
Corrin’s performance as Diana continues to capture the vulnerability and strength of the
beloved princess during tumultuous times.
At the focus of the season, we see Diana a year after her divorce from Prince Charles,
no longer held down by the restraints of the monarchy. She accepts businessman
Mohamed Al-Fayed's (Salim Daw) offer to take her and her sons, Prince William (Rufus
Kampa) and Prince Harry (Fflyn Edwards), on a 10-day vacation to St. Tropez with his
family because she needs a break from London. Morgan depicts Diana’s transformation
from a reserved, sweet girl to a self-assured, confident woman who is finding her voice
despite others praying for her downfall.
The episodes leading up to Diana’s death provide a refined understanding of the
challenges she faces within the royal family and the media’s relentless scrutiny. The
narrative doesn’t shy away from addressing the complexities of her relationships, both
with Prince Charles and the broader public. Peter Morgan captures the “Diana effect” in
the public response to her death and the impact on the royal institution.
Morgan captures the final moments of Princess Diana and her friend, Dodi Al-Fayed's
relationship, offering a depiction of a comforting friendship on the verge of blossoming
as opposed to a whirlwind romance that was exacerbated by public perception.
Nevertheless, the public has jumped to the defense of the royal family once again
following controversial episodes of the British monarchy in more recent seasons,
regarding the royal family’s relationship and treatment of Princess Diana. The same
commentators claim that since the fourth season, there has been a shift in the portrayal
of Queen Elizabeth, portraying her as “heartless” and “insensitive” to create a greater
contrast with the character of Princess Diana.
The show's creator and main writer, Peter Morgan, depicted intimate fiction with vibrant
dialogue, and credibility which set it apart from monotonous historical dramas and news
reports. While some historical liberties are taken this season successfully balances
drama and historical accuracy, making it a must-watch for those intrigued by the inner
workings of the monarchy.
While the show takes creative liberties for dramatic effect, the portrayal of Diana’s death
is a poignant reminder of the toll that intense public scrutiny and harassment can have
on individuals, even those within the regal confines of the monarchy.
The season adds a powerful layer to the series, combining historical accuracy with
empathetic storytelling. Overall, the latest season lives up to the high expectations set
by its predecessors, delivering a sophisticated blend of history and entertainment. With
this devastating first section of its final chapter, we bid farewell to the icon, Diana and
await the second part.

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