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extend access to American Imago
Freud's Psychoanalysis:
Interpretation and Property
Psychoanalysis, writes Freud (1923), is "an art of interpre
tion" (239). In his major contributions to the history o
psychoanalysis, On the History of the Psycho-Analytic Moveme
(1914) and An Autobiographical Study (1925), Freud revis
those defining moments when he first claims a knowled
unavailable to others, a knowledge that allows him to dis
guish himself as psychoanalysis. In these critical encounter
property is allocated, identities are shaped, meaning is
tested—the proper, in all senses, is distributed. Such scenes
interpretative election double as rites of initiation, passage
into maturity that prove (both test and confirm) Freu
responsibility for psychoanalysis. Claiming responsibility rat
than originality, Freud can assert a moral right to psychoan
sis without arguing for genetic ownership. He can advance
alternate origin story less indebted to the essentialist narrat
of a decisive break between pre-psychoanalysis and psyc
analysis "proper."1 Freud approaches ownership from t
outside; he assumes responsibility for psychoanalysis, an
sumption ("taking upon oneself') that identifies him wi
psychoanalysis and, the one supporting and propping up th
other, effectively creates both himself and Psychoanalysis i
single act. His paternity—which has more to do with affiliat
than filiation—involves adopting contingent, local, even no
existent properties and, through what amounts to an insti
ing act, contracting them into service as "psychoanalysis."
In On the History, Freud recalls the silence with which h
early researches were greeted by an unresponsive and ev
hostile scientific community.2 He is careful to add that th
isolation is not without its compensations: in a familiar aut
biographical topos, ascetic withdrawal generates mystical c
version. "I learnt to restrain speculative tendencies and
follow the unforgotten advice of my master, Charcot: to look a
American Imago, Vol. 55, No. 4, 459-482. © 1998 by The Johns Hopkins University Press
459
the same things again and again until they themselves begin to
speak" (Freud 1914, 22). He is liberated from external influ
ences and the politics of professional competition and jeal
ousy. Publications "could be postponed as long as I pleased,
since there was no doubtful 'priority' to be defended" (Freud
1914, 22). Property and ownership have no place in this
Edenic "splendid isolation." Indeed, according to Ernestjones
(1957), "Freud was never interested in questions of priority,
which he found merely boring [. . .]" (100). But Freud's
anxieties about priority have been well-documented.3 Even in
what Michel de Certeau has called the "Freudian Novel," a
kind of hybrid historiography open to the impropriety or
"non-topos" of poetry, Freud never completely abandons his
pretensions to a proper, authoritative voice. De Certeau (1986)
writes: "He needs to assure a surplus of institutional force in
the place where it is lacking in his discourse so that it might be
supposed to have knowledge" (33).4 Freud is aware that
property is contested and, moreover, that "splendid isola
tion"—taking oneself and one's property out of circulation—is
tantamount to abrogating one's rights. Priority must be de
fended, counter-claims answered, one's own position advanced
and aggressively publicized. Throughout his career Freud is
concerned with commemorating originary acts and celebrat
ing discoveries.5
Despite his epochal decentring of the subject, Freud's
authority depends upon a faith in ownership indebted to a
liberal construction of the subject and its property.6 If for
Locke (1980) labor removes raw materials from a nature held
in common, converting them into personal property (see 18
30), then for Freud and his hermeneutic economics, posses
sion passes to the speculator able to extricate meaning from
the meaningless through the addition of interpretive labour.
This production of property is not modelled on self-expres
sion, on the reproduction of the self from within. Instead, the
subject claims responsibility by making an ethico-legal commit
ment to stand behind its property and accept—be fully conscious
of—its liabilities. Freud's faith in informed, responsible agency
therefore allows him to acknowledge the alterity of self
formation without sacrificing the proper.
the long, patient and unbiased work which had gone to its
making" (50). This self-representation is also a way of distanc
ing himself from the apostates, Jung and Adler. As a scientist,
Freud has something they do not—the discipline to decline
the temptations of speculation and the anticipatory idea.
Unlike Jung, Freud (1914) boasts that "I have held fast to the
habit of always studying things themselves before looking for
information about them in books [. . .]" (19). Adler is also
charged with "a particularly speculative disposition" (Freud
1914, 50) that lapses into metaphysics.8 Even in his later,
admittedly more speculative works, Freud (1925a) insists "I
should not like to create an impression that during this last
period of my work I have turned my back upon patient
observation and have abandoned myself entirely to specula
tion" (59). Through a kind of self-promotion, Freud elects
himself a member of the scientific community. Freud's desire
to establish the credentials of psychoanalysis commits him to
the ideology of science, to the differentiating gestures through
which science defines itself as science. Demoting the insights
of non-science (especially literature and speculative thought)
belongs to this disciplinary self-image. Psychoanalysis "begins"
(in Edward Said's [1975] sense) without a principle of self
origination: it constructs itself through "paragenesis"—that is,
by moving laterally, grafting onto adjacencies and comple
mentarities—rather than advancing along vertical, "dynastic"
lineages (66). There is a kind of retroactive stabilizing of the
subject; what Freud borrows from science is not added to an
already formed identity, but becomes an indivisible part of this
identity.
Freud's identity is generated within a triangulated, three
part formula: to identify with science enables him to legitimize
himself by marginalizing a third, non-scientific party. These
differentiating gestures were especially crucial, as Jean
Starobinski (1989) argues, insofar as "Freud knew that he was
quite vulnerable to the charge that he was nothing more than
a man of letters, a 'poet.' He wished to mark his distance from
the artist, and there was no better way to do this than by
adopting a condescending stance toward the poet" (140).
Although he could admit that psychoanalysis occupied the
same subordinated relationship to science as literature and
Department of English
University of British Columbia
Notes
1. Even in On the History and An Autobiographical Study, Freud does not always
surrender his belief in a qualitative transformation from hypnosis and Breuer's
cathartic method into psychoanalysis. Freud (1925a) often locates the emer
gence of psychoanalysis in its reformulation of the therapeutic task: "A different
view had now to be taken of the task of therapy. Its aim was no longer to
'abreact' an affect which had got on to the wrong lines but to uncover
repressions and replace them by acts of judgement which might result either in
the accepting or in the condemning of what had formerly been repudiated"
(30).
2. Frank J. Sulloway (1979) demystifies some of the self-representations that have
contributed to Freud's mythical standing (445-495 and passim.).
3. "It is known that Freud was particularly sensitive to plagiarism," comments
François Roustang (1982). "He himself had been accused of it by Pierre Marie
Janet, Fliess, and others [. . .]" (92). Paul Roazen (1969) writes: "The theme of
plagiarism can be found almost everywhere one turns in Freud's career. Since
Freud's ambition was world fame, he was bound to worry lest a discovery of his
own be snatched away by someone else" (88). See also Hertz (1985,97-121) and
Meitzer (1994, 9-44).
4. De Certeau's (1988) better known study of Moses and Monotheism pays much less
attention to Freud's reluctance to surrender institutional authority (308-54).
Compare, for instance, the very different treatments of the same Schiller
citation (De Certeau 1986, 30; 1988, 328).
5. "Do you suppose," Freud (1985) writes to Wilhelm Fliess on 12 June 1900, "that
someday one will read on a marble tablet on this house:
Here, on July 24, 1895,
the secret of the dream
revealed itself to Dr. Sigm. Freud" (417).
6. The dispersion of the subject is easier theorized than practised—especially
when it is one's own identity that is at stake. See Samuel Weber's (1991) account
of the legal battles over the copyright of Lacan's writings (writings that of course
challenge the foundation of ownership itself) (168-182). We may well smile at
the expediency with which the most ardent Lacanian (his "testamentary
executor" and son-in-law, Jacques-Alain Miller) is willing to abandon Lacan's
teachings in the very claim to represent him, but it is of course integrity "itself"
(moral, metaphysical, intellectual) that is at issue.
7. For Freud's cavalier treatment of Wilhelm Fliess' work on bisexuality and Albert
Moll's writings on infantile sexuality, see Sulloway (1979, 217-232; 469-474).
When Jung tells us that the incest-complex is merely "symbolic", that after all
it has no "real" existence, that after all a savage feels no desire towards an old
hag but prefers a young and pretty woman, we are tempted to conclude that
"symbolic" and "without real existence" simply mean something which, in
virtue of its manifestations and pathogenic effects, is described by psycho
analysis as "existing unconsciously"—a description that disposes of the
apparent contradiction. (64)
References