▪ Voice-over Narration: A voice-over providing context or commentary
throughout the film.
▪ Interviews: Audio from interviews with subjects or experts. ▪ Ambient Sound: Background noise that enhances the sense of place. ▪ Music Score: Instrumental or lyrical music that sets the tone or mood. ▪ Sound Effects: Specific sounds added to enhance storytelling. ▪ Direct Address: When subjects talk directly to the camera/audience. ▪ Natural Sound (nat sound): Real sound recorded at the scene. ▪ Diegetic Sound: Sound that originates from the scene or environment (e.g., people talking, traffic noise). ▪ Non-Diegetic Sound: Sound that does not come from the cinematic environment (e.g., narrator's commentary, background music). ▪ Archival Audio: Historical or previously recorded audio material.
▪ Archival Footage: Historical footage to provide background or context.
▪ Talking Heads: Interviewees speaking on camera. ▪ B-roll: Supplementary footage that adds depth to the story. ▪ Re-enactments: Staged actions to recreate past events. ▪ Still Photographs: Use of photographs for visual context. ▪ Text and Graphics: On-screen text or graphics to provide information. ▪ Direct Cinema: The fly-on-the-wall approach; observing without interfering. ▪ Cinéma Vérité: Combines natural actions with candid interviews. ▪ Animation: Animated sequences to illustrate concepts or events. ▪ Point of View (POV): Footage that shows what a subject is seeing. ▪ Aerial Shots: Shots from above, typically filmed from drones or helicopters. ▪ Infographics: Visual representations of information or data.
▪ Exposition: Setting up the background or context of the documentary.
▪ Personal Journey: Following a subject's personal story or development. ▪ Investigative: A journalistic approach to uncover a truth or expose facts. ▪ Observational: Presenting events as they happen without commentary. ▪ Participatory: The filmmaker becomes a part of the story being told. ▪ Reflective: The filmmaker’s personal thoughts and feelings are part of the narrative. ▪ Expository: A style that communicates directly to the viewer, often with a voice-of-authority figure. ▪ Poetic: Emphasizes mood, tone, and affect rather than a linear narrative. ▪ Interactive: Incorporates viewer engagement or interaction with the content. ▪ Thematic Montage: Sequences that convey a theme or emotion through a series of shots. ▪ Chronological Sequence: The events are presented in the order they occurred. ▪ Non-chronological Sequence: Events are presented out of order to create a specific narrative effect.