English Poets - Literatura Inglesa – 2017/2 - Professor Maria Regina Marinho

Rupert Brooke
1914 V: The Soldier
If I should die, think only this of me:
That there's some corner of a foreign field
That is forever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away,

A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.

1914 I: Peace
Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
Gerard Manley Hopkins

Moonless darkness stands between

Moonless darkness stands between.
Past, the Past, no more be seen!
But the Bethlehem-star may lead me
To the sight of Him Who freed me
From the self that I have been.
Make me pure, Lord: Thou art holy;
Make me meek, Lord: Thou wert lowly;
Now beginning, and alway:
Now begin, on Christmas day.

I Wake And Feel The Fell Of Dark

I wake and feel the fell of dark, not day,
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God's most deep decree

Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
Thomas Hardy
A Thunderstorm in Town
She wore a 'terra-cotta' dress,
And we stayed, because of the pelting storm,
Within the hansom's dry recess,
Though the horse had stopped; yea, motionless
We sat on, snug and warm.

Then the downpour ceased, to my sharp sad pain,

And the glass that had screened our forms before
Flew up, and out she sprang to her door:
I should have kissed her if the rain
Had lasted a minute more.
The Man He Killed
Had he and I but met
By some old ancient inn,
We should have set us down to wet
Right many a nipperkin!

But ranged as infantry,

And staring face to face,
I shot at him as he at me,
And killed him in his place.

I shot him dead because--

Because he was my foe,
Just so: my foe of course he was;
That's clear enough; although

He thought he'd 'list, perhaps,

Off-hand like--just as I--
Was out of work--had sold his traps--
No other reason why.

Yes; quaint and curious war is!

You shoot a fellow down
You'd treat, if met where any bar is,
Or help to half a crown.
Walter de la Mare
A Song of Enchantment
A song of Enchantment I sang me there,
In a green-green wood, by waters fair,
Just as the words came up to me
I sang it under the wild wood tree.

Widdershins turned I, singing it low,

Watching the wild birds come and go;
No cloud in the deep dark blue to be seen
Under the thick-thatched branches green.

Twilight came: silence came:

The planet of Evening's silver flame;
By darkening paths I wandered through
Thickets trembling with drops of dew.

But the music is lost and the words are gone

Of the song I sang as I sat alone,
Ages and ages have fallen on me -
On the wood and the pool and the elder tree.
November
There is wind where the rose was,
Cold rain where sweet grass was,
And clouds like sheep
Stream o'er the steep
Grey skies where the lark was.

Nought warm where your hand was,

Nought gold where your hair was,
But phantom, forlorn,
Beneath the thorn,
Your ghost where your face was.

Cold wind where your voice was,

Tears, tears where my heart was,
And ever with me,
Child, ever with me,
Silence where hope was.
John Masefield

Sea Fever
I MUST go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a gray mist on the sea's face, and a gray dawn breaking.
I must down go to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way, where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.

Sonnet

FLESH, I have knocked at many a dusty door,

Gone down full many a midnight lane,
Probed in old walls and felt along the floor,
Pressed in blind hope the lighted window-pane,
But useless all, though sometimes when the moon
Was full in heaven and the sea was full,
Along my body's alleys came a tune
Played in the tavern by the Beautiful.
Then for an instant I have felt at point
To find and seize her, whosoe'er she be,
Whether some saint whose glory doth anoint
Those whom she loves, or but a part of me,
Or something that the things not understood
Make for their uses out of flesh and blood.
David Herbert Lawrence (D H Lawrence) (1885 – 1930)

Self-Pity

I never saw a wild thing

sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.

Submergence

When along the pavement,

Palpitating flames of life,
People flicker round me,
I forget my bereavement,
The gap in the great constellation,
The place where a star used to be.

Nay, though the pole-star

Is blown out like a candle,
And all the heavens are wandering in disarray,
Yet when pleiads of people are
Deployed around me, and I see
The street’s long outstretched Milky Way,

When people flicker down the pavement,

I forget my bereavement.

The End

If I could have put you in my heart,

If but I could have wrapped you in myself,
How glad I should have been!
And now the chart
Of memory unrolls again to me
The course of our journey here, before we had to part.

And oh, that you had never, never been

Some of your selves, my love, that some
Of your several faces I had never seen!
And still they come before me, and they go,
And I cry aloud in the moments that intervene.

And oh, my love, as I rock for you to-night,

And have not any longer any hope
To heal the suffering, or make requite
For all your life of asking and despair,
I own that some of me is dead to-night.
Edward Thomas (1878 - 1917)

RAIN
Rain, midnight rain, nothing but the wild rain
On this bleak hut, and solitude, and me
Remembering again that I shall die
And neither hear the rain nor give it thanks
For washing me cleaner than I have been
Since I was born into this solitude.
Blessed are the dead that the rain rains upon:
But here I pray that none whom once I loved
Is dying to-night or lying still awake
Solitary, listening to the rain,
Either in pain or thus in sympathy
Helpless among the living and the dead,
Like a cold water among broken reeds,
Myriads of broken reeds all still and stiff,
Like me who have no love which this wild rain
Has not dissolved except the love of death,
If love it be towards what is perfect and
Cannot, the tempest tells me, disappoint.

SNOW
In the gloom of whiteness,
In the great silence of snow,
A child was sighing
And bitterly saying: "Oh,
They have killed a white bird up there on her nest,
The down is fluttering from her breast!"
And still it fell through that dusky brightness
On the child crying for the bird of the snow.

THE BRIDGE
I have come a long way to-day:
On a strange bridge alone,
Remembering friends, old friends,
I rest, without smile or moan,
As they remember me without smile or moan.

All are behind, the kind

And the unkind too, no more
To-night than a dream. The stream
Runs softly yet drowns the Past,
The dark-lit stream has drowned the Future and the Past.

No traveller has rest more blest

Than this moment brief between
Two lives, when the Night's first lights
And shades hide what has never been,
Things goodlier, lovelier, dearer, than will be or have been.
Wilfred Owen (1893 – 1918)

Anthem For Doomed Youth

What passing-bells for these who die as cattle?

Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

From My Diary, July 1914

Leaves
Murmuring by miriads in the shimmering trees.
Lives
Wakening with wonder in the Pyrenees.
Birds
Cheerily chirping in the early day.
Bards
Singing of summer, scything thro' the hay.
Bees
Shaking the heavy dews from bloom and frond.
Boys
Bursting the surface of the ebony pond.
Flashes
Of swimmers carving thro' the sparkling cold.
Fleshes
Gleaming with wetness to the morning gold.
A mead
Bordered about with warbling water brooks.
A maid
Laughing the love-laugh with me; proud of looks.
The heat
Throbbing between the upland and the peak.
Her heart
Quivering with passion to my pressed cheek.
Braiding
Of floating flames across the mountain brow.
Brooding
Of stillness; and a sighing of the bough.
Stirs
Of leaflets in the gloom; soft petal-showers;
Stars
Expanding with the starr'd nocturnal flowers.
Siegfried Sassoon (1886 – 1967)

TREE AND SKY

Let my soul, a shining tree,

Silver branches lift towards thee,
Where on a hallowed winter’s night
The clear-eyed angels may alight.

And if there should be tempests in

My spirit, let them surge like din
Of noble melodies at war;
With fervour of such blades of triumph as are
Flashed in white orisons of saints who go
On shafts of glory to the ecstasies they know.

TRENCH DUTY
Shaken from sleep, and numbed and scarce awake,
Out in the trench with three hours’ watch to take,
I blunder through the splashing mirk; and then
Hear the gruff muttering voices of the men
Fantastical and descriptive imagery:
“candle-chinked”, “splashing mirk”; gives the
scene a slight surrealist feel to it, thus
disconnecting the audience, as well as the
soldier.

Crouching in cabins candle-chinked with light.

Hark! There’s the big bombardment on our right
Rumbling and bumping; and the dark’s a glare
Of flickering horror in the sectors where
We raid the Boche; men waiting, stiff and chilled,
Or crawling on their bellies through the wire.
‘What? Stretcher-bearers wanted? Some one killed?’
Five minutes ago I heard a sniper fire:
Why did he do it? ... Starlight overhead—
Blank stars. I’m wide-awake; and some chap’s dead.
Soldier forced to do his three hours of trench
duty. The way it is counted gives the poem a
slight feeling of an epic, while the events
themselves proceed to show that nothing is
heroic about war.
Rhyme scheme: aa bb cc dd ef ef gg
Iambic pentameter
14 lines
Sonnet
Text content itself flows like prose – description of
a scene