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Aerial Warfare The Battle For The Skies Frank Ledwidge Full Chapter
Aerial Warfare The Battle For The Skies Frank Ledwidge Full Chapter
Frank Ledwidge
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AERIAL WARFARE
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P R A IS E F O R A E R I A L W A R F A R E
‘Arguments surrounding the role of air power alongside land and sea
power have raged for a century. The rise of digital networks and putative
cyber power adds a new and urgent dimension. Ledwidge writes with
compelling good judgment, a stylish energy, and panache.’
David Betz, Professor of War in the Modern
World, King’s College London
‘Frank Ledwidge’s short and concise Aerial Warfare ties strategy, tactics,
and technology neatly together. It is a first-rate survey of the evolution,
impact, and relevance of air power: past, present and future. Highly
recommended.’
Colonel John Andreas Olsen, PhD., Royal Norwegian Air Force
‘A concise and up-to-date account of the evolution of air power and its
various roles over time that is insightful and comprehensive. “Aerial Warfare”
will appeal to anybody interested in contemporary strategic studies.’
Bettina Renz, Associate Professor in
International Security, University of Nottingham
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3
Great Clarendon Street, Oxford, OX DP,
United Kingdom
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries
© Frank Ledwidge
The moral rights of the author have been asserted
First Edition published in
Impression:
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above
You must not circulate this work in any other form
and you must impose this same condition on any acquirer
Published in the United States of America by Oxford University Press
Madison Avenue, New York, NY , United States of America
British Library Cataloguing in Publication Data
Data available
Library of Congress Control Number:
ISBN ––––
Printed in Great Britain by
Clays Ltd, St Ives plc
Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.
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CONTENTS
Acknowledgements vii
List of Illustrations ix
List of Abbreviations and Acronyms xi
Foundations
Beginnings: The First World War –
Theory and Practice: The Interwar Years –
The Second World War: Air Operations in the West
The Second World War: The Air War in the Pacific
Cold War –
The Apotheosis of Air Power –
Aerostats to Algorithms –
Per Ardua ad Astra?
References
Further Reading
Index
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ACKNOWLEDGEMENTS
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viii Acknowledgements
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LIST OF ILLUSTRATIONS
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x List of Illustrations
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Foundations
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Foundations
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Foundations
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Foundations
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Foundations
Vietnam War than all of WW, causing great damage but having
questionable effect, to say the least, on its political outcome.
Other conflicts from South Asia to the Middle East, from Africa
to the South Atlantic saw aircraft as decisive on the battlefield.
The end of the Cold War was marked by what appeared to be
something of a shift. Some new thinking brought air power once
again into play as a possible ‘war-winner’ in the First Gulf War of
and the Balkan Wars. Even here the truth is more nuanced
than air power enthusiasts might wish to believe.
Chapters and bring us into today’s world of the wars on
‘terror’, drones, and cyber-war, and consider briefly what air
power may look like in the future.
Like any other field of military activity, air warfare has pro-
duced an alphabet soup of acronyms. There is, I am afraid, no real
way of avoiding them entirely. Terms are given in full at first
usage along with the acronym and subsequently acronym only;
there is a complete list of abbreviations at the start of the book.
Before embarking on the story of military air power, we will visit
an air base near a conflict zone today, where a mission is being
prepared to attack a target in enemy territory.
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Foundations
have approved the mission. Engineers have ensured that the two
aircraft are airworthy, and armourers have placed the correct
bombs and missiles (known as ‘ordnance’) onto the bomb-racks
and loaded the guns. Flight operations personnel fuel the aircraft.
Fire-crews and medical personnel are on constant stand-by.
A ‘combat search and rescue’ team is briefed; the team will go in
by helicopter and ‘extract’ aircrews who are shot down and eject
over enemy territory. All are fed and sustained by a highly complex
and usually smoothly functioning administration and logistics
system, which itself benefits from the advantages offered by trans-
port aircraft (mobility) which can move supplies or personnel
anywhere in the world very quickly.
The crews flying the aircraft in the mission (which is sometimes
called a ‘strike package’) are briefed with the latest imagery and
information on the enemy’s defences. They enter their cockpits,
complete their own checks ensuring the aircraft software is cor-
rectly updated and communicating with other elements of the
mission. When the time comes for take-off, air traffic control
ensures airspace ahead of the strike package is clear. If neutral
territory is to be overflown, diplomats may have obtained clear-
ances. Once aloft Aerospace Battle Management (ABM) teams
take over and ensure the mission is coordinated with allied forces
in the area.
ABM is sometimes based in large aircraft packed with radars and
detectors which range the electronic spectrum; as well as surveying
the ‘battle space’ looking for enemy activity they also ‘deconflict’
with other nations’ aircraft which may also be operating in the area.
A ‘quick-reaction alert’ (QRA) fighter element is on standby to
protect us and deter curious or indeed hostile attention. There is
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Foundations
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Foundations
bombs have done the intended damage. They will also conduct
the baleful task of assessing whether there has been collateral
damage in the form of civilian deaths. The system then begins
again and gears up for another attack.
That was a very simple example of a relatively straightforward
mission. The reader will appreciate that there are very many
‘moving parts’ in such a simple operation, as well as very many
acronyms! The reader might consider it worth recalling as we go
on to look at the history of air power that many missions were
orders of magnitude more complex than this one. Imagine the
preparation for a WW thousand-bomber raid over Germany in
the dark, opposed by a ferociously efficient enemy with fighter
aircraft and anti-aircraft guns directed by radar. The technology
has improved but the four fundamental roles of military aircraft—
control of the air, attack, reconnaissance and mobility remain the same.
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Foundations
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Foundations
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Foundations
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Foundations
Attack
Attack is the application of explosives or other forms of ordnance
from the air against enemy forces or indeed civilians. It too has a
long pedigree. On November , nd Lieutenant Giulio Gavotti
of the Italian Army air battalion, based in Libya, took off in his
flimsy single-seat aircraft and dropped four grenades on Turkish
troops just outside Tripoli. He was the world’s first bomber pilot
(Figure ). Exactly one hundred years later, North Atlantic Treaty
Organization (NATO) bombers soared over the same Tripoli
skies. The first raid on a civilian target by a heavier-than-air
aircraft was on October during the First Balkan War
when a Bulgarian aircraft flown by Captain Radul Milkov dropped
two small bombs on Adrianople (now Edirne). No casualties were
reported in either operation.
Attack is often used in the interdiction role, denying the enemy
resupply or reinforcement. For example, during the Ardennes
Campaign of , better known as the Battle of the Bulge, Allied
air forces had almost entirely stopped the flow of fuel to German
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Foundations
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Foundations
Mobility
The fourth fundamental role of air power, air mobility, is vital too,
perhaps now more than ever. In ‘expeditionary’ conflicts of the
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Foundations
Dimensions
As with any other successful dynamic system, military air oper-
ations exist within a number of physical and conceptual dimen-
sions. First and foremost is logistics. US Marine General Robert
H. Barrow famously wrote in that ‘amateurs talk about
tactics, but professionals study logistics’. All military endeavours
require extremely complicated and extensive supply and support
networks and the systems to organize them, and air forces are no
exception. For a start, all aircraft of all types need bases, requiring
large numbers of personnel to build, run and secure them. During
WW the largest single engineering effort in the UK was the
construction of the vast array of air bases from which the com-
bined US and British bomber offensive was launched against
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Foundations
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Foundations
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Foundations
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Foundations
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Foundations
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Foundations
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Foundations
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Beginnings
The First World War –
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Reconnaissance
It was in reconnaissance, particularly in providing eyes for the
artillery that dominated all major battlefronts, that the nascent air
forces of WW found their most vital role. In August , the first
month of the war, both France and Britain were staring at the very
real prospect of defeat by the German army. French and British
forces were outflanked. Paris itself prepared for a siege. The Allied
forces, in headlong retreat, did not know the location of General
Alexander von Kluck’s First Army. On September, Corporal Louis
Breguet, formerly an aircraft builder, took off with his observer
Lieutenant Andre Watteau and found the German force. Their
information enabled French and British forces to turn and stop
the German advance, striking it in the flank, at what became known
as the ‘Miracle of the Marne’. Breguet surely has at least a claim to
have been the ‘saviour of France’, a title later co-opted by the former
air-sceptic Marshal Foch.
As the Western Front, the main theatre of conflict, settled into
trench warfare, the primary means of killing the enemy became
artillery. No less than per cent of casualties, and probably more,
were directly caused by gun barrages. In order for the artillery
guns to be directed they needed precise information on the
location of enemy positions, their numbers, and strength—if
concentrations of men or supplies could be found within range
of the heavy guns, so much the better.
However, placing reasonably well-trained eyes in the sky above
those enemy positions, and especially behind their lines to a depth
where the artillery could reach; that would be useful. Aircraft
could see troops massing at key points and these in turn could
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Attack
Once you have control of the air and understand what it is that
needs to be destroyed on the ground through reconnaissance, there
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Fig. 5. Types of spears.
“He stands aghast, with his eyes staring at the treacherous pointer, and
with his hands lifted as though to ward off the lethal medium....”
The most formidable weapons of this kind are those still in daily
use as hunting and fighting spears on Melville and Bathurst Islands
(h). The head of this type has many barbs carved on one side, and
occasionally on two diametrically opposite sides. There are from ten
to thirty barbs pointing backwards, behind which from four to eight
short serrations project straight outwards, whilst beyond them again
occasionally some six or more small barbs point forwards. The
spears have a long, sharp, bladed point. The barbs are
symmetrically carved, and each has sharp lateral edges which end in
a point. The size of the barbs varies in different specimens. Many of
the spears are longitudinally grooved or fluted, either for the whole
length or at the head end only. Usually these weapons are
becomingly decorated with ochre, and may have a collar of human
hair-string wound tightly round the shaft at the base of the head.
Some of the heaviest of these spears are up to sixteen feet long,
and would be more fitly described as lances.
The most elaborate, and at the same time most perfect,
specimens of the single-piece wooden spears of aboriginal
manufacture are the ceremonial pieces of the Melville Islanders.
These have a carved head measuring occasionally over four feet in
length and four inches in width, consisting of from twelve to twenty-
five paired, symmetrical, leaf-shaped or quadrilateral barbs, whose
sides display a remarkable parallelism. The barbs are surmounted
by a long tapering point emanating from the topmost pair; and very
frequently one finds an inverted pair of similar barbs beneath the
series just mentioned. Occasionally, too, the two pairs opposed to
each other at the bottom are fused into one, and a square hole is cut
into the bigger area of wood thus gained on either side of the shaft
(i).
The structure may be further complicated by cutting away the point
at the top, and separating the paired series of barbs by a narrow
vertical cleft down the middle (j).
We shall now turn our attention to spears whose head and shaft
are composed of separate parts. In the construction of these, two
principal objects are aimed at by the aboriginal, the first being to
make the missile travel more accurately through space, and in
accordance with the aim, the second to make the point more cruel
and deadly. Whereas, with one exception, all the single-piece
spears, so far discussed, are projected or wielded with the hand
only, in every instance of the multi-pieced spears, a specially
designed spear-thrower is used for that purpose.
The native has learned by experience that weight in the forepart of
the spear will enable him to throw and aim with greater precision.
One has only to watch the children and youths during a sham-fight to
realize how well it is known that the heavier end of a toy spear must
be directed towards the target whilst the lighter end is held in the
hand. Green shoots of many tussocks, or their seed-stalks, and the
straight stems of reeds or bullrushes, are mostly used. They are cut
or pulled at the root in order that a good butt-end may be obtained,
and carefully stripped of leaves; the toy weapons are then ready for
throwing. One is taken at a time and its thin end held against the
inner side of the point of the right index finger; it is kept in that
position with the middle finger and thumb. Raising the spear in a
horizontal position, the native extends his arm backwards, and,
carefully selecting his mark, shies his weapon with full force at it.
The simplest type of a combination made to satisfy the conditions
of an artificially weighted spear is one in which the shaft consists of
light wood and the head of heavier wood (k). Roughly speaking, the
proportion of light to heavy wood is about half of one to half of the
other. The old Adelaide tribe used to select the combination of the
light pithy flower-stalk of the grass-tree with a straight pointed stick of
mallee. The western coastal tribes of the Northern Territory construct
small, and those of the Northern Kimberleys large spears composed
of a shaft of reed and a head of mangrove; the former being four or
at most five feet long, the latter from ten to twelve. The joint between
the two pieces is effected by inserting the heavier wood into the
lighter and sealing the union with triodia-grass resin or beeswax. The
Adelaide tribe used the gum of the grass-tree.
The River Murray tribes used to make the point of the mallee more
effective by attaching to it a blade-like mass of resin, into both edges
of which they stuck a longitudinal row of quartz flakes.
The Northern Kimberleys natives accomplish the same object by
fixing on to the top end of the mangrove stick a globular mass of
warm, soft resin, in which they embed a stone spear-head (l). In
certain parts of the Northern Territory one occasionally meets with a
similar type of spear, but such in all probability is imported from the
west.
The popular spear of central Australian tribes consists of a light
shaft fashioned out of a shoot of the wild tecoma bush (T. Australis),
which carries a long-bladed head of hard mulga wood. The junction
is made between the two pieces by cutting them both on a slope,
sticking these surfaces together with hot resin, and securely binding
them with kangaroo tendon. The bottom end is similarly bound and a
small hole made in its base to receive the point of the spear-thrower
(m).
As often as not the blade has a single barb of wood bound tightly
against it with tendon.
It is often difficult to find a single piece of tecoma long enough to
make a suitable shaft, in which case two pieces are taken and neatly
joined somewhere within the lower, and thinner, half with tendon.
The shoots, when cut, are always stripped of their bark and
straightened in the fire, the surfaces being subsequently trimmed by
scraping.
A very common type of spear, especially on the Daly River, and
practically all along the coast of the Northern Territory, is one with a
long reed-shaft, to which is attached, by means of a mass of wax or
gum, a stone-head, consisting of either quartzite or slate, or latterly
also of glass. The bottom end is strengthened, to receive the point of
the thrower, by winding around it some vegetable fibre (n).
The natives of Arnhem Land now and then replace the stone by a
short piece of hard wood of lanceolate shape.
If now we consider the only remaining type—a light reed-shaft, to
which is affixed a long head of hard wood, with a number of barbs
cut on one or more edges—we find a great variety of designs. The
difference lies principally in the number and size of the barbs; in
most cases they point backwards, but it is by no means rare to find a
certain number of them pointing the opposite way or standing out at
right angles to the length of the head. These spears belong
principally to the northern tribes of the Northern Territory.
The commonest form is a spear having its head carved into a
number of barbs along one side only, and all pointing backwards (o).
The number ranges from three to over two dozen, the individual
barbs being either short and straight or long and curved, with the
exception of the lowest, which in many examples sticks out at right
angles just above the point of insertion. The point is always long and
tapering. These spears are common to the Larrekiya, Wogait, Wulna,
and all Daly River tribes.
PLATE XXV
1. Aluridja widow.
2. Yantowannta widow.
Stillborn children are usually burnt in a blazing fire since they are
regarded as being possessed of the evil spirit, which was the cause
of the death.
The simplest method universally adopted, either alone or in
conjunction with other procedures, is interment.
Most of the central tribes, like the Dieri, Aluridja, Yantowannta,
Ngameni, Wongapitcha, Kukata, and others, bury their dead, whilst
the northern and southern tribes place the corpse upon a platform,
which they construct upon the boughs of a tree or upon a special set
of upright poles. The Ilyauarra formerly used to practise tree-burial,
but nowadays interment is generally in vogue.
A large, oblong hole, from two to five feet deep, is dug in the
ground to receive the body, which has previously been wrapped in
sheets of bark, skins, or nowadays blankets. Two or three men jump
into the hole and take the corpse out of the hands of other men, who
are kneeling at the edge of the grave, and carefully lower it in a
horizontal position to the bottom of the excavation. The body is made
to lie upon the back, and the head is turned to face the camp last
occupied by the deceased, or in the direction of the supposed
invisible abode of the spirit, which occupied the mortal frame about
to be consigned to the earth. The Arunndta quite occasionally place
the body in a natural sitting position. The Larrekiya, when burying an
aged person, place the body in a recumbent position, usually lying
on its right side, with the legs tucked up against the trunk and the
head reposing upon the hands, the position reminding one of that of
a fœtus in utero.
The body is covered with layers of grass, small sticks, and sheets
of bark, when the earth is scraped back into the hole. But very often
a small passage is left open at the side of the grave, by means of
which the spirit may leave or return to the human shell (i.e. the
skeleton) whenever it wishes.
The place of sepulture is marked in a variety of ways. In many
cases only a low mound is erected over the spot, which in course of
time is washed away and finally leaves a shallow depression.
The early south-eastern (Victorian) and certain central tribes place
the personal belongings, such as spear and spear-thrower in the
case of a man, and yam-stick and cooleman in the case of a woman,
upon the mound, much after the fashion of a modern tombstone. The
now fast-vanishing people of the Flinders Ranges clear a space
around the mound, and construct a shelter of stones and brushwood
at the head end. They cover the corpse with a layer of foliage and
branches, over which they place a number of slabs of slate. Finally a
mound is erected over the site.
The Adelaide and Encounter Bay tribes built wurleys or brushwood
shelters over the mound to serve the spirit of the dead native as a
resting place.
In the Mulluk Mulluk, when a man dies outside his own country, he
is buried immediately. A circular space of ground is cleared, in the
centre of which the grave is dug. After interment, the earth is thrown
back into the hole and a mound raised, which is covered with sheets
of paper-bark. The bark is kept in place by three or four flexible
wands, stuck into the ground at their ends, but closely against the
mound, transversely to its length. A number of flat stones are laid
along the border of the grave and one or two upon the mound.
In the Northern Kimberleys of Western Australia, when an
unauthorized trespasser is killed by the local tribes, the body is
placed into a cavity scooped out of an anthill, and covered up. In a
few hours, the termites rebuild the defective portion of the hill, and
the presence of a corpse is not suspected by an avenging party,
even though it be close on the heels of the murderers.
The Dieri, in the Lake Eyre district of central Australia, dispense
with the mound, but in its place they lay a number of heavy saplings
longitudinally across the grave. Their eastern neighbours, the
Yantowannta, expand this method by piling up an exceptionally large
mound, which they cover with a stout meshwork of stakes, branches,
and brushwood lying closely against the earth (Plate XXV, 1 and 2).
One of the most elaborate methods is that in vogue on Melville
and Bathurst Islands. The ground immediately encompassing the
grave is cleared, for a radius of half a chain or more, and quantities
of clean soil thrown upon it to elevate the space as a whole. The
surface is then sprinkled with ashes and shell debris. The mound
stands in the centre of this space, and is surrounded by a number of
artistically decorated posts of hard and heavy wood, or occasionally
of a lighter fibrous variety resembling that of a palm. Each of the
posts bears a distinctive design drawn in ochre upon it; several of
the series in addition have the top end carved into simple or
complicated knobs; occasionally a square hole is cut right through
the post, about a foot from the top, leaving only a small, vertical strip
of wood at each side to support the knob (Fig. 14). The designs are
drawn in red, yellow, white, and black, and represent human, animal,
emblematical, and nondescript forms.
The Larrekiya erect a sort of sign-post, at some distance from the
grave, consisting of an upright pole, to the top of which a bundle of
grass is fixed. A cross-piece is tied beneath the grass, which projects
unequally at the sides and carries an additional bundle at each
extremity. The structure resembles a scarecrow with outstretched
arms, the longer of which has a small rod inserted into the bundle of
grass to indicate the direction of the grave. Suspended from the
other arm, a few feathers or light pieces of bark are allowed to sway
in the wind and thus serve to attract the attention of any passers-by.
When the body is to be placed upon a platform, it is carried, at the
conclusion of the preliminary mourning ceremonies, shoulder high by
the bereaved relatives to the place previously prepared for the
reception of the corpse. A couple of the men climb upon the platform
and take charge of the body, which is handed to them by those
remaining below. They carefully place it in position, and lay a few
branches over it, after which they again descend to join the
mourners. The platform is constructed of boughs and bark, which are
spread between the forks of a tree or upon specially erected pillars
of wood.
The Adelaide tribe used to tie the bodies of the dead into a sitting
position, with the legs and arms drawn up closely against the chest,
and in that position kept them in the scorching sun until the tissues
were thoroughly dried around the skeleton; then the mummy was
placed in the branches of a tree, usually a casuarina or a ti-tree.
Along the reaches of the River Murray near its mouth, the
mummification of the corpse was accelerated by placing it upon a
platform and smoking it from a big fire, which was kept burning
underneath; all orifices in the body were previously closed up. When
the epidermis peeled off, the whole surface of the corpse was thickly
bedaubed with a mixture of red ochre and grease, which had the
consistency of an ordinary oil-paint. A similar mummification process
is adopted by certain of the coastal tribes of north-eastern
Queensland.
The Larrekiya, Wogait, and other northern tribes smear red ochre
all over the surface of the corpse, prior to placing it aloft, in much the
same manner as they do when going to battle. The mourners,