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Covid 19 and International Political Theory Assessing The Potential For Normative Shift Ruairidh Brown Full Chapter
Covid 19 and International Political Theory Assessing The Potential For Normative Shift Ruairidh Brown Full Chapter
Covid 19 and International Political Theory Assessing The Potential For Normative Shift Ruairidh Brown Full Chapter
COVID-19 and
International
Political Theory
Assessing the Potential for
Normative Shift
Ruairidh Brown
International Political Theory
Series Editor
Gary Browning, Oxford Brookes University, Oxford, UK
The Palgrave International Political Theory Series provides students and
scholars with cutting-edge scholarship that explores the ways in which
we theorise the international. Political theory has by tradition implic-
itly accepted the bounds of the state, and this series of intellectually
rigorous and innovative monographs and edited volumes takes the disci-
pline forward, reflecting both the burgeoning of IR as a discipline and the
concurrent internationalisation of traditional political theory issues and
concepts. Offering a wide-ranging examination of how International Poli-
tics is to be interpreted, the titles in the series thus bridge the IR-political
theory divide. The aim of the series is to explore international issues in
analytic, historical and radical ways that complement and extend common
forms of conceiving international relations such as realism, liberalism and
constructivism. This series is indexed by Scopus.
COVID-19
and International
Political Theory
Assessing the Potential for Normative Shift
Ruairidh Brown
Forward College
Paris, France
This Palgrave Macmillan imprint is published by the registered company Springer Nature
Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
For Granny
Acknowledgements
vii
viii ACKNOWLEDGEMENTS
The reflections in this book on Chinese Socialism would not have been
possible if it was not for the years I taught in mainland China and, perhaps
more crucially, if it was not for having such incredible students. The
discussions, ideas, and issues, you brought to the classroom, to my office,
and (especially during the pandemic) to my email inbox, truly opened my
eyes to so much. It is with regret, but also with pride that I have taught
too many brilliant students to list them all individually here. Nonetheless,
I do wish to express my heartfelt gratitude to you all for being excellent
students who, more often than not, taught me as much as I taught you.
This book is in the tradition of International Political Theory, and
therefore it would not be right to omit tribute to the home of ‘IPT’
the University of St. Andrews, where I studied for my MLitt and PhD
between 2012 and 2017. I truly owe a gratitude to all the brilliant
teachers of International Political Theory at this great institution as well
as my exceptional classmates (both the full and honorary member(s)
of the IPT class of 2013 especially). I must give specific thanks to my
former supervisor Professor Gabriella Slomp who introduced me to Carl
Schmitt when I was a MLitt student. Beyond her academic guidance
when I was a student, I am also very grateful for Gabriella’s continued
support and advice in the early years of my scholarly vocation. I would
also like to thank Tony Lang—who both taught me throughout my time
at St Andrews and served as my internal PhD examiner—for always high-
lighting the international dimensions of political philosophy, an emphasis
that has led me to many rewarding avenues of thought.
I must also thank Forward College, whom I began working for as I
complete this book. It has meant an incredible amount to me to be given
this new and exciting opportunity to work in Lisbon, and to work with
such a great group of fellows, especially at such challenging times; it has
brought some much-needed sunshine both literally and metaphorically.
I would also like to thank Palgrave for their support during the project.
This is my second time publishing with Palgrave, and both times have
been an absolute pleasure. I am once more incredibly grateful for the
encouragement and support they seamlessly provide. I would especially
like to thank Ambra Finotello at Palgrave for her continued support
during this project.
I would also of course like to thank the two anonymous reviewers
who gave invaluable insight on this project. Their feedbacks and reviews
have contributed enormously to this work, shining light down wynds of
x ACKNOWLEDGEMENTS
xi
xii CONTENTS
Index 141
CHAPTER 1
may identify three key aspects of its approach: (1) a focus on norms; (2)
a concern for the ‘international’; (3) a close relationship with the History
of Political Thought.
Whilst Leung notes that Plato’s ‘three orders’ and Waltz’s ‘three stages
of analysis’ (individual, State, and State-system) do not exactly map on to
each other (Plato’s ‘cosmic’ and Waltz’s ‘state-system’ being particularly
difficult to reconcile) they give interesting insight into how we under-
stand the relationship between the different spheres of human existence.
Notably, unlike Waltz, the Platonic conception does not treat each sphere
in isolation but rather views them as knitted together in a harmonious
mimetic patter, with the image of the ‘cosmos’ becoming the ideal theo-
retical framework from which understanding—‘or even ordering ’—the
polity and the psyche can be achieved (Leung, 2021; Rengger, 1999).
Leung thus argues for an understanding of the human, the State, and the
world as integrally linked through mimesis in which the ‘international’
(cosmic) becomes a unifying frame of reference (Leung, 2021).
Leung’s ordering of politics—indeed, human existence—according
to cosmic metaphysics will of course be controversial, especially when
presented to an IR discipline dominated by scientific methodologies, as
Leung himself concedes (Leung, 2021: 9). If one was of a Classical
Marxist persuasion, one could also accuse Leung of having his ordering
‘the wrong way round’: plains of existence may indeed exist in symmetry,
but this does not function top-down according to some mystical cosmic
ordering but rather bottom-up as dictated by the iron laws of economic
necessity.
Nonetheless, analysis of Leung’s metaphysical premises is beyond the
scope of this introduction. What is rather of key interest is the idea of
the international, not separate from, but intrinsically linked with other
levels of human existence, indeed, the notion that these resemble other
in mimesis. This understanding of mimetic interplay is particularly impor-
tant if we are to understand how certain norms came to dominate the
international. In his introduction to IPT, Anthony Lang JR. (2015)
characterises the international as broadly liberal. However, in order to
understand how it became broadly liberal, we need to understand the link
between the domestic and international. Martti Koskenniemi has alluded
to this in his landmark study of international law The Gentle Civiliser of
Nations (2009). International law, a key pillar of international liberalism,
1 INTRODUCTION: COVID-19—THE EVENT 7
may likely disagree with him on many points, but what is important is he
provides insight and helps us form our own ideas about the situation we
are in.
The second issue is ethical and pertains precisely to Schmitt’s member-
ship of the Nazi Party. Schmitt was not just an active Nazi party member
but also penned justificatory essays for Nazi atrocities, most notably the
Night of the Long Knives (Schmitt, 1940). Subsequently many scholars
have argued that Schmitt’s thought is forever ‘haunted’ by the Holo-
caust (Huysmans, 1999: 323) and cannot be studied without ‘intellectual
revulsion and moral distress’ (Holmes, 1983).
In response to this controversy, I would again stress the importance of
a ‘dialogical’ approach: this is not a study of Schmitt nor a ‘Schmittian
approach’ to the current pandemic but a dialogue with Schmitt. Subse-
quently, as an interlocutor who we are in conversation with, as opposed to
a theorist whose ideas we are trying to ‘apply’, we can disagree with him.
Indeed, the areas where we disagree with Schmitt can be potentially more
enlightening than areas where consensus is found. This is particularly
acute when discussing the issues of political emergencies as Schmitt’s pre-
1933 views have been highlighted as the type of thought that legitimised
Adolph Hitler’s seizure of power (Agamben, 2008; Wolin, 1990). Iden-
tifying areas where we disagree with Schmitt thus provides extra insight
into our understanding of the crises, especially in relation to the danger
of increased authoritarianism.
The third point of concern is that Schmitt is undoubtedly a ‘European’
thinker, indeed, self-identifying as the ‘last knowing representative of
ius publicum Europaeum’ (Schmitt, 2017: 60). COVID-19 is however a
global pandemic. It could thus be argued that engaging primarily with an
explicitly European thinker could force a ‘western’ interpretation on the
crisis which marginalises non-western voices. This is particularly important
as this book will have extensive focus on China and Chinese Socialism.
Academic disciplines (especially IR) have received extensive criticism for
taking a purely western-based approach to their interpretation of Chinese
politics with the consequence of projecting western modes of thought
onto this Asian polity (Kavalski, 2017; Qin, 2010). Adopting Schmitt
as the main interlocutor of this study could subsequently be viewed as
continuing a misleading projection of the west and distortion of China.
In response, although Schmitt may be a self-identifying European,
this does not mean his thought necessarily remains bound by Europe.
It is noticeable that there has been a significant upsurge in interest in
10 R. BROWN
Schmitt within China over the past decades, indeed, this upsurge being
so extensive as to be dubbed China’s ‘Schmitt fever’ (Qi, 2012; Shaw,
2017; Xie & Patapan, 2020; Xu, 2018). Most of this interest has been to
articulate a justification of the Part-State’s legitimacy using categories of
Schmitt’s thought. Understanding Schmitt thus becomes very important
to interpreting contemporary notions of Chinese Socialism and how CCP
legitimacy is understood and articulated. A dialogue with Schmitt thus
further enhances our understanding of China, and to ignore him on the
basis of being ‘European’ would deprive us of a key analytical perspective.
It is thus apparent that, beyond being a seminal thinker on emergency
politics, Schmitt is also a crucially important interlocutor in relation to the
three central questions of this book: his association with the Third Reich
helps serve as a warning about the dangers of authoritarianism; his recep-
tion and reinterpretation in China gives crucial insight into contemporary
Chinese Socialism; and his criticism of liberalism provides perspective on
our evaluation of liberal norms.
Nonetheless, whilst Schmitt might provide the ideal candidate for
insightful critique, given his abject rejection of liberal thought, he is a far
less appealing candidate to help us imagine how liberalism might adapt
to a post-pandemic world. Subsequently, as this book moves towards
theorising about post-pandemic liberalism, I will need to engage with
another thinker to inspire a way forward. The figure I will turn to is
the Nineteenth century British Idealist T.H. Green. Green’s thought
was not concerned with existential emergencies, as is explicitly the case
with Schmitt. However, he was concerned with deeper endemic prob-
lems, in particular the extent of poverty in Victorian Britain, that could,
if left unaddressed, be as equally threatening to the life of a polity
as a sudden political crisis (Green, 1986). Intriguingly, like Schmitt,
Green also believed that the liberal thought of the day was inhibiting
the State from intervening and dealing effectively with the problem.
However, unlike Schmitt, Green did not reject liberalism but hypothe-
sised its reform. Considering how Green imagined liberalism evolving to
adapt to the endemic problems of Nineteenth century Britain can thus
provide invaluable insight for imagining how liberalism can adapt to the
post-pandemic reality of the Twenty-First.
As with when engaging Schmitt, there are also problematic issues
with interpreting Green. Indeed, given the particularly ambiguous and
abstract nature of his ‘broken eggs’, it is even more difficult to present
a coherent Green ‘omelette’. Equally, whilst not raising such immediate
ethical concerns as does a card-carrying Nazi, as we will see, aspects of
1 INTRODUCTION: COVID-19—THE EVENT 11
Notes
1. This book therefore does not seek to provide a comprehensive polit-
ical history of the pandemic nor give analysis or insight into the field
of epidemiology.
2. To be clear, the ‘event’ is not the ‘rise of China’, which has been
‘foreseen’ for decades, but rather COVID-19; the boost received by
Chinese Socialism being a potential normative consequence of this
‘event’.
3. The official theory that informs Chinese politics is ‘Xi Jinping
Thought on Socialism with Chinese Characteristics for a New Era’,
often shortened to ‘Xi Jinping Thought’. I am using the term ‘Chi-
nese Socialism’ to denote both ‘Xi Jinping Thought’ as well as the
larger Chinese Marxist-Leninist normative tradition this emerges
from and which has developed in China over the last century.
4. The ‘Great Dying’ refers to the death of around 90% of the indige-
nous North America population largely as a result of exposure to
European diseases (Koch et al., 2019).
5. This trend of seeing personified forces behind natural disasters is also
evident in philosophical fiction. Albert Camus’ The Plague provides
the best example of this, where the titular plague is frequently
interpreted as metaphor for the Nazis. As Matthew Sharpe writes in
his 2020 guide to the Plague: the book is a ‘transparent allegory of
the Nazi occupation’ (Sharpe, 2020). Whilst philosophical fiction, it
should not be underestimated how much such works can influence
public consciousness, COVID-19 seeing a surge in purchases of
The Plague in 2020. Coverage can be found in The Guardian at
https://www.theguardian.com/books/2020/mar/05/publishers-
report-sales-boom-in-novels-about-fictional-epidemics-camus-the-
plague-dean-koontz. Accessed on 06/12/2021.
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1 INTRODUCTION: COVID-19—THE EVENT 19
citizen freedoms, and these liberties will be restored once the threat to this
order has passed. Ultimately then, this commissary dictatorship is not an
institution that abolishes a legal order in order to establish a more author-
itarian State, but rather a temporary suspension of a variety of legal rights
and privileges to ensure the legal order survives the emergency which
threatens it (Schmitt, 2019: xliii, 4).
The ‘sovereign dictator’, by contrast, is characteristically not limited to
a specific danger but rather establishes herself for an undefined period of
time. This change to a more ambiguous duration further impacts upon
dictatorship in relation to sovereignty. The reason why the ‘commissary
dictator’ was not ‘sovereign’ was because his power was always limited
in duration by the crisis he is tasked with completing. His power was
always borrowed and had to be returned, and, so long as power is only
temporarily borrowed, it cannot be considered sovereign; ‘power is not
sovereign when it is not permanent’ (Schmitt, 2019: 21). A ‘sovereign
dictatorship’ occurs when emergency powers cease to be time limited and
are established indefinitely, in a sense freeing it from the remits of the
specific achievable task. Equally, when a dictatorship is decoupled from a
particular task, it becomes not only unlimited in duration but also in the
extent of the powers it can wield as it has lost its reference of proportion-
ality. This ultimately decouples the dictator from the sovereign as powers
are borrowed indefinitely.
Schmitt thus focuses much of his analytical efforts on understanding
how a ‘commissary dictatorship’ could become ‘sovereign’: how powers
went from being temporarily borrowed to borrowed indefinitely. The
answer Schmitt found was in the notion of transition. ‘Sovereign dicta-
torships’ occur in history when a state of emergency ceases to function to
safeguard the presently existing society but rather to safeguard transition
into a new improved society.
Key in the development of ‘sovereign dictatorships’ was the Enlight-
enment belief in progress, the belief that new political societies could be
founded that would enable humanity’s potential for rationality and virtue
to flourish. Schmitt identifies Rousseau specifically for developing this
notion of progress to inform an understanding of ‘dictatorship’. Unlike
previous theorists who had regarded the State’s primary function as to
provide security for its citizens (such as, most importantly for Schmitt,
Hobbes), Rousseau regarded the primary function of the State was to
help improve its citizens. Believing that humans were naturally ‘good’,
and that it was corrupt societies that made them ‘bad’, Rousseau believed
2 EMERGENCY POWERS AND AUTHORITARIAN SHIFT 25
the purpose of the State was to enable a society in which citizens could
fully realise their natural goodness and virtue. In order to transit into this
superior political community, the State was permitted to use exceptional
powers. Hence Rousseau’s infamous maxim ‘forced to be free’ (Rousseau,
1968: 64): citizen liberty could be severely curtailed in the present to
enable transition into a future ‘true state’ where their natural goodness
and morality, having now reached full potential, would enable citizens
to enjoy ‘true freedom’ (Schmitt, 2019: 105). Schmitt maintains this
‘sovereign dictatorship’ thus first emerges theoretically in Rousseau’s idea
of the ‘legislator’: a power that stands outside and before the new polity
and has unlimited powers to bring his vision of ‘true society’ into being
(Schmitt, 2019: 110–111).
The change between ‘commissary’ and ‘sovereign’ dictatorship is thus
caused by shifting the dictator’s appointed task from a specific clearly
defined problem, such as a financial crisis, to achieving a grander and
more ambiguous goal, such as creating a ‘better society’. Duration and
proportion subsequently become indistinct as the creation of a ‘new soci-
ety’ is far more ambiguous benchmark than solving a particular practical
task.
Furthermore, to transition into a new society, the old society must
be destroyed. There is subsequently no ‘sovereign’ to return borrowed
powers to, as she must be destroyed to enable transition. There is however
no sovereign in the future state either, for this has yet to be created. There
thus emerges a gap between the past sovereign, who was destroyed, and
the new sovereign, who is yet to come into being. It is in this gap that
the ‘sovereign dictator’ becomes ‘sovereign’, assuming sovereignty until
it can safely enable transition of power to the new sovereign who is yet to
come (assuming this ambiguous task is ever completed). The ‘sovereign
dictatorship’ is thus ‘sovereign’ ‘in transition’ (Schmitt, 2019: 127).2
It is this notion of forward transition that consequently makes its key
analytical distinction between ‘commissary’ and ‘sovereign dictatorship’.
As Schmitt outlines:
This destruction of the old order further reveals the crucial link between
‘sovereign dictatorship’ and revolution. Schmitt envisions the ‘sovereign
dictatorship’ as the political authority that establishes itself after a revolu-
tion. In Dictatorship, Schmitt focuses mostly on the French Revolution as
the event which brings into being the first truly ‘sovereign dictatorship’.
Nonetheless, it is perhaps Schmitt’s insightful analysis of the Marxist ‘dic-
tatorship of the proletariat’ that provides the most illustrative analysis of
the ‘sovereign dictatorship’ in his thought.
Schmitt understood the ‘Dictatorship of the Proletariat’ as a ‘sovereign
dictatorship’ justified on the basis it uses exceptional powers to enable the
transition to the idealised communist state (Schmitt, 2019: xl, 179). The
communist State thus did not have value for Marxism in-and-for-itself
but only as a ‘technical means’ to enable the transition into commu-
nism; the proletariat State does not aim to be ‘something definitive’ but
always ‘something transitional ’5 (Schmitt, 2019: xl). The justification of
the seizure of sovereign power and use of exceptional measures is granted
not by any concrete political reason but rather in accordance to the true
situation of communism that is promised by Marxist philosophy of history
(Schmitt, 2019: xli). Importantly the Marxist State thus derives its legit-
imacy from being in-between the revolution and the intended goal of
communism, its exceptional use of power being justified for enabling the
transition from one state to the other. Being based on this ambiguous
mission of enabling transition into ‘communism’ the limits and extent
of its power have no evident reference point and thus are effectively
boundless.
dictatorship tout court (Wolin, 1990: 397). Indeed, in claiming the ‘norm
is destroyed in the exception’, Political Theology would appear to resemble
more the transitionary ‘sovereign dictatorship’ than the norm-preserving
‘commissary dictatorship’ (Schmitt, 2005: 12).
It is not my intention here to defend Schmitt from these claims of
insincerity, that is a debate for Schmitt scholars. Nonetheless, the seeming
ease with which Schmitt’s distinction seems to slip into a more general
advocation of dictatorship tout court highlights the risk of such discourse.
A risk which is indeed nowhere clearer than when Schmitt later aligns
his thought with the Nazi seizure of power, praising the Führer for
destroying the weak old Weimar order and bringing the nation into a
stronger future state (Schmitt, 1940).
How such transition occurs is thus an important issue we must
consider. We must ask the question: does the implementation of emer-
gency powers in themself necessitate a shift towards authoritarianism,
despite attempts to distinguish between ‘preserving’ and ‘transitionary’
usages?; or is such a shift rather due to transcending political and social
factors?
Following the collapse of the democratic governments in post-war
Europe, there was a spike in interest in how democracies can transition
into more autocratic regimes. Focus centred upon the role of emergency
powers and how their use served as a mechanism in enabling this tran-
sition (Agamben, 2008: 6–7). Carl J. Friedreich argued that Schmitt’s
distinction between ‘commissary’ and ‘sovereign’ dictatorships, whilst
sound in theory, was too hard to define in practice. He thus concluded
that all use emergency powers, even when designed to protect the consti-
tution, often end up overthrowing it and all forms of emergency powers
are liable to be transformed into totalitarian schemes if conditions become
favourable, conditions such as ‘total war’ and the social, political, and
economic crises that characterises its aftermath (Friedrich, 1950: 584).
Also focusing on interwar Europe, Herbert Tingsten observed the
frequency of the use of emergency powers to be a potent catalyst in
the transition from democracy to autocracy. In societies that transi-
tioned towards totalitarianism, it was noted that emergency powers were
not used sparingly but rather became a common mechanism used to
address political issues, to such an extent that they became a normal part
of government. Tingsten thus concluded, although emergency powers
are theoretically combatable with democratic States, ‘a systematic and
regular exercise of the institution necessarily leads to the “liquidation” of
28 R. BROWN
This pattern is also evident in the Indian subcontinent and East Asia.
The frequency of the use of emergency powers has for instance been iden-
tified as a catalyst for establishing autocratic norms in Pakistan (Kalhan,
2010) and Thailand (Harding, 2010). In Thailand in particular, the prac-
tice of military coup has become normalised as a mechanism for dealing
with crises to such an extent that ‘exceptional force’ supplants the rule of
law in times of the slightest uncertainty (Harding, 2010). Again however,
the frequency and subsequent normalisation of emergency powers is a
result of overarching political and social context. Victor Ramraj and Arun
Thiruvengadam (2010) have highlighted a ‘postcolonial’ aspect to the use
of emergency powers in Asia, such measures having been frequently used
by colonial powers to suppress local populations and maintain imperial
dominance. When the colonial powers retreated, and political instability
ensured, the new Asian States resorted to the tried and tested measures
of maintaining control they had learnt from the colonists: the use of
emergency powers and exceptional force.
Maitrii Aung-Thwin (2010) has argued this was particularly the case in
Burma, members of the Burmese government having previously observed
the British use of exceptional use of force to maintain control during the
Burma Rebellion of 1930–1932. More than just copying technical means
of maintaining control, however, Aung-Thwin argues that the postcolo-
nial authorities inherited the British mindset of believing the Burmese
to be ‘not ready’ to embrace alternative forms of government’ (2010:
211). Mehozay similarly notes that the emergency measures used by Israel
have strong resemblance to British colonial practices in the Middle East.
Meanwhile, the fact that the Israeli State emerged through military action
during the unstable climate of British withdrawal meant Israel was estab-
lished in a sense of emergency, a sense which has lasted since its 1948
inception (Mehozay, 2016: 17, 31–32).
In this postcolonial context, it is notable that the use of emergency
powers are, from the outset, not used in a ‘commissary’ sense—they are
not trying to ‘preserve’ the old colonial regimes—but in a ‘sovereign’
sense: they are seeking to enable transition into new independent States.
Here the problem of such an ambiguous future goal becomes evident,
especially when the transcendent political climate complicates the journey.
When the government deems the people are not ready for this new state
and require more extensive autocratic guidance, such as in Burma, or
when regional instability creates a sense of ‘siege’ in which ‘normal-
ity’ does not seem yet possible, as in Israel, it creates the opportunity
30 R. BROWN
opposition to liberalism. Central to this shift in norms has been the depri-
vation of fundamental rights on Hungary’s borders, a political act that was
largely enabled by the Hungarian state of emergency of 2017 (Gyollai,
2018: 53). In 2020 the ‘state of danger’ appeared to be used once more as
a window of opportunity to shift Hungary in a more authoritarian direc-
tion and achieve goals external to the containment of COVID-19. This
would appear evident in the Hungarian State’s desire to push through
legislation that ended legal recognition of transgender and intersex people
during the ‘state of danger’ (Gall & Knight, 2020).
Hungary’s ‘state of danger’ did not signify a threshold in which the
polity transformed into an authoritarian regime. Act XII was not Orbán’s
Enabling Act. However, it would be mistaken to concur with Hungarian
State media that concerns of the State’s use of emergency powers were
just ‘fake news’ propagated by ‘liberal media and its noisy Twittersphere’
(Kovács, 2020a). When looked at in detail, and in context, what instead
emerges is an increasing frequency and ease in which Hungary seeks to
use emergency legislation, risking the incorporation of such methods into
the normal function of government. This concern is intensified by the
apparent willingness of the Orbán regime to use such emergency situa-
tions to achieve ideological goals external to the elimination of existential
threats and, ultimately, slowly shift Hungarian norms away from liber-
alism. Events in Hungary may not be quite as ‘dramatic’ and ‘epochal’ as
the Reichstag Fire, but they represent how emergency powers can be used
more slowly and subtly to shift a nation in a more authoritarian direction.
Hungary thus provides an illustrative example of both the use and
potential dangers of a ‘commissary dictatorship’ in an emergency situa-
tion.10 The Hungarian case is notable in that the authoritarian shift is
not caused by the emergency legislation alone, but the legislation is rather
used as a vehicle to push society towards a pre-existing ideological goal.
It is important to acknowledge this section has focused exclusively
on examples where emergency powers have created concerns about an
authoritarian shift. States such as New Zealand and Taiwan, have, in
notably different contexts, been able to use emergency powers without
creating such an acute fear of increasing authoritarianism (Dodds et al.,
2020). Nonetheless, discussion of States in which concerns have been
raised was necessary to explore how emergency powers may shift countries
in more authoritarian directions in our contemporary world.
In this respect, Hungary is particularly illustrative and interesting. In
Schmitt’s thinking, transition is associated with ‘sovereign dictatorships’
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I do not think I have been able to tell the world anything new about the
poet or his surroundings. But the man 'who hedn't a bit of fish in him, and
was no mountaineer,' seems to have been in the eyes of the people always at
his studies; 'and that because he couldn't help it, because it was his hobby,'
for sheer love, and not for money. This astonished the industrious money-
loving folk, who could not understand the doing work for 'nowt,' and
perhaps held the poet's occupation in somewhat lighter esteem, just because
it did not bring in 'a deal o' brass to the pocket.' I think it is very interesting,
however, to notice how the woman part of the Rydal Mount family seemed
to the simple neighbourhood to have the talent and mental ability; and there
must have been, both about Dorothy Wordsworth and the poet's daughter
Dora, a quite remarkable power of inspiring the minds of the poor with
whom they came in contact, with a belief in their intellectual faculties and
brightness and cleverness. If Hartley Coleridge was held by some to be
Wordsworth's helper, it was to Dorothy he was supposed by all to turn if
'ivver he was puzzelt.' The women had 'the wits, or best part of 'em,'—this
was proverbial among the peasantry, and, as having been an article of rural
faith, it has been established out of the mouths of all the witnesses it has
been my lot to call.
But the sound of earlier civilisations is in our ears as one gazes across the
Ravenglass sand-dunes; for here beside us is the great cavern of ancient
oaken-logs and earth, wherein the Cymri buried their dead in prehistoric
time, and there within a stone's throw still upstands the seaside residence of
some great Roman general, who was determined apparently to enjoy a well-
heated house, and to do honour to the genius loci. No one who visits 'Walls'
Castle, as it is called, but must be struck with the remains of the 'tepidarium,'
and the little niche that held the statue of the tutelary god, or a bust of the
presiding Cæsar, within the ample hall.
Away at our back rises the Muncaster Fell with its grey beacon-tower, its
herd of deer, its wind-blown oaks, its primrose and bluebell haunted woods,
that slope towards the Vale of Esk. Further inland, sheltered by its
magnificent wall of forestry, stands rose-red one of the most interesting of
our northern castles, with its long terrace-lawn of quite unequalled grace and
loveliness. There in sheltered combe the rhododendrons bloom from earliest
spring, and the air will to-day be honeysweet from laurel-flower far and
wide.
But I was bent on seeing an older people than Cymri, Roman, Viking, or
Castle-Lord, albeit the line of Pennington reached far into the past, and
suited well his ancient castle hold. I had come in the last week of April, by
courteous invitation, to renew acquaintance with that fast-growing colony of
black-headed gulls that make the dunes of Ravenglass famous.
A boat was called, and leaving the pebbly beach that 'Stott of Oldham' so
delights to paint, we rowed across the flooding tide of the Ravenglass
harbour to the sand-dunes of happy quietude, where the oyster-catchers were
sunning themselves, and where the sheldrake in her nesting season loves to
hide. As one went forward over the dunes one felt back in the great desert of
the Badiet-Tih, and expected to see Bedouins start from the ground, and
camels come in single file with solemn sway round the sedge-tufted, wind-
blown hillocks and hummocks of glaring sand.
Who shall describe the uproar and anger with which one was greeted as
one stood in the midst of the nests? The black-headed gull swept at one with
open beak, and one found oneself involuntarily shading one's face and
protecting one's eyes as the savage little sooty-brown heads swooped round
one's head. But we were not the only foes they had had to battle with. The
carrion crow had evidently been an intruder and a thief; and many an egg
which was beginning to be hard set on, had been prey to the black robber's
beak. One was being robbed as I stood there in the midst of the hubbub.
Away, for what seemed the best part of a mile, the 'gullery' stretched to
the north in the direction of Seascale; and one felt that, thanks to the public-
spirited owner of the seaboard, and the County Council of Cumberland, the
black-headed gull was not likely to diminish in this generation.
Back to the boat we went with a feeling that we owed large apologies to
the whole sea-gull race for giving this colony such alarm, and causing such
apparent disquietude of heart, and large thanks to the lord of Muncaster for
his ceaseless care of the wild sea-people whom each year he entertains upon
his golden dunes.
We had a hard winter three years ago, and wherever the rooks were seen
upon the ground, the black flock was dappled with the white sea gull, and
the dolorous voice of the crow was drowned in the laughter of the black-
headed gull.
Very grateful were we in those sad and sombre winter mornings to hear
the gulls laughing round our house-roofs, and not the least enjoyable thought
as we went to our breakfast-table was the knowledge that these wild sea-
people had come to trust us, and were willing to be our almoners.
There was one house in the valley, set upon a grassy hill overlooking the
lake, which seemed especially to have charm for the bird visitors. Swift of
ear, as of eye, the black-headed gulls noticed that the family went to
breakfast at the sound of a gong. No sooner did that gong echo across the
lawn, than the heaven became white with wings—a click at the gate was
heard, and a maid with a large pancheon of food specially prepared—hot and
tasty—was seen to come on to the grass and toss out the meal, in splotches,
round about her. Then what had been a silent grey undulating cloud of wings
broke up into a tangled mass of down-sweeping pink legs and up-sweeping
white wings, and with the noise of laughter and talk unimaginable, the happy
people fell to feeding.
I do not think that anything more dainty can be imagined than that swift
balance of up-tilted wing and down-reaching rosy feet, unless it be the
consummate care and nicety with which, before the black-headed gull put
beak to food, it tucked those long sweeping slender wings close to its side.
Now and again as they fed, the whole flock would rise momentarily into
air and float up as though blown from the earth by some invisible breath, and
then, as silently and simultaneously, sink to earth again.
At times one noticed how, rising up, they seemed to move in exactly one
position, moving their yellow rosy-stained beaks and grey heads from right
to left as though they feared an enemy. Yet they had no need to fear, for it
was quite clear that the rooks had been specially engaged by them to be their
sentinels. There they sat each in solitary sable-hood, on the trees all round
the lawn,—policemen on guard, and of such good manners, that until the
visitors from the sea had eaten and were full, they did not think of claiming
their share of the broken victual.
How mild, how gentle, with what dove-like tenderness did these grey-
headed people of the sea appear as with merry laughter they sailed about my
head, their feet tucked up like coral pink jewels against their breast; how
unlike those fierce black-headed guardians of their nests and young, who had
dashed at one, with open beak and scolding voice and angry wing, upon the
spring-tide dunes of Ravenglass.
From the earliest times 'Cursmas' has been looked upon as a time when
everybody in the dale should enjoy himself. In the old days, when the
fiddlers went round from farm to farm between Christmas-day and New
Year's Day, and when the Merry Night (or Murry Neet) was held from place
to place, the Grasmere folk knew that, however hard they worked for the rest
of the year, at least they would 'laike' until the Twelfth Night, and precious
little work would go forward in the dales for the first fortnight of each glad
new year. The desire for some simple and rational form of amusement with
the beginning of every year has never died out of their blood, so that a
village play seems to fill a need which is part of their very nature. 'Why, we
could not live without it,' said a Grasmere body to me; 'it's the brightest spot
in our lives.' 'I can't tell you how dramatic it makes me feel,' said another. 'I
am going thro' my dialogue at all times o' day.' My husband said, 'You've had
company to-day then.' 'Ay, ay,' I replied, 'rare company. I was taking two or
three parts in second Act, you see, and changing voices, that was all.'
'But where do you get your theatrical properties?' I said. 'Who manages
the scene-shifting and all the rest of it?' 'Oh, as for scene-shifting, that is all
managed by that great hairy-faced man that you saw going down the road
just now; he is a grand stage manager and has been at it for twenty years or
more.' I did not see him again until after the close of the performance, when
I noticed him with his pocket-handkerchief in an unconventional way
fanning out the footlights, and then going up on a ladder to puff out the oil
lamps above the stage. 'And as for properties,' the good dame replied, 'if you
mean by that the things we have on the stage, well everything is lent—there
is crockery from one house and chairs from another, and the dresses, why
they are the old originals that were worn by our grandmothers, and great-
grandmothers. We all know to what farm or to what house we must go for
this or that particular dress, and it is lent very willingly.' 'And do you have
large audiences?' I said. 'Large audiences, well, if th' room would hold
double the number we could fill it, because folk of all maks and sizes come
together. This year we are giving a special afternoon performance for the
quality, but I am told that all reserved seats have been booked for weeks.'
Mrs. Rawlinson: 'I'se goin' to have mair nor sebben shillings a room this
time, but I was forced to ask a good price, for he'll be wanting late dinners,
and a' maks o' cooking and faddlements. What does ta think wawmlets'll be,
Dolly?'
Mrs. Rawlinson: 'And grilled bones to his breakfast; but I kna' what
them'll be, just a marra bone served up hot in a napkin. I can mannish that
finely. Then he talked about a dish o' curry; that'll certainly be some mak o' a
French stew, made rare and hot wid pepper and an onion or two.'
As long as I live I shall remember the delightful get-up of this said Mrs.
Rawlinson, with her high black cap and flower in it, and her old-fashioned
criss-cross shawl, and her spotless white 'brat'; and the way in which she
pronounced the word 'omelette' as 'waumlett' convulsed the house.
The second scene in that first act was one that went home to the hearts of
all, for if the Westmoreland folk love one thing more dearly than another it is
'a sale.' The sale is really the excitement of the winter time. I believe that if
nobody was changing farms they would compel someone in the
neighbourhood to pretend that he was, that a sale might be held. It is not the
fierce excitement of bidding one against the other that causes the great
gathering at the sale, but 'everybody's tied to go,' as they say—bound to go
to the sale, just as everybody is bound to go when they are bid to a funeral. It
would not be friendly not to do so, and high, low, rich and poor, one with
another, meet at the sales, as De Quincey has reminded us, to see one
another and to hear how the world is stirring.
The Grasmere Players in this sale scene were all of the manner born, and
a young mason played the part of 'Tom Mashiter' (auctioneer) with great
delight to himself and to his audience.
'Here's t' fadther and muther and t' dowter he cried, as he put three
teapots together. 2s. 6d. for the lot just to get us into the bidding! Here's a
pair of copper scales; see how true they hang! Now I durst bet there's not
above half a dozen among us as honest as them is. There's not, howiver; and
I know who's yan o' the half-dozen; ye can settle the other five amang you.
Three an' six. Three an nine. Come, be quick. Nay, I'll not wait. I'll tak some
on ye in, ye'll see, if ye don't bid quicker——'
'Here's another good jar, yan o' t' auld fashion, wid a pair o' good lugs to
hod by. A penny for it I have bid; who'll say tuppence? Tuppence for you,
Sarah. It's a real good un, yan o' t' rare auld-fashioned mak, like me an you,
Sarah. I think there's nobbut us two left o' the auld lang-eared breed.'
Then there were quilts sold with a deal of very amusing talk to make
them go off. One was in rags and tatters, but the auctioneer suggested that it
might do for a sick horse or a sick cow. I was listening with great
amusement, and I heard an old fellow beside me say, 'Well, but things is
goin' ower cheap,' and in another moment jerked out, 'A penny—here,' and
was not a little astonished that his bid was not taken. I only mention this to
show you how to the life the whole thing was done, and with what deep
interest the spectators gazed upon the play.
In the second act the plot thickens, and the interest centres in the two
chief actors of the little play—Aaron Hartley, with his apparently rejected
addresses to the statesman's daughter up at Hardcragg Farm, and Betty
Braithwaite. Aaron comes into his mother's kitchen, and, as far as any
Westmoreland man dare let himself go, allows her to see that things are all
up between himself and Betty. He must go off to 'Lunnon,' for he cannot face
living on in the dale now, and all the hay grass but one meadow has been got
in.
'I think I must be going away, muther, for a bit. I don't see but that you'll
mannish finely without me. We've gitten a' the hay in but t' midder, and
that'll not take so lang. It's nobbut a light crop, and then it'll be verra slack
till bracken time, and what, Jonty's match to make a good start with that if I
sudn't be back.'
Just then the farm servant Jonty enters. I believe that he was a coachman
in the village, but he was a consummate actor, and his quaint, silent ways
and the lifting up of his hand and scratching his head behind his ear when
talking were quite admirable. He has had, from youth up, the wish to have
something from London, and he tells Aaron that he's 'wonderin' whether he
could mannish to bring him a "spead" fra Lunnon' when he comes back; 'but
maybe the railway folk wad charge ower dear for carryin' on it.' Aaron chaffs
him out of the idea that a 'spead' made in London is better than one made in
Kendal, and suggests a nice silk handkerchief. 'I never thowt o' that,' says
Jonty; 'that wad be as like as aught.' Libby, the pretty farm servant breaks in
here, and says: 'I wish tha would think on it, and not be so ready with thy
jacket sleeve.'
'Ye'll not can tell me (says honest Jonty) how much t' silk handkercher'll
be until ye've bought it, I doubt; but if ye'll send word I can just send ye the
brass in a letter.'
And, saying, 'Well, I mun see all's reet afore goin' to bed,' the faithful
farm servant leaves the cottage to go round the byre.
But the actress of the piece throughout is Aaron's mother, Mrs. Hartley.
She sits there at her knitting, with her pretty crossover on her shoulders, sair
troubled at heart by her son Aaron's love affair; she drops her stitches, for
her eyes can hardly keep back the tears, but she seems to know intuitively
how much and how little comfort she may give her son, and how far she may
insist upon his confidences. The attempt on her part to make it appear as if it
did not matter at all and that everything will come right in the end is very
bravely done. Fewest words are best.
'Good night, mother,' says Aaron. 'You'll not mind a' I've said.'
And so the curtain falls. The second scene in the second act brings Jonty
and Mattha Newby (the village tailor) together. Mattha, as I heard, was the
son of a village tailor. To-day, evidently from his boyhood's remembrances,
he is able to play the tailor's part well. Jonty has been 'wrestling with a dyke'
and torn his jerkin, and Mattha volunteers to mend it. A song was introduced
into this scene which I had written for the occasion. It ran as follows:
It had been prettily set to music by a Grasmere lady, and the two bass
voices chimed in with the two last lines in each verse, and Mattha the tailor
and Jonty the farm servant gave great effect to the song by the sudden
addition of their manly notes. Before the curtain falls on this scene, we learn
that the tourist (to whom we were introduced in the first scene), Mr.
Augustus Mallister, who has heard that she is an heiress, is determined, if
possible, to win the heart of Betty Braithwaite. He knows that Aaron's
absence has made her heart grow fonder. He determines to write a letter,
which shall be posted in London, purporting to come from Aaron, in which
the absent lover declares that he has become engaged to an American girl;
and so the curtain falls.
In the last act, and the first scene, there is a pretty passage, although it is
a pathetic one, between Mrs. Hartley and the girl Betty Braithwaite, to
whom Mrs. Hartley has given Aaron's letters to read—one of them the fatal
letter. In the last scene Norman Braithwaite and his wife, an excellent make-
up, come in to talk matters over, and the letter from London amongst other
things. Jonty remembers how that, on a certain day in August, the tourist
chap, 'the fine gentleman' as he called him, had been spouting out a letter
about an Aaron getting wed to an American, and they at once seemed to see
light and to feel that the letter Mrs. Hartley had received was a forgery. Just
at that time Aaron and Betty enter, and one can tell by a glance at them that
it doesn't matter how many forged letters have been written in London; they
have quite made up their minds to make a match of it. As for Mallister, 'the
fine gentleman,' Jonty breaks in:
'Is it Mallister you're talkin' on? We weant see any more o' yon ne'er-do-
weel here. I met t' p'liceman going off wid him to Kendal.'
Jonty: 'It seems he's been wanted for some time. He's been up to some
forgery or summat o' that mak.'
During the acting it was quite plain that the actors themselves were as
much interested as those who witnessed the play. 'I was fairly shamed of
myself,' I heard one saying, 'to meet with ye when I came off the last time,
for the tears on my face, but if you had given me a five pound note I could
not have helped it.' Ah, thought I, that was the secret of your acting so well.
Now and again an actor in undress would pass down the room to have a look
at the others as they performed their parts, and to report. They would come
back with much encouragement to their fellow-players with such words as
these: 'Eh, but it's a grand company now, and walls is beginning to stream
now'; and in truth the heat of the room and the consequent vapour bath was a
thing not to be easily forgotten. But if it had been twice as hot, and the hall
had been twice as crammed, and the play had been twice as long, one could
still have sat with real pleasure to see such perfect acting done with such
simplicity and reality to the life. One wished that Will Shakspere could have
come along; how he would have blessed these village folk for their truth and
their simplicity. And how good a thing, thought I, it is, that there should be a
dull time at the English Lakes, so that, without any temptations to
extravagance in scenery or setting of the plays—that would inevitably come
with a wider public,—these natural dale-folk can delight their fellow-
villagers, by dramatic talent as real as it is remarkable.
JAMES CROPPER OF ELLERGREEN.
The Queen Anne's Bounty Board gave him the chance of helping the
church of his love. The late Bishop of Carlisle, Harvey Goodwin, had no
truer friend; and the present Bishop Bardsley testified to the constant help to
church work in the diocese that this most earnest layman was always willing
to bestow.
There was not a day that this public benefactor did not do something to
help his time. And if one asked oneself why it was he had the power to be a
pillar of good in his generation, a kind of beacon and standard for higher and
happier life in all classes of society round about him, the answer seemed to
be that he had a heart which was for ever young, in a body that seemed as if
age could not touch it—that his sympathies were not with the past, but with
the present and the future; that his enthusiasm for the better time coming
never failed him; that he believed that all things work together for good to
them that fear God and keep His commandments.
The grace of this abundant hopefulness flowed out in all he did and said.
'Age could not stale his infinite variety,' because he never grew old. To see
him with young men or little children was to see him at his best. To know
him in his home life was a privilege for which to be thankful.
But deeper than all his spring of hope and sympathy with the young and
the new lay the fountain of poetry at his heart. He did not, I think, write
poetry, but the love of it was a continual presence. He had the poet's heart,
and entered into the poet's mind. For him, the practical public county
magistrate and councillor, the spirit of the innermost was the joy of the
imagination. This was the secret of his swift sympathy with nature and with
man.
'I have had a delightful week,' he said, 'I wish all my friends could have
seen this wonderful exhibition. Yesterday I was at Chartres Cathedral. I
never knew what stained glass was before; pray visit Chartres. It is a
revelation to one.' Then he turned to the Spanish tapestries and went with
deepest pleasure through the historic scenes that the needles of the
fourteenth and fifteenth centuries have left on deathless record. He seemed
as young-hearted as a boy, and as fresh in his enthusiasm as if this Paris
Exhibition was the first he had ever seen, but he was seventy-seven and had
seen more than falls to most of us to see, of all this world can show. I did not
know as I shook hands and parted that Death already had shaken him by the
hand.
That night the sharp pain of pneumonia was upon him. I saw him once
again, at the bedside celebration of his last Holy Communion, and then I saw
him dead. His beautiful lace without a wrinkle in it with all the look of
youthfulness come back—but, alas, without the bloom, beneath that ample
crown of snow-white hair which for years past had added such dignity to his
refined and kindly presence. As I gazed, the one thought that came to me
was this, did ever man pass so little weary, so full of keen interest and
unabated enthusiasm after so long a pilgrimage, right up to the doors of that
other world where, as we trust, all his fullest powers shall find full play, or
enter these gates of life with so little pain?
He died in France and his body was borne across the sea and laid to rest
in the valley he held most dear. It seemed as if all Westmoreland and
Cumberland had come to Burneside to do him honour at the homegoing.
The coffin, covered with wreaths, was laid upon a simple wheeled bier in
front of the doors of Ellergreen, and so taken by hand from the house to the
church. It was his wish that no hearse should be used, and that this simpler
method of carrying the body to its rest should be employed. Before the
procession moved, many of those present came up to the coffin to see the
beautiful photograph taken after death; and side by side of it the picture of
his bride taken on her honeymoon. Beneath these two pictures were written
the words from Christina Rossetti's poem:
and beneath this a little note stating that these were the words which he had
begged might be inscribed upon his tombstone.
Those who knew how ideal had been their wedded life, knew also how
through all the long years of widowerhood and the grief of separation that
lent its pathos to his fine face, there had been one sweet music to which he