Professional Documents
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Decentring Health and Care Networks Reshaping The Organization and Delivery of Healthcare 1St Ed Edition Mark Bevir Full Chapter
Decentring Health and Care Networks Reshaping The Organization and Delivery of Healthcare 1St Ed Edition Mark Bevir Full Chapter
Decentring Health
and Care Networks
Reshaping the
Organization and
Delivery of Healthcare
Edited by
Mark Bevir
Justin Waring
Organizational Behaviour in Healthcare
Series Editors
Jean-Louis Denis
School of Public Health
University of Montreal
Montréal, QC, Canada
Justin Waring
University of Birmingham
Birmingham, UK
Paula Hyde
Birmingham Business School
University of Birmingham
Birmingham, UK
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Decentring Health
and Care Networks
Reshaping the Organization and
Delivery of Healthcare
Editors
Mark Bevir Justin Waring
Department of Political Science Health Services Management Centre
Berkeley, CA, USA University of Birmingham
Birmingham, UK
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature
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Contents
v
vi Contents
Index 267
Notes on Contributors
vii
viii Notes on Contributors
co-led funded projects from the National Institute for Health Research,
Department of Health, and the Health Foundation in the UK.
Robin Miller is a Professor and Head of the Department of Social
Work and Social Care, University of Birmingham. He leads on a vari-
ety of applied research projects within health and care, with a particular
focus on evaluating and learning from change initiatives. Current pro-
jects include local evaluations of new models of care programme. Robin
is a Senior Associate of the International Federation of Integrated Care,
an advisory group member of the European Primary Care Network, and
a Fellow of the School for Social Care Research.
Jacinta Nzinga is health system researcher with a focus on social sci-
ence research working with the Health Services Research Group, Kemri-
Wellcome Trust Research Programme. She holds a masters degree in
Global Health from University of Oxford and a Ph.D. in Health and
Social Sciences from University of Warwick, UK. Her research work
and interests are mainly in the areas of management of human resources
for health, health policy analysis and the interpretive analysis of their
implementation, organizational change and implementation of inno-
vation, organizational behavior and clinical leadership in health care.
Jacinta has several publications exploring engagement and develop-
ment of health workers’ leadership capacities in improving health ser-
vice delivery in Kenyan public hospitals. She’s also adjunct faculty at
Strathmore University, teaches while doing collaborative research with
county health managers and has been part of human resources for
health technical working groups in Kenya.
Jane O’Hara is an Associate Professor in Patient Safety and Improvement
Science, and Deputy Director of the YQSR Group. Jane has a broad range
of research interests, which centre on the use of theory and robust meth-
ods to understand and improve the safety of healthcare. Principal inter-
ests include the involvement of patients in patient safety, how we measure
quality and patient safety and use this information to improve care, the
use of behaviour change approaches to support safety improvement,
and the role of individual differences in influencing quality and safety
outcomes.
xiv Notes on Contributors
the art collective Act With Love (AWL) to promote social change. The
Weight of Expectation comic is one example of their work, view others
at: www.actwithlove.co.uk. In recognition of his work on weight stigma
the British Science Association invited Oli to deliver the Margaret Mead
Award Lecture for Social Sciences at the British Science Festival 2018.
John S. F. Wright is Associate Professor, Institute for Public Policy and
Governance, University of Technology Sydney. John has held post-doc-
toral appointments at the University of Birmingham in the Department
of Public Health and Epidemiology working on area-based regeneration
schemes, with a focus on participation, decentralisation and methods
and processes for health and environmental impact assessments. He also
completed post-doctoral work at the Regulatory Institutions Network
in the Research School Social Sciences, Australian National University,
on regulation and governance theory. John was a lecturer at the London
School of Hygiene and Tropical Medicine in the Department of Public
Health and Policy working on the regulation and new governance
arrangements of acute English hospitals.
List of Figures
xvii
List of Tables
xix
Decentring Networks and Networking
in Health and Care Services
Mark Bevir and Justin Waring
M. Bevir
Department of Political Science,
University of California, Berkeley, CA, USA
e-mail: mbevir@berkeley.edu
J. Waring (*)
Health Services Management Centre,
University of Birmingham, Birmingham, UK
e-mail: J.Waring@bham.ac.uk
© The Author(s) 2020 1
M. Bevir and J. Waring (eds.), Decentring Health
and Care Networks, Organizational Behaviour in Healthcare,
https://doi.org/10.1007/978-3-030-40889-3_1
2
M. Bevir and J. Waring
between independent actors, which take shape around policy problems and/
or policy programmes ’ (Kickert et al. 1997). Advocates put forward a
number of potential benefits. First, networks offer more inclusive and
democratic decision-making through enabling multiple stakeholders to
shape policies and services (Ansell and Gash 2008). Second, networks
provide flexibility to help local actors work together to address ‘wicked’
policy problems whose solution is beyond the scope of a single organ-
isation (Ferlie et al. 2013). Third networks bring together the skills
and resources of divergent actors thereby enabling more dynamic and
innovative responses to policy problems (Klijn and Koppenjan 2000).
Fourth, networks promote open, trusting, reciprocal and coopera-
tive relationships between organisations and individuals (Kickert et al.
1997), leading to more efficient ways of working and promoting knowl-
edge sharing and innovation.
Arguably, the network narrative illustrates the influence of particu-
lar social science ideas on public policy and management. Klijn and
Koppenjan (2012) describe how three distinct underpinning perspec-
tives inform contemporary thinking on ‘network governance’. The
first draws from political science, where policy networks are associ-
ated with more inclusive and deliberative decision-making (Ansell and
Gash 2008). The second stems from the field of economic sociology
and later organisational studies where it is shown that inter-organi-
sational networks promote innovation through facilitating resource
sharing (Burt 2009; Granovetter 1973). The third, and most rele-
vant here, is found within the field of public policy and management
where networks are seen as an alternative model of service organisation
and delivery that offers more coordinated and integrated responses to
cotemporary policy problems (Ferlie et al. 2013). Through the conver-
gence of these different traditions a, seemingly, dominant policy narra-
tive has emerged.
And yet, in some ways the network narrative is in arguably ide-
alised. It might be suggested, for example, that the idea of epoch-like
shifts between bureaucratic public administration, NPM and NPG are
over-stated with public governance characterised by more complex,
layered or hybrid governance arrangements (Pollitt 2009). Although
some have talked of a ‘Hollow State’ or ‘polycentric’ public services,
4
M. Bevir and J. Waring
Decentred Theory
Modernist social science typically seeks mid-level or general theories
by which to explain the particulars of social life, including the adop-
tion, operation, and effects of a policy. They prefer formal and abstract
explanations, as opposed to historical or context-specific, precisely
because they conceive that explanations must be synchronic accounts
that persist across multiple cases from which to build a mid-level or
general theory (Brady and David 2004; King et al. 1994). Decentred
theory contrasts sharply with this modernist approach. Decentred the-
ory is overtly historicist in its emphasis on agency, contingency, and
context (Bevir 2003a; Bevir 2013). It rejects the hubris of mid-level or
comprehensive explanations that claim to unpack the essential proper-
ties and underlying logics of social and political life. So, for example, it
suggests that neither the intrinsic rationality of markets, nor the path
dependency of institutions, properly determines whether policies are
adopted, how they coalesce into patterns of governance, or what effects
they have. Rather, decentred theory conceives of public policies as con-
tingent constructions of actors, inspired by competing beliefs that are
rooted in different traditions and which evolve in the face of changing
situations or dilemmas. That is, decentred theory examines the ways
in which patterns of rule, including both institutions and policies, are
created, sustained, and modified by individuals through their meaning-
ful social practices that arise from the beliefs individuals adopt against
Decentring Networks and Networking in Health and Care Services
9
from another, and from the prescribed vision of policy or social science
theory. Furthermore, the introduction or imposition of networks as a
policy instrument might be seen as creating the types of disruptions
and changes that create the dilemmas for social actors. In these situa-
tions, actors and groups of actors draw upon their prevailing meanings,
such as what networking means to them, and at the same time develop
new meanings in the face of contradictions. Through enacting tradi-
tions and dealing with dilemmas, actors create the social reality of net-
works and networking that can depart from and resist the narratives of
policy-makers. In short, networks and networking is made real through
the situated and meaningful practices of health and care actors as they
enact or resist a networked model of care.
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The Contested Practice of Networking
in Healthcare Management
Paula Hyde, Damian Hodgson, Simon Bailey,
John Hassard, and Mike Bresnen
Introduction
There is a danger in network analysis of not seeing the trees for the forest.
Interactions, the building blocks of networks, are too easily taken as giv-
ens… Yet why interactions exist cannot be ignored when considering the
role of networks in a theory of organization. (Salancik 1995: 346)
P. Hyde (*)
Birmingham Business School, University of Birmingham,
Birmingham, UK
e-mail: p.hyde@bham.ac.uk
D. Hodgson · J. Hassard
Sheffield University Management School, University of Sheffield,
Sheffield, UK
S. Bailey
Centre for Health Service Studies, University of Kent, Canterbury, UK
M. Bresnen
Manchester Metropolitan Business School,
Manchester Metropolitan University, Manchester, UK
Social capital explains how people do better because they are somehow
better connected with other people. Certain people are connected to cer-
tain others, trusting certain others, obligated to support certain others,
dependent on exchange with certain others. One’s position in the struc-
ture of these exchanges can be an asset in its own right.
Methodological Approach
This chapter reports findings from a qualitative (100+ interview and
observation based) study of management networks within three health-
care organisations in the UK NHS. The organisations participating in
the study included a general hospital (Acute Trust), a mental health
and community-based organisation (Care Trust), and a hospital pro-
viding dedicated tertiary care (Specialist Trust). Within each organisa-
tion, managers were differentiated between three specific types: clinical,
functional and general. Clinical managers had an active clinical compo-
nent to their role and responsibilities, while functional managers occu-
pied specialist but non-clinical positions (such as heads of finance,
human resources, etc.). Between these extremes, general managers had
operational positions with generic titles such as ‘operations manager’
or service manager’ but which did not require specific professional or
clinical backgrounds. Within each category, the managers had mid-
to senior-level responsibilities and characteristically had at least one
24
P. Hyde et al.
managerial layer above and below them. The research process involved
qualitative inquiry of an interpretive and ethnographic nature, includ-
ing a combination of interview- and observation-based methods. The
research presented here focuses only on the themes relating to networks
and network relationships.
Rather than identifying networks in advance, and exploring their
nature, configuration and use, the approach adopted in this study was
to ask individual practitioners themselves about their network relation-
ships, emphasising a broad rather than a narrow scope of enquiry. In
this way, the aim was to avoid the widespread assumption, particularly
prevalent in certain literatures such as health management, that ‘tight’
(i.e. ‘managed’) networks are those most worthy of investigation (Ferlie
et al. 2010). Similarly, for reasons set out above, the research does not
adopt a sociometric approach to networks, which attempts to quantify
and objectify network relationships by measuring the frequency and
duration of contact (Conway 2014). Instead, it pays attention to the
emotional intensity and intimacy of such ties (which is arguably closer
to Granovetter’s original work). The intention here is to understand
the ‘situated and contextual quality of relationships’ (Anderson-Gough
et al. 2006: 236) in terms of the significance and nature of networks
and the specific practices of networking undertaken by our interviewees.
We attempt to capture the varied and complex meanings of network-
ing in order to highlight the richness of relationships often overlooked
by research which seeks simply to quantify them or measure their
effectiveness.
ranged from the very formal (e.g. prescribed action learning sets)
to the entirely informal (e.g. loose affiliations of friends who social-
ised), whereas elite networks might be described as highly instrumental
(e.g. built on engineered introductions and self-promotion) or rela-
tively organic (e.g. resulting from a shared interest or accidental social
26
P. Hyde et al.
Granny
[Suddenly in a loud voice with upraised face.] Sam—ask Gawd tuh
give back my sight dis night er all nights an’ leave me look at de noo
man w’ut bin handed down ter us. Fer we kep’ de blood puore. Ask
an’ we shill receive— [In a still louder tone, stretching upward her
hands.] Lawd, I believe.
[She suddenly sways, turns, drops the sticks on the
hearth, puts her hands before her eyes and
staggers forward. After a moment she takes her
hands from her face and looks tremblingly about.]
W’ite—black.
W’ite! Debbils!
Pearl
She sees!
Sapphie
Granny Maumee, the babe’ll be ouah’n an’ we can raise him right.
He’s a good baby and don’t cry none. I don’t want live’n town. I want
to live here with you and Puhl. Baby’ll love you. And we won’t be no
trouble to keep ’caze I got money. Look—take this.
Granny
Wheah you git dis? [She stands immovably staring before her.]
Sapphie
He give it to me.
Granny
[Shaking off the money onto the table.] W’ite man money.
Sapphie
He des would have his way, but he’s good to me and he takes
care of me. He’s comin’ heah tonight to see me.
Granny
W’ut de name?
Sapphie
Young Lightfoot.
Granny
De gran’pap er dat man tetch off de fieh w’ut bu’n up my Sam.
Sapphie
But this’n ain’t that away, Granny Maumee. He’s always kind.
Granny
W’en’s de man comin’?
Sapphie
He’ll be here soon and if you’ll only listen he’ll sure talk you round.
Granny
[Pointing to the baby.] Hit wants out. Take it out an’ come yer.
Pearl
Granny Maumee, you’re slippin’ backwuds, please don’t fuss with
that conju’n foolishness, they ain’t nuthin’ into hit an’ hit des keeps
you ’cited.
Granny
Debbils calls out debbils.
Sapphie
[With a scream.] Don’t! Oh, don’t conjuh me.
Pearl
[Scornfully.] Don’t fuss, Sapphie, she won’t do no harm. What the
chains for, Granny?
Granny
Dem’s de chains w’ut bine Sam w’en dey tuk’n bu’n ’im.
Pearl
What you worry yourself by gittin’ um out for?
Granny
I ain’ worried no mo’. [She throws more herbs on the fire in the
brazier.] Dem chains fer de w’ite man.
Pearl
What you mean?
Granny
[Pointing to the door at left back.] W’en de w’ite man knock de do’
shill be open an’ dat shill be de beginnin’ er his trials.
Pearl
What you mean?
Granny
De smoke in dis room will strankle de man’s will in his breas’ an’
I’ll use ’im den as I choose.
Sapphie
What you goin’ do to ’im?
Granny
I goin’ lead ’im out tuh de i’un hitchin’ pos’ w’ut dey fas’en Sam ter
an’ I goin’ tuh chain ’im da wif dese chains an’ I goin’ tuh bring ’im
tuh ’imself an’ den I goin’ tuh bu’n ’im lak he gran’pappy bu’n Sam.
Sapphie
[With a scream.] You shan’t.
Pearl
You spose we leave you do hit?
Granny
Sistehs, kin yo’ heah me speak? Answeh, Sapphie.
Sapphie
[In a dull tone.] Yes.
Granny
Answeh, Puhl. Does yo’ heah me?
Pearl
[Also dully.] Yes.
Granny
Does yo’ see?
Both Girls
Yes.
Granny
Den watch me mek my w’ite man Lightfoot outer Lightfoot money.
Sam! Is dat you in da? You instid er he? W’ut dis? Is we bin trick?
’Tain’t you—’tis you—Sam! Ah-h!
I knows.—I fuhgot. I’ll do hit.—I des wen’ backerds but I’m wif yo’
now.—Yas—Ez we fuhgives uthehs—yas—I knows—we’ll do hit.—
We will be tuhgetheh.—Ez we fuhgives uthehs.
[A knocking is heard on the door back, at left of the
fireplace. Granny turns her head and listens.
After a pause the knocking begins again more
imperatively. She turns, seizes the tripod brazier,
casts it into the fireplace, and staggers toward the
door, taking her stand beside it. The knocking
pauses.]
Go back, w’ite man. Roll back, w’ite wave er de fiery lek. Once you
lit de fieh an’ bu’n me. Once you po’ de blood an’ pizen me, but dis
time Sam an’ me we’s de stronges’ an’ we leaves you go, we leaves
you live tuh mek yore peace wif Gawd. We’re puore bloods heah,
royal black—all but one an’ we’ll do de bes’ we kin erbout ’im. He
shill be name Sam. Go back, w’ite man, an’ sin no mo’.
Wake up, Sapphie; come tuh, Puhl. [As she does so she looks
upward again and cries out:] Sam, we done hit, an’ we stays
tuhgetheh!
Pearl
[With a cry.] Ah—Granny Maumee’s dead.
Both Girls
[Outside.] Granny Maumee’s dead! Granny Maumee’s dead!
CURTAIN.
THE RIDER OF DREAMS
THE RIDER OF DREAMS
Scene: Night in a room used for kitchen, dining-room and laundry by
a colored family. A lamp is set upon a central table laid with a
spotless table cloth. Baskets of clothes stand on several chairs.
At the back is a cook-stove and to the left of this a door. There
are also doorways at the right and left of the room. Lucy
Sparrow, a worn, sweet-faced woman of forty, is sprinkling
clothes at an ironing-board at left with her back turned to the
table beside which, on a high stool, is perched a small boy,
Booker Sparrow. Both the boy and the woman as well as the
room show a painstaking neatness despite the disorder
necessary in the process of a professional “wash.”
Lucy
Who make you?
Booker
God. Ain’t the mush done now?
Lucy
It’s done but I ain’t done wif you. You got to learn good befo’ you
can eat good. Who redeem you?
Booker
Christ. I’ll stop being hungry for it if I don’t get it now.
Lucy
Bettah lose youah wishes an’ youah ahms an’ laigs an’ everything
youah body’s fix wif an’ keep youah immortal soul. Who sanctify
you?
Booker
The Holy Ghost. I don’t want nothing but mush.
Lucy
Well, you ain’ goin’ to git hit twell you luhns de questions. What de
chief en’ of man?
Booker
Chief end of man is to glorify God and enjoy himself for ever.
Lucy
[Coming swiftly forward and confronting him with a threatening
look:] Enjoy hisself! I ain’ neveh teach you dat. You know betteh’n
dat. Man got no right to enjoy hisself. He got to enjoy Gawd. You
knows dat as well as you knows eatin’. An’ you got to say it an’
what’s mo’ you got to live it. Now what de chief en’ of man?
Booker
Enjoy God forever.
Lucy
Dat’s mo’ like it. [She turns her back and going to the ironing-
board resumes her labours, still talking.] I’m raisin’ you fo’ de
Kingdom an’ you’ah goin’ in de Kingdom ef pushin’ ’ll lan’ you dere.
Because dis time anutheh yeah you may be in some lonesome
graveyard. [Singing:]
In some lonesome graveyard,
Oh, Lawd, no time to pray.
[As she sings Booker stealthily slips off his stool and
going around to the opposite side of the table
takes a spoon with which he approaches a dish
set upon a warming-shelf fixed to the stove. He
furtively dips his spoon in the dish and begins to
eat. Lucy continuing her singing.]
Play on youah harp, little David,
Little Davy, how ole are you?
“I’m only twelve yeahs ole.”
[She turns and discovers Booker.] What! You stealin’! I’ll show
you! [She gives him a cuff and a shake, depositing him again upon
his stool.] You shorely is on de way to de fieh but I’m goin’ pluck you
out ef it skins you alive. Steal, will you? What de sevenf
commandment?
Booker
[Sniveling.] Thou shalt not steal.
Lucy
See dat. You knows it but you des won’t live hit. Well, I’m goin’ live
it into you. I’m goin’ slap sin out of you. [She gives him another
shake.] An’ de grace into you. Now you say dat commandment
sevumty times sevun. Begin. Say hit.
Booker
Thou shalt not steal. Thou shalt not steal—
Madison
[After a survey of the situation.] What de boy do?
Lucy
He steal, dat what he do.
Madison
Um. What he steal?
Lucy
Mush. I tole him not to tech it.
Madison
Well, he was hongry, weren’t he?
Lucy
Dat ain’ de p’int. Tweren’t his till I give it to him.
Madison
[Places the bag carefully by the doorway, throws his hat upon it,
then seats himself at the table.] Bring on dat mush. I’m tia’hd of dese
fool doin’s. Dey ain’t no git ahead wif um. Ef de boy wants mush let
him git mush.
Lucy
[Placing food before him on the table.] Yes, but not rob it.
Madison
Who talkin’ ’bout robbin’?
Lucy
Madison, dat’s de wrong kin’ of trash fo’ dis baby to heah. Go lay
down, honey. Tek de bowl wif you.
Madison
No, hit’s de right kin’ of preachin’. I’m tia’hd of all dat ol’ fashion
way of doin’. Ef I wuz to wuk my ahms off dat ol’ fashion way I
couldn’t git no furder.
Lucy
What you bin wukin’ at dis yeah, Madison?
Madison
Dat’s it. You know dat I’m bin lookin’ fo’ it and couldn’t find hit.
Lucy
What you wuk at last yeah?
Madison
You knows I wuk in de strippin’ factory.
Lucy
Jes’ two weeks.
Madison
You knows I wuk till I strain my back. But neveh min’ about all dat.
I done tuhn oveh a new leaf. I goin’ to be a business man. I goin’ to
let de otheh man wuk.
Lucy
’Sposin’ everybody was to do dat away.
Madison
Let ’em do hit. I don’ ask nothin’ of nobody. I goin’ to have every
toof in my haid covehed wif gol’. I’ll get youah’n an’ Book’s fix dat
way too. I goin’ to have plenty society grub in me all de time. I ain’
goin’ to let my fam’ly suffeh. I got too sweet a disposishun fo’ dat. I’ll
git ’em whateveh I want.
Booker
[Lingering in doorway.] When you get rich will you get you the
guitar, Daddy?
Madison
I’ll git it an’ I got it. Watch me now. [He goes over to the bag by the
door and reaching in it produces a handsome guitar.] Dat’s de
beginnin’ er good times, boy.
Lucy
[With sickening apprehension.] Madison, where you git dat
insterment?
Madison
Dat’s de Lawd’s insterment, Lucy. He done pervide it.
Lucy
Oh, Madison, dat ain’ youah’n.
Madison
’Tis now, honey.
Lucy
No, youah las’ dime you spent Sunday an’ I ain’ give you no
money since. You got it wifout payin’ for it. You charged it.
Madison
Yassah, I got it wifout payin’ for it an’ I goin’ to keep on a-gittin’ it
wifout payin’ for hit as long as de gittin’s good.
Lucy
How you like to be treat dat way?
Madison
What way?
Lucy
If you was keepin’ a store, to have folks charge things when dey
didn’ know how dey could pay.
Madison
I’m willin’ fo’ to be treat dat way ef dey can do hit. Let ’em come
an’ git my things if dey finds any.
Lucy
[Breaking down.] Oh, I cain’ stan’ hit. Youah sinkin’ fas’ down to de
fiery lake an’ you’s pullin’ my Baby down too.
Madison
No, I’s raisin’ him up an’ I goin’ to lan’ us all in a sof’ place on dat
Easy Street I heah ’em singin’ ’bout so long wifout seein’.
Lucy
[Suddenly examining the guitar.] Wheah you git dis guitar?
Madison
What guitar?
Lucy
Dis. Oh, Madison, dis is ’Zek’l Williams’ own guitar dat he wouldn’
sell. Dis is de guitar dat nobody couldn’ buy. How you come by it?
Madison
Look heah, woman. You act like I stole de guitar. You don’t think
I’m a thief, do you?
Lucy
How you come by hit?
Madison
I got it off Wilson Byrd.
Lucy
Dat sneakin’ w’ite man. How’d he git it?
Madison
I didn’ ask him.
Lucy
What you give him fo’ hit?
Madison
Oh, dat’s anotheh story. Him an’ me’s goin’ in business togetheh.
Lucy
Oh, Madison, dat w’ite man stole dis guitar. Oh, take it back dis
minute an’ snatch youah soul from de bu’nin’.
Madison
Who, me? What you tak me fo’, gal? Take back a guitar to de rich
man, de man what own de very house we live in!
Lucy
Well, we soon will buy hit.
Madison
Dat’s right. We will. But dat ain’ de question. I didn’ git dis guitar fo’
to return it, I git it fo’ to play it. I boun’ to play it cause I’m goin’ to be
er rich man soon an’ I got to have a plenty music in me.
Lucy
You goin’ to git rich playin’ guitar?
Madison
[Laughing comfortably.] Eh, yah, yah. Whoopee! No indeedy. I flies
higher dan music flies. I’m one er dese heah kine er ’lectioneerin’
mens which make dere money work fo’ um. Dey sen’s one dollah out
in de heat an’ sweats her twell she rolls home wif anutheh.
Lucy
How you goin’ to put money out, Madison, lessen you wuks an’
gits de money?
Madison
[Cunningly.] Oh, don’ yo’ botheh youah haid long er dat. I bin down
low and folks trample me des same as a wu’m, but now I’m goin’
spread my wings an’ sting ’em like a king bee. Whaffo’ I lay dere an’
let’m trample me? ’Twere because I lack conferdence. I puts my