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When The Hills Are Gone Frac Sand Mining and The Struggle For Community Thomas W Pearson All Chapter
When The Hills Are Gone Frac Sand Mining and The Struggle For Community Thomas W Pearson All Chapter
THOMAS W. PEARSON
22 21 20 19 18 17 10 9 8 7 6 5 4 3 2 1
2 Low-Hanging Fruit 55
3 Dangers Unseen 77
5 Neighbors 127
acknowledgments 199
notes 203
index 239
hills,” located just over the border in St. Croix County. A looping haul
route would cast a wide shadow, bringing upwards of four hundred
trucks a day down quiet country roads. The mine itself will transform
the countryside and bring new threats to air and water quality. Sev-
eral landowners envision huge payouts. We aim to stop them.
The sand coveted by Vista is unique. Under these hills rest sand-
stone bedrock formations some five hundred million years in the mak-
ing, pressed into existence during an era of distant geological time
when shallow seas covered most of Wisconsin. Much of the sandstone
that was left behind escaped the most recent episodes of glaciation,
particularly the drift or till deposited some fifteen to thirty thousand
years ago as massive bodies of ice receded. For this reason, some parts
of southwestern Wisconsin are known as the Driftless Area, which re-
mained unglaciated. Silica sand, almost pure quartz, waits just below
a relatively thin layer of topsoil. That makes extracting the material
easy. And profitable.
The prevalence of sand has always been a notable feature of the
western Wisconsin landscape. References show up in place-names,
such as Sand Creek, a town located in northern Dunn County on the
Red Cedar River. One of the most iconic books of the modern conser-
vation movement is A Sand County Almanac, first published in 1949,
which Aldo Leopold wrote near Baraboo in south-central Wisconsin.1
In the book, Leopold articulates a new “land ethic,” a sense of moral
responsibility for viewing and caring for the natural world as part of
a wider community shared with humans. He uses the phrase “sand
counties” to reference the sandy soils in the area.
Sand is a seemingly pervasive resource, worthy of little more than
passing reference in Leopold’s seminal text. For most people, sand is
a feature of the surrounding geology, an abundant yet vital resource
we encounter almost daily through rather unpretentious activities:
working the sandy soil in Wisconsin, for instance, or walking barefoot
on a lakefront beach, or wading along a river bottom while fly-fishing.
Children build sandcastles that dissolve under the rising tide. But sand
is actually one of the most sought-after finite resources today. As jour-
nalist Vince Beiser notes, “Our civilization is literally built on sand.”2
It has enabled momentous scientific breakthroughs and urban indus-
trial society as we know it. Since at least the fifteenth century, sand
has been used to make transparent glass, which made possible micro-
scopes, telescopes, and other turning points of the scientific revolution.
Rivers
Cities
`
^ State Capitals
Sandstone Formation
Minnesota
Michigan
r
e
Ri v
ew a
Ch ipp
edar R iver
Glenwood City
Minneapolis
dC
Knapp R
e
Chippewa Falls
Menomonie
Saint Paul Eau Claire
Wabasha
M
pi
p
R iv
er
Winona
La Crosse Lake
Michigan
Decorah
Madison Milwaukee
Iowa
Illinois
Chicago
0 20 40 80 Miles
the university where I teach has its roots in lumber wealth. In 1891 the
philanthropy-minded James Huff Stout used part of his family’s for-
tune to establish the Stout Manual Training School in Menomonie, the
legacy of which still exists as the University of Wisconsin–Stout. Despite
logging’s momentous role in this area, by the end of the nineteenth
century the lumber empire faced rapid decline. Land was sold off,
and farmsteads were established in the valleys cleared of white pine.
A number of towns disappeared entirely with the end of the lumber-
based economy at the dawn of the twentieth century. Menomonie is
now a small city with about sixteen thousand people and a university
whose namesake recalls an extractive industry long since vanished.
Frac sand mining is already leaving its mark as a new and unfamil
iar wave of natural resource extraction. While small sand and gravel
quarries are common, prior to the recent boom only a few industrial-
scale sand mines operated in western Wisconsin, such as Badger Min-
ing, a family-owned company that originated in 1949.9 Badger Mining
harvested sand for various industries, ranging from construction to
foundry and metals casting. They had existed for decades and drew
little attention. Wisconsin’s only two underground sand mines first
opened in the early 1900s in Bay City and Maiden Rock, small towns
located among the bluffs overlooking the Mississippi River. An Ohio-
based company now known as Fairmount Santrol acquired the Maiden
Rock mine in the mid-1990s and then acquired the Bay City mine, as
well as a processing plant in nearby Hager City, in 2007. It was around
this time that the low profile of industrial sand mining in Wisconsin
began to change. In December 2006, Fairmount received permits to
develop a sand mine in Red Cedar, a town just outside Menomonie.
While Fairmount broke ground in Red Cedar, a Texas-based company
called Proppant Specialists sought permits for a mine in the neigh
boring town of Tainter. This raised eyebrows, in part because of its
proximity to a protected conservation area, and local opposition
stopped the proposed mine. However, growing public awareness and
grassroots mobilization did little to stem the tide. Over the next few
years, hydraulic fracturing ramped up elsewhere in the country, driv-
ing up demand for Wisconsin’s pure silica sand. Several new mining
operations started up in nearby Chippewa and Barron Counties, with
many more in several other counties.
Wisconsin is not the only source of raw material to use as a prop-
pant in the fracking process. Mining companies have also prospected
Inactive Operations
Rivers
Counties
Burnett Washburn
Sawyer Sandstone Formation
1
r
ive
aR
C hippe w
Barron
Rusk Price
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Dunn
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Saint Croix
!1 1 1
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11
1 Marathon
Pierce 1 Clark
! Eau Claire !1
1! 1 1 Pepin 1
!
11 1
11
1 1 1
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111 Wood
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Minnesota
1 1
ipp
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i 1 1
11 1
ive ! 1 1 1
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1 1 1
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La Crosse 1 Monroe
Juneau
Vernon
Sauk
Richland
Crawford
Iowa
0 12.5 25 50 Miles
1 1
Approximate locations of industrial sand mining operations in western
Wisconsin, based on data compiled by the Wisconsin Department of Natural
Resources. Includes mines, processing plants, and rail and transportation sites.
Current as of May 2016. Map designed by Alyssa Quilling.
Gogebic Iron Range, stretching some sixty miles from northern Wis-
consin into Michigan, was first mapped and prospected in the 1870s,
leading to a frenzy of speculation and mining activity.56 However,
interest in the Gogebic mining district in Wisconsin declined rapidly
in the 1880s, as attention turned to more profitable deposits over the
border in the Upper Peninsula of Michigan. The few remaining under-
ground mines in Hurley were largely inactive by the 1960s.57
New discoveries of zinc, copper, gold, and silver deposits in the
1970s sparked a more recent phase of mining speculation, driven in
large part by investment from multinational mining companies.58 In
1974, the Kennecott Corporation, eventually acquired by the multi
national mining corporation Rio Tinto, first sought to open a mine just
outside Ladysmith, in Rusk County, to extract copper and gold from
metallic sulfide ore. Concerns about the impact of mine waste on the
nearby Flambeau River, along with doubts about the economic ben-
efits for Ladysmith, led to opposition from segments of the local com-
munity. Extracting metals from sulfide ores carries the risk of acid
mine drainage, which occurs when metallic sulfide wastes are exposed
to air and water, “potentially leading to sulfuric acids and high levels
of poisonous heavy metals like mercury, lead, zinc, arsenic, copper and
cadmium.”59 Growing opposition, a local moratorium on mining, and
the eventual reluctance of Rusk County officials to grant zoning approv-
als prompted Kennecott to withdraw from the permitting process.
The project was rekindled in 1986 on a smaller scale by the Flambeau
Mining Company, a subsidiary of Kennecott, but it faced opposition
from a coalition of environmentalists, farmers, and indigenous groups.
Despite opposition, the scaled-back project was permitted in the early
1990s. The Flambeau Mine was active until 1999 and has since been
reclaimed.
Opposition to the Flambeau Mine revealed how anti-mining activ-
ism would come to express the state’s progressive environmental tra-
ditions and set the stage for new types of political alliances. Wisconsin
has played a notable role in the rise of modern environmentalism.
Even before Aldo Leopold’s influence in the mid-twentieth-century
conservation movement, in the nineteenth century John Muir spent
his formative years in Wisconsin and attended the University of Wis-
consin at Madison. After settling in California, Muir became a leader
in the early wilderness preservation movement and co-founded the
Sierra Club, whose Wisconsin chapter is today known as the John
emerged as a public issue in that part of the country. But I was already
gone, researching environmental activism in Costa Rica. When I re-
turned to the States, I moved home to Chicago for a year to write my
dissertation before taking a job as a faculty member in the Social Sci-
ence Department at UW–Stout. As I settled into Menomonie, I began
to hear periodic references to sand mining. Yet it remained out of sight
and out of mind. I was focused mostly on developing new courses
and publishing academic articles from my dissertation research. I also
became involved in efforts to organize a faculty labor union on cam-
pus. When Governor Walker proposed legislation to dismantle public-
sector labor unions and slash funding to the University of Wisconsin
System, I joined tens of thousands of others in protest.76
I began to learn about fracking from friends still living out east
in Binghamton and in Morgantown, West Virginia. Wanting to learn
more, I attended a public screening of Josh Fox’s documentary Gasland,
an event organized by a student group on campus. I was surprised
to find a dozen or so community members in attendance. Afterwards,
they spoke passionately about the connection of sand mining to the
impacts of unconventional energy development examined in the film.77
Around this time, residents were becoming aware of Vista Sand’s pro-
posed project. I attended another event on campus, this time a presen-
tation by biologist Jim Burritt about the potential impacts of frac sand
mining. Realizing something unprecedented was unfolding, I worried
about the potential social and environmental impacts of a rapidly
growing extractive industry in my community. Fresh from my experi-
ences protesting Walker’s union reforms and budget cuts, I felt moti-
vated to become involved. Having studied environmental conflicts
and activism for my dissertation, I was also interested in frac sand
mining on an intellectual level. I wanted to chronicle the experiences
and perspectives of people entangled in this rapidly evolving issue.
My initial involvement as a concerned citizen shaped the trajec-
tory of my research and my focus on grassroots activism. Following
in the tradition of ethnographic fieldwork, the core method of cultural
anthropology, during the early stages of my research I primarily uti-
lized participant observation, informal conversations, and unstruc-
tured interviews. In other words, I participated in grassroots meetings,
attended countless town and county hearings, and took part in other
events, such as canvassing the Vista haul route with Shea, Barb, and
Pilar.78 Throughout this period of participant observation I reviewed
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Routes
It remains to be seen if the Glenwood area will host the next Chippewa
Valley mining operation. Like much of frac sand mining, the story of
Vista Sand is on hold. In 2016 the market for frac sand continued to
contract in dramatic fashion as global oil prices remained stubbornly
low. Mining companies continued to shed workers and stall operations.
The boom had busted. Everyone was taking stock. This book sheds
some light on what we learned during the boom years of 2008 to 2015.
at how frac sand mining sparks complex and competing claims about
the meaning of place and landscape. We will also talk with people
who have endured dramatic changes to their community and way of
life, and others who have been displaced or must live with unwanted
mining activity. Given the controversy and the tenacity of grassroots
activism, mining companies have developed numerous strategies to
overcome local opposition. We must therefore carefully examine how
mining companies stake their claim to a legitimate place in Wiscon-
sin’s rural landscape. Finally, we will return to the case of Vista Sand
and follow Shea, Barb, Pilar, and others as they navigate countless
town and county hearings. Their efforts to oppose Vista Sand’s pro-
posals highlight the corrosive influence of corporate power on local
democratic decision making.
But their journey also illuminates some hopeful signs. Neighbors,
coming together, challenging a powerful system, and pushing for a new
route forward.
Railcars hauling frac sand through St. Paul, Minnesota, in 2012. Photograph by
Jim Tittle.
33
County, where political and social conditions were much more ame-
nable to the mining industry. Grassroots efforts failed to halt mining
there, and Chippewa County has permitted a dozen operations clus-
tered in a few communities. After exploring the success of Save Our
Hills, the following chapter will continue to trace the evolution of
grassroots activism in response to the frac sand industry’s develop-
ment in Chippewa County and the broader Chippewa Valley.
Other Purposes
While a few industrial sand mines have operated relatively unnoticed
in the region for decades, the more recent rush for frac sand can be
traced to late 2006. At that time the Wisconsin Industrial Sand Com-
pany, owned by Ohio-based Fairmount Minerals (now called Fair-
mount Santrol), received a permit in conjunction with Cardinal Glass
Industries, a local glass manufacturer, to operate a nearly five-hundred-
acre mine and processing plant in the town of Red Cedar. The for-
merly agricultural site borders a partially-developed industrial park
in the City of Menomonie. The glass plant had applied for the permit,
with the mine to be operated by Fairmount, and, according to one
county official, “the general understanding was that the glass plant
would be the major customer of the mine.”1 The phrase “frac sand”
was largely unknown in the Chippewa Valley, and hydraulic fractur-
ing had not yet erupted as a topic of national discussion. News reports
explained merely that “Cardinal will use some of the sand mined from
the site to make glass. The remaining sand will be sold for other pur-
poses.”2 With little fanfare, frac sand mining was quietly establishing
a foothold.
Shortly after the first trees were cleared for the Fairmount oper
ation, residents in the adjacent township of Tainter began to hear
whispers of another mining operation. Tainter is located just north of
Menomonie and was named after Captain Andrew Tainter, a partner
in Knapp, Stout & Co. and co-owner of the 3,500-acre Moore Farm,
which was worked by a “large number” of black slaves from 1859
until 1865, when it was acquired by Tainter and his partners.3 In late
October 2006, Proppant Specialists, a startup company with a mailing
address in Brady, Texas, and registered as a limited liability corpora-
tion in the state of Delaware, began talks with local officials in Tainter.
Not far from the old Moore Farm, they proposed a sand mine and wet
Chrotta, 368.
Chrysander, 53.
Church music, 9.
Clarinet, 599;
(in chamber music), 579, 598, 604.
Clavecinists, 26.
Clementi, Muzio, 64, 98, 100, 112, 117, 119ff, 143, 157.
Gradus ad Parnassum, 121.
Sonata in G minor (op. 7, no. 3), 121.
Sonata in B minor (op. 40, no. 2), 122.
Sonata in G minor (Didone abbandonata, op. 50, no. 3), 122.
Concertati, 474.
Corelli, Arcangelo, 6, 37, 93, 389, 392, 396ff, 412, 427, 428, 480,
481.
Violin sonatas, 397ff.
Coriat (quoted), 393.
Cornetto, 377.
Cortecci, 376.
Counter-theme, 11.
Couperin, François (le Grand), 8, 36, 41, 51ff, 63, 86, 207, 267f, 398,
484;
(rondo), 58;
(influence on Bach), 69.
Cremona, 375.
Crescendo, 378.
Crowd, 368.
Cryptograms, 218.
Cryth, 368.
Dante, 318.
Daquin, Claude, 61.
Dargomyzhsky, 330.
De Ahna, 451.
Denmark, 326.
Descriptive music, 27f, 55f, 214, 311. See also Picture music;
Realism in pianoforte music.
Diabelli, 165.
Dohle, 64.
Double-harmonics, 438.
Dumka, 586.
Durand, 412.
[d’]Étree, 376.
Fantasie, 79.
Fantasy pieces, 211. See also Schumann.
Fidula, 369.
Fochsschwantz, 468.
Form, 10;
(harmonic principle), 14;
(Scarlatti), 49;
(Chopin), 256;
(César Franck), 550.
See also Instrumental forms; Fugue; Sonata form; etc.
France, 25;
(modern pianoforte music), 341ff;
(violinist-composers), 405ff.
Franck, César, 207, 345ff, 349, 461, 547ff, 561, 581, 586.
Prelude, Chorale and Fugue, 345f.
Prelude, Aria and Finale, 346.
Symphonic Variations, 347f.
Violin sonata, 461.
String quartet in D minor, 547ff.
Pianoforte quintet, 586.
Francœur, 406.
Fuga, 10.
Furiant, 586.
Gastoldi, 377.
Gavotte, 26.
Gelinek, 182.
Genouillière, 156.
Giga, 23.
Gighi, 478.
Gigue, 23.
Glinka, 329;
(transcription of ‘A Life for the Czar’), 330.
Gluck, 7, 503.
Gossec, 499.
Grün, 445.
Guenin, Marie Alexandre, 408, 409f.
Guillemain, 409.
Guitar, 437;
(imitation of, on violin), 387.
Hardelle, 36.
Haydn, Joseph, 7, 89, 98, 100f, 112, 116, 128, 131f, 134, 135ff, 207,
410, 412, 416, 424, 444, 487, 503;
(compared with Beethoven), 133;
(fugue), 493;
(string quartet), 489ff, 498ff, 560;
(influence on Mozart), 499, 502f;
(trios), 574.
Piano sonata in G major (op. 14, Peters 11), 138.
Piano sonata in C major (op. 13, Peters 15), 138.
Piano sonata in F major (Peters 20), 138.
Piano sonatas in E-flat (Peters 1 and 3), 139.
Variations on a theme in F (for piano), 140f.
String quartets (op. 9), 491.
String quartets, (op. 20) (Sonnen quartets), 492.
String quartets (op. 33), 493f.
String quartets, op. 50 (1787), 495f.
String quartets (op. 54 and 55), 496f.
Heine, 134.
Hoftanz, 470.
Hungary, 317.
Hupfauff, 470.