DIY Tangos part 3

Adding falsetas
Sal Bonavita

             

B A
 C9 C Dm
5
Dm (2) C7 B7

         
         

Falseta 1 (Intro)
B
       
3 3 3 3
 1 2 3 4

                    

             
           
0 0 0 0
3 3 3 3
 3
0 2 0
3
0 2 0
3
0 2 0
3
0 2 0
3 2 3 3 3 2 3 3

 A

3
 5   6 7
 8
     
                    
     
                      
   
0 0
0 0
0
3 3 3 3 2 2 2 2
 0
3
2 3
3
2 0
3 3
0 2 0
2
2
2
2
2
2
2
2
 3 2 3 3 1 3 0  

Cycle 1 Rhythm Variation

B A B A
 3 3 3  3 3 3
 9          10
   
      11          12
   
     

 
     
 
                        
    
     
               
 
 0 0 0 0 0 0 0 0 0 
0 0 0 0 0 0 0
0 0
 0 0 0 0 0 0 0 0 0 
0 0 0 0 0 0 0
0 0
3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2
 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0
3
0
2 2 2 2 2 2 2
2 2 2 2 2 2 2
2
2
2
2
3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0
3
0
2 2 2 2 2 2 2
2 2 2 2 2 2 2
2
2
2
2
 1  1 3
0    1  1 3
0   

B C9 B A
 3 3  3 3  3  
 13            14            15        16
    
            

          
   

           

 
      





  
00000000 00 0
00000000 00 0
0000 0 0 0 0
0 0
0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2
 3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
3
0
3
0
3
0
3
0
3
0
2
2
2
2
2
2
2
2
 1   3   1  3 1 0  

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 DIY Tangos part 3

Falseta 2
B C
3 3 3 3  3
 17              18
       19
      20

   


   

  
                              
    
0 0 0 0
    
0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 3 3 5 5 5 3 3 1 1 1 1 1 1
 5 5 0
2
0
2
0
2
0
2
0
2
0
2
 0 1 2 3 

Dm C B A
3 3 3 3 3 3 3
 21  
       22
    
23
   3 24
     
 
                   
      
                     
 
 




 
0 0 0 0 0 0
3 3 3 3 3 3 2 2 2 2 2 2
 0
3
2
3
3 2 0 0 0
3
2 0 0 0 0 2 0
2 2 2 2 2
2 2 2 2 2
2
2
 3 3 1 3 3 1 0 

Cycle 2 Rhythm Variation

Dm (2) C7 B7 A
BV B III BI
3 3 3 3 3 3
 25             26            27            28      
                                             
 
                           
 5 5 5 5 5 5 5 5 5 5 5  3 3 3 3 3 3 3 3 3 3 3  1 1 1 1 1 1 1 1 1 1 1  
0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2
 77 77 77 77 77 77 77 77 77 77 77 77 35 35 35 35 35 35 35 35 35 35 35 35 13 13 13 13 13 13 13 13 13 13 13 13 2 2 2 2
2 2 2 2
 5   3   1    

Dm C B A
3  3  
 29         30 31 32

           










         
 












 

                              
  
0 0 0 0 0 0 1 0 0
0 0 0 0 0 0 0  0 0 0 0 0 0 0
 1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
1
0
 3 33  3 033 2
2
2
2
0
2
2
2
2
2
2
2
2
2
2
2
2
0
2
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2 2 2 2
   3  1 1   

2/2