Professional Documents
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How Things Count As The Same Memory Mimesis and Metaphor Adam B Seligman Full Chapter
How Things Count As The Same Memory Mimesis and Metaphor Adam B Seligman Full Chapter
How Things
Count as the Same
Memory, Mimesis, and Metaphor
zz
ADAM B. SELIGMAN AND
ROBERT P. WELLER
1
iv
1
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the University’s objective of excellence in research, scholarship, and education
by publishing worldwide. Oxford is a registered trade mark of Oxford University
Press in the UK and certain other countries.
1 3 5 7 9 8 6 4 2
Printed by Sheridan Books, Inc., United States of America
v
Contents
Introduction 1
4. Metaphor 78
5. Framing Gifts 99
Conclusion 165
Notes 181
References 199
Index 211
vi
vi
Illustrations
Acknowledgments
This book is our third together. Like our other books, it is the product of
conversations over many years with each other and with many of our colleagues
and teachers of all sorts (including our students, children, and spouses). They
are far too many to name, but we trust that they are aware of how much we owe
them. As with all of our books, this one began with some vague questions and
some arduous reading together, and so thanks especially to those who helped us
along that path, especially through the swamps of C. S. Peirce. We are grateful as
well, and a little apologetic, to the people in the neighboring offices to ours, who
had to put up with our sometimes raucous way of thinking together: loud talk
punctuated with laughter and the occasional bit of yelling.
We are also grateful for the opportunity to present our ideas in a number
of different forums and have benefited greatly from the comments and critiques
offered. These include presentations at the Pontifical Academy of Social
Sciences; the Sofia University Faculty of Philosophy (Workshop on Wisdom,
Understanding and Doubt); the State Research University Higher School
of Economics, St. Petersburg, Russia (Workshop on Bordering Religions in
[Post–]Cold War Worlds); the Chinese University of Hong Kong (Conference on
Religion, Spiritual Capital, and Civil Society); Konstanz University (Conference
on Wonach fragt die Judenfrage? Zum Antisemitismus der Moderne); and
Taiwan National University (Department of Anthropology).
Generous funding from the Fulbright Program and the Guggenheim
Foundation gave us the time to pursue a significant amount of the research and
complete the writing of this book. In addition, we are grateful to the Boston
University Center for the Humanities for its generous grant supporting our pub-
lication of some of the visual material that appears here.
x
xi
Introduction
How do human beings craft enduring social groups and long- lasting
relationships? Given the myriad differences that divide one individual from an-
other, why do we recognize anyone as somehow sharing a common fate with us?
How do we live in harmony with groups that may not share that sense of common
fate? Such relationships lie at the heart of the problems of pluralism that increas-
ingly face so many nations today.
This book is an attempt to answer a seemingly simple question: How do we
constitute ourselves as groups and as individuals? What counts as the same? Note
that “counting as” the same differs from “being” the same. The Greek philosopher
Heraclitus was surely right when he pointed out that no one can put her foot in
the same river twice.1 Both the river and the foot have changed by the second
time. In a sense, she cannot even put her foot into the “same” river once, because
feet and rivers change as they interact. Counting as the same is thus not an em-
pirical question about how much or how little one person shares with another
or one event shares with a previous event. Heraclitus showed us that nothing is
truly the same.
Nevertheless, as humans we construct sameness all the time. In the process,
of course, we also construct difference. I am not empirically the same as I was
yesterday—things have entered and left my body, I have honed a new skill, my
head stopped hurting. From molecules to moods, “I” am not the same. Yet I still
consider myself to be the same person and to be different from other people.
Feelings of group solidarity are similar. They have to be crafted out of our em-
pirical differences. Thus I may have nothing in common with someone who lives
down the street, but when we meet in Paris we will treat each other as the same
in some important ways (as Americans, not French citizens, for instance). Ties
of citizenship and patriotism, neighborhood, kinship, profession, and all the rest
allow us to think of each other as the same in spite of all the real differences that
2
separate us. In Chinese, many of these ties used to create social alliances refer
explicitly to this sameness: “same” surname, “same” school class, “same” place of
origin (tong xing, tong xue, tong xiang), and so on. Each of these ties is a social con-
struction, but it can be so powerful that we naturalize it. When we create these
unities, of course, we also create differences. The world divides into our people,
who share ties with us, and those people, who are not our kin or classmates or
fellow patriots; it divides more starkly into the people and the enemies of the
people.
The issue of sameness comes up constantly in the study of religion. Rituals
must count as the same as previous versions of the ritual in order to succeed.
Today’s baptism or funeral is never identical to the one we performed last week,
but we still must recognize the two events as alike in some fundamental way. To
achieve this, some parts absolutely have to be done properly in order for the ritual
to be accepted. In the United States, for instance, the couple must make an avowal
of their intention to marry (“I do”); if this does not happen it cannot count as a
marriage. Other sorts of variations, however, can be ignored.
Religious denomination is also a matter of counting as the same. When
Christians practice pagan rites like placing an evergreen tree in their house near
the winter solstice, are they still Christians? For most American Christians the
answer is a clear yes; the Christmas tree has become a core part of the ritual itself.
For the Puritans who first came from England to Massachusetts, however, the
answer was no. Religious splits frequently start from arguments over what counts
as the same. In the Russian Orthodox Church, for instance, Patriarch Nikon’s
mid-seventeenth-century reform to make Russian and Greek Orthodox ritual
practices more “the same” led to a major split from the Old Believers. The most
divisive issues included small details of ritual practice like exactly how to hold the
fingers while making the sign of the cross or whether processions should move
in a clockwise or counterclockwise direction. There were major underlying social
issues, of course, but the argument centered fully on the construction of sameness
and difference through ritual minutiae.2
The idea of syncretism is another important arena for the construction of
what counts as the same in religion. A great deal has been written about the
concept within religious studies and anthropology.3 In theological circles in par-
ticular, syncretism has often historically been viewed as a problem: syncretized
religions no longer count as the same. Every globalizing religion has had to deal
with the problem that local variations inevitably arise, and they have to decide
how much variation is still acceptable (i.e., whether a hybrid practice still counts
as “the same” religion) and how much is not.
Plutarch’s essay “On Brotherly Love,” written roughly two thousand years ago,
provides what some consider the earliest relevant use of the term “syncretism”:
3
Introduction 3
Then this further matter must be borne in mind and guarded against when
differences arise among brothers: we must be careful especially at such
times to associate familiarly with our brothers’ friends, but avoid and shun
all intimacy with their enemies, imitating in this point, at least, the prac-
tice of Cretans, who, though they often quarreled with and warred against
each other, made up their differences and united when outside enemies
attacked; and this it was which they called “syncretism. . . .” [T]here is
a saying that brothers walking together should not let a stone come be-
tween them, and some people are troubled if a dog runs between brothers,
and are afraid of many such signs, not one of which ever ruptured the
concord of brothers; yet they do not perceive what they are doing when
they allow snarling and slanderous men to come between them and cause
them to stumble.4
they are “the same” as us. And so, looking at the bookshelves behind one of
our computers, there is a book by Merlin Donald titled Origins of the Modern
Mind, one by Boman titled Hebrew Thought Compared with Greek, and Homer’s
Odyssey. Even though one is very thick and one very thin, two are hardcover and
one paperback, one with pictures on the cover and the other two without (not
to mention the very different genres and subjects dealt with in the books), we
have no difficulty in calling them all books. Cover illustrations, types of binding,
height, weight, and all the rest have no relevance to our classification of them all
as books. These are differences that do not matter, distinctions that do not make
a difference, that do not contain or encode information relevant to classifying
something as “a book.” These differences may of course become relevant if I wish
to reclassify the books as potential “doorstops” and so may put all the thick books
together in a new category as “books good to use as doorstops.”
There are a few points worth teasing out of this example. The first, of the type
John Dewey drew our attention to a century ago, is that our categories depend
on our practical aims. We define any “thing” for a set of practical aims—for a
particular context and not in the abstract. An idea of something, according to
Dewey, amalgamates the currently available, physical reality before us together
with additional interpretive data that frame this reality in a broader, meaning-
giving context, defined by our specific purposes.4 The purpose of books is to
read (and cover design is irrelevant, at least for most adults); the purpose of
books-as-doorstops is to keep the door open, and so the mass and volume of
the book is relevant.
The second point is that the very first definitional move, the primary act of
categorization (indeed the very construction of categories, any set of categories)
is a determination of sameness. What qualities of a thing make it “the same”
as another thing, of the same class or category? This is true, of course, for our
classifications of people no less than books or snails. We may, depending on the
circumstances (what Dewey would call our specific purposes), base our decisions
about sameness on all kinds of different attributes (gender, age, dress, skin color,
religion, height, nationality, tribe, ethnicity, etc.).5
All such categorization is a process of abstraction. It abstracts from the infi-
nite concrete characteristics of a thing only that which is relevant for its classifi-
cation into class x. Thus your being female or 66 years old or Latina will be totally
irrelevant for your classification as Jewish, if the relevant context is behavior at a
synagogue. Your being Jewish or female will be irrelevant for your membership in
the AARP, and so on. We abstract from the multiplicity of differences that char-
acterize all people and all things and decide on one or more relevant attributes
(gender, age, whatever) to determine membership in a class of entities sharing
the same attributes. Of course this very act itself rests on a further abstraction.
8
Deciding who is Jewish is no easy task and one continually negotiated. The same
is true for all cultural categories.
Third, determining a category of sameness, saying something “is the same as,”
determines as well a category of difference: a Jew is not a Christian, a man is not a
woman, a Lithuanian is not an American, a black is not a white, and so on (though
she may also be 65 years old and Jewish and 5’9” tall). Here of course all manner
of complications set in, precisely around the boundaries of those categories. The
boundaries of Jewishness or of race or increasingly of sexuality (with, for example,
transgendered individuals) are in fact fuzzy and not sheer. And of course some
people define themselves as Lithuanian Americans. Thus we cannot ignore the
ambiguity that blurs all categories, especially the foundational ones of sameness
and difference. Wisely or not, we often struggle against such ambiguity—usually
by the definition of ever newer categories. Unfortunately, this solution tends to
put off rather than solve the definitional conundrum.6
Such attempts to parse categories ever more closely often lead to social conflict
and struggles among the relevant stakeholders. This was the case in 2006 with the
Jewish Free School in London, where the school did not accept the conversion
of a prospective student’s mother to Judaism (as it was not an Orthodox conver-
sion but performed under the auspices of the Masorati, or Conservative move-
ment in Judaism) and so refused the child entry. This case ultimately reached the
Supreme Court of the United Kingdom.7 The Court ruled against the school,
which was found guilty of racial discrimination under the 1976 Race Relations
Act.8 Similar struggles over categories and their social implications are being
fought out in various states in the United States over issues of transgender access
to bathrooms, with some states defying Obama-era administration guidelines.9
More poignantly, issues of gender definition have arisen in traditional American
women’s colleges, such as Smith College, where the ambiguities inherent to a
transgendered individual’s self-identification (biological male identifying as fe-
male) have complicated college admission policies.10
Such cases highlight that, ambiguity notwithstanding, defining something as
the same also defines which categories of difference are relevant to the process of
categorization itself. Sameness defines which qualities of a thing are relevant for
its entry into whatever category is under consideration (book or doorstop or Jew
or woman, as the case may be). At the same time, it tells us about the qualities
that deny such entrance (and around which the struggles over “who is a Jew” or a
woman are fought). If our category is “tall women,” the race, religion, nationality,
and so forth of the particular woman in front of us are irrelevant. Jane is either
tall, in which case she is not short, or she is short, in which case she is not tall; all
other attributes are irrelevant. They are distinctions that do not make a difference
in this case, though they may in other contexts.
9
Thus, categories create sameness and difference at the same time. They do this
by abstracting out from the infinite amount of information that we can theo-
retically provide about any entity. We treat the abstraction as if it actually were
a “thing” because we have defined what it is and what it is not, what about it
counts as the same rather than different from other things in the same category.
Abstraction, and hence categorization, always involves a loss of information. One
implication of this is that the more finely we parse the boundaries between ab-
stracted “things”—the more clearly we delineate the categories by clarifying the
line between things and nonthings—the more information we lose. This happens
because we can clarify the boundary only by pulling our attention away from the
fractal complexities through which concrete entities merge into nonentities. The
more of an entity we deem irrelevant for our purposes (whatever these may be; re-
call Dewey above), the less we know of it.11 This works well enough for Allen keys
(hex wrenches), because we need to know only if its dimensions fit the hex bolt
we are working on now. It works less well for human relations. Treating human re-
lations as hex bolts (simply because we have, or think we have, the relevant keys)
has often led to tragedy.
Note that we have so far been using the word “difference” to indicate two phe-
nomena that might better be separated. That is, bearing in mind all the problems
of creating categories that we have just discussed, let us suggest a boundary be-
tween two categories of “difference.” The first is the infinite array of difference,
uncertainty, and flux that characterizes the physical world—the difference that
prevents us from putting our foot into the same river twice. The second are the
differences that we humans create at the same time as we create sameness. These
are constructed differences, unlike the infinite differences in the physical world.
We will term these differences “gaps.”
Gaps are not the naturally adhering differences that are functions of time and
space: no two things are in the same space at the same time and so cannot be
fundamentally “the same.” They are instead the differences that result from our
social process of categorization, from classifying things as the same and different.
We create recognizable classes of entities that are socially the same as and socially
different from others in the process of organizing the myriad differences of the
natural world. Your ears are longer than mine, and hairier, but that is not a dis-
tinction that makes a difference; the fact that your skin is black or white, how-
ever, may well do so. Recall that blackness and whiteness themselves rely on a
constructed gap, and that the categories do not follow directly from the natural
differences of skin color (and all else that Americans, for example, pour into the
categories of “black” and “white”).
We form social groups out of these categorizations of sameness and dif-
ference, establishing and institutionalizing differences between people. Social
10
count certain of them as “the same.” This is how we order and so also overcome
(at least in part and for a while) the multiplicity of the world.
This is always a social process. Even the construction of individual identity,
we would suggest, is at heart a social process. It is not a move of individual mind
or nature or of some inherent grid of consciousness, even though each of those
things may play its role. It is learned behavior, constantly altered and reproduced
through social contact. Just as dogs learn to distinguish their owners from other
humans and to differentiate frequent guests to the house from traveling salesmen,
so do humans—only our distinctions are more precise, encompass a far wider
range of variation, and carry many more implications and consequences than do
the dog’s.
Recall that the construction of difference always works at the same time as
the construction of sameness. Categories include, but they also always exclude.
The gaps that separate categories will themselves differ according to the categories
constructed. That is to say, the gaps themselves will reflect the categories of cul-
tural “sameness” and no longer the random, uncategorized differences of nature.
When, for example, Jews define “meat” in the laws of kashrut (dietary restrictions),
they also define milk (as the kind of food that cannot be eaten together with
meat), as well as the category of neither-meat-nor-milk, called “parve” (fruits,
vegetables, bread made with oil or margarine rather than butter).12 The definition
is not inherent in the materials, and the categories of sameness and difference
continue to be negotiated. In antiquity there was, for example, a position articu-
lated by R. Yossi of the Galilee that chicken was not meat and could thus be eaten
with milk. Jews from the Arab lands who observe the laws of kashrut do not eat
fish with milk. For them, fish counts as meat, but not for the equally observant
Jews of Eastern Europe.
In China, too, it is very easy to find elaborate systems of categorization that
extend to all aspects of life, certainly also including diet. Often Chinese thinkers
embraced both the separateness of categories and the idea that they flow into
each other. It is thus easy to find lists of yin and yang contrasts: yin/yang, night/
day, female/male, potential/kinetic energy, tea/wine, eggs/chicken. And it is just
as easy to find an insistence that there are no absolute boundaries because yin
and yang flow into each other as night flows into day. The yin/yang symbol itself
is meant to show both the separateness of the categories (though with a spot of
yin in the yang, and of yang in the yin) and their constant change into each other
(see figure 1.1).
The same tension between correlative categories and constant change also
occurs for all the more elaborate systems developed in China. The Chinese five
elements (wood, fire, earth, metal, water) have long lists of categories associated
with each (for instance, wood correlates with spring, the liver, a straight punch,
12
morning, etc.). Yet they also flow into each other in a constant interaction, and
the Chinese term might better be translated as “the five movements” rather than
the more standard “five elements.” The history of Chinese thought is filled with
play with these systems, along with increasingly elaborate ones like the eight
trigrams, sixty-four hexagrams, twenty-four celestial asterisms, and so forth.
Alongside the love of categories and correlations stood systems of thought
that recognized the artificial nature of all such systems, just as we have been
arguing here. Laozi thus argues in the Daode Jing:
That is why, Laozi continues, the sage teaches without using words. The Buddhist
tradition has equally embraced complex systems of categories while rejecting
the very idea of categories. As the Buddha says in the Diamond Sutra (one of
the most influential texts in Chinese Buddhism), describing the bodhisattva,
someone who has awakened the faith:
There does not exist in those noble-minded Bodhisattvas the idea of a self,
the idea of a being, the idea of a living being, the idea of a person. Nor
does there exist . . . the idea of quality (dharma), nor of no-quality. Neither
does there exist . . . any idea or no-idea. And why? Because . . . if there
existed for these noble-minded bodhisattvas the idea of quality, then they
13
would believe in a self, they would believe in a being, they would believe
in a living being, they would believe in a person. And if there existed for
them the idea of no-quality, even then they would believe in a self, they
would believe in a being, they would believe in a living being, they would
believe in a person.14
All concepts, all categories, all gaps are rejected here. But of course the text can
express itself only in concepts and categories and gaps. Like the Daoist text, it
recognizes that even sophisticated Buddhist categories like the nonexistence of
self and of others exist only by the contrast with ideas of an actual self. No cate-
gory exists without defining difference.
The nature of the gap thus partakes fully of the nature of the category—not
just in Jewish and Chinese thought, but in general. There is no “self ” without
these gaps, nor is there “culture” or “identity.” We construct individual, group,
and cultural differences in the very same move as we construct sameness. Making
a category, conceiving of a thing, interweaves saying what it is along with what it
is not. This process is inherently social, not some residual category, left over and
stitched together from the bits and pieces of a multitude of other beliefs and
orientations. As Gregory Bateson explained, making a map (a literal one as well as
a more metaphorical “mental map”) is precisely about specifying differences. Like
any forms of information, for Bateson, maps show the differences that make a
difference.15 Differences make the category and hence the thing-that-is-the-same.
Just as a continent only is in its relation to the oceans, and Germany in relation to
France, mountains to valleys, meat to milk, and self to nonself, so too one group
of people can be “mapped” only vis-à-vis another ( Jew to Christian, member of
the Middle Kingdom to the rest of the world, Greek to barbarian, etc.).
Lest we be carried away by the impulse to erase these boundaries, to do away
with mapping of difference, to make all one, we should take seriously Bateson’s
claim that difference is the basis of all information; it is the only way we have of
knowing the world and so of living in it. We cannot exist without mapping dif-
ference, physical and cognitive, of mountains, seas, or peoples, of ourselves and
of our others. Without maps (and so without differences) there is no informa-
tion, no knowledge, and so no human or social life. The opposite, however, is also
the case, as Bateson made clear (based on an earlier remark by Korzybski): “the
map is not the territory.”16 It is only the abstracted representation of territory,
the way we know territory. Territory (and the world in general) is fractal, ambig-
uous, ungraspably complex, constantly changing, and slippery of form. Unlike
maps that draw boundaries so clearly, territory proper challenges our ideas of
boundaries, and—when we look carefully—continually upends our categories of
sameness and difference.
14
We may recall here how Benoît Mandelbrot famously argued that the coast
of England was infinite. Even though we may approximate it as an oval, the line is
actually lengthened by a large number of inlets, lengthened again by mini-inlets
within the larger ones, yet again by micro-inlets, and so on forever.18 For most
purposes of concrete mapping, showing such multiplying fractal differences is
not necessary. It is not even plausible, as the silly idea of a 1:1 map makes clear. Just
as we may change maps if we need greater resolution (or need to focus on topog-
raphy instead of street names, for instance), so also CEDAR participants learn
that sometimes their categories prove inadequate for their purposes (of knowing
the other) and so must be put down and other ones fashioned in their stead.
Thus, while we always need to understand, and we cannot understand or know
the world without mapping its differences (and similarities), this knowledge is
always only contingent and task-specific. It is not the essential nature of anything.
This is critical, because so many overriding attitudes present differences be-
tween people as natural, taken-for-granted, and given in a material or ontolog-
ical sense (based on race or age, gender, so-called intelligence, geographic locale,
etc.). And this is pure nonsense, or perhaps pure ideology. Thus, it is certainly
true that the Kyrgyz live in the mountains that surround the Fergana Valley and
the Uzbeks in its plains and valleys. And their different orientations to Islam may
have something to do with these geographic differences; as James Scott taught us,
states have a difficult time climbing mountains, and presumably forms of religion
do as well. Nevertheless, it is a serious category mistake to use geographic location
as a marker of some essence, as some inalienable aspect of being Uzbek or Kyrgyz,
rather than as part of an explanation of emergent historical differences.19 Being
a mountain dweller or valley resident may help us explain why Islamic practice
among one set of people is, on the whole, more lax or strict than another (al-
though there is a host of other variables), but it does not tell us much of anything
about the people themselves.20
Sign
ground/schema
ground/schema
object, interpretant
concept
ground/schema
from the position of these sounds in a great structure of other sounds, whose sys-
tematic differences can encode different categories of meaning—a map of a map.
This approach has been widely influential during the twentieth century,
and we shall not much revisit it here, except to note several limitations. First, it
assumes from the beginning that everyone shares these structures, these maps.
The “culture” or “society” that is the carrier for the language is taken to be a co-
herent whole—assumed to be the same rather than asking whether and how it
comes to be counted as the same. It is worth recalling that Serbo-Croatian was
always discussed as a single language while Yugoslavia survived, but that many
speakers now consider Serbian and Croatian to be separate languages that cannot
and should not cross a national border. Second, poststructuralists in particular
have shown that the relations between signs and their objects are not such a
simple encoding, but that signs have an openness to interpretation, evocation,
and irresolvable ambiguity that structuralists’ maps struggle to address.
Those who know the work of C. S. Peirce will clearly see his influence on our
chart, and we have looked to him primarily because he offers an alternative to
the mapping paradigm of the structuralists.21 In almost all of his writings on the
topic, Peirce emphasized that meaning grows out of at least three elements: sign,
object, and interpretant. While sign and object are roughly similar to what the
structuralists discussed, the idea of an interpretant is quite different. Signs do not
automatically convey meanings for Peirce. Instead a meaning must be pulled out
of the many possible ways of understanding how a sign relates to an object. He
calls that end result of interpretation the interpretant.22 Peirce was a philosopher,
not a social scientist, and so was not particularly interested in the social correlates
of the process of interpretation. Nevertheless, by adding the concept of the inter-
pretant he immediately opened up the field of social inquiry. Social and cultural
unity—sameness—is no longer assumed here but becomes open to question.
Scholars of Peirce will also recognize the concept of “ground” from his work,
but its status in Peirce’s system of thought is far less clear than his basic triangle
of “sign, object and interpretant,” and it appears to have changed over time. Some
argue that he eventually abandoned the idea, and others that he reduced the
ground to one of the other three categories. Still others, however, see it as a cru-
cial step in the construction of an interpretant—the basis for deciding what in-
terpretation of a particular sign-object relation will be chosen.23 While we cannot
contribute to a philosophical debate about what Peirce meant, we have found this
conception of ground to be a very useful starting point, especially in its relation-
ship to the interpretant.
Our understanding of the relationship between ground and interpretant has
been helped immensely by Gombrich in his book Art and Illusion: A Study in the
Psychology of Pictorial Representation. He gives a number of wonderful examples
18
of Chinese painters who painted the English lake district to look like Chinese
landscapes rather than English countryside. The “schema” of Chinese landscape
conventions of the late Qing dynasty provided the lens through which these
painters viewed nature. The result was nothing like the English picturesque of
the late romantic period. In Gombrich’s words, “[T]he relatively rigid vocabulary
of the Chinese tradition acts as a selective screen which admits only the features
for which the schema exist. The artists will be attracted by motifs which can be
rendered in his idiom.”24 Needless to say, the same is true for the English painters
of the same scenery. Gombrich’s concept of a schema has been vital in our under-
standing of the role of the ground in shaping interpretation.
As an example, the painting in figure 1.3 is a rendering of Merton Field in
Oxford by the Chinese artist Chiang Yee, who lived in England. It is included in
his book, The Silent Traveller in Oxford, published in the 1940s. Gombrich used
similar images to illustrate his point on cultural conventions and the schema or
ground.
The portrait in figure 1.4, attributed to Gentile Bellini (ca. 1492), tells a
similar tale—here of the imposition of European portrait conventions on an
Ottoman ruler.
Gombrich writes that a “representation is never a replica. The forms of art,
ancient and modern, are not duplications of what the artist has in mind any more
than they are duplications of what he sees in the outer world. In both cases they
are renderings within an acquired medium, a medium grown up through tradi-
tion and skill—that of the artist and that of the beholder.”25 That acquired set of
traditions and skills is the schema, shared by some artists and viewers but by no
means immutable. Schemas are, for certain people, places, and times, ways of de-
ciding how to interpret the relationship between a sign (a painting, in this case)
and its object. They evolve and argue with each other, they are learned, reworked,
or rejected by new generations. They are guides that suggest what we should
count as the same.26
Our interest in the ground or schema is in its connection to the person or
persons interpreting the sign. In the process of creating an interpretation, the
ground is the vital step in showing how to develop an interpretant out of a sign
and object. That is why our chart shows the ground as the underlying framework
that shapes the relationships among sign, object, and interpretant. Our interest is
thus especially in the relationship between ground (or schema) and interpretant,
rather than focusing solely on the sign-object relationship. This shift adds a cru-
cial social dimension to our understanding of categories (that is, of signs, because
categories are signs of what falls into their class or set).
Let us return for a moment to our earlier example of using geographic location
as sign or category whose object is religiosity in Kyrgyzstan. One kind of ground
19
for interpreting the difference between those who live in the mountains and those
in the valleys is to assume a simple decoding of sign and object, where residence
alone indexes religiosity, for instance that mountain Kyrgyz are more likely to
drink than valley Uzbeks, or even to celebrate Ramadan by toasting Muhammad
with vodka. This reading would be something like the following: Kyrgyz are
lax Muslims because they are from the mountains (and Kyrgyz say this about
themselves as well), hence they do not spurn alcohol as any good Muslim should.
20
This is not simply an Uzbek prejudice against the Kyrgyz, who will sometimes
also accept their own laxness toward Islamic prescriptions, sometimes saying that
it is harder for them because they live in a mountain environment. Interpreted
through this particular ground, mountain residence is a simple sign that people
are poor Muslims who drink, among other inadequacies.27 Yet there are also other
ways to ground the sign of mountain residence that do not read it as a simple
index of weak Islamic practice. We can also insist that all such social geographies
be seen as varied mixes of individuals, replete with multiple meanings needing
decoding and not just as a thing, a simple “object” in itself.
Further examples abound of grounding a sign as a simple indicator of an ob-
ject. One of us is an observant Jew, which is sometimes taken (incorrectly) as an
21
unproblematic sign of attitudes about Israel and the occupied territories. Other
grounds and thus other interpretations are of course possible, for example that a
Jewish head covering indicates instead a daily practice of ritual observance, which
has no necessary correlation with political attitudes.
To take another religious sign: there are competing grounds for
interpreting the sacrifice of the Kurban (which commemorates Ibrahim’s
willingness to sacrifice his son Ishmael) among Bulgarian Pomaks (ethnic
Bulgarian Muslims) in the Rhodope Mountains.28 Is this a strictly religious
event, or is it a sign of an ethnonational identity challenging the category of
Bulgarianness? These competing interpretations were a major concern during
the Renaming/R evival process in 1984–1989, when the Bulgarian authorities
repressed all expressions of Turkish and Muslim identity among the popula-
tion. The authorities frowned on the practice of Kurban, grounding it as a
sign of “Turkishness” and thus a challenge to the ethnic unity of Bulgaria.29
The locals responded with alternative schema: that they were completely
Bulgarian in every way and that the sacrifice was simply a matter of religious
practice and tradition.
Is a Palestinian youth wearing a T-shirt with the picture of a watermelon on
it (whose colors of red, white, green, and black echo those of the Palestinian flag)
signing his support for the PLO or just wearing a stylish shirt? This case actually
came up in an Israeli court in the early 1980s, when the PLO was still deemed a
terrorist organization and it was illegal publicly to represent the Palestinian flag.
In each of these cases, multiple possible grounds led to multiple possible and
competing interpretations.
The relationship of ground/schema to sign is very similar to that between
frame and message, as discussed by Bateson in his classic studies of play and
fantasy.30 How, he asked, could a dog know whether a bite was play or attack?
The answer, of course, lies in wagging tails and standing ears. The wagging tail
sets the frame; it establishes the ground that allows the bite to be interpreted as
play rather than aggression. The frames of play or attack allow the creation of
an interpretation; the sign—the bite—alone is not enough. The schema/ground
mediates how the sign comes to be understood, as we have sketched this process
in figure 1-2.
As we can see, the relationship of sign to object is never a straightforward
decoding. The ground or schema always mediates the construction of the in-
terpretant through its vocabulary of attitudes and associations, meanings and
assumptions—the map of differences within which the interpretation of the sign
takes place. The ground does not just tell us how to choose among interpretations;
it also tells us how to interpret. That is why the choice of ground ties so intimately
to social power. Grounding is not always about saying that one particular sign
2
should be decoded as some particular object. There are many different ways
of counting as the same, as we will discuss, and the ground is where we choose
among them.
The ground or schema is thus critical to the process through which we construct
our categories, our maps of sameness and difference. Different types of ground/
schema provide different types of meaning or, more concretely, different modes
of sameness and difference. They shape different types of gaps, different types of
differences and different types of sameness. Attending to the ground leaves open
the possibility of reworking the sign/category through a process of interpretation.
While structuralists have focused on the relation of sign and signified, for us it is
instead the social dimension, the negotiation of a schema, that opens the possi-
bility for different meanings, different ways of interpreting the sign.
This book focuses on how the ground helps shape interpretants because
that is the crucial step in understanding how we create sameness and difference.
The nature of the relationship between ground and interpretation cannot be
assumed—the ground does not simply tell us how to decode a particular sign. It
does something even more fundamental by telling us how to count as the same.
We focus on three different kinds of answers to the question of how, which we
loosely call memory, mimesis, and metaphor. Each structures a particular way
of being the same and so also a particular way of being different. By creating
categories of a particular kind, each also creates very specific types of “gaps.” Most
important for our purposes, each carries within it different forms of solidarity, as
well as different types of boundaries and different attitudes toward what lies be-
yond those boundaries.
To put it another way, this study inquires into what we do when we “do”
together. How do any of us come to think that we share a world, fully cogni-
zant of the fact that we are all, ultimately, inhabitants of different worlds? Our
differences, after all, begin at our birth and end with our death. Our worlds in-
tersect with many others in very different ways and for very different lengths of
time, but they are also irreducibly unique and singular. This can be parsed into a
number of more concrete questions.
• How can the self “other” itself ? How can it manage to decenter itself and see
itself as another sees it? How, in Rimbaud’s famous phrase, can we understand
that “je est un autre?”
• In the most general of terms, how do we manage to construct both sameness
and difference at the same time?
Memory
The recent literature on social memory has been built especially on the
insights of Maurice Halbwachs, who held that memories were never the simple
continuations of lived experience that we usually imagine.31 Instead memories are
always constructed after the fact and based on existing social frames (including
language itself ). In this sense, no matter how personal and private we may con-
sider a particular memory to be, all memories are inherently social. As groups
we negotiate together what constitute the salient parts of memory, and even as
individuals we remember only through frames that already exist. Memory’s con-
struction of what counts as the same is not just the static trail left by past expe-
rience but an active process of shaping the parts to be retained and forgetting
the rest, the way we eject most of the details of daily experience when we write
histories or ethnographies.
24
set up its own separate altar. Memory as the imagined continuity of a shared past
thus helps draw a clear line between those within the group and those beyond it.
Memory creates both groups and the gaps that separate groups—the gaps be-
tween those who share the memory and those who do not, between us and them.
Neighboring altars have different ancestors, show loyalty to different deities, and
recall different family histories. On the other hand, people in areas that still use
these altars also recognize that there are even greater gaps separating them from
those people who do not honor their ancestors at all (such as Americans). The
situation recalls Plutarch and the Cretans, who unite by recognizing the gap that
separates them from their enemies and (temporarily) ignoring the gaps that sep-
arate them from each other.
Memory also creates a second kind of gap, which may be less obvious.
Memories take place in the present, but they concern the past. Remembering is
also realizing that the past is gone. Perhaps ancestors make this especially clear
because they are the dead. The living and embodied personality of a mother, in
all the complexity of her interactions with the rest of us, dies with her even if,
for some people, ancestors are still with us in a sense. We cannot remember her
in our thoughts or memorialize her by burning incense or cleaning her grave
without also knowing that she is gone. This gap is less stark for other kinds of
memory—perhaps like the fond recollection of a trip to the Eiffel Tower many
years earlier—but it is still there. The memory of Paris is not Paris.
The gap between the present and the past means that there is a constant
tension in all forms of memory. Assmann’s description of the transition from
everyday, communicative memories to more abstracted cultural and collective
memory points to one way of reducing the tension by concretizing memories
and trying to make them permanent. A history museum, for example, creates
one form of collective memory, allowing us to imagine the past as if it were still
present—as if it were “the same” as the present. In a much more condensed way,
so does a flag. Ancestral tablets are another way of trying to accomplish this tran-
sition, although there is no equivalent for miniature Eiffel Towers. In some parts
of China, this process can sometimes also happen on the grander scale of lineage
halls and written genealogies. Each of these congeals memory into a more perma-
nent form that can last across the generations.
As a way of defining what counts as the same, memory is thus a powerful
mechanism to create group solidarity. The simple analysis suggested above for an-
cestral altars can certainly be expanded to stories of gods as well as other aspects
of local history in many different countries and locales. It can be made permanent
through a wide range of material objects, from temples to gazetteers. At the same
time, however, the groups created through memory separate out others who are
not part of the memory. Memory also shows its limits in the gap between present
26
and past. We try all kinds of ways to make memory continuous and permanent,
but all memories are of things that have gone or have changed, and it is impossible
to remember without also knowing that something has been lost. Resolution of
that problem requires other ways of counting things as the same.
instance—takes us across the boundary of canvas and paint to some earlier ar-
tistic vision. We know we are not standing in the same landscape that the artist
viewed or imagined, but for those moments when we look at the painting in a
certain way it counts as if it were the same as the original. That is, there is always
a boundary between painting and natural landscape, but it is a permeable barrier
that we can cross. Ritual reenactments are no different. Modern Jews know that
they are not living through the exodus in a physical sense, but during Passover
they can imaginatively cross the boundary. Chinese families know that siblings
may fight each other, that a grandfather is annoying and an uncle is greedy and
ruthless. At the New Year, however, everyone can imagine themselves for one day
as just family, the “same” family as last year and next year—even though they
know that the next day they will return to their squabbles.
Ritual has the potential to mold different sorts of social groups than memory
does. Rather than erecting impassable boundaries of remembered heritage like
the ones around the Cretans, ritual’s boundaries must be crossed, at the very least
as people move in and out of the ritual moment. In many cases, shared rituals
have also allowed a kind of vibrant pluralism that is harder to organize through
memory alone. We know of many historical cases where rituals cross ethnic or
national boundaries. This was true in the Hellenistic world and still occurs in
Macedonia, for example, when Muslims and Christians take turns worshipping in
the same sacred spaces.33 Michael Carrithers theorized this process as “polytropy,”
or spiritual cosmopolitanism, when he discussed widely shared, cross-religious
ritual traditions in India.34
Rituals repeat, and many repeat with a clear annual, monthly, or daily rhythm.
Each repetition takes us back to the one before and forward to the one in the
future. In this sense, mimesis resolves the gap between past and present that
memory creates. It creates a different kind of time that repeats itself in pulses.
Mimetic time is not the same as historical time. That is, by claiming that the
current ritual counts as the same as past performances, we mark a kind of time
when nothing fundamental really changes. Mimesis can thus have a very hard
time dealing with actual change. At the religious level, we see such challenges
to ritual when Buddhism entered China, when the Dionysian cult entered the
Greek world, or when some Jews recognized Jesus as the Messiah.
Purely social and political change, of course, can present intractable problems
for repetition as a way of thinking about what counts as the same. Mimesis
counteracts the flow of history and the arrow of time, but history flows anyway.
This is one reason why strongly ritualized periods are always eventually challenged
by new ideas that accuse the old ritual liturgies of being purely superficial, even
hypocritical. Mozi’s Warring States period critique of Confucianism was just such
an attack. In recent times, so were the twentieth-century attacks on traditional
28
Metaphor
Challenges to ritual authority remind us that sometimes a sense that things count
as the same can be created anew rather than being built out of memory or mi-
mesis. This is what metaphors do: they accept existing categories but reveal a new
relationship between them that people did not see before. When Shakespeare’s
Macbeth describes life as “but a walking shadow, a poor player, that struts and
frets his hour upon the stage,” he uses categories (life, walking, shadows, actors)
that we all know well, but he combines them in a way that can lead us to think
about life in a new way.
In religion, such moments of new realization fall generally into the realm of
prophets and revelations. If Jesus is the son of God, then suddenly the whole
world looks different. If Hong Xiuquan is Jesus’s younger brother, then it is
different again. David Frankfurter has documented this kind of process in his
work on desert prophets in the area around Egypt during the very early years of
Christianity.35 He shows how those early holy men healed the sick by attacking
demons in the name of Jesus. Like all metaphors, this one created a new connec-
tion. It combined existing ideas to help forge a new world. There was nothing
innovative in Egypt at that time about either demons that caused illness or
exorcisms that healed them. The innovative aspect came from combining that
tradition with an insistence on Christian monotheism—that no other forms of
healing could be legitimate. Local people may well have interpreted this healing
spirit of Jesus as simply a stronger god than the others, but the new connection
nevertheless led them down the path of monotheism and thus of what would
eventually be radical new ideas. An old framework of demonic illness thus came
to be completely reworked.
Very similar metaphors underlie some patterns of Christian conversion in
contemporary China as well. Especially in more rural parts of China, healing has
been one of the main engines for Christian expansion. For many people, the em-
pirical fact of healing itself is what draws people in. That is, they begin with a more
standard rural Chinese religious framework of religious healing, but once they
enter the Christian frame, then many other aspects of the new metaphor become
salient. Most obviously, monotheism comes to challenge the earlier, more open
29
polytheism, just as it did in the Egyptian desert. For some congregations, this
can mean a radical separation from some aspects of village life. Some Christians
will publicly burn their ancestral tablets, for example—dematerializing and
dissipating those crucial memories that had been so concretely installed on home
altars. Most will stop visiting local temples, and some will protest even the setting
off of firecrackers by other villagers carrying out their traditional rituals. Added
to the marriage endogamy that some Christians practice, we have a very new way
of counting people as the same—a new fraternity of brothers in Christ rather
than brothers in genealogy.
Metaphor opens possibilities for fundamental change and can thus chal-
lenge the social ties created through memory or mimesis. The introduction of
Christianity breaks open old groupings and creates the possibility for completely
new kinds of solidarity. Metaphor can make it far easier to open a group to
people previously dismissed as strangers. The multiethnic nature of the Taiping
Rebellion provides one example of this dynamic. Buddhism does something sim-
ilar but less radical when it pulls people out of their home communities into new
groups formed around devotion to a particular monk or temple, often combining
people from many different local places. As we shall see in c hapter 7, radical sec-
tarian Protestantism, whether in England, the Netherlands, or France, did much
the same in sixteenth-and early seventeenth-century Europe as new covenanted
communities of “visible saints” formed new communities based on their readings
of biblical Israel.
Metaphor opens up new worlds of possibility, though we would not wish to
suggest that it is the best path to pluralism. It certainly can foster new kinds of
alliances, but it can just as easily cut old alliances apart and pit one group against
another. As we will discuss later in the book, the Taiping Rebellion in China
opened up the possibility of a new kind of alliance in rural Guangxi that brought
together all kinds of people. At the same time, they drew a fierce line between
humanity (i.e., all those who joined the cause) and the inhuman—the “imps
and demons,” especially in the Qing government, who opposed them. God had
given Hong a sword to slaughter those imps, and the result was one of the largest
cataclysms in world history. In another example we will take up later, the hos-
tile and oftentimes violent relations between Jews and Christians during the two
millennia of their existence together have much to do with metaphor and its role
in separating groups of people rather than bringing them together.
Metaphor can be an extraordinarily powerful way of letting us create new
visions of sameness and difference. It offers a kind of time and history very dif-
ferent from memory or mimesis; metaphor’s time can change in a moment. It is
not just the lost past of memory or the rhythmic stasis of ritual. On the other
hand, metaphor is also ephemeral. It can fail—that is, people sometimes fail to
30
make the connection and the metaphor has no socially important consequences.
Even when it succeeds, however, it is unstable, like all moments of true change.
Metaphors are always open to reworking and revision. They succeed in the long
run only by stabilizing themselves. In works of philosophy dedicated to metaphor
such success stories are usually dismissed as “dead” metaphors, but we can also see
such a “death” as its ultimate success: a dead metaphor is one that has succeeded
so well in causing us to understand the world in a new way that we no longer feel
any shock of the new.
In the terms we are trying to develop here, this process is not actually the
death of metaphor but the transformation of metaphor into one of the more
stable forms: memory or mimesis. Metaphors become permanent when we con-
cretize them in monuments or repeat them in rituals.
Broader Themes
Together the different ways we count things as the same and different address
some of the overriding challenges of human social existence. We will work
through some of these implications in later chapters, but for now let us just
broach some of the broader issues. For instance, memory, mimesis, and metaphor
deal with the conundrums of time in very different ways. For memory, time is
understood to be continuous (so much so that its flow is in fact denied). Mimesis
instead posits time as iterative. Time and the events of time repeat themselves,
and though each occurs in what is clearly a different “moment” in time, these
differences are ignored and the repetitive aspect is highlighted. In metaphor, time
32
is a vehicle of transformation, and the events and placing of events in time are
accorded new meanings and significations.
Each, too, addresses issues of identity in different ways. Memory, as we have
suggested, encourages the most bonded and bounded, the most hermetically
sealed of identities. Mimesis allows for the possibility of multiple identities, at
least in the transformation between the iterated and noniterated moments. This
possibility of different identities is a potential that offers a greater openness to the
other than is found in memory. Metaphor goes far beyond mimesis, in essence
changing and converting identities. It plays with transfiguration and change and
emergent definitions of identity not previously imagined.
With identity of course comes difference, its mirror opposite in a sense. And
so, not surprisingly, memory gives us absolute differences. Either you were a
participant (real or imagined) in the storied event or you were not. Mimesis
is much more permeable: difference exists, boundaries between entities are
formulated and posited but are not absolute. There is room for negotiation,
room for some sharing, some permeation of frames and boundaries. Difference
is more like the walls of a living cell rather than of a city. Finally, metaphor
overcomes difference, dissolving an old boundary while reconstituting new
ones. Metaphor disperses boundaries just as surely as memory attempts to seal
them shut.
The fundamental societal challenge of sameness (and so of difference), how-
ever, is empathy and the related issue of trust. How can we construct sameness and
difference at the same time, how can we feel closeness to someone without losing
the boundary, be linked without any merging of self and other? Empathy requires
us to retain the boundary and transcend it at the same time.
As we hope to show in the chapters that follow, the different ways of
counting as the same create very different potential senses of group and indi-
vidual identity. It is not just that the particular group identifications change.
Far more crucial is that the grounds for understanding what an identity is can
be very different depending on the schema. Insofar as we think real empathy
and real pluralism are possible, it is in the play of these different senses of
identity.
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These were the questions which the poor exile had occasion to
revolve in his mind; and after his son and daughter joined him, and
the few dollars he had brought with him were nearly exhausted, it
became necessary that he should decide upon some course of
action. Nor were these considerations those alone which occupied
his mind. He had also to reflect upon the degradation of his country
—the ruin of those hopes of liberty which had been indulged—the
wreck of his personal fortunes—and the exchange, in his own case,
of independence for poverty.
It requires a stout heart to bear up against such misfortunes, and
at the same time to support the heavy burden which is added in that
bitter sense of wrong and injustice, which comes again and again,
under such circumstances, to ask for revenge or retribution. But
Pultova was not only a man of energy in the field—he was
something better—a man of that moral courage which enabled him
to contend against weakness of heart in the hour of trouble. I shall
best make you understand his feelings and character by telling you
how he spoke to his children, a few weeks after their arrival.
“My dear Alexis,” said he, “you complain for want of books, that
you may pursue your studies and occupy your mind: how can we get
books in Siberia, and that without money? You are uneasy for want
of something to do—some amusement or occupation;—think, my
boy, how many of our countrymen are at this very hour in dungeons,
their limbs restrained by chains, and not only denied books and
amusement, but friends, the pure air, nay the very light of heaven!
Think how many a noble Polish heart is now beating and fluttering,
like a caged eagle, against the gratings that confine it—how many a
hero, who seemed destined to fill the world with his glorious deeds,
is now in solitude, alone, emaciated, buried from the world’s view,
and lost to all existence, save that he still feels, suffers, despairs—
and all this without a friend who may share his sorrow! How long and
weary is a single day to you, Alexis; think how tedious the hours to
the prisoner in the prolonged night of the dungeon!”
“Dear father,” said Alexis; “this is dreadful—but how can it help
our condition? It only shows us that there is deeper sorrow than
ours.”
“Yes, Alexis; and from this contrast we may derive consolation.
Whether it be rational or not, still, by contemplating these deeper
sorrows of our fellow-men, and especially of our fellow-countrymen,
we may alleviate our own. But let me suggest another subject for
contemplation: what are we to do for food, Alexis? My money is
entirely gone except five dollars, and this can last for only a few
weeks.”
“Why, father, I can do something, surely.”
“Well, what can you do?”
“I do not know—I cannot say; I never thought of it before. Cannot
you borrow some money?”
“No; and if I could I would not. No, no, Alexis, our circumstances
have changed. It is the will of God. We are now poor, and we must
toil for a subsistence. It is a grievous change—but it is no disgrace,
at least. We are indeed worse off than the common laborer, for our
muscles are not so strong as his; but we must give them strength by
exercise. We have pride and long habit to contend with; but these we
must conquer. It is weakness, it is folly, to yield to circumstances. If
the ship leaks, we must take to the boat. Heaven may prosper our
efforts, and bring us, after days of trial, to a safe harbor. But my
greatest anxiety is for poor Kathinka.”
“Fear not for me,” said the lovely girl, rushing to her father and
kneeling before him—“fear not for me!”
“Kathinka, I did not know you was in the room.”
“Nor was I till this moment; but the door was ajar, and I have
heard all. Dear father—dear Alexis—fear not for me. I will be no
burthen—I will aid you rather.”
“My noble child!” said the old man, as he placed his arms around
the kneeling girl, and while his tears fell fast upon her brow, “you are
indeed worthy of your mother, who, with all the softness of woman,
had the energy of a hero. In early life, while contending with
difficulties in my business, she was ever my helper and supporter. In
every day of darkness, she was my guiding-star. She has indeed
bequeathed her spirit to me in you, Kathinka.”
“My dear father, this is indeed most kind, and I will endeavor to
make good the opinion you entertain of me. See! I have already
begun my work. Do you observe this collar? I have foreseen
difficulties, and I have wrought this that I may sell it and get money
by it.”
“Indeed!” said Pultova, “you are a brave girl;—and who put this
into your head?”
“I do not know—I thought of it myself, I believe.”
“And who do you think will buy this collar, here at Tobolsk? Who
can pay money for such finery?”
“I intend to sell it to the governor’s lady. She at least has money,
for I saw her at the chapel a few days since, and she was gaily
dressed. I do not doubt she will pay me for the collar.”
At these words a bright flush came to the old man’s cheek, and
his eye flashed with the fire of pride. The thought in his mind was
—“And can I condescend to live upon the money that comes from
the wife of the governor, the officer, the tool of the emperor, my
oppressor? And shall my daughter, a descendant of Poniatowsky, be
a slave to these cringing minions of power?” But he spoke not the
thought aloud. A better and wiser feeling came over him, and kissing
his daughter’s cheek, he went to his room, leaving his children
together.
A long and serious conversation ensued between them, the result
of which was a mutual determination to seek some employment, by
which they could obtain the means of support for their parent and
themselves. A few days after this had elapsed, when Alexis came
home with an animated countenance, and finding his sister, told her
of a scheme he had formed for himself, which was to join a party of
fur hunters, who were about to set out for the northeastern regions of
Siberia. Kathinka listened attentively, and, after some reflection,
replied—“Alexis, I approve of your scheme. If our father assents to it,
you must certainly go.”
“It seems to me that you are very ready to part with me!” said
Alexis, a little poutingly.
“Nay, nay,” said the girl; “don’t be playing the boy, for it is time that
you were a man. Think not, dear Alexis, that I shall not miss you;
think not that I shall feel no anxiety for my only brother, my only
companion, and, save our good parent, the only friend I have in
Siberia.”
Alexis smiled, though the tear was in his eye. He said nothing,
but, clasping Kathinka’s hand tenderly, he went to consult with his
father. It is sufficient to say, that at last his consent was obtained,
and in a few days the young hunter, by the active efforts of his sister,
was equipped for the expedition. The evening before he was to set
out, he had a long interview with Kathinka, who encouraged him to
procure the finest sable skins, saying that she had a scheme of her
own for disposing of them to advantage.
“And what is that precious scheme of yours?” said Alexis.
“I do not like to tell you, for you will say it is all a girl’s romance.”
“But you must tell me.”
“Indeed—I must? Well, if I must I will. Do you remember the
princess Lodoiska, that was for some time in concealment at our
house during the siege of Warsaw?”
“Yes; I remember her well. But why was she there? and what
became of her? And did father know that she was there? or was it
only you and mother and me that saw her?”
“Too many questions at once, Lex! I will tell you all I know. The
princess was accidentally captured by father’s troop in one of its
excursions to a neighboring village. She had fled from Warsaw a few
days before, when the insurrection first broke out, and she had not
yet found the means of going to St. Petersburgh. Father must have
known who she was, though he affected not to know. He kept the
secret to himself and his family, fearing, perhaps, that some harm
would come to the lady if she were discovered. It was while she was
at our house that our blessed mother died. Father, you know, was at
that time engaged with the Russians, without the walls. The princess
and myself only were at mother’s bedside when she breathed her
last. Her mind was bright and calm. Indeed, it seemed to me that
there was something of prophecy in her spirit then. A look so
beautiful I never saw. ‘Sweet lady,’ said she, taking the hand of the
princess, ‘I see how this dreadful strife will end. Poor Poland is
destined to fall—and many a noble heart must fall with her. I know
not that my gallant husband may survive; but if he do, he will be an
exile and an outcast. For him, I have few fears, for I know that he
has a spirit that cannot be crushed or broken. In Siberia, he will still
be Pultova. But, princess, forgive if a mother’s heart, in the shadow
of death, sinks at the idea of leaving children, and especially this
dear girl, in such circumstances. What will become of Kathinka, if my
fears prove prophetic?’
“The lady wept, but answered not for some time. At last she said,
looking into mother’s face, which seemed like that of an angel—‘I
feel your appeal, dear lady, and I will answer it. Your husband has
indeed put my life in peril, by bringing me here; but he did it in the
discharge of duty, and in ignorance of my name and character. He
has at least given me safety, and I owe him thanks. I owe you, also,
a debt of gratitude, and it shall be repaid to your child. You know my
power with the emperor is small, for I have been a friend to Poland,
and this has almost brought me into disgrace at court. But fear not. If
Kathinka should ever need a friend, let her apply to Lodoiska.’
“Such were the exact words of the princess. Our mother soon
after died, and in a few days I contrived the lady’s escape,—which
was happily effected. Father never spoke to me on the subject. He
must have known it, and approved of it, but perhaps he wished not to
take an active part in the matter.”
“This is very interesting,” said Alexis; “but what has it to do with
the sable skins?”
“A great deal—they must go to the princess, and she must make
a market for them at court.”
“And who is to take them to her?”
“You—you perhaps—or perhaps I.”
“You? This is indeed a girl’s romance. However, there can be no
harm in getting sable skins, for they bring the best price.” After much
further conversation between the brother and sister, they parted for
the night; and the next day, with a father’s blessing and a sister’s
tenderest farewell, the young hunter set out on his long and arduous
adventures.
(To be continued.)
The Wolf that pretended to be robbed.
CHAPTER VI.
Journey to Mount Ætna.—Mule travelling.—Neglected state of the
country.—Melilla, the town of honey.—Narrow escape of the
author.—Prospect of Ætna.—A Sicilian village and country-
house described.—Comparison of Sicily with New England.
CHAPTER VII.
Perilous adventure in crossing a river.—A Sicilian ferry-boat.—
Enormous size of Ætna.—Inhabitants of the mountain.—
Another accident with the mules.—Arrival at Catania.
Having rested our mules and munched a bit of dinner, we set out
again, meaning to arrive at Catania before night. We passed by
some beautiful green fields and groves of olives, but a short time
afterward the track led us toward the sea, and we came to a bare,
sandy plain. Here was a river in our way, with a wretched straw hut
on the bank, inhabited by a man who kept a ferry-boat. We
dismounted and crossed in the boat, but the mules were led up the
stream to go over a ford at some distance. After passing this stream,
we found the country wilder than ever: it consisted of sand-hills,
overgrown here and there with low bushes and coarse grass, like the
land at Cape Cod. Presently we came to another river, where there
was no boat, nor house, nor human being, to be seen. One of the
muleteers approached the stream with a long pole, to sound the
depth of the water. It was not very deep, but the bottom was a
quicksand, and the sounding-pole sunk into it till he found there was
no firm bottom. He went up and down the bank, trying other places,
but could not find a spot that was passable.
We were now in a great perplexity. I could not imagine any
possible means of getting across; the muleteers held a noisy talk
together about what was to be done, and at last led the way along
the bank down stream. I asked where we were going, and was told
that at the mouth of the river was a sand-bar, firm enough to allow us
to cross upon it. In about a quarter of an hour, we came to the sea-
shore. There was a smooth, sandy beach all along the coast, and
the tide ran out of the river with a pretty rapid current. The bar was
several feet under water, and the heaving of the sea, with the rapidity
of the tide, made a great surf. I thought it a very dangerous thing to
ride out into the ocean through the surf of a sand-bar, for the
purpose of crossing a river, but there was no other way, and we
pushed on. The head mule was frightened as he entered the sea,
and seemed unwilling to proceed. One of the muleteers dismounted,
and led him by the bridle into the surf, wading up to his middle in the
water. By a good deal of coaxing and pulling, he made him advance.
The mules are so accustomed to follow one another in a string, that
the head one is sure to lead all the rest wherever he goes, so the
whole file of them plunged in after him. When I had got a
considerable distance out on the bar, my animal became frightened
at the waves that were tumbling about his legs, and he sidled off into
deep water. I expected hardly anything less than to be drowned, for,
on finding the water rising up to his back, he grew so bewildered that
he was unable to tell which way he was going, and would have
carried me directly out to sea if I had not pulled in the reins with all
my might, and brought him to a full stop. After allowing him to
recover his breath a little, I drew his head round in the proper
direction, and forced him onward; by repeated trials, I regained a
shallower spot, where he grew more quiet, and finally got to land. All
the others crossed the bar in safety.
The country after we passed the river was sandy and wild,
abounding in marshes and lagoons, where we saw a great many
wild ducks. Late in the afternoon we came to another stream, much
broader and deeper than any of the others. There was a large
ferryboat like a mud-scow, which carried us over, mules and all. The
animals made a terrible uproar on board, kicking, pushing and biting
each other at a furious rate. The boat had neither oars nor sail, but
was moved by a rope stretched across the stream from shore to
shore. The banks of the river were soft and clayey, and there was a
clumsy sort of wharf for a landing-place, made of sticks and bushes
tied together.
This river was anciently named Syn[oe]thus; at present it is called
Giarretta. It is remarkable for containing amber, which is carried
down to the sea in its waters, and afterwards thrown up on the beach
by the waves, for many miles along the coast. A great many persons
are constantly searching along the beach for this precious material.
After my arrival at Catania, I saw a fisherman who had just picked up
four or five highly valuable lumps. They were of a beautiful yellow
color, and of the most transparent clearness I ever saw. It is well
known that this article is made into beads and other ornamental
work, but the nature of its origin has never been satisfactorily shown.
From the masses being often found in the shape of tears or globules,
like bulbs of turpentine or gum, it was formerly supposed to be some
hardened vegetable matter; but no tree has ever been discovered
exuding amber. Sometimes insects are imbedded in the lumps, and
this has led many persons to imagine that the insects manufacture it,
as the bees make wax. It is remarkable that it is never found
originally on land, and nowhere except on the sea-beach. This part
of the Sicilian coast, and the Prussian shore of the Baltic, produce
the most of it. It is also found on the shores of the Adriatic and the
coast of Maryland.
It was some time before we got ready to start from the ferry after
crossing. The mules had become so antic from their squabble in the
boat, that they continued to bite and kick and jostle one another,
squealing and whirrying most terribly. Several of them threw off their
loads in the hurly-burly, and we were forced to bang them lustily with
sticks before they would be quiet. At last we mounted and set off
again, and I was glad to hear that there were no more rivers to cross
on the way to Catania. A little boy, who sat on one of the mules
between two great packs, kept singing all the way. Some of the flat
marshy spots were all overgrown with canes, such as we use for
fishing rods: they were fifteen or twenty feet high. The country
people make use of them to prop their vines, as we set up poles for
beans. I saw many laborers in the vineyards along the road, setting
the vine-props; these are taken down when the grapes are gathered,
and the tops of the vine-stalks are cut and dried for fuel. During the
winter, the vine looks like a dead and worthless stump, but it sprouts
anew in the spring, and by midsummer shoots up to the top of the
pole.
Every step of our journey brought us nearer to the great volcano,
which more and more excited my wonder as I approached it. I could
now plainly distinguish the numerous hills which stud its whole lower
surface like warts. Many villages appeared scattered about in
various parts of the mountain. I never before had any idea of its
enormous magnitude. There are thousands of people who live at a
great height upon this mountain, and have never been off it during
their lives. Yet it is always smoking at the summit, and often bursts
out in fiery eruptions, that lay waste whole towns and destroy many
of the inhabitants.
Long after the sun had set to us, I continued to see the snowy top
of Ætna brightened with his declining rays. As it grew dark, our road
led us down to the sea-shore again, and we travelled many miles
along the sandy beach. The mules were sadly tired with their long
journey; every five minutes one of them fell from utter weariness and
inability to sustain his load. The muleteers set them on their legs
again, gave them a sound beating, and drove them onward. In the
dark, I rode against the mule who was trotting before me: the beast,
either being more vicious than the others, or rendered cross by
fatigue, gave a kick, which was intended for my animal, but missed
him, and struck me on the left leg. The pain of the blow was so great
that I fell instantly from the saddle upon the ground, and should have
been left there in the dark, if I had not bawled out loudly. The whole
train was stopped when the accident was known. My first belief was
that my leg was broken; upon feeling the bone, however, no fracture
could be perceived; and, after a good deal of chafing, the pain
somewhat abated, and I was helped again into the saddle. I jogged
on slowly, keeping a sharp look-out for fear of another accident,
having had adventures enough to satisfy me for one day. This affair
delayed our progress so that we did not reach Catania till late in the
evening, when it was much too dark to see anything of the city. I
must therefore reserve my description of the place for the next
chapter.
Balboa discovering the Pacific.