PIANO TOWN

Level 3 . Lessons
By Keith Shell & Diane Hidy

lsBN 0-8497-7327-X
© 2004 Kjos Music Press, 4382 Jutland Drive, San Diego, California. International copyright secured. All rights reserved. Printed in U.S.A.
Warning! Governments around the world provide copyright laws to encourage composition and publication of new music.
Anyone copying music without permission is breaking the copyright law and is subject to penalties. Please do not violate copyright laws.
Do not copy or reproduce the contents of this book in any way. Thank you!
 Dear Teachers, Students, and Parents,

Welcome to Piano Town - a method for beginning piano students ages six and up. The
course of study is divided into five levels. Each level has four correlated books:

Primer Level one Level Two Level Three Level Four

Lessons Lessons Lessons Lessons Lessons
Theory Theory Theory Theory The ory
Tech,nic Tech,nic T ech,nic Te chni,c Technic
P erformance P erformonce P erformonce P erformcunce P erformcunce

Ztesso7ts is the core of piano Town. The controlled, steady pacing of the curriculum introduces
one element at a time. Each concept is presented in a consistent, reliable format. This clear
presentation helps students focus on new skills and information.

Practical teaching experience, and the process of writing and testing Piano Town with a
wide variety of students, led us to important conclusions about features which are absolutely
essential to the success of each student.

• Questions at the beginning of each piece in Lesso72,s:

o Encourage students to look through the music before playing it.
o Give teachers a tool for presenting new concepts, reviewing old concepts, and
preparing successful sight-reading, practice, and performance.
• Call-outs introduce all new concepts. A pointer line pairs each term with its definition,
and each symbol with its explanation. Definitions and explanations appear when and
where they are needed: in the music.

• Classical literature is introduced in Level One, and used almost exclusively in

Level Three and Level Four. Piano Town also includes original music, as well as
arrangements of folk melodies and familiar tunes.

• Tfoeory, FecJi7&£c, and PerforJmaJ®ce provide support and review for each concept and
skill and are coordinated page by page with Lesso7ts. Piano Town is most successful
when students use all four books.

• Art and lyrics encourage imagination and help students explore the expressive nature
of music.

We hope your journey through Piano Town brings you great pleasure, and wish you all the
joy that music can bring.

Keith Smell
Diane Hidy

2 MP103
 Contents
Accompaninent Patterns ............................................................ 4

Red River Valley ...................................................................... 5

Wagon Wheel Waltz ................................................................... 6

0n Top of Old Smoky .................................................................. 7

Pioneer Sonatina ...................................................................... 8

Bounce House .......................... major and rminor chord (triad) revieu) .............. 10

Awl:inor Soerhe ......................... rel,alive keys, forms of minor scales ................ T2

Primary Chord Progression .......................................................... 14

The Knight's Armor ..................... D.S. % az Fj7?e ................................. 14

D Minor Scale and Chords ........................................................... 16

The Deserted Castle ................................................................... 17

E Minor Scale and Chords ........................................................... 18

Dragon Chaser ......................... £er7tciry for77i ................................... 19

Intervals of the Scale, Octave .......... Ma/.or cb7?d per/ec£ Z72,£erz/cizs ....................... 20

Minuet in F`(L. Mozart) ................................................................ 21

Thads and Inversions ............................................................... 22

Royal Fanfare ........................................................................ 23

Dragon Tamer .......................... €rjpJe£ JiJ .................................... 24

Minuet in G (Telemann) .................. b£7}ory for7rL ................................... 25

Minuet in C (Hook) ...................... £z{;o-port pzayzng ............................... 26

The Tire Factory (Gurlitt) .............................................................. 27

Chromatic Scale ..................................................................... 28

Danger Ahead! ....................................................................... 29

Pedal Etudes ........................................................................ 30

The Shepherd's Flute (Salutrinskaya) ...... czef cfacb72ges ................................... 31

Shadows in the Moonlight .............................................................. 32

The Enchanted Harp (Schytte) .......................................................... 33

The V7 Chord ....................................................................... 34

Scherzo (Schytte) ..................................................................... 35

Bagatelle (Diabelli) .................................................................... 36

Quadrille (Haydn) ..................................................................... 37

Bb Major Scale and Chords ........................................................... 38

King ithhur, Queen Guinevere .......................................................... 39

Ama:zing Cir8Ice ......................... finger substituti,on .............................. 40

Minuet in Bb (J. C. Bach) ................. grace 7?ode j ................................... 41

G Minor Scale and Chords ........................................................... 42

Spinning Straw into Gold ........................................................,....... 43

Alla Gitana ............................ D. C. c!Z a CocZc! ................................ 44

Certificate of Achievement .............................................................. 47

MP103 3
In Piano Town, Level 'Itwo, you leaned to
accompany melodies with primary chords.

I
Transpose to F Major,
G Major and D Major.

In Level Three, you will accompany melodies with

a variety of broken chord patterns as shown below.

1. Split Chord (page 5)

2. Waltz bass (page 6)

3. Arpeggio (page 7)

4. Alberti bass (pages 8-9)

4
Red River Valley
Key of _ Major
Name the accompaniment pattern.
Split chord Arpeggio
This piece begins on beat
In which measure
does the LH play a 7th?
American Folk Melody
Andante (slow, wal5king Speed)A13, ,

I/ I ,I .- I Ill Ill I

Jr I+ `+ I
I-, ,I
\\l J' I+
I
I I
I -
rJ,i Ill

lJl
rJ-,
Ill lJ

'1

1rJ.
tJ+
in, I re - mem - ber the Red Ri - vcr Val - ley'

i' \.
I.I ,Z'
Lr - -\+-
£ \r-
f} -I
ia
r-I r-I t-I
h,I
-L,- 11 11
11

'511
I I

32

4^- 1 3
-I
5, 1 3,
51

|h,
\`lJ'
I/ I
r\
I
I
I
I
A
,
\

I
,

I I
I
I
I rJ1~
Ill

Ill

rJ
rJ-I
11
I

--\
tJ-+A more 11place,you won't
beau - ti - ful find.

£\,
' .,I II \ , -
aI- I-I
-\L-
£ rf}
I

1`-I rJ1
r\ I A
r
11 11 11

I I I

'5i

8^- 5 I I I
^h1,\-
ry I I \ , I- iii=
lr-./
Ill Ill

rh, I
\` lJ, --
A I
I I
I rJ,i rJ- 11111- I Ill Ill

11

ullAndthough` Ibeen thiaIere

it's been too£ long since I'vebF

£\.
_ I,I II \ , - \ I.- -I I

I.-I I-I It-

I+ I A 11
I 11

'511
I I I

12 A - 2 3 I ,
I, I \ \ ,
Jrh,--,I1 11 Ill I

Jh r I A I I I'-I
11

--
rJJJ
Ill I

a (,
I

\\1, I I I 1111111111111- JJIIIIIIIIIII rJ

eJ I , ,
Its sweet im - age lives On in my mind.
rfu
£\.
-\~1
r,
-I,
I
I1
r
\ ,
A
- -
r.=1
., -
311
522
55
MP103 5
 AIIegretto (somewhat fast)

All 11111

I/ ,. I I I
I T;Jlllll-____1
I

llJIl
I 11111

-
- ,I I
\\1, I+ I
,, I I
I I
I I
I I

I
I
I

-
I
I
I -
J+
I-. -
A.
I

u+,_mJI-.
£\,
' I, ,),)
JI
A,

5
II/
1
II II
I
1',,
I
I

I
11

I
'1
I
II / -JiLI
I
I

'1
r
Eli
rl-
I-- I-.
I-'-rJ
1',,

11

11

5^1
3 E=illlllllllllllllllliii=
I, I A I,II\I II1\I \ \1,
I
rA I I/ I
--I-.
I, I'I
I 1111

\\J
eJ ,®
,-. - ,
11'1 I

-,-,I-. C,P,-.
Ill

I-11111111 I

L`\®
_ J®
All
1' 1 /_I - -I -
I-- 1/,,
I 11 11
I-
1/--
1'- - I
1/--
LI--_I
1'

-
I

-11 11

5'1 11

9 Iiiii=
I 11

I/ , I I
rJ
I I

IIJIl
11

Jr
rA
\\LJ'
IIIIIIIIIIIIT_
I
I
I
I
I
I
I
I

I
I
I

-
I I
I
JI
IJ-.
I JIIIIIII- I -
A.
I

cJ + , _mJI-.
I

I---I
_ I,
L\~ I
1/

11

11
I
, I,
I--
I--I IrrJ
11

11
rJ-
I -Ji'
I/
I- I

11
E=
1111
-
I
I-.
1',,
I
I

I
11 '1

13^1
3 21 Iiii= \
I

-,-.
/Ill
I, I 1\ I
A I I \ I 1\ I_ I I I I I rJ.
h I I/
- II llIJI-
\`IJ' I, I, I' I
1'

IIIIIIrll- .- IJ
eJ 1-.
£\®
_ I. 1' I, -I -
JI
-I
- -
I--I I-.
L-I
I 11
11

11
11
-1'
1/--
I/ -I -
I
rJ.
rJ.
Y,J.
I

MP103
On Top of old Smoky
Key of _ Major
Name the accompaniment pattern.
Waltz bass Arpeggio
This piece begins on beat _.
What RH fingers play F# and A in:
Measurel? 2 and
Measure 9? and

American Folk Song

|A
\\ I,
AH
I/ JrlJ. ,.
TI
''TJ.
Moderato (moderate speed)

,I
,.

I+
1
I
I
I
/
2

-11111-
Ill

I
11

I
3i
-,
5
I-
I-
3
-., - \-I
Y|
I-
I
I

All,
On top of old Smok , y

£T.IH
_ I,|I+'J. ,,,) \ , I I
|'TJ-
Tl I+
,A Z^
`
-11
rlr
11
I I Ill,

11
I
11

I 111--
11
rl
11

521

5
AH1
I/ JrlJ. I I
11
I1,`
- -
I I 1\
Jr ''TJ- I I -
h TI - I
\`lJ'
I I
I rJ.
I

rJ.
I

rl 1,

ul
cov - ered with, Snow I

£\® JJ+
_ J®JrlJ.
''TJ.
Tl
-
I
I
I
I
,
II
I r'-,I-
rlr
I
rll,

I r''r
11
Ill
I
rl,
r^i^
I
-,,
\\

5'31

9Aw 3 5, , 2
I/ I+IJ. I I I
I

- ''TJ. I I I I

rA Tl I I I
I

rJ.
I

\\1, I 1
-I. I

EJ - I

--I
eJ,lost my true

I--
sweetI heart forI

i_ \® JrIJ`
I. I+
''T1
TI
rJ
52
I I

I
rJ-I- I

Ill
11111111111 -Ill
I
I
11

I
1111

13^ 11
I/ |WIJ. I I
Jr ''TJ. I I I I

rA TI I I I
I I

\`lJ, - I I I
'1

tJ a. a. I

C,
I

court - ing tooI slow

£\,+
' J® I+lJ.
''TL I
TII
I 111111111111-
I -IIIJ
I
I I I-I-I
Ill,

11

111
I
I- Ill,
I I-
I
rz.f.
rlr I
I
Ill
t-
I

MP103 7
 Pioneer Sonatina
Key of _ Major
Name the accompaniment pattern.
Alberti bass Split chord
What five-finger position
does your RH play in measure:
9?_Major 17?_Major

EXPOSITION
First Theme
Allegro ilast/
3
23
^123 I

\\
I, ,I , I I 1'

Jr
I Jh ,I
\\1, 4+
4+
I
1
I
I
I
I
I
-
rJ1
1rJ `--i
Ill

JHll
1,
I
I

-I a. I

ud_xpI I I-

E\,
_
-
kl
J® I+
4+
I

p5
-
I1
II
I ,

,egato`
II
- I
II
,
rJ|-- I---
lr-I
I I

'2
rlr I
1,,
-1111111- J|
Ill

I
.I

5
I--1'-
1,-,
I
Ill
I I

3I
5^ 1 2 3

r`-
rA
I,JIIIIIIIIIIIzi

\\l J'
I
1
I
I
I
-
rJ1
1rJ
I
I
51

rJ-1
IJ
I
I

-1®^
1\
I,

ud_I I I- 11

£\®
_ .®
-Ill

51
I
I

Ill
I
I - I
-
I---I
-|J
--11-I I

'2
I-
11

5'3
I
rI Jl,
JJr
I
- I
I
r
--I-I
I--IlllllllllllllllllrI
11

2
I-IIIIIIII- ,-

Second Theme
9
A1
-Ill-rr
I, I I I I - -
Ill- -
1rJ
3 IIIII|=TIII-
IIJlrr
1111--
2
I

1\
I,
- I - _ I I -1I1 I--Il rJ. i+
\`1,
tl Of
_ I
+ '-''
I
I•-*=
'1 11

£\®
L-I
_ I, I
-

5
I I
II II
1111

I
--I-
r--- rJ---
I.I
2
11

I
JJ-
Wr
I

I
`5
I
I
ftf I
I
I
I

13^1
3
-Ill-rr
I, I I I I - - 1rJ
[11111- I-
-.--
r-,-,rr 1\

Jh I - -
\`1,
I _
I I I
Ill
I=+=
Irl'I
- 1,
-I,A
u +.+ 1111Ji.ri
11 11111

£1®
_ J® I
-
11

I
II II II rJ---
1111

I
11
^
\ 11 I-
11 I
`` 1
I
\
^
,
ia:
rJ.\
1,

I
I
5 2
MP103
 DEVELOPMENT
Second Theme
175
I, 11_I I -
-111111
|Jh
\`L,
eJ
- I IJ.
\ -I1-
Tl
I I
I
_ ,
I
I
,xp
I
I I
\
-
-I-L=
1111'1

I IJ. I
_ TJ.-
Tl
I
I
-
I
I
,
I
I
,
2

I,
1,
\
.

£\,
-\, 11\ :A,.
-, \
1'- LJ. 1,
I I I.- I.I rJ,A
11 TI

12
1

21A 5 2

-I--Il
rh
I, -
I I I I I II I- I-
I I
'J. I
111111

I
111111

I I I I .-I,
1\
1,
A
\\lJ, I TL,--,,
u 4"J TlJ'',
+T-+ a.
£\,
-\~ 11,J rI \ rllr \ rJ.\
Ill

I
I--1111111111-I
1,1,
1,

I
I
1223
45

RECAPITUATION
First Theme
25^ I 2 3 3, 2 3

rJ-
I,JIIIIIIIIIIE
h
\\l J,
I I II I- (J1
IZ`J
I

1=-I
-
11

Ill

JIIIIIII-I
\\
1,
.
a.
I

udxpI
I

I I-

£\,
_ I, I
1111

5
I I
Ill
-
I
- I -
rJ--- --I-
--I.- rJ---
-I-
lr-I
I

`2
I

1,,

I
-I

5
IIrl
1111-
I
Ill
I I
I

3I
29^ 1 2 3 2 I
\
I I-IIIIIIIIIIIrll
I,,I I

I,
11

JrII rJ1
rh
\\l J'
I I II I
- 1rJ
I
-1111 I

udI I I

L,
'J® \~ I 1 I ,
-Ill

5'
- I
Ill
\
I---I
I--11-
-Ill
I

'2
JIII

5
I-I
I--11- Ill
•,
I,

MP103 9
Bounce House
A three note chord
is called a triad.
Write triad names in the boxes.

Allegro A Am
A
--I/ `+
,1 I
1
1illl.....I
i I
TJ. -
lJ. . I

I
I

I - I I
- I I
-rJI
I_ . I

II I-
I
-I II
I
-I I

\\lJ' - \
,A - Tl -1,- _11 I -
df
I 11

11#±±

r--I
11-;;

£\, ,I \,
- \, `+ '' I \ I \ 'r \ I \
-`
A^
1,
IIIIIIIIIIIIIII|--I
1,1,

11
33
55

E
3HA
I, IJ. I_
IIIiiiiiiii= .I J.\
I- 1

Ill---
\ 11111111111 I 1111111- I 1111111111111
k TJ., - - F1, -
I

1.rJ
I-TI I I rlr I r- , r-
T 111111

\`L,
eJ #
Ill Ill
T I

Ii
I
A

-Tl±mif JT+I
I lJ. I

''.
J+I
W- _\ILJ'
I IJ.
i TL, -
I I I
-11,,
i ,
I

£\®
:-;
'' I \ 'r \
#'rl- \ Ill, \ T1 'I \ 11 \
-\®
A A
1111-
I

I r-IIIIIIII-I 1, T| I, ,
IIIIIIIIIIII|-lIIIIIIIIIIrl
1'Ill
1, ,

iiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiii

6Em
A
I, I 1111- 11111111111 I T- I 1- 1\11

1111111111111111111111111---
111111111

i I \ |rI+ J+ A II I I
'f_lJ.,,
1111 11 11111111

I-
\`1,Ill 11- I lJ.
I I1|II - I
I II Ill IL
I
M- TJ.,I
i I Ill, 1-I ,I \- ` '1 -
eJ J. _\J-. _I_,, Tl--

i- \,\, rlll
-Yl\
1^1^
1111
\ , 111, \ , T+I
lL,

Tl 'I
1111
\
,
I_,
rJI
_Ill
r-llIIIIIIIIIIIIII-I
\
,
Tl lI
T| ,,
I---I
1111
\
,
11
\,
\
,

10 MP103
 9^-
`
rh
I/
-
I
.
I
I
_
I II h.-
I,II
I I
1_
I
I_II
I I
,
I
- I
1111

I I I,I
I-.
r'_ I _
,
\
+
1
I
11 IIIIIllIIIIIT_
- I I

---I
\\l J' I I - I I r\J -
I I 11 I I

+ , -, + ,v-P
I

eJ
._ .mf
£\,
-\® - \ - \ Ir'r
\ ,I \ I \ I1,,,
- \
A + 1111111111111--111111111111111 i> I, i>
11 11

11

12,`F]
rA
I,
I-
r`---IIIIIIrl I \ I I
TII
lJ. . I
-- +``
II -I
I

II I- -I
I I
I__= rll
L-.

_11
I
II I- -II
II I-
I I

\\t, JJ- A I - T'l 1'

11#±±
11

eJf 11-;;

£\,
-\, I_I
H\ \ , I \ \ , '' I \ I \ 'r \ I \
-Vl,
1111
+ 1, > 1,1,111111111111-
IIIIIIIIIIII--llIIIIIIIIIIIIJ IIIIIIIIIIIII|--I -11111111111- I

15

Jr Til
lh
A
Ill -I - I- -ii
I,
rJI -I- - I
IJ. I_
Ill
I I.
TJ rJ
TIl
,
A
\
11
I
I
1111111111

lJ.
I
I I+I IJ.
I1-I
I
I
I
I
I I
I IJ
I
I
r-_ I
I
11- TL- I I 11- I I

I-----
\\1, I I I I I I I I I I TJ.I
eJ #±b± I-TI Tl - I. , -
p-IJ.,I_,
£\. ,I1I \, Ir- \,
#± 1' Ill, \
i mJ I \ TJ. I \ rl I \
-\~
lAl^
1
1,1,

I
IIIIIIII|--I
TIII , _Ill ,
111111111111111--11111111111111
1111
.

I,-lI''I----lIIIIIIIIIIIIIIIIb
All
11111,
I , ., I
111111111111111111111
, T1.,
lJ.. ,
IJh I+ I I I I I_ I A IJ. - A IJ+ I A Tl.,
\`1, TII I I I I_JI TII I+I
u Tl - - -I..'- Tl,

J?.
.. _ lJ.,
£\.
-_I_±Ill H | \ , HE
H± \ , IrB \ Ill \
IrB
''r A
, TI
I
I A
, IJ.I ,
__ '' r, + lr ^ TJ. I ,
1111
1111 TII,

MP103 il
For every Major scale,
there is a minor scale
with the same key signature.
Scales that share the same key
signature are called relatives.

C Major Scale
Jr
rJh
All
I,

\\IJ' `+
tl
`+
,1
,I

+
I
I
I

,
I
I
I

-I
I
I
I
-
I
-I
rllll-
11

JII'I-
I

11111111
11_,t
I---
I\-
I

Ill

I
3

-,aI
Ill
11

Ill

£ \®
-\~ ,I
-+
RZ'
I+

511
,
I1
I
r
-
1
I
,
1
I
r- I-11--
1111

Ill

3
--I-
IIIr
1111

11

1
I1rrJ
11

11
I

A Minor Scale
Relative to C Major

All
I,-A
Jr I+
-
\`1,
tJ
I
,1
I+
I
I
I I + ,I
I
I
I
I
I
I
-
1111
Ill

-111111111111- I
rl Ill- .JIIIIIIIIILIII
I

rl---
I.---11

1111

-, *
3

Ill

Ill

7, i±I

i \,
' J®
-
JZ'
I+ I
A II - i
I+
I
I
I
I
I
, Ir
r---I
--Ill
1111

Ill

I'3
I1
---1111
1111
r- , -
-I-
r-- Ill

-rJ
5 11

The relative minor can always be found

three half steps below the Major key.

C Major A Minor

£\,
_ I,
- ,
II
L,,
I
I
£
-\®\,
-\,
12 MP103
I\ffinor scales have three forms.
:uti.,I1 .Jm.: ,i±r#t[,"i;
1. Natural form
Follows the key signature exactly;
none of the notes are changed.

rJh
All
|J,1
``+I,I
\\lJ'
eJ
I I
I+
I I
I I
I I +
I I
,I
rlll- JIIIIIIIIILJ
Ill

I-IIIIIIIIIIrllll- I
1111
I

I---I
LI---I
-,
11

1111
3

+
Ill

Ill

7J i±I

£\®

~
_ J® ,IJ+ I
A - 1 -
I+
5
I I
I
i
I
I
,
-
Ir
- -1111
I-111--I
1111

Ill

I'3
I--I-
I---11
I
1111

11
r-I-I
111

Ill

-rJ

The 7th note of the scale

2. Harmonic form is raised a half step.

All
|J\1
\, 3
-I+I 1\11 11

I-I-
I I Ill -
I I .I I I ., I I I I

IJ I I
|Jh JT|
\`LJ' I+
I
I
I
I I
I I
I Jr- - II
I-,'J. Ill

u I 7 + ,I
Ill

+ 71 i±I

I---I I--
11
i \® JTzl I I I - T+- I- TL--
_ J® I+
A - I - i
I I I
, Ir
- - I TII I TII I - - Ill

Ill

- I+ 1111

Ill
I I I rlllr
-rJ
1'3 Ill
51

The 6th and 7th notes are

raised a half step going up, then lowered going down.

MP103 13
 Primary Chord Progression
41
3i
1, ,J rJ rJ rf J .,.-
., rJ
r`JI rJ
h,I rJ
\`1, - J rJ.Y
a.:I
t- -
., rJ
rJ

-
I:I
ul - 11I I

f±
-\
-\,-
£\. ,, TJ.
TI
J
JI
A

LowZ=:Vnumera|s- Sax:>din I
are used for minor chords. A Major or A Minor

The Knight's Armor

Key of _ Minor
In measure 11, your
RH plays D with 3.
In measure 12, your
RH plays D with

E±`-----
^E-
Alle8retto

I/,.
-,A,,,,
\\L, - . rJ
1
Ill

I JIIIIIIIIIIIIII|
Ill
Ill

Ill
3
----
I--11-1111
1111
- r- , -
1111-I--Ill
1111

tJJ.±±±±
1111 1111

£\.
- \, ,,
i- I I I rlr gI- 'r,r

11-,I-1-1111 8r
Ill I 1111 I

JI
A Ill I 1111 I

5- A
-, , , \ 111111--- \ --I
1111

I/ I I I I 1111
rJ
\\lJ' .
111'

rJ I rl,
1L-I
Ill

eJ

J
I

£\®
-\~ TL TJ-
Tl Tl

14
 E`-----
9.%1

\-,,,,
I,
JI
\\',
Ill---Ill .
11

11

rJ
11

11

rl
3
----
Ill

Ill
1
- , -
- r-
11--I-1111
Ill

Ill

d p cresc.±±±±

£\® I
. J® I
1111
I
I I
I I
I £ I,
I---I
rr,,

I--11-Ill
'1'1
£I-

13^ -2
JrI
rAI
H£ |I+
|J,,,,
\\ I J,
u
J'iI I

±i±- i
----- I

I
r-IJ I

I
543t++
11

11
I

I
2, F inei?

I-,---
£\,
' I,
TJ. I
TI I
1
I I

I
I rJ
fl±
TJ. rJ
T'
±±±
I I rlr 11

11
£h-
I

17^3
\-rlr -I.---
2
-
u-i ,i
I,

I7:_A-_JIllllllllllllllllllllllll\_-i
,I ,I-
\`l J' I
I

I
I I
Ill

Ill
I
Ill
11-Ill I-
I
Ill, I I-
I

LIIIIIIIIIIII,'

£\, I
_I,I
1
- I S
Y'J
r-'J-rJ
I

I
fa
Y,J
I

I 1111111111111111 L||||||||||I I

D. S. al Fine
(dal segno al fine)

Go back to the sign %

and play to the Fz.J3e.

MP103 15
 D AAinor Scale
The one flat in the
D Minor key signature is
D Minor is relative to _ Major.
Natural Form

rh y
-
All
I,

\\L, J+ I
eJ,_
I
I
I, .+
,I

JTI
I
I
I
I
I
I
I
I I
I
-
I

I--- I

Ill

11_,+
I-IIII
fL
I-
-11-- r--I
11-
11+\_
11--II
I

11
3
I

111

t`\~
_ .,I
- I+
r I+,1
R1 -
I+
I I- I
I
-
II
I -
II
I , rlll
1111

11
I---.I -I-
1111

111

I
11+-
Ill

I5 3 1 I

Harmonic Form

`
rh r Jrl
\\LJ'
u,_
Alll
U
h I+
I ,1

I+
I
I
I
I
I
I
I
I

I
I
I
I
-
I

-
I
I
I
- TL-
111

11
Tll
IJ.
I
I
- lJ.
11-
Tl[ -
11-
11
I I
I

-
1'

II
I-- 3
I

Ill

Ill

I
E.\®
. I, I k1
`+ - - I- I\
_ .#+ f Ht,_
.` I I I - -
h JZ' I I II II II
r'r
1111
I .' I I
1111 r,,-
Ill-
- r I+ 11 Ill

I Ill

1 I

5`3

Melodic Form

-
rh I,
\\l J'
u,_
All
I, I
11 -I-
JTl

JTI
(+
I
I
I
I
I
I
I
I

I
- -
I
I

I -
I

Ill-
I 11 -
Ill
Ill

11_I.#+
TT I
11 - Ill,
I
+
I-I
1
11-
11+\_
T-
I

[1

, i
I-- 3
I

Ill

111

i_ .®
\, I ,II+ - - I -I - I-
1111
_]1 I I I
1111
I Ill, -
r-,\
-
h JTl I
r 4+ I
I
I
I
I
II 11 Ill I I I.-
I Ill

I5
3 1 I

Primary Chord Progression

What finger will play:
Bb? LH RH

C# LH _ RH
I1
11
A
UI,1
Jr I, -
A I, JTI , J ., rr
\`1, I+ ( .,
•-
u - ?-
i_\®
J® I ,I-
h JT|
'JI

1
322
555
-J
1
I-I
Tl
lJ.
I
1
X,
-\
r=1
- \

I iv I V7
16 MP103
The Deselted Castle
Key of _ Minor
Name the accompaniment pattern.
Waltz bass Arpeggio
W'hich form of minor scale
is used in measure 15?
Harmonic M elo dic

A And]ante2 3, 5 I
I-
Jr
I,

I-r
I
h ,)
,I I I
,)
I
, I
I
I I
-
I
I-I -.,-
I I I rlr rJ^
1\
1,

\\l J' `+ -
I

I '1/I

eJ,P I
I,I,

£\,
_ I. I ,),) , \
r\
y I+
,1
`
A

egato1
I
I
I
I

'8
I
rlr
Ill--
11
r''. I
Ill
11-I
11
11

2
rl,
11

I
I
rl I
I

5^ 3 1 3 2 5_ 2 3 4
I, I I I I I`hJ[IIl IIIL-Ill
1111
\I
\-V
\`\J \ - , i 1
- , i 1 I \_IJI
111111

I
tlofI -,-
11 '11111

lIJlll I

r-- r--
fi+ , _ , + , #isLP -

£\®
_ J® I
h
r
lJ.
TJ.-
TI
I

52
I
I
I

I
- I
I
I
I-||-II
11--I
11
Ill

11
I 1111

Ill

11
r -Ill
5'4'

9A 1 2 3, ,

Jr L\
I-r II
I/ I - I
I
I-
I
-I
-I
I
-.,-
rllr
1\
1,
rJi^
\`lJ' I I1/I

u,
I

I
I,I,

£\®
_ J® I
-
h^II
I, `
,\ II
I
I
Ill-- rl-I-
-11-
fl
I
I- 11

11
I
I-Ill-I-
I-11
11
Ill

1I
13A 3 3 5 11- 21
I/ I I I I - -1111-- IIIIllIIIIIITl_ I I I IJ. I A.
-
A11r
\\'J'
u 7"J
I
- \ II I I - I I- III
_
-JIII
11111

\-IJl -,- I.-.- I

I
I
I I
I I Ill TJ.-
- I- Tl
-I
rJ.
I

rz.'.

£\®
_ J® I

-
11
V
11
11-
TI
I
I

I
II
I
- I
I
I
I-ll-
11--I
11

I
-rl-
lJ.

TII
TII
I
I

1111111111111- I-Ill
I
I

I
I
I-
L-.
r,
I

I
-,

MP103 17
 I Minor Scale
The one sharp in the
E I\dinor key signature is
E IVInor is relative to _ Major.
Natural Form
AJl 1 11 3
II
-I
I

I, 11 ,I I I I
rl-I
- I Ill,
LI--I
I

A
- J',' I+,II+I II
\\'
I I
II - I II rlll I I rlr I -Ill
11

u - 11f+\_
1111
Ill

11•+fE

L\, H I+RTI
'J, |l+ I- - I , IT 1111 I I I I- I1r,J
1111 1111

'' ,I I I I I
I Ill
Lr I I I
11

Ill

15
3 1 I

Harmonic Form

u
AH
I,

A
\\l J'
JJt
`'
,I
I+
,1
I+ I
1
I
I
I
I

- I
I
I

- I
11

-
I
-
I

rl,
I
-

11.+ #f
,
I:I
Mr 1
11

1'

f
IH-I
--I-I
|I rlr
Ill
- _
11#ft,
I
_
I
3

rl--I
LI--
11

Ill

E\, H `±hH,
-\, H r _ I \ T
I I 11 IIIr I
'' ,1 I I I I
I 1' 1111
r', rJ
I 11

LL I I I
11

1'

15
3 1 I

Melodic Form
ALl
I,
Jr
rh
\\ I J'
u_
Jt
'' `T
,I

,I
,+ I
1
I
I
I

I 1111-
- I
I
11
11
I
-
r

11.#t #f
IJ.
TJ, ,
Tll
Ill
W r-
I
|r.- I

F
-I
Ill,
--I I
11++\_
-
I

I
3

LI-.-I-
All
11

Ill

L\® W `+
_ J® IH kx I
'' ,I I I
I - I \
I
IT
I
1111111--I 11
I
I
I1 r', rJ
`+ I I I Ill
11

Ill

15
3 1 I

Primary Chord Progression

What finger will
play D# in the:
RH?

^J1
VW,A
Jr I I+ J+
I-
\`1,
u--a
,I "
`+ W
55
34
11

rJA
rJ
JrJ
JrJ
I,=`
I;I.I
vtri`lJ.
r - -,
r=1
X\
- \^
I;JI
"

zl
I, JJ ,I- rJ
£\, I+
1`
Y,J
JI
,1

Ill3255
J rJ.Y
',:I

I
I:I
125
I,
(,
` rJ
Y,J

I iv I V7 I
18 MP103
Dragon Chaser
This piece has three sections:
A (measures 1 - 8)
8 (measures 9 - 16),
A (measures 1 - 8 da capo).
A piece with three sections
is in ternary form.
Key of _ Minor

A Vivace (quick,lively) 4 IIIIIIiiiiii-

^JJ 1 _ - IIIIIIIIIIIIIIIIIIIIIIiiiii=

---
11111111111111 -
111- I I
I

I, |H ,, 1111111- I I I _ 111111 11

Ilo
rh 0 I I I I I -I , -,A,A
I,-
- '' ,, I I I I I I 11110 IJIII'
llJI/
\`\J C\ A\ , - JI-.
-i± 11,

tl-fi,±
L\®W r111 r-I I-I -I
-\,W \\,~ 1\I, ~ 1\r ~ 1\ ® 1, a 11 0 11 ~ 11+ I- ,/ I- ,,
1' ,) I I 1 I
I/I/ I/I/ I, r- I r- I
(1 1' 11 11 11

111132
Illa
11 11

55

I 2,. Play on D. C.onlyFine

5^11 _ _ , 311111_ _ I 1. ro#exfsfo#

rA
I, JT - I
u_..,
''

I--.
\\J1,--,-,
I

I
I

I I I I
I
I
I I
II
I
I
Illllll|.I_
11110
111,I
I I
JIJIJl
111111

111111

LI- JIII- I --\\-I,

Ilo
11,

-I -a.
I

A,

I-
£\® Jr rJ
_ I, Jr
1
r

II
/
O
/
II
rJ
/
0/ 11'-
11
II
u I+
rl:I
0/
II
rJ
r
/
II
'J
/
rJ.
rJ.
II

89AH_
I/ I+

- '' *, ` /,, 0I
\\l J'
\ , I
I
II -iI - I
I I rJ--
I I
I/
I-I -
511111111

I
I
I
I
I ,/
/
\,Ill

^/11-
`/I
~11,
It -®I
11/
lJ
5
3

J-
1I

u"if/ . 2 2_
LH LH
£\,
-\~WIr , 1 I 1I ,\ u
/_+_
111--11,®
'IIIA/
ll'A/
111\
LIIIIIIIII|-
I-I-1111111
I.Il|IIII=
2

D. C. al Fine
54
13

\-
A JJ'
I,I
Jr '' , ,0
\\1, ^ ` ,, I
\ I, I_
I
II
I

-i
I
i- I
-I
rJ---I
IIIIIIIIIIiiiiiii=
I I
lJ
I
-
rllllllll

i
I
1
I
I
,/
1
I-.
-X.

d,/.
'1.

2LH ftJ.

-\® I:-
£\. -IIIIIIIIIIIb Ii\--
I rlr I I I -®
Ir I I
'111^/
0 I
I1-`-
, 111111

111111

2
I,
I

MP103 19
 Intervals of the Scale
Key of C Major

Ma -jor sec-ond, Ma -jor 3rd, Per-feet 4th, Per-feet 5th,

Ma -jor 6th, Ma -jor sev-enth Per-fect 8th, That's an oc-tave!

RH3

Smaller hands :

Key of _ Major

Ma -jor see-ond, Ma -jor 3rd, Per-feet 4th, Per-feet 5th,

Ma -jor 6th, Ma -jor sev -enth Per -feet 8th, That's an oc -tave!

Transpose to G Major.

To make it easier to see the difference

between 7ths and octaves on the staff,
look at the combination
of line and space notes. 7ths are always
two lines or
two space notes.
Octaves always
7th Octave 7th Octave
have one of each.

20 MP103
Minuet in F Leopold Mozart (1719-
Key of _ Major 1787), an Austrian composer,
Which interval will was the father of Wolfgang
your LH play in: Amadeus Mozart. He taught
his children how to play the
Measure 7? 7th Octave
violin and piano and wrote
Measure 9? 7th Octave pieces for them to play.

A
I, ,
Allegretto

,)iz-2
I
12
3
IIIIIIIIIII-Ill-I I-
31-
|h y
11 ,) I
JZI I I
I
I
I rJ'~
I-I Ill
t--I
lr'
\`1, `+ I I I Ill 11 Ill

u mJ I I-- I LIIIIIIII- LIIIIIIIJia

£\®
-\,1 ,)
-
,, \,
h, I+
,I `A II
'3
52
Ir
II
I r !*\
I.
I
I--
\11

1
'
1\
1,
I

5^_i
I, I I-
3J5- I

- I,h Il '1, '1 , rJ,~

r-i
11 I

I.
I- rJ,1
11

I,

\`1, I I Ill I J.
tJll - Ill--® Ii+|

£\,
-\~ 1 ,\ r- I I
r EI.
I-
Ill

Ill
-I
rll®
I

L1 +
-y`lI I I I
IJ I-1®
I
'12,
11

215

\-V
A
|J1
rJIh
\`L,
cJ

£\®
• I
•11111

J
I\\-
I
5
- I- I I

-I_ I I - I
-
rlr
IIiiii=
-Ill- - I
I
1111

1111111-

\
I
11
I
\\
II-I-
llllr
11111

P
IIiiiii=
I-Ill- - I
-
I||l|||IIILll_ I I
1111

'11111111-

\
I
11
I

_J®1
I,I ®
+
I A
I
-I,
® 11111111111111[ I 111111- `

13^
I,1r
- 1\ 1
I-r
\`lJ,
Oof
I
iz--(i
'1I ,

11--
'1
I
, rJ'~
rJ-1
Ill

I
3

LIIIIIIIIJ-®
I--II

Ii+|
I
11

11
I

I.
I.
J.

£_ \®
.® I \ , II EEI t*. .-I
t- Ill

Ill rll®
-,`11
I+ A I I I lJ I-'®
'3 '1 2 ,
I 11

Smaller hands may play measures 9-121ike this:

MP103 21
 Triads and Inversions
The notes of a triad are called -_i-t---E==_
the root, 3rd and 5th. 5th
3rd
Root - gives a triad its letter name.

When the root is on the bottom,

the triad is in root position. --S----:--i- Er

Root position triads are always: Three line notes or Three space notes.

An inversion can be created by

moving the bottom note to the top.
Root position lst Inversion 2nd Inversion Root position

Observe the fingering.

First Inversion
A R°°t p°SiLti°FE i, I LL°u LJLY5L:=jI::± 3,
\
I,

Jh
,,

L)
1,
\
,
A
u
/
I
I
IIIllllIIIIT_ I

I
I
I
I u
A/-I
\1'1

A
~11-
/ I -I
\
u-
+,-I
\\ I J' (1 ` I I - I.I rl L.I
u+_
Root 3rd 5th 3rd 5th Roott
®

E.\®
-\® \\,® , 1 , ,\ u a.\
'1, , 0 I -111111111111
ll,u
\
0
~
L)
Cl I
I II II A / 11, A / 111^/ A/
I
-I-11111111111

ITi 15 rJ-1 5
55

Second Inversion 5 Root position

^135 1 1, .
A,~,
I,\I\1.
0 '1.
\,I\11.
u,ll ~ 11.
rh A / - I
\`1, ` r I
^ I
IIS:A
1-. A/Ill
Ill

LIIIIIIIl|II|-
A/I
I

tJ LIIIIIIIILIIIIIII.
5th Root 3rdt= Root 3rd 5th

£\.
_ J®
-I I I I I
\ , 0
11 ®
1,®^
\ I/ Ill- I1,a
\ 1\
111111111111111111- JIIIIIIIIIIIIIm
1 11 ^ I
I

I A / rA I IIIIr I -I, A /
1111- I \\1, lJ-`
I

I.
521
!eJ
+-f{ ir.
5 Transpose to G Major,
then to A Minor.
22 MP103
Key of _ Major
Name the triad in measure:
1. _ Major
5. _ Major
9. Minor
13. _ Major

^AIIeLgro I I- I I_ I L± 1 I_ Lrf+ rJ,\ -\,- 1

|J I+,A I_ I, -
I IIII 1 \
I 1 \ '-'J |J^ , I -
1111.11

-I I I - I -
1111111

A I
,1 I I I -I I -I I I I I- I- hf A I_ I
\`IJ' I+
tJ+-J
I I -+-. - L|-|III
_I++ I r'- r
11I 1jJ-
r-11

i- \, ,I , .-\
\. `+
I+
A I
\ 1I
lJ
I
I-I
rJ
I....I....I....I
11
JIIIIIIII|| I

'T3
rJl
11

11
1,,
IIll
'111

1111

'```````1''```''`'`'`'1
\
A
I
I---
5
I..-
1
I
-
Ill

I
- r-
I
1`J-
J
111111111111--11
\
A

5
r I
I -I

5^ 12 1fl 11 Fine

h
|J ,
I I I- I
` ,
r`-,Il--I-111111111111111==- I- I
I I I - I
I_ I
I I
\ rJ
\
I I
-Ill-I- I I I I I -I I-
I- - .I A

a ,J±J,
\`lJ' I I I I I

J,rf I

7J, . ,
lE;E=

I-,-
I

' I.
£\®
II I II II I
I - I JIIIIIIIIIIllIIIIIIIIIIIII- .- I-. \
I

I-I-I-IIIrll-IIIIL||I
I

-111111111- I
II--IIIIIIIIIIIJ Ill, rJi^
I
LI-lIILI-IIIIIIIII-II
I

I I- I I
. I 5 3 I I I
I I

^1
I,J-
912
I I- I I_/-I
I--
II- I I I I I 11-
r`
r- I_ II rJ-- \11

.I A
I
J9,
\
I
I_ I
I

_+I+Trl-IIIl
I '1-'1
1111111

I I I 11 11 Ir\ifl A I I
JI +_ I I I . -I
11
Ill

\`l J' I
uj+P1111.11
_+__ I I
11111-I W\7,|
I I \- ` - i-

£\®
_ J®

rJ
5
I
I
1,
I
I
I rJ
11

I---
'r3
1111
rJ
rl-

1111
11I^
I
rlr
1,
` 11

11111-I- -1111
I-.I
11

5'1
rJ
I

D. C. al Fine
51 I
13^ I...+ i

\-
I/
I .I
I
I
I I
I -,\ \11

I ., I
I-111111111111 \
\\\J -WJW-1 i i - T L\ 1 , ., 1 ,
I :rll
\W- I
I
` J' -I `
A I+I A rJ+
_'', I

ulCresc.
J i5LI

£ \.
-\®
'J.O
TJ.rJ
Tlr:J
lA'l
Ill
,\ \ ,I , I Ill
I
Ill
'J.

Tll I
I I
I,
,
\
I \,, \\
1111111111:-1111111111:I
rJ,
rJ
1\

1^
I - 11 I
Ill 11

MP103 23
Trirfe

Dragon Tamer
Three eighth notes beamed together
with an italic 3 close to the beam
is called a triplet.

It means that ffaree eighth notes

equal one quarter, rather than two.

Do you recognize the music below?

It is from Drago7t Cfaaser on page 19.

Turn back to page 19, and

look at the time signature.
VIat is it?
26
48
What is the time signature
forr Dragon Tcuner?

26
48
Play and count aloud.

Notice the difference between the

finger number and the triplet sign.

A- \ .3,:' i
I, I. ,) |lIIIIIIIIIIT_ I I I -
3_I |IIIIIIIIIIT_ I I
3_3rllllllllrllllll111111111111-

I--I-I-
111111 I

A
Jh
''

\`\ I `+ i , -
JE-
JTI
I
I
I
I
I
I
I
- I
I I
-IIIIIrl- I
I--.
- I , -One
1111 lJllll

rJ
I

trip - let Two,

tJ One trip - let Two trip - let
One trip - let Two trip - let One Two,

£\,JI i,1
-\®\ ,)-'\'1 I,I
i±
'1
'111
JIlr
±L,
rllr
r'J I
-I-
. I_I
11 I-
_I
' '
I+II
Jzl I I
11

1]
11

11
JJrrI-
11

111132 11 11

Ill0

555

3_1 3_3
` `
U lr
|IIIIIIIIIIIT_ I I - rT-I-IIII-- ,Ill-
I

I.|l-
-, -
111111

`
rJh I
''

\|J1,--,
I
I I - I I
I
-lIIIIIIrll- I I I I I 1111

-----
I-JIJI
111111

.I
I

t' Tcontinuecounting).,~

£\® rJ 'J 11'- r:J

L`
_ J®I+
Jr rJ 'J ':) rTJ
I
I I:I I

II II II II

24 MP103
 Minuet in
This piece has two sections:
A (measures 1 - 8)
B (measures 9 - 16).
A piece with two sections
is in binary form.
Key of _ Major Georg Philipp Telemalm (1681-1767),
What finger plays F# in measure: a Germian composer, was the musical
director of five churches in Hamburg. He
1? 15? was a friend of J. S. Bach.

A Moderato
^Ji 3 ri i 2 3 2
I,IJT ,) I I I I I 11
-r----
Ei
lFH I-lIIIIIIIIIII
11 I

\-
\`\J h\
Jr
`+ -i
'' ,) I I I
- , i- , i - 1
I I
I-
I
, rl-lIIIIIIIIlrl
I Ill

I- I I I I I - I I
I-I
rl-
dp
1111111

i_\® I. ) ,J.
I, 11 J. J. rJ.
)I I
1- ,A ,
I

E£I I

5Au4 I

A
rJh
I,

\`l J'
u",
I:-I
'' I- I
I
I
I
I
I.,I

11

11
-I
--111
r,-
Ill
rJ.®
I

I.

I--I
11

£\'®JJ .,o+
I
®
I
Jr1I
ot
11

11 Ill
f2.
I

I.
'1
I Ill

9AH 5 I I

-
I,I:I
\\ I J,
''
\
®AI1r-rI
, r , - -\ I
I
11

IIIII-I
11

I
\
^IIr-rl r,--,
r'' I-
11

i
11

,
J 'F I+
111111 I

I f
111111

tJ
p TIT L+
i_ \®
f2. f2.
J®11
Ir •1
I rJ1
11
I

I
rJ1
11

1
I I

I I

13^`11_? .
I-I-I 421 51
12
I, Jr / I I ]1

Jr 1' - I- I
I

I.
|Jh I I I 11

-11111111111111111111 11111111111111111111-I JO0

V
-.+f,1
\\l J' I I -111111111111111111111 `
eJ1J

C\.H
_ J®II Ir,J
`- 1
\,
i^
:i-.rJ\
1, IJ
11
a.,I

JO0
\-I,
I

I
11
I
`-- JH-I
-II.
1 31
45
MP103 25
 Minuet in C
Most of the music you have played
has a melody with an accompaniment.
Some music has no accompaniment.
In this piece, each hand plays its own melody. James Hook (1746-1827), an English
Key of _ M aj or ::Tepvoesrear[' cwhausr:Te::gHaen]is]ts ::£u¥Ets 1;c£ £iroe :tno:
Which measure has a triplet? _ wrote many pieces for his students.

Allegretto

A
h
A4
I/ ,. I
,. I
\`lJ' I+
,I I
I I
I
I
- I
I
I
I -
-I
I

I
.-
I-I
11 rllll
Ill-I
-J-
IIIIIIiiiiiiiiiiiiiiiii=
- I rl, I I
Oof+\+
I 11

£\®
,. I I
_.,,.IllI rlr I
\+ I --1111 rJ.
Ill Ill I

JI A 1 1 11 Ill I

I-
11

^-_-
-
I/
J| -J.,
JL| ®
\\ I J'
u
£\®
-\®
- - J ®
®

Ill

9
A

\\1,
-
I,
J| •
•111
rJ
1
Ill
r- , r-
I
-® I IJ
11

IP
L,

I
-®

u
I 11 I

----- -----
f`'
£\,
-\,
t,_ IIrll
\_\
I I rlr
+® 11
\_\
'Irll
Ill 11111 11 11111

•'11 11111 '1 11111

-
26
li-
r` -
1-11
\`1,
^-
|J ,
1111
u",+,+
£\,
' J®
1

II
11
I

I
I
- , I

I.\+
I

I
-I --I.
I-I-
rlr
_3II

r'l'r

lllllm
I
II
.- I
11

I
J
I
• rJ.
I,

Ii5L.

I,

MP103
,
The Tire Factory
Key of _ Minor
W'hat triad is used
in measures 9 - 12? _ Major
What is the Roman numeral
for that triad in this key?
1V
Cornelius Gurlitt
(1820-1901)

Alle8retto
^3 1
I

-JIIII
rJ-- rJ

I
I,,,
^E\,-,-
\- kl , r I 1 T
I

ILO
1\I
\`LJ' `+ I
ull,_
I

-_\+\
IIu
I-11111--
Ill

£\.
-\®-,, rl, I I 1 I ..++
rl, I I

-I
A Ill-
1111
111111111111111111111111- .-
Ill/
I/
11

3 5

32
I,-
^-
-
J| Ill, I
L1
\'~
I
I

I
I

\
®

-I
I_ rl, 1'/ :I rJ ^~
\\ I J' I:
cJ1

£\®
.\® Ill
-
r\
IJ
r/ ^®
152

952

\-
^1
I,
11
\\ I J'
u
®J
I

- Ill
I: -I
I

I -,
I-
- \JJ
_ -
I I

1'+
I:
-I
I

I
J

P
zJl
£\,
-\~
lJ.
11 rJ
lJ.
TJ,,
rJ
I

® Tl I T'l
I I I

3
1

Ii-
133
A,i I 1
|J,-
rJ--II- JIIIIIIIIII \JO Ill

11
I

\
|h I I I I 1'/ rl
- Jl, i IA®
1111111111111111- -
\`l J' Ll- I I .I I:
uJE
£1,I
±-+\ -
r\
_I,I
L|-
I 11

11

I
111
lJ®\
/I ^,
I15

MP103 27
 Chromatic Scale
The chromatic scale is
made entirely of half steps.
It can begin and end on any note.
The fingering patterns
for chromatic scales are
completely different from
Major and Minor scales.
1. Use 3 on black keys,
1 on white keys.
11 3, 1 3 11 3, 1 3
1
A1313
I/ ,I I I I I 111 1111111---
Jr
rh
(+
\\\)JZI 1+I , u "-
I
I I I
I
- ll+\-I
I
I I TJI
lJ.
TIll
I
I - I,h -I 1111,I,

1,, -,,-
i 1+i ,
.,
tJTl,I, _ L_ 11I

.
£ \,
_ .,
JZ' I I
I+
JI 1 I

1313
I
I
I I
I
I- yI I
I ---11
I
1111

1
1,,
I

3 '1
I
- Jrr
\-
'3
I
lJ.
I 11-
'[11®

]1

1313
Tl[
I - lrr
I
H|
,'1 ®

2. Use 2 when there are

consecutive white keys.

3. Now, put it all together.

31311' 2 3 1 "3 1
^1231
lJ. - |r - rJ.\
I, ,I I I I Ill

- TL - I 11-
Jr
I- JTZI
\\IJ' ,+ I I
Lr I I
I
I LJ.T|-I
I I
I
- |I I
. ,

I-
I
- TIT+-
I IJ. I

I
I I
11
Ill I
1,

I
I
tJ _ TIt,I, _ IL`_ 11

Vr , 1,, - I

J£ \®
_ J®
Jrl
`+ I
I
I
I
I
I
I
I
-IIIIII|-|IIJ -I I,-I 11

-I I,-
I,I
1\
1,
JI
JZ' I I I I 1111

-1111- 1111

12'3
rJ ® i+

1231 3 1 3 '1 1
I 3

5A 1 i3 1 .3
2 1 3 1, 3] 1 3 2 1
`Jhu II , 1,,
I I - rrh- -I -I h-rr II --0
11 1111

\\1, I
I
I Ill
I,I
'11111

I ll I
-V-, I
Ill

tJ '1

I-\-,
11 _ JJ_ ,
£\, II LJ. I I
1- I- Jlr I
_ J®
TL,
-
r
11 -
\r -
I
Ill I
I ''1 I
T
TII
1111
I ''1 I

Tl I .'1 1111 I

13 !2 '1 '3 1 3 1 3 2 1
1 3

28 MP103
Danger Ahead!
Key of _ Minor
What is the form of this piece?
Binary Ternary

A
I, I ,) -4 rrh-,3 I 1111-
A 11 JEi, I
hJ', -,I I I
21

Ir-
3
--
I111
1f= lL
- IIIIIIIIIII-IIIIm
1111

- - JIJ
iI rJ
I

\`l I-111111111111 11
I:
eJ J I.IIII..I- 11\\

£ \, I ,,- I:I
_ J® I:A '1]1
-
rl --
h ,I L- 'JI rr
I-I-
11
rT=1
I-
I
lJ.
I ,

TJ. -
TIII
I
.1111
I
11

1 1 1
22
55

5^ 1f= 1.+ 1 2 3 [[E[[[[. i FZ.#C

u , I _ I I I \ \
Ill--
11
1111111111 I I
Jr 11 I I I I I I
I--IIIIIIr I T,
rJh , - I,- llIIJ hJ
\\1/ 11- r- rJ
11

11
1111 I

I
I
u",- G,-
I I

P-- Play this measureonD.C.only.

i \® Ef •.1 I , .1111 Ir--1 \

J® I bf rl 'J. I I lr-1 I
1\
I,I
r, I 1111 TJ. ]1 11 I- 11

i
11
TIII I I

I lllllJ

i,1- `1
9^3
|J 1
^ rhrJ
\\l J,
rJ
I
rJ •,1
r'J
11
Ill
rJ
rJ
rJ
I
rl''r
rr
I.
l'r I
II-I I

tJ1,_L_I 11
I I

L\® r I.I I
V r-
I
\ T,\ I I I
-
Ill, rI
- ,I W- rJ
\
r - h I I
LIIlllllllllllll| I I 11
I lrr
11
I I I ''1
'1
1313
I LIIIIII.IIIIJ

13 A
514I 81 D. C. al Fine>
1313
`r\
I,I r-11
--11111111111 'J
I-I
I J. ,J
T+rJ
I ,` ,LIZ
\1J, I I
TII IJ. I
- I
IH- JrJ I TI1-
t-
u P Tl
I

j>-
11111111111111111-
£\®-
\, I,, Ir- \ W- \ I
- Jlr\- I
, TIT|\
I
11
I-'L-
TJ. - I - I-
I I
I Ill
I
I
I
Ill-
1111111111111--
I

1111

11111-I
TII I

11111111111-I
I I

I LIIIIIIIJ 1313 1

MP103 29
1. Put the pedal down on beat two.
Pedal Eludes
Lift the pedal on beat one.
5
3
1I
A
I/ (. I \
1
\
a.
rJ.
`I Jh ,.,I I , 1\
1,
1\
1, I
1\
1, rJ.
\`lJ' + tfl
JI A rJ.+
I 1=I
I;jl rx-i^ ra +^ I

c'i9 a i5L J i9
I

owJ12 3 123 123 123 123

£\.,,,J\
- \~ ®, rJ , bA\ rJ\ rfJ\
`-I, rJ\
Y, rJ, Y'J,
I rJ + rJ^ rJi^ I-\^ rJ^
-I I I r- I
I

15 15 I

i.
I I

2 2 11

1 1

2. Change the pedal

(lift it up then put it down)
on beat two.
A I I -. 0.
I, ,. I I -® rJ. h*. rJ.
rJ.
".
I

Jr ,. I A. (A. h*. Y,J. hf.

h ,I A. rJ. rJ. I-
I

rJ. h*.
*. t-
I

\\LJ' I+ \fl. rJ`.

-123D. rJ.
0.
I I I

i9. I£: I£: IB:

7"J 1 2 3 123-® 123i5i 123,,

£1. a, rJ.
' I. ,) ,J. hA.
kA.
r:J.
rJ.
hA.
r-
rJ.
I
r
I
I

I
I

~-I 1 rJ. I- I I I I

I I I

1'1^1^^^^^^'

3. Change the pedal

on beat one.

A ,,
I/
-1,,,,Ill
\ 1.-Ill-
-I- I \ - I_ I
I
3- I
I
I
\
-_
-|IIIIIIIIT_ I
I I I
\ `,
1+_
-Ill- I
I I I

rA L) A ,/ I I I A ,/ I I I
^ ,I 1 1 ,
\,IJ-
+ ,I 1 I A `,1,-
\\lJ' C1 `
•p /
,
.-
I I - `,1,

/*-
E-\®
-\~ \\,® I
, 1 ,
,\ u
/_+
rlll-11-Ill-JIIIIIIIIIIIIIH
I- rJ
1\ ®
/7
-
-1\
I-111111JIIIIIIIIIIIIIIIm
1) , 1 1 ^ I 11+I

I-A
11
I 1^1

IT TT
(1 I I I Ill 11
I

Ill,IIIJ,,lI-15

5A ,= = J=_ L2H
I/
Jr ,
\ ,- I
I,lll-
I
II r~zl
\ , I_ I I \ -111- I \ .- 1111111- I
J.
|A
\\lJ'
A
`
,/
,
I
I I -
I I ^,I
`, rJ
lrJ
11

A ,/
`,1,-I I I A,/Ill
`,IJ-
`, I I I u I I I
I

C ./ -- I

£\®
-\®\ I \
®
/_+
I- rlr \ a
/7
-1\ 1111-JIIIIIIIIIIIIIIm
/+-
1\ 1,a
I
I:I rJ
I
I:I
I 1^/
I Ill
11+I

LIIIIIIII,I,,I,I IIIJIIIII,I LIIIIIIIIIIIII LIIIIIJl,,,I,lI

30 MP103
 The Shepherd's Flute

Key of _ Minor
The RH plays in the bass staff
from measure 9 through measure
In which measure does your
LH play in the treble staff?
Tatiana Salutrinskaya
(Dates unknown)
Andante

6,,]5,I
r1 - I , I
I II,`lLIZI,I-a`LI-I-I
I-I-I
I 11- 212\'1-I 2] Ill-I-Ill-Ir---
, ri,

I -
Ill11-III

\`1u£\I- mJ®,A I-~5± I

I
r,
1= I i 1111
- rJI

_ J®l
h ,1
-
,-r,A+(,
., -
Hii-di
(, (,

51
^,1I,III I I 3 13 2 CLef`ange
['1III I I- IlJllllIJII-I-I--IIIr. \`^,
1` I , I I I-h,IIIII\`1,ILI
I I I I _J.--lIIIIIIIIEI
I

rJ11111111-Ill IrJ
Ill1L+
u\®
II

_+_ Ill

CJ

-\,1
r1-`y1,
(, -
(, .)

9£\. A._13-
'J®l I
3
I I I -hIIII-IL,ILIIII
I- -\ ,rrr-
I-,1`-I,`,___riE1 -
I LIIIIJ
Ill
N'J
Ill CJ

2xpI-,IA

I
P£\._I,I

.,0-I, I,
Ill-,III,A .,
r*IIIIIIIIIIIIIIIIla.IIIIIIIIIIIIIIIN,I
a a a u 011

MP103
31
Shadows in the Moonlight
Key of _ Minor
What is the form of this piece?
Binary Ternary

Andante

Jr
^Jl1
|J JI+
,I I+
,A
I I I 11 111

11111111111-11-I
11 -\ \
Jh
\\lJ'
JTI
`+ JH
I I
I
I
I .I.I
11

rl .,
eJ-PI I

E+,\ RZ'r:JY'J 1\'\ 1\

££
rrJ rrJ ., -a`
.'V V-a.
-\~\ `+
'' Jrl I I
1\
I I I
., I:I
I:I
I-
I-
in
I-
I+ I I I I I I

'!1' I 1'!1 I 11 1'! 1'

5AH2 , , , ,4 2 5 F!.#e
I, Ir - IJT- .,
A 1` - -
I I-11-11-Ill
- I+I -
11

rA
\\'J' I
I- I
I I
I rJrJ
11

Ill

eJ I ! ixp..aa\ 11,,

£\®Ir rJ I'\ I'\ ££

r rrJ r- I
(,
-\®J, rJ
'111
r.J I:-
I:'
.,
111Ill II II

5!!!:
9A,,1

A I'
I, I+ L-,J I-
I I-
- rJ1
rJrJ
I

`Ar.J{I-
JH
I

I
I

\-
I- bA II II
\\t J'
eJ
I.-
I I I
rJ
I.I
I-
rJA
\fl lJ`

Ftc,
-P
L=1
L=1

7",
£\®
' I, I+
JI
I
1=-
\,\-
•,
021
I I LL I I 1-
4
5® __ ? 5. D.C.alFi
13^111 ,

Jr
Jh
I, 11 ,J
II I-
I:I I.-
I
I
L-
I
- rJ1
rJrJ
rJrJ
.I
\fl
11

'J.
TJ. ,I
11

I
--
\\1, I- I I- IJI i,I
Tl .rriJ
\,\,
lJ.. ,
.,
eJ I I Iffl I-

£\®J
_ J® I+
JI
I

I, I

?21go

32
I I LL I I

I I I

MP103
The Enchanted Harp
Practice suggestion :

Key of _ Minor Ludwig Schytte

\- -
0Of1.+=-
\`lJ' C1
A Moderato
I, ® \ , 1
\\ ,
L) A ` ,
,
, ~
/ I
- I
I
I
I
\
, 1
3 _
\,-r
url
^,I-11
` ,
\-®
I I I
- rJ,
A,/-rl
`/Ill
1
I--I
A,/-[l
`,Ill
(See page 35.)

a
3
, 1

£\®
-\~ `, I
I I
I
I
I
\
,
I~
_---_
Ill--1111111111
Ill,~
/.fL-
r --111111-
/t=-
IIll,0
--IIIIIIIIIb
(I) 1I--- LL 11',~
- I 1111- A / I 11 A / I I - A /

-
LlllllIIIll|||- 11111111111111_

252

2 1
3
51
A ..I..II'T.IIIIIl 11..1'1'1.1'111 ..I.I.-
'_
I, \ , I I I \,Ill \,Ill \,Ill
k , , ~ 1 1 , 0 I I - ~ I.. 1 i u 1 1 \
\- ^ ,
\`lJ' ` ,
I -
1 , `,a
+,11, ^` ,, I I|W
II-i - `,1
i>
, I 1 ,

u/_+
£\.
_ J® -I II I I \,
IIIA/
I -111111-
5
`
0
/|f
rl-IIIIIIIII||
rl[,~
111^/
I -1111111- `
/1TJ- I . .I
-Tl[
l'[A/
I1-`
I-5
\
I , 0

I
-11,~
111^/
11-`
II-lllIIlllln

91A

\-
I,JIIIIII|--I I-
A ^, ,
0p(_+±-
\`I J' ` ,
,I~ , 1 \ 1
I I I
1 ^,I,11
`,111
~
Ill
r
3_
1
\,-
a -r
+,I-rl
`,Ill
1
I--I
' ---_
A,/-11
`,r'l
~
3

, 1

£\®
_J®
I
I
I I
I I
\ , 0
(L.E-
I--11111111111
Ill,0
/ . f I-
rIll,0
I
--IlllllllllllH
I - A /
I --111111111111
Ill,0
I11- I - A /

-
I -1111111- A / I -111111- A /
111111111111111_

5252

1312 13 3
A
I, \ - I
..Ill-
I I \,111
......''11.'''''1
\,rll
IIiii=
I

1\
^ , , a 1
\- +
\`IJ' ` ,
, I -
1 1, ^,Ill
`,1
a 1 1 ,
` /
i^ ,
~
I
I
i \-
I
I Jl, i
I
-
1111111111111- jlllllllllm
®^1

u/_f
£\®
_ J® I- II II \, 0
/_+_ 11-1111111111111
/1 r;,.
' T+- I \ r\
11,a -TII I , ~ 111111111111111111- jllllllllH
1^/
LT
111^/ 111^/
I -1111111- ` I1-` 111^/
11-`
5 ET 12

MP103 33
 The V7 Chord
We can also move the
You have played top note to the bottom
V7 chords like this:
and play it like this:

Play this chord progression with your LH.

The complete V7 chord

actually has four notes:
i -iiiii 5th 7th In music, one or two of the
notes are usually left out.

In the V7 chords above,

-RLo-ot
3rd This often sounds better and
makes it easier to play.
the 5th was left out.

Here are two ways

to play the V7 chord
with the 3rd left out:

Play these chord progressions with your LH.

In any key (Major or Minor),

the V7 chord is the V chord
plus the interval of a 7th.

34
 Scherzo
Key of _ Major
Write `V7 under each V7 chord.
(Measure 2 is done for you.)
What five-finger position will
your RH play in measures:
1 - 2? _ Major Ludwig Schytte (1848-1909), born in
5 -6? Minor 7 -8?
Denmark, was a pharmacist. Although
Major
he began his study of piano later in life,
Wrhich two measures have a he became a successful piano teacher
first inversion D minortriad? 6 and and composer.
Vivace
^+,_i..,_i
I/,. -Ill
A ,, \
I / - , rl, rJ , T- 1 I rl \,rll I
•L f . -S II I I J-
A ,I I I
\\1/ `+ I II II I-I 11

11
11111

1111111111111-i

£\. ,, I
-\~ ®,1
A 1
\,
i^ i^
\,
i
I,\\
i^i^
1\\
1,,
i^^
i1\\
^i^
JI

Ii-
5^5
X
V.,-
I-
, 1
\\lJ'

uli
r,
I
I
I
L I
I
I
I
,
I
I
-
r111
I

11
I
--
rlr
5
I ---I
1111
I - I I
54

'1
I rlr
I

r
£\.
-\~ I1 \, \ , \\ I+ .-\\ '1\\
I+ 1111111111111- - I
^^ 11 1± IIIIIIIIIIIII--I
I1

1 1

G Major)

9^ 31 _
-
h
I/
A,,rll
\\l J' I I

Iupi
,
I
/
I I
- I I
I --I I
I I
Ii
I---I
\
Ill- r-
-
1
, rl,
1 r'lr
11

11
I
I

£\®
-\, 1I \ , \ , \\ 1\\ \\
1+I 1111111111111- - I
i>i^ r:I i^^

-i
5\-
I-I-Ill-I-
13^5 5I

IrJ-I
Iiii=
V.,-
,I |L- I- JIIIIIIrll Ill rJ
I
I
Ill,
I
-11-I
I -
I rLI
rl,
I
-,, \\
IIIIIIIIIIIII|-I
\`l J'

eJli
I L

cresc.
I I I IllIIIIIIIL I

lJ
11

Ii
I

£\.
-\~ I1 \, \ , E\\ \\ 1\\
Ill, , , 1,,
1++ I:I i^i+ R±
'1
1
32
5
MP103 35
 Bagatelle
Key of _ Major
What is the form of this piece?
Binary Ternary
Wrhich three measures
Anton Diabelli (1781-1858), an Austrian
have V7 chords?
+'-and- composer, taught piano and guitar. He also
owned a large music publishing company.

Moderato

I-
^JJ
t/
\\l J'
cJ
Jf ,.
'' ,.
JTl
I+
I

7"-,
I

I
,
I
2
I
I
I

I
I\\\
I I
-
I--
11
11,I

I\®\
rJ--I
,
11

Ill

rlJ
1
.H1
\-I
1\
1[

£\®1,)
-\~ 11
I,) Ill
11 11 '1
Ill
11 I
*++
11
Ill
'1 -
\\\
'1
111
11 '1
1' ,I I I I Ill Ill
Ill

I+ I I I Ill Ill Ill

5AJ,1

Jh
I/ I
Jr ''
\\l J'
u,IP.,\\\
-
I
I
I
2
I
-
II I
I- L-
I
I\\
I
I--
-Ill-,
11

rlJ
`H^®
1\
I,

£\® 'J l'J 'J rJ 'J 'J rTJ\

I
-\. I:I
I:I I I I I I I,®
I.
I I I I I 1^®
I I I I I _ I

9^JI 4,2
51 41
I,I:I I-
-''
\- •111

-11
[1

-I
I-I
I

- I
rJ
l||r
L-I
-I
I

\\lJ' I I- I-
u I-
f-
I I

£' J®
\®11
I.
'
- I
•1
•1
I
EIE
rl
I
rl
•1
I I I

1 1 1
223
555
V7

13^114, 2
53
iiiiii-
U 11. I I I 11 1\
`
- -
\\1,
1` I
'- I
1I I
L-I
I-
I Ill

I -1111111- I
Ill A+,
I,

tlp- I

I
£ \® 11
' J® JT
- r\J\

11-
I,®
1 ]^®
I

36 MP103
Key of _ Major
quadrille
On what beat does
the music begin? _ Franz Joseph Haydn (1732-1809), born in Austria,
was one of the most important composers of the 18th
How many measures century. For more than thirty years he worked for
have V7 chords? Prince Esterhazy, a wealthy Hungarian nobleman.

Allegro

I,
-A
A ,.
,),1
\\1, (+ -
tlof
I/
I
I _3I,
I--I
1L-I
I- -I /
--
I
I
5rJ
rJ I-
I
/-I
2.,-|f I
rJ
3J-'
-1,
-I
,-
I

I--I I--I .--I

I I
I

£\.
- \~ ,.,\ \ ,
J^
-`
I
11
11'
rrr
11 r--I
11
11
11
I'1I
11'1
Ill
11
-I- -I- -I-
Ill
'1II
'1
Ill
'1 11

1 1
32
54
IV7

53
A-
-
k,\-\
|J./
r-
\\ I J, I
rJ
rJ I
I
-. -I
rl I rJ.

u I LI.-I I I

I
I

Ill-
- - JIIIIIIIIII- I-
I-
£\®
-\~

iiiiiiiiii=
J
-J~
-J~

\-
A
I,I
`1
\\ I J'
®-
•1

IP
I
3 9J_.
r'-
rlJ
/I

-IIIIIIIIIIIIIILI|
r--
Ill

11
23.
I
2-.
/-I
-rl
I.-I
-llIIIIIIIIIIIILII
rJ
I

I
3

-I
I

I
-
eJ
J
I--I .--I
I I
I I

£\®
-\® \ I-
-I-- JIIIIIIIr
-I- -I-I -I- -I- -I- rJ
'J rJ
'J \
I-I ®^ rl-
IllIll
rl- rllr
'1
-
IllIll
11
11 '1
'1 Ill-11-1111
IllIll II
rJ
II
'J A
I
1111111111,I-

13^_3
|J.,
k,,_\
\-
\\lJ,
I
rJ
I
rJ rll-
I
I
-. -I
I

rJ,

u I LIIIllll-I I I
I
I

7-Jllllllllllllllllllllr
- I
I_
£\®
-\~ -J,
-J,

MP103 37
 Bb Major Sea.e
The two flats in the
Bb Major key sigriature are Bb and

3213I
A I 4 1 2 3 1234I 214

LI--
I/ I I, ,I
`h`+ I 11

I
I 11 I I

A I, JI I I IIIIIlllrllllllllr -Ill rl I Ill

\`1, I+ I I r]
-+TdI
Ill

eJ + * , -I I_\

£\®
_ J® II I, ,I I+
- hI, I+,I _ I
I

32
I
I
I
I
II
-
II
I --11-I
rlr

'3 2
11

11

1 3
-.-
---I
Ill

1
11

2 '3 14
rll--- 11

- JIIIIIIIIII=
1'4 123

Primary Chords in Bb Major

which chord has
only white keys?
IIVV

I
\`l J'
I

L,,I
I
I,
JI,I
1+ ,
Ill r
u
i_ \,I, II I, ,I
I+ -\ J
J
L1
I, I+
,I

I IV
Eiiiiiiii-
V I

Primary Chord Progression

What fingers will you .
use to play Eb in the
RH? and
LH?

41
"33
A
I,

rh I,
\`l J'
I
11
,I
I+ ,I
I,
I+
,I

rJ -J (,
- llii=
rJ
eJiF 9
L
' .,\®I I,1 `+T1 hA-
11 ,I
A+ biA
I-
rJrJ
I-I- rA
I-
-
rra -Jr,

rJ
I

- -,-
X,
-\
LEI
\-
\hA
lil
Y
I 12
1 1

55
I IV I V7 I
38 MP103
King Arthur
Key of _ Major
In which measure
will you play V7?
How many times will you play the
Bb Major five-finger position going:
Down?
5 3 3
Al
h£+
I, I I, ,I -ill
Ill- /
., I

11 I

rA I, ,1 rl1
\`1,
u I+
J --+a
-JIII
1'11

7J-
I

1111111111 I

7J,
Ill

11,J

£\,
' I, II I, ,II+ I I I I I I II I- I- rJ.\
Y'J. ,
.-
r.=1
I+
I, I+ ,1 - I I - I-\ , A L=1
I-
I

5
1

5 Al

Jrh
Ill
I,

I
I I,

I
11-\
11'- jib
2

I -1111- I
11
I
3
1\
-
- - + T] -+a
11 I 11 Ill

\`1,
u
I Ill

+I

J£\. I
_ .,11, II I I II II -I -I -\,\
-A, , ,
+=1
~
11
I, -
I I _ II II A r=1
rJ
1

Queen Guinevere
Key of _ Major
Which measure has the only:
Triplet? _
IV chord?

rh
^153
ull,,.-
Jr h ,. I-
\` I J'
, ,II+ II I
I rJ,-
/1
I_11

I-rJ
Ill

I.-I
I
I

I
\rJ
1\
I,
11

eJ1P I

£\.
' J® I II, ®.
-
,,
hpr ,I I-
A+
5
II
rl,
-
I
I
I
rl-l|- 11
Ill
IJ
111111- -I
Ill
'1

12
-I
I-
rl-IIII 1111

3'1

5^,1
AI, ,I1+
rh
\`1,

£\®
I,

' J® II I,
-
I -

hI,
I

I-
I
I
I

rlr
I
-
I - I \ Ir

I
LI-
I

II
I

I-
`.-,
1111

1111

512
I-
Ill
T-

1111,,11-

11111111111- -11
1
IJ

I--
-
I-I
11

Ill
lIIIIIIIIIIIIIIr -1111
I
I

\
I-,
r
I

I I

JrJ.
I;jEI
3539
J103
Amazing Grace
Key of _ Major
In measures 7 - 8, how many
beats will you hold the:
A?

A 11
All-
I, I

rJh r,
I,
Moderato
®)
,)
,I
I
I
I
3

I.-
\ r-
I
-I -
I-I -I
rJ
2,-,-
I
Traditional Melody

11

11

I-
I

\`IJ' I+ -
11

Ill I rJ,
tJ P I LII'|l.I.I
I
I

£\.
- \, 1I 1,,I , ,\
- hI, ,1
(+ A
`
, -,,-
EiA . ,
EA.
I-\
\-\ ,
\|z^
|j^
r-
i^
J.
rJ.
L-.
I-
-\
17^,
17^*
I-
1 I
3
Finger substitution 5
Play the note with the first finger number,
then switch to the next.
5-,
5A
I, , I,
,,3-`1 3
- -I r I-I-
-
A I, - rl- -
r-I, I- I I I
I

I
11

11

r--
\\lJ' I I I I

I
eJ I 111111-I

£\®
_ I,I I, I h*.,
- hI,
-®, -
hA.
I.-\
\-\
\+^G
blEA
I--`
5-
\I1,
2I 1I

L-.
rx.

-
I

Y rJ rJ.
I

95^[_,
1 4 rlllllllll,II

`hI, I I, I - I .-
11--1111 -I
I

I,
I-Jl
Ill

I - I
JI

r-I
11

I ,' LIZ I,11 I-I 11

\\ I J' IJ I/- rJ,

eJ I r

£\,I-,,-
' I, I I, E*.,
11, E*.
\-\ ,
\17^
r^i^
rJ.
rJ.
I-.
17^,
\7^^
-\\
- I-\ /Y I- I-
I I I

13^

A
I, I I,
-y 1\ I- ,\
\\l J'
u
,

I
I
3
-
II r
LIIIIlll.I,,
I
I-
-
-I
I

I,,
I-
I

I
-., - r'.'.ia
\-L-
I

£\®1
' I,I I, I -
hI I

1 1 1 1 1
232 45
55

40 MP103
 Minuet in Bb
Key of _ Major
What is the form of this piece?
Binary Ternary
What interval will your
LH play in measure 3?
Johann Christian Bach (1735-1782),
5 th 6th a German composer, was the youngest
son of Johann Sebastian Bach. He was a
Which two intervals will your
friend of Wolfgang Amadeus Mozart, and
LH play in measure 7?
later went to England to become music
4th 5 th 6th master to the Queen.

Allegretto
A I 1 3 2 4 5 _
I,11, ,. I
---
Ill-I .-
\r- rJ -\1,
I-I
Jr
I-r ,I
\`1,
11
I/
I+ I
®) 1,
I--1111 L-'r 11111
1,1\
Ill
-1111111- I
tl mif
Ill

Ill,
Ill

I I.''...I•= I++
11111

Iia

£1.
-
I ,),, \
-\~11,
hI, ,A
I+ `^
, \\
i^^ A
\
I r,r
I.- \
11111111111-I
I- 1\
1,
I.
11

1'2
35

53^1- Fine
`h--
U I I,
-r I I I
.
24
-r-
I.-
I I
rJ
5
rJ
rJ
111111111 J|
\r-, -®
\`1, I I I

u
I
Ill I I I

11'11'1'.11 I
1111

11

£\,I \\ \ \
' J® I I,
h ^i^ rl
A A
I

1 2
55

Grace note: Play it quickly, almost

•th the next note.

3 9\3L2 t°getherVl D. C. al Fine

- I-II -,-\r --®
A'
tJ I I,
Jr1,
-V ®r
•1 I
• -\-\r
\fl ,
Ill--
-
I.I--I- •fl,
IIrll
\_

I.-®
\`1/ I I 111 Ill 11111 I

Ii?. L|.Ill,®
eJ
i-p
Ill
11111i5L.

£\,I \ I-, I-,

_ .® I I, I- I-
-I,
h ®,
A I

I
I

I
®
®

`2
1
53

MP103 41
 G Minor Scale
The two flats in the
G minor key signature are E and
G minor is relative to _ Major.
Natural Form

I--I
A I 1 1 3

I-
t,

y
I
I+
I,
I+
,I

,I 11
--1111111 I I
11

I -I I
I

I I I

\`1,
a---..\I I+ _ 11

e-
11111-Ill- .JIIIIIIIIILIII -,+I I I

7=±
£\,
_ I, I I I, `+
h,A
V
,I
L+
5
i , rllllll-
- I
I

I
--Ill
rll,
I
I

I
I I-.-
--11-I
Ill

11-
LI--I
I

rl-IIIIIIll
I I

3'

Harmonic Form
^111 3

hy
I, I
11
I,
I+
,I
,I

1
1111111--
I I lJ.
11

I -I
I

\` I, £1- I I I TII - lJ.

TJ. I I
I I I I

d--.-..,I -TI I I I

T' _ , +I
7±±
£\. I ,I I:I I:
_ J® I I, I+ I
- , I+I I
L'-.--
I
I

JT rlr I _
- , (+ II II -i I-11111111111-
I I

1+ ,A , I I rlr I
-5 '111

13
Ill

11
I

Melodic Form
A'11 3
rJI- I
\-V
\`1,
I/ I I,
,A
I+
,I
I

I HJ TLI
IJ.
11

11

I I
- rl
I

11

11 11

_,+I
u I I J +I 7±±
11

I_ Tl

'£ I,I
\. II, ,II+
h,i
I+ I
I

I I.II-
- I
- rll I+I
I_
I
1_ W-
11

11
I
,
I- JIIIIIIIIIII|
I

I
11--I L|--I
I -
I

I I

5 3 11

Primary Chord Progression

What finger will play:
Eb? LH RH

F#? LH RH

A'
V 11, ,A
Jr 11
A I,
\\ I,
I+ hiA
,I hiA
-

I+ I-
3 3
rJ
r
rJ
I- h^
I-
-I-
^
I,
r^, I I.
TL ,J
I
-,-
X,
-\
LEI
\-
I]Eil
bf
r-
eJllia 1T'fa I

£
_ J®
h,A
I,
`+ rJ
\. I I I, ,I
I+
J a1:I
I:I
- (,
- Y'J

111
322
555
I iv I V7
42 MP103
Spinning Straw
into Gold
Key of _ Minor
Line 1 is exactly like line
What interval does the LH
play from measure 7 - 8?
6th 7th O ct ave

----- -----
Allegro
31 21
All

,I - -I I- I I- -I LI--I-II-
I - I I
I I I I

I, I I, ,. I
11 ,. I
IJIJIJ- IJ-JIJ
I I I I I

|hy
Ill 11 Ill

--
Ill 11 Ill

\\1, I+
cJm,

£\. I ,. \
-,
I

\1
'J®l I, ,. I ,
11111111-. I rJ.
~ I,y ,IA+ II A -I I-
I I1111111-- I
.2
I

5
All

I, - .I I- I JI
I/ I
k1+i
|h
I,
I rl-IIIIIIl
I

- I LI-IIILI-IIIIII-I
11

I
I I I I

I
1111

Ill
I
-____
111111
21
11'11

\\1, - I -- JIIIIrl- JIIIIII-

1111'1

I IJ. I
TJ.,
11111

I I
a
I I
,
u Tl

-\
£\® I
_ J®l I, I

L-=l-IIIIIIIIIIIIIIr-I
I, I -
\, II

Ill--Ill
Ill

121-_
I I-
I
-\®- iii- -i
\\
+i^

93
AI
I/ I I,
`LIJ
I-pr
I

- - I -
Ill

I rl-IIIIIr.I
Ill

I-
Ill

rl-IIIIIII
Ill

I
LI-lIILl-IIIIIL-I
I

I
I--I----I--I--
IJIJIJ I JI-- -- JIIIIIrll
1111 I 111111

\\1, -- 1111

- I 111111

urn,

£\.I
-, \
I

\1
_ J® I I,
hrl 1 1111111111- rJ.
^,I I-
I I 1111111111111111- I
21
I

A
AI,11,
1\
I ,I Lu
\`1,
u
I 5
-
r
I

I
2

1
r-
11

11
,I
r \
r--I 4 2

1,1\
I

I
II
`
I

I
11

I -[J
Ill
11 11

IIIIIr rJ I
11

Ll-IILI-Il-
--11
I 142

11''.I +rz.,.
".
'-
I

A.

P
I
I

£\. I , II
' J®[ I,
11
y 'J.
I

rJ I I rlr rJ -I rJ .I. I.
I

\-\-
FTg2 1'2 12

MP103
 Alla Gitana
(Spanish Gypsies)
Key of _ Minor
Write triad names in the boxes.
How many measures have a
finger substitution in the RH?
After you play measure 26, you will
go back to the beginning of the piece.
Play until this sign a
at the end of measure _
Then, jump to the Coda
and finish the piece.

11
A I I I I I I I I

I-I I I-I I I I11 I 11I

I, I I, ,. I I I I I

lil I - - -- -I II 11
11111 11111

- r\ ,) I I I I I
rh
\`1,r ,1
`+ lJ.I - - -- II -I TJ.
11111

TLI
T|,,,,, T|,,,,, ----- 1' 11
> >
J± >\\\\\
£\,
_ I,I I,I®),) L-I
-
/ r` /I y 4+ I

11
I I

I
----
I-I
I
I-I I-I I-I
I

I
rir I

I
I
I
I
I I----I
>-----
1111-111-11--1'11
I-
I
I- I- I- I-
11111

I I I I
I
1
I I- I- I-
I I I
I

4 Al II

I
I I 11

I,
hJ I
I I,
r`
r` lJ.I r`
I

r`
I

rJ
I

lJ.-
I

r` r` r`
I

I,`L
\`1, ,
- rJ ->>
L1
L.I Ill I,I I,I
rJ
r` r` Ill rJ
r` r` r` rJ
u>> >>
-__..
Tl Tl

> >
>- >-----
- I- I----
I I I II- II- II- II- I.-
I I-I I- I-
£\®1
' ., I ',
r\ I I-
I I
I I
I I I I I

I I I I I I

1 1 1

7
I, I I,
1111
¢I I

1\
-J\I
1-
rA,
\`lJ' II
Jr I, -I
II II II II
-I -I -I -I
11111 Ill

rl lllllllll- ,1111111111111
11-I lJ. ,I
1,
A lJ.
1

u i _ _ _ _
11 - 11 ->>> TlrJ
TIC,-
TIII
T'>,
>-\ \ \ \ \ >>>\TI,\ P
I I- I-I I-I I I-
£\,I I.-\ 1\\
_ I, I I,
I l|IIIII--I
I I

L- 1-,
-I
-I,
I+
r`
lJ
I I I

I I I I
 iiA rfr
I-
11

I, I I, I

'lIJI
-
'1111

I I- , -
I

Jr 11 I
I,`L ,
\\LJ,
-11
-\ rlllllllllll-- I-II
/-- rJ.
I

1 1 r- \
eJ •+
1111

Cresc.

_+
£\®
_ J®l
I
I,I

hll
I I
I II 1\\
1,,
IIIllIIIIIII--I I
I
rlr'
I r,
\\
I,
llIIIIIIIIIIIIIIIr-:I
,
I I I

5 3 1 5 '5

-I,h I -\.,
Al

I,'LT|-I
\\l J'
eJ
I,
I
- I
\-r-,-,i
I

I
rJ.
11

I
I I

I
I

I
I
- I-- -I
1\
111111111- -I

P
I
1--

£\®
_ J®] II,
+L,
h
I

15'
I
11

I
- II \\
^i^ 111--
11
- I:
I+I I Ill
r,
I
\\
i^ i^

19A

`rl1
I, I
,
I,
4-1
I

I -IllI
4-1
rJ.
.,

-IIIr
\-
I rlr I _
hy
\\1,
`1.
-\ I-Ill I L_ I I I

u .I
I

- I I I I
I t

--I
I 11

lI--I
Cresc.
£1,
' I,I I,
lt
II I
I
II
I
II I1,,
I
111--
11

I
Ill, I
rlr
I
\\
, ,

23

Jrh
\-V
\`I,
cJ
lJ 1 1) rJ.

,
r-.-lrlr-
11111

11111

5T1
-.,
t- r,
\,\\
D. C. c}J a CodczAl

£\, I
' J®' I,
11
I
I
I
I
I
I II
I

I
-I \\
-
11
I:
I+ rl,
Ill
I
Ill
r,A
I
-i,
\

All 2
I, I I, I \ \ \\
r`I.-lIIIIIIIIIIIIII-I
I-, lJ.,I A
I

.I A r- i^ i^
V
11111

\`l J' TJ. ,I

J#I
11111

u T' C,--
>> I I

£\.
'J,I II,
hr^
t-
I- \ ,
----
I-I-'1-'1-1'11 A
\
rllllllll--I
-1^^
1\\

I 11111

-
JH
A
-I
>
1111

MP103 45
/ Ill /,

ri`

-`.-ii
-T¥j¥ `:a:-

he

--*:- ¥i
- --i-i .---=-

`--:¥=S::
::.8;-`

-+¥-.-i-`----
 H
_JL_.-..,I
By Keith Shell & Diane Hidy

Lessons is the core of Piano Town. 77}eory provides page by page support
The controlled, steady pacing of the for each concept introduced in Lessons
curriculum introduces one element so that theoretical knowledge keeps
at a time. Each concept is presented pace with performance skill. The study
in a consistent, reliable format. This of music theory is an integral part of
dear presentation helps students a complete musical education. Using
focus on new skills and information. 77?eory simultaneously with Lessons
will help students learn and memorize
music more easily and accurately.

Techn/.c provides page by page Performance offers students an

support for the technical skills opportunity to apply what they have
introduced in Lessons. Each new learned in Lessons. The variety of folk
exercise isolates one element of piano songs, familiar tunes, original music,
technic, giving the student a chance and classical literature are ideal for
to focus on each specific skill. use in recitals and festivals.

Teachers have been asking, and Piano Town Halloween Books - no

we've been listening! The Piano tricks and all treats! Your students
Town Christmas Books are here will have a frighteningly fun time
for the Holidays! From all-time celebrating Halloween with these
favorites like Jay to ffae Worzcz and new tunes, complete with lyrics
Silent Night, to the ever-populalr and colorful illustrations. Carefully
Carob of the Bells , to classics like graded for all levels of development,
th!e Hallelujah Ch,orus Er"d Jesu, Joy of Mcun's Desiring , these collections will be so successful
Piano Town has never sounded so festive! with your pianists, it'11 be spooky!

Primer Level one Level Two Level Three Level Four

lessons (MP100) Lessons (MPI O1 ) Lessons (MP102) Lessons (MP103) Lessons (MP104)
(MP110) 77}eo (MP111) Theo (MP112) Theo (MP113) 777eo (MP114)

rechnt.c (MP120)
Performance (MP130)
Cthristmas (MP 140)
Halloween (NIP150)
c7c£Di.sos (MP100CD)*
rechnt.c (MP121 )
Performonc`e (MP131 )
Christmas (MP141)
Halloween (N\P 151)
Note-S eller (NIP160)
Com c7c£Dt.sc`s (MPIOICD)*
rechn;.c (MP122) rechnf.c (MP123) rechnt.c (MP124)
Performance (MP 132) Performance (NIP133) Performance (NIP134)
Christmas (MP142.) Christmas (MP143) Christmas (N\P144)
Halloween (NIP152) Halloween (NIP153) Halloween (NIP154)
Com oct D/.sc`s (MPI 02CD)*

MIDI Disks (NIPIOOMD)* MIDI Disks (MP101MD)* MIDI Disks (MP102.MD)*

*lncludes 3 CDs or MIDI Disks with accompaniments for the Lessons, Technic, and Performance books

For use with all levels -Asst.gnmenf Book (MP165) For a list of Piano Sheet Solos visit www.kjios.c;om
ISBN 0-8497-7327-X

Neil A. Kjos Music Company . Distributor

kyos www.kjos.com
9 780849