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Innovation in Public Planning Calculate Communicate and Innovate 1St Ed Edition Aksel Hagen Full Chapter
Innovation in Public Planning Calculate Communicate and Innovate 1St Ed Edition Aksel Hagen Full Chapter
Innovation in Public Planning Calculate Communicate and Innovate 1St Ed Edition Aksel Hagen Full Chapter
Innovation in Public
Planning
Calculate, Communicate and Innovate
Editors
Aksel Hagen Ulla Higdem
Inland Norway University of Applied Inland Norway University of Applied
Sciences Sciences
Lillehammer, Norway Lillehammer, Norway
© The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer
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Preface
v
vi PREFACE
vii
viii Contents
Index219
Notes on Contributors
ix
x NOTES ON CONTRIBUTORS
xiii
List of Tables
Table 10.1 Types of participation and arenas in the ByLab process 178
Table 10.2 Number of people that the politicians/planners have had a
dialogue with during the ByLab 179
Table 12.1 A framework for innovative planning 207
xv
CHAPTER 1
The observant reader may have noticed that a definition of innovation has
not yet been provided. To develop a comprehensive definition of innova-
tive planning, we turn to the main source of inspiration for this book: the
planning theorist John Friedmann (1926–2017). Published over 50 years
1 INNOVATION ON THE PLANNING THEORY AGENDA: AN INTRODUCTION 3
In 1966, Friedmann (1966) argued that, “The need for creative inno-
vation is among the imperative needs of an age in which structural changes
are the normal pattern and social equilibria are always fragile and short-
lived” (p. 196). This statement is as appropriate today as it was in the
1960s. The growing number of unruly and distressing societal problems
makes innovation in the public sector imperative (Geuijen et al., 2017;
Hartley, Sørensen, & Torfing, 2013; Sørensen & Torfing, 2011).
Friedmann’s (1966) similar concerns pinpointed the need to take new,
collective practices and actions on complex, interrelated issues. At that
time, interrelated aspects such as “the distribution of income, the supply
of low-cost housing and the spatial demand pattern of housing” (p. 194)
were treated separately; hence, innovative planning was much needed.
Friedmann (1966) promoted, and experienced, innovative planning
that was effective and both broke with established planning practices and
changed institutional arrangements and specific actions. This was neces-
sary for challenging the conventional wisdom of treating complex or
unruly issues as interlinked and part of the same problem with the same
solution.
How have the definitions, the understanding and the uses of the con-
cept of innovation in planning theory discourse evolved since the 1960s?
4 A. HAGEN AND U. HIGDEM
‘Communicate’. On this basis, they suggest that planning needs three, not
two, interplaying approaches: Communicate, Calculate and Innovate.
In Chap. 3, Roar Amdam claims that both collaborative planning and
innovation involve attempts to combine instrumental and communicative
rationality to link knowledge to action and to organize multiple actors in
a network. Amdam argues that both collaborative planning and innova-
tion need democratic legitimacy. He discusses the similarities between the
planning and innovation processes, how different governance regimes
influence these processes and how actors contributing wisdom to collab-
orative processes can increase the network’s legitimacy and institutional
capacity.
Drawing on a systematic literature review, Aksel Hagen and Ulla
Higdem describe how politics and politicians have been regarded in the
most widely read and quoted contributions to mainstream planning the-
ory debate. Their review of the latest major evaluations of Norwegian
planning allows a comparison between international and Norwegian per-
spectives. The general impression they provide is that politicians and polit-
ical activity are clearly understudied. Hagen and Higdem conclude Chap. 4
by outlining an innovative societal planning type in which politicians are
expected to play a leading role.
Strategic planning is recognized as a tool for generating innovation;
however, Kaisa Granqvist and Raine Mäntysalo argue that strategic plan-
ning may itself be an innovation. In Chap. 5, they show how strategic
planning is implemented in practice, relative to the existing planning sys-
tem, through what they frame as ‘institutional innovation’. Institutional
innovation is necessary to overcome the gap between strategic planning
practices and the regular statutory planning system. However, the modes
of innovation may differ, which they illustrate with two cases from Finland.
Is sustainable development a question of ‘modernization’ or degrowth?
This is Petter Næss’ overarching question in the next chapter. Increasing
evidence shows that only a partial ‘decoupling’ between growth and nega-
tive environmental impacts is achievable. He argues that we are in a dire
need of profound, macro-scale, radical societal innovation in this double-
edged crisis of ecological unsustainability and growing inequality. At the
conclusion of Chap. 6, Næss explains how planners and planning scholars
should contribute to a radical sustainability innovation.
In Chap. 7, Hege Hofstad explores the innovation potential of one of
the most challenging and unruly planning goals: that is, how it can sup-
port the development of more socially equal communities and how it can
1 INNOVATION ON THE PLANNING THEORY AGENDA: AN INTRODUCTION 7
References
Agger, A., & Sørensen, E. (2016). Managing collaborative innovation in public
bureaucracies. Planning Theory, 1, 1–21.
Albrechts, L. (2012). Reframing strategic spatial planning by using a coproduction
perspective. Planning Theory, 12, 46–63.
Amdam, J., & Veggeland, N. (2011). Teorier om samfunnsstyring og planlegging.
Oslo: Universitetsforlaget.
Amdam, R. (2014). An Integrated planning, learning and innovation system in the
decentralized public sector; a Norwegian perspective. The Innovation Journal:
The Public Sector Innovation Journal, 19, Article 3.
Bason, C. (2010). Leading public sector innovation: Co-creating for a better society.
Portland: The Policy Press.
Bryson, J., Sancino, A., Benington, J., et al. (2017). Towards a multi-actor theory
of public value co-creation. Public Management Review, 19, 640–654.
Cahoon, S., Pateman, H., & Chen, S.-L. (2013). Regional port authorities:
Leading players in innovation networks? Journal of Transport Geography,
27, 66–75.
Crosby, B., ‘t Hart, P., & Torfing, J. (2017). Public Value Creation through
Collaborative Innovation. Public Management Review, 19, 655–669.
De Vries, H., Bekkers, V., & Tummers, L. (2016). Innovation in the public sector:
A systematic review and future research agenda. Public Administration,
94, 146–166.
Djellal, F., Gallouj, F., & Miles, I. (2013). Two decades of research on innovation
in services: Which place for public services? Structural Change and Economic
Dynamics, 27, 98–117.
Edler, J., & Georghiou, L. (2007). Public procurement and innovation –
Resurrecting the demand side. Research Policy, 36, 949–963.
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R. R. Nelson (Eds.), The Oxford handbook of innovation (pp. 181–209). Oxford:
Oxford University Press.
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American Institute of Planners, 32, 194–204.
Geuijen, K., Moore, M., Cederquist, A., et al. (2017). Creating public value in
global wicked problems. Public Management Review, 19, 621–639.
1 INNOVATION ON THE PLANNING THEORY AGENDA: AN INTRODUCTION 9
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need innovate as a third position? Journal of Planning Literature, 34, I–13.
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Public Money & Management, 25, 27–34.
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10 A. HAGEN AND U. HIGDEM
Introduction
John Friedmann (1926–2017), the famous planning theorist, is an essen-
tial inspiration for this book about innovation and planning. In 1966,
when he was working as an advisor to the Chilean government, he
launched the field of innovative planning with a paper on how fundamen-
tal changes can improve a country’s social situation. In his article, ‘Planning
as Innovation: The Chilean Case’ (1966), Friedmann argued that innova-
tion can help change society’s social objectives by proposing new values.
Later in this chapter, we explore this more deeply, but for now, we just
note that Friedmann’s paper on innovative planning received little interest
from planning theorists at the time (Hagen & Higdem, 2019).
Consistent with Friedmann’s argument in 1966, in this chapter, we
argue that the growing number of wicked and unruly societal problems
makes innovation imperative for public sector planning, albeit in different
ways than in America in the 1960s. The need for new collective practices
and action to address complex and interrelated issues is obvious today. Of
course, we do not believe that innovation is the answer to all of society’s
difficulties, or that it provides quick-fix solutions or a means for
instrumental practice (Agger & Sørensen, 2018; Booher & Innes, 2002;
Davidoff, 2016; Forester, 2013; Healey, 1997).
This chapter is structured as follows. We begin by presenting the calcu-
late and communicate positions in the field of planning theory, including
the efforts to include innovation in the communicative approach. Then we
describe in greater detail the emergence of the innovation theme in theo-
ries for both planning and the public sector. We explore the relationship
between Friedmann’s understanding of innovative planning in the 1960s
and contemporary innovation theories, and explain why innovation has
started to become important in the planning theory literature. We sum-
marize by arguing that communicate, calculate and innovate should be
seen as the three interplaying approaches to be used to describe and pre-
scribe planning. Thinking, planning and acting innovatively are about to
become dominant in planning, equivalent to calculate and communicate.
Innovation is considered to be so critical in organizations and societies,
and so analytically different from calculating and communicating, that it
requires its own defined position. We suggest that planning needs three,
not two, interplaying approaches: communicate, calculate and innovate.
We also present some key issues/themes/factors for the innovation posi-
tion in planning theory.
Calculate
Instrumental planning is dominated by experts and their knowledge, and
is linear and directed towards enhancing effectiveness. Planning experts
separate planning and action to coordinate with political decisions. As
early as the 1960s, planning theoreticians claimed that the instrumental
14 A. HAGEN AND U. HIGDEM
Communicate
Some years later, communicative rationality was introduced as a more fun-
damental alternative to Banfield’s calculative position (Forester, 1989;
Habermas, 1984; Healey, 1992). The term ‘communicative rationality’ is
closely tied to the Habermasian ideal of a dialogue free from mastery.
People are basically democratic and have a central experience of the uncon-
strained, unifying, consensus-building force of argumentative speech. The
only force in ideal discourse situations and communicative rationality is
that of the better argument (Flyvbjerg, 1991: 381). Communicative plan-
ning emphasizes participation, learning and democracy. Planning is inter-
active, and planning and action are not separate (Healey, 1997).
The communicative turn has inspired many theoreticians and practitio-
ners, and it is often said to have inspired planning practice to move in a
more democratic and participatory direction (Healey, 1992, 1996). The
ideas of a workable consensus and collaborative planning efforts are
important (Healey, 1997, 1998).
We use Patsy Healey to represent the dominant communicative posi-
tion. In her influential article, ‘Planning Through Debate: The
2 CALCULATE, COMMUNICATE AND INNOVATE? 15
Innovate
Planning, by definition, seeks change. Planning requires people to envis-
age the future as different from today, and it assumes that humans have
the ability to create change. Even when the aim is conservation, planning
still seeks to change current policies, regimes and practices, because if they
were to continue, conservation would be endangered, lost or destroyed.
Innovation: Definition
Innovation also requires change. Innovation can be defined as disruptive,
fundamental changes or as changes of space, as Hartley, Sørensen, and
Torfing (2013) have expressed. Therefore, innovation is more than con-
tinuous improvement (Jean Hartley, 2005; Hartley et al., 2013; Torfing,
2016; Torfing & Triantafillou, 2016). In the recent literature on innova-
tion related to the public sector, innovation is understood to be “an inten-
tional and proactive process that involves the generation and practical
adoption and spread of new and creative ideas, which aim to produce a
qualitative change in a specific context” (Sørensen & Torfing, 2011: 849).
Torfing and Triantafillou (2016) later extended this definition to remind
us that innovation involves a break with established practices and chal-
lenges conventional wisdom. Public innovation emphasizes: (i) reframing
existing definitions of problems; (ii) searching for, creating and valuing
new, untried and creative ideas and actions; (iii) discovering what works
through the processes of experimentation and (no-blame) feedback loops;
and (iv) iterative processes of design, assessment and diffusion (Crosby, ‘t
Hart, & Torfing, 2017).
The understanding of what innovation is, or may be, differs between
the public and private sectors. Innovation in the private sector is com-
monly comprehended as new products or services to be brought to mar-
ket. The litmus test of whether it is an innovation, instead of an invention,
is that the product or service is actually produced and sold in the market
2 CALCULATE, COMMUNICATE AND INNOVATE? 17
(Hartley, 2008; Hartley et al., 2013). Even though many countries have
outsourced or (partly) privatized public sector services, in principle, inno-
vations in the public sector do not rely on market validation to define
innovation. Rather, it is an understanding of what is of value to society and
its citizens or to users. Therefore, we must always ask “who or what ben-
efits from this innovation”, which means that innovations may contribute
to public value in this way or that way, but not in every way. We may even
discover innovations that have gone wrong.
Innovation in the public sector is not limited to services or products; it
can also occur in processes, organizations, policy and governance (Crosby
et al., 2017; Moore & Hartley, 2008). This is important for planning
because planning may spur innovation in all of these areas, as well as in
planning itself (Grankvist & Mäntysalo, 2020).
Inspired by Jean Hartley et al. (2013), we understand public value
development in planning terms as “a collective effort of societal improve-
ment of public value within policies and strategies approved by public
authorities in a given geographical area”. This implies that actors outside
of the public sector can also contribute to the creation of public value, and
that the public planning authorities have the normative decision-making
power regarding what is of public value (see also Chap. 12).
Innovation: Planning
Our understanding of innovative planning is inspired by Friedmann’s defi-
nition of innovation combined with today’s multi-actor and co-production
governance systems, which we discuss more thoroughly later in this chap-
ter. We see innovative planning as being mainly concerned with system-
atic, territorial, societal and co-produced change that breaks with
established practices and seeks to legitimize new social objectives or effect
a major reprioritization of existing objectives.
Friedmann introduced the concept of innovation into planning theory
in 1966 and pursued this research for the next three decades, making a
number of new contributions (Friedmann, 1966, 1967/2017, 1973,
1987, 1994). Other planning theorists joined the discussion on innovative
planning (Acoff, 1970; Albrechts, 2013; Grabow & Heskin, 1973;
Jefferson, 1973a; Kulinski, 1970; Nambiar, 1976). The concept of inno-
vation then disappeared from the theoretical debate, with several excep-
tions (Alexander, 1994; Galloway, 1992; Hoch, 1994).
18 A. HAGEN AND U. HIGDEM
There are few instances in which planning scholars have defined innova-
tion. Innovation is mostly used as a common term for creating something
new (Healey, 2011). More important for the understanding of innovation
is doing something new (Levitt, 2002). Levitt finds that creativity and
invention may be prerequisites for innovation, but innovation comes into
existence through implementation (Sørensen & Torfing, 2011). Another
understanding of innovation is the introduction of new and different
things and methods (Damurski & Oleksy, 2018), which are closely con-
nected to knowledge and technology in the European policy perspective,
as well as to creativity and entrepreneurship. Agger and Sørensen (2018:
55) also define innovation in planning terms, in line with the tradition of
Sørensen and Torfing (2011) cited above: “a more or less intentional for-
mulation, realization and diffusion of new public policies and services and
new ways of organizing and processing policy making and service
provision”.
Some planning scholars take a normative view of innovation outcomes.
For example, as Levitt puts it, innovation is “doing something new that
serves human purposes, that is, something that is useful” (Levitt, 2002).
As Fisher notes, there is a predisposition to regard innovation as such as
being good. He argues that “the good does not exist like that. The good
is defined by us; it is practiced, it is invented. And this is a collective work”
(Fischer & Forester, 1993: 188). Hence, a good innovation is co-created
in society.
The literature on innovation in planning emphasizes public sector plan-
ning, but it also covers strategic territorial planning, a field in which inno-
vation has now become a key issue and a widely used approach. Terms
such as social innovation, community innovation, spatial innovation and
socio-spatial innovation are used in this context (Bafarasat Ziafati, 2015).
Strategic planning is considered to be a planning tool for innovation and
creative actions (Albrechts et al., 2017).
Methods for including innovation in strategic planning systems are dis-
cussed by planning scholars such as Wolf and Floyd (2017). They argue
that the ways in which plans are written, including visual and textual rep-
resentations of strategies, appear to affect the behaviours they trigger,
ranging from ignoring plans to strategic innovation and wholehearted
strategy implementation. Others emphasize that we must create spaces for
innovative practices and bottom-up initiatives that generate innovations
and be open to unplanned innovations (Savini et al., 2015).
2 CALCULATE, COMMUNICATE AND INNOVATE? 19
by the ability to facilitate mutual learning, the sharing of risks and benefits
and the creation of joint ownership of new solutions.
Governance network research (Kickert, Klijn, & Koppenjan, 1999;
Rhodes, 1997), partnerships (Pollitt, 2003; Røyseland & Vabo, 2012;
Veggeland, 2003) and the meta-governance of networks (Kooiman, 2003;
Sørensen, 2006; Sørensen & Torfing, 2005, 2007) are all important
sources of inspiration for planning research on how planners and planning,
as a network arena, can stimulate collaboration and possibly innovation in
planning (c.f. Agger & Sørensen, 2018; Albrechts, 2013; Albrechts,
Healey, & Kunzmann, 2003; Healey, 2006a).
First, these perspectives must be concerned with how to manage, facili-
tate, motivate and coordinate collaboration and steer a broad set of sectors
and interests in such complex situations (Agger & Sørensen, 2018).
Second, these perspectives must nurture the democratic guidance of
planning (Falleth, Sandkjaer Hanssen, & Saglie, 2011; Hanssen Sandkjær,
Nergaard, Pierre, & Skaalholdt, 2011) by helping public sector planning
actors see how their roles may change from authority to partner (Fainstein,
2000; Higdem, 2015) and thereby resolve the challenges of the different
logics of partnership and participation in planning (Higdem, 2014). There
have been theoretical studies of planning as an institutionalized arena for
collaborative innovation (R Amdam, 2014) and the co-creation of futures
(Higdem, 2014), as well as studies of the various dimensions of collabora-
tive strategies (Higdem, 2017) and the impact of meta-governance in col-
laborative and territorial strategic planning situations (Higdem, 2015).
2008; Innes, 2004). Innes (2004) argues that each of the following factors
should be regarded as indicators of success: joint learning; intellectual,
social and political capital; feasible actions; innovative problem-solving; a
shared understanding of issues; shared heuristics for action; reframing of
identities; partnership creation; and new institutional forms. Her argu-
ment is that communicative approaches stimulate innovative thinking and
action more than they inhibit it (Innes, 2004: 302). Other planning theo-
rists argue that creativity and innovation are restrained by planning theo-
ries rooted in Cartesian rationality and the calculative tradition (Hillier,
2008), as well as the Habermasian communicative theories (Mäntysalo,
2002; Stein & Harper, 2012; Tewdwr-Jones, 1998).
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01944369308975902
28 A. HAGEN AND U. HIGDEM
The Weight Draws the Towel into the Case Out of Sight When Not in Use
Morekite.thanTheoneonekiteillustrated
on the same framework is known as a compound
consists of three tailless kites on one
long stick, called the spine. The upper one is 3 ft.; the center one, 2
ft., and the lower one, 1 ft. in width. There will be needed for the
construction of this kite a stick of light wood—spruce is best, but it
may be of pine or bass—7 ft. long by ¹⁄₄ by ¹⁄₂ in. If the wood breaks
easily it will be better to increase the width from ¹⁄₂ in. to ³⁄₄ in., or the
stick might be made ³⁄₈ in. thick without increasing the width, but with
a good spruce stick the dimensions first given will be sufficient. The
stick should be straight-grained and without a twist. If the spine is
twisted, the kites will not lie flat or in a plane with each other, and if
one is out of true, it will cause the kite to be unsteady in the air. The
bow sticks are three, the upper one being 4 ft. long by ¹⁄₄ by ¹⁄₂ in.;
the center one, 2 ft. long by ¹⁄₄ by ³⁄₈ in., and the lower one, 1 ft. long
by ¹⁄₄ by ¹⁄₄ in. About five sheets of tissue paper will be required, but
more may be needed for color combinations. The so-called French
tissue paper is much better, as it comes in fine colors and is much
stronger than the ordinary tissue. It costs a trifle more, but it pays in
making a beautiful kite. The Chinese rice paper is the strongest, but
it comes only in natural colors.
The Spine with the Bow Sticks The Kite as It Appears with the
Properly Spaced as Shown by the Festoons Hung to the Ends of the
Dimensions Sticks
It will be seen that the kites do not extend to the top and bottom of
the spine stick. The first bow stick is placed 13 in. from the top end of
the spine, and each of its ends extends 6 in. beyond the kite for
fastening the festoons. The bow sticks should be lashed to the spine,
not nailed. Wind diagonally around the two sticks, both left and right,
then wind between the two, around the other windings. This draws
all windings up tightly to prevent slipping.
To string up the upper kite, drill a small hole through the spine, 6
in. from the top, at A, and also 6 in. from each end of the bow stick,
at B and C. If a small drill is not available, notch the stick with a knife
or saw to hold the string. Another hole is made in the spine 29 in.
from the upper bow stick, or at D. Tie the outline string at A, then
pass through the hole at C, then through D, up through B and back
to the starting point at A. In tying the last point, draw up the string
tightly, but not enough to spring the spine or bow. Measure carefully
to see if the distance AC is the same as AB, and if CD is equal to
BD. If they are not, shift the string until they are equal and wind at all
points, as shown at E, to prevent further slipping. Proceed in the
same way with the center and lower kite, and it will be ready for the
cover.
The cover tissue should be cut about 1 in. larger all around than
the surface to be covered, but turn over about half of this allowance.
This will give plenty of looseness to the cover. For the fringe
festoons, cut strips of tissue paper, 2¹⁄₂ in. wide, paste ¹⁄₂ in. of one
long edge over a string, and cut slits with scissors at intervals of 1 in.
along the loose edge. After the fringe has been made, attach it as
shown in the illustration. Do not stretch it tightly, but give sufficient
looseness to make each length form a graceful curve and keep the
sides well balanced.
To bend the bows of the upper and center kites, attach a string
from end to end of each bow on the back side of the kite and spring
in short brace sticks in the manner usual for tailless kites.
Attach the upper end of the bridle at A. The length of the bridle
string is 87 in. and the kite line is attached to it 30 in. from A, leaving
the lower part from this point to F, where it is tied to the spine, 57 in.
long.
The kite should fly without a tail, but if it dodges too much, attach
extra streamers to the ends of the bow sticks of the lower kite, and to
the bottom of the spine.
If good combinations of colors are used a very beautiful kite will be
the result, and one that will fly well.
Simple Experiment in Electromagnetism
Four boys using the same shed as their workshop wished to lock it
so that any one of them could enter alone. Usually only two keys are
supplied with a lock, so two locks were purchased and applied to the
staples as shown. Each boy was provided with a key and could enter
at his pleasure.—Contributed by George Alfred Moore, Versailles, O.
Ferrules for Tool Handles
While paddling a rented canoe one day the paddle struck a rock
and snapped in two a little below the center of the handle. The
boatman laughed at the idea of trying to fix it, but after paying his
price for the paddle I decided to try mending it. The barrel of an old
bicycle pump was procured and I found that it fitted over the paddle
at the break a trifle loosely. It was pushed on the handle out of the
way. Then with a No. 8 bit I bored a hole 8 in. deep in the end of
each broken part. Into these holes, which formed one cavity when
the broken ends were brought together, was forced and glued a
tight-fitting 16-in. dowel pin. The outside of the handle was then
wrapped with tape for about 10 in. each side of the break, and the
pump barrel was forced down over this tape until it completely and
firmly enveloped the broken ends.—Contributed by Clarence G.
Meyers, Waterloo, Iowa
Tightening Lever for Tennis Nets
The Upper Rope on a Tennis Net Held Taut with a Lever on the Post
Tennis nets are always sagging and to keep them at the proper
height requires considerable attention, especially so where the posts
are not solidly set in the ground. A very effective net tightener, and
one that is easy to make is the lever shown in the illustration. One
end of a piece of hardwood board is shaped into a handle the other
end being left large. In the latter a hole is cut to fit loosely over the
post for the net. The upper end of the post is notched and a sheave
pulley is placed in it so that the groove will be in line with the net.
The upper rope on the net is run over the pulley and is attached to
the lever handle. A downward pressure on the handle draws the
rope taut and locks it on the post. It is easily removed from the post
and can be left attached to the rope and rolled up in the net when not
in use.
A Desk Watch Holder
A watch holder for the desk is a great convenience for the busy
worker, and many calendar devices are sold for this purpose, yet
they are no more efficient than the one illustrated, which can be
made from an ordinary spindle desk file. If the wire is too long it can
be cut off and the bend made in it to form a hook for the watch ring.
Cleaning Silverware
To clean silverware or anything made of the precious metals, such
as jewelry, etc., is very simple with the following method: Place a
piece of zinc in a cup, dish, or any glazed ware; put in the articles to
be cleaned, and pour over them a hot solution of water and
carbonate of soda—washing soda—in proportions of one
tablespoonful of soda to ¹⁄₂ gal. of water. This is a solution and
method used by many jewelers for cleaning pins, rings, chains, and
many other small articles made in gold and silver.
Nearly every boy can make kites of the several common varieties
without special directions. For the boy who wants a kite that is not
like those every other boy makes, an eight-pointed star kite,
decorated in an original and interesting manner, in various colors, is
well worth while, even if it requires more careful work, and extra
time. The star kite shown in Fig. 1 is simple in construction, and if
carefully made, will fly to a great height. It is balanced by streamers
instead of the common type of kite tail. Any regular-shaped kite
should be laid out accurately, as otherwise the error appears very
prominent, and unbalances the poise of the kite.
The frame for this star kite is made of four sticks, joined, as
indicated in Fig. 5, with strings running from one corner to the
second corner beyond, as from A to C, from C to E, etc. A little
notching of each pair of sticks lessens the thickness of the sticks at
the center crossing, and strengthens the frame, The sticks are ¹⁄₄ by
¹⁄₂ in. by 4 ft. long, They are set at right angles to each other in pairs,
and lashed together with cord, and also held by a ³⁄₄-in. brad at the
center. The strings that form the sides of the squares, A to G, and B
to H, must be equal in length when tied. The points where the strings
forming the squares cross each other and the sticks are also tied.
The first cover, which is put on with paste, laying it out on a
smooth floor or table as usual in kite making, is plain light-colored
paper. The darker decorations are pasted onto this. The outside
edges of the cover are turned over the string outline, and pasted
down. The colors may be in many combinations, as red and white,
purple and gold, green and white, etc. Brilliant and contrasting colors
are best. The decoration may proceed from the center out, or the
reverse. The outside edge in the design shown has a 1¹⁄₂-in. black
stripe. The figures are black. The next octagonal black line binds the
design together. The points of the star are dark blue, with a gilt stripe
on each. The center design is done in black, dark blue, and gilt.