Professional Documents
Culture Documents
Voices From Barangay Cabusligan III
Voices From Barangay Cabusligan III
____________________
A Qualitative Research
Presented to
The Faculty of Humanities and Social Sciences (HUMSS)
Ilocos Sur National High School’
Senior High School
Vigan City
____________________
____________________
2023-2024
CHAPTER I
THE PROBLEM
Introduction
Damili, an Ilocano term for molding, is a traditional terra-cotta craft in Vigan,
Philippines, dating back to the 19th century. The craft is practiced in various barangays,
with Bulala being the most visited. Damili-makers use Bantog clay, found in the Vigan
hills, for their terracotta products. Within the boundaries of Barangay Cabusligan, a
resources.
In the vast field of human experiences, success narratives often mirror an array
of common threads – determination, resilience, and hard work. Yet, settled within the
folds of these collective tales lies the extraordinary journey of individuals who navigate
unconventional paths, sculpting their success with a clay uniquely their own. This
qualitative research endeavors to illuminate such a distinct narrative, focusing on the life
and achievements of Mr. Isagani – a protagonist whose journey reflects the intricate
artistry of success.
The metaphorical title, "Clay of Triumph," not only conveys the malleable nature
of the journey towards success but also emphasizes the personalized, almost artisanal,
human destiny, suggesting that success, much like clay, is not predetermined but
crafted through conscious choices, adaptations, and resilience. "Triumph," on the other
hand, denotes not just the attainment of goals but the profound personal evolution and
destination, instead immersing ourselves in the rich narrative of Mr. Isagani's journey.
Through a qualitative lens, we aim to capture the essence of his unique path – the
challenges that tested him, the decisions that defined him, and the moments that
marked his triumphs. By doing so, we hope to unravel the complex interplay of personal
distinctive narrative.
narrative analysis, and thematic coding, we attempt to unveil the layers of Mr. Isagani's
story, discerning the underlying patterns, motivations, and transformative moments that
partake in the unraveling of Mr. Isagani's narrative – a narrative that is not just about
success but about the nuanced and deeply personal process of molding the Clay of
Triumph.
TO SUCCESS aims to study the success life story of Mr.Isagani on the damili making.
This also includes the discovery of the different experiences, struggles, and challenges
inspiration for others facing challenges, informs educational practices, and guides
mentorship programs. The findings may have implications for policies related to
education, employment, and social support systems. The study contributes to qualitative
cultural and contextual relevance highlights factors shaping success, enhancing cross-
Barangay Officials and Policy Makers. The insights gained from the study can
prioritizing interventions that are responsive to the needs and priorities of the
community.
benefit from the study's insights to enhance the effectiveness of their programs and
guide the design and implementation of interventions that are responsive to local
Future Researchers. – this study can be used by the future researchers to gain
more knowledge about constructing a research paper, they can also use this as a
research-based paper.
This study is focused on studying the success story of Mr. Isangani. The
researchers are going to interview Mr. Isagani from Barangay Bulala. The research
A narrative research design is ideal for the study “Clay of Triumph: A Unique Path of Mr.
interpret stories from individuals, aiming to understand the meaning and structure of
their experiences. It allows for a holistic exploration of Mr. Isagani's life journey,
identifying key themes and patterns, detailing milestones and challenges, engaging with
tool allows for a nuanced understanding of success within the context of Mr. Isagani's
life story.
Conceptual Framework
A. Life in-
fluences
C. Support System and Mentorship and Mile-
stones
CLAY OF TRIUMPH:
UNIQUE OF PATH OF
MR. ISAGANI TO
SUCCESS
B. Adaptability
and Resilience
Cabusligan using the three (3) variables – Life Influences and Milestones,
Adaptability and Resilience and Support System and Mentorship to which can be
seen above.
Theoretical Framework
gleaned from available sources that are helpful in conceptualizing this study.
using the three (3) variables – Life Influences and Milestones, Adaptability and
Resilience and Support System and Mentorship to which can be seen above.
from the word "damili" which means "pots made of clay". Red Clay Pagdamilian was
officially named in 2015 although it is already operating for the past years. It is open for
visitors who want to tour around the production and learn how pottery is being made.
Also, it is where the pottery making lesson is conducting for those who want to
(banga), water vessels (karamba), firewood and charcoal-fed cooking stoves (dalikan,
pagugingan), water and animal-feeding basins (bakka, paso), plant pots (masetera),
and pipes used as well rings (lusob). Though roof tiles, called tehas [Sp. tejas], and clay
bricks, called nadrilyo [Sp. ladrillo], appear to have been made locally for masonry
during the Spanish period, manufacture of the so-called Vigan tiles only started in the
1970s. It is said that a businessman introduced the product for large-scale production.
The main component is the Bantog clay, which is mainly sourced in the Ayusan
Sur-Paoa communities. This material’s depletion has raised some concern among
potters. The brisk depletion of Bantog clay may be attributed to the continued large-
scale production of Vigan tiles. Within the last decade, the sale and conversion of clay
quarry sites into residential areas also contributes to the problem. Damili work begins
with the hauling of the raw materials. Men are mostly responsible for the clay extraction
and hauling. Women usually help in collecting fine sand and mosdy take charge of
Clay preparation for all types of earthenware involves the breaking of the clay
into smaller chunks, mixing together and moistening of raw materials, kneading,
stocking and keeping the clay moist, and molding. After the finishing touches, all damili
products are air dried for two to six days. Dried leaves, mosdy of bamboo, cattle dung,
coconut husks and more are collected to serve as fuel for the open-and-lower-
temperature-fired damili. Firing of damili lasts for a whole afternoon, although it is only in
the beginning that these are kept aflame. For most of the time, only the embers inside
the pile continue to heat the wares. Even without thermometers, the craftspeople know
Life Course Theory, as applied to the study of Mr. Isagani's journey to success,
offers a holistic lens through which to understand the intricate interplay of events and
experiences that have shaped his life. This theoretical framework encourages an
exploration of his entire life span, emphasizing that individual trajectories are not
underscores the profound impact of early experiences, suggesting that decisions made
in education and career choices during formative years significantly mold later
outcomes. In dissecting Mr. Isagani's story, the research delves into pivotal life events,
transitions, and critical turning points to uncover the transformative moments that
Moreover, Life Course Theory emphasizes that life events do not occur in
isolation but are part of a dynamic and evolving narrative. Therefore, the study
perspective offers a nuanced understanding of how various aspects of his life mutually
influenced one another. Additionally, the theory prompts an exploration of the broader
societal and cultural context in which Mr. Isagani's journey unfolded. Understanding the
external factors that shaped his opportunities and challenges adds depth to the
experiences, Life Course Theory provides a vigorous framework for untying the layers
arcs, and the significance of specific life events. In essence, this theoretical approach
enriches the study by not only highlighting individual milestones but by also
contextualizing these within the broader tapestry of Mr. Isagani's life, thus offering a
Resilience theory, when applied to the study of Mr. Isagani's distinctive journey to
challenges, bounced back from setbacks, and developed strength in the face of
adversity. Resilience theory posits that individuals possess the capacity to adapt
positively to adversity, and it focuses on the processes and mechanisms that enable
such adaptation. In the context of Mr. Isagani's study, resilience theory becomes a lens
through which to explore the ways in which he demonstrated resilience throughout his
life. One key aspect of resilience theory relevant to Mr. Isagani's study is the
examination of specific factors and strategies that contributed to his ability to bounce
back from setbacks. The research delves into instances where Mr. Isagani encountered
overcame them. This could involve an analysis of his coping mechanisms, problem-
solving skills, and the support systems he utilized during difficult times.
maintained a positive mindset, coped with stress, and developed a sense of efficacy in
overcoming obstacles. This aspect of the study aims to uncover the internal processes
that played a role in his ability to persevere and thrive despite adversity.
quality. In the case of Mr. Isagani, the study could analyze how his resilience evolved
over different stages of life, from early challenges to more recent triumphs.
associated with his resilience, the research gains insights into the dynamic interplay
between adversity and personal growth. Overall, resilience theory enhances the study
Social Capital Theory, when applied to the study of Mr. Isagani's unique path to
success, offers a lens through which to explore the role of social relationships,
networks, and support systems in shaping his journey. This theoretical framework posits
that individuals accrue social capital through their connections with others, and these
the context of Mr. Isagani's study, Social Capital Theory becomes instrumental in
understanding the social dimensions that have contributed to his distinctive trajectory.
One central aspect of Social Capital Theory relevant to Mr. Isagani's study is the
examination of his social networks and relationships. The research delves into the
contacts—and how these relationships played a role in his personal and professional
development. By identifying and analyzing the types of social capital he accessed, the
study gains insights into the external influences that have contributed to his success.
within Mr. Isagani's social networks. This could include access to information,
mentorship, guidance, and emotional support. The research investigates how these
resources were mobilized at different stages of his life, facilitating his ability to overcome
Social Capital Theory also prompts an analysis of the trust and reciprocity within
Mr. Isagani's social connections. Researchers may explore how trustful relationships
and mutual support within his networks have played a role in his journey. This aspect of
the study aims to uncover the social dynamics that have fostered collaboration,
different types of social capital may be valuable in different contexts. The research
could explore how Mr. Isagani's social capital evolved across various life stages and
changing circumstances.
success. By analyzing his social networks, the resources embedded within them, and
the trustful relationships that facilitated his journey, the research gains a deeper
understanding of how social capital has been a driving force in shaping his distinctive
path to success.
The intricate designs of pots are sometimes inspired from the cultures, traditions,
and history of a certain region. These designs reflect the peoples’ behaviour throughout
the years, and their stories are preserved within the designs of these pots. The story of
ancient Southwest cultures can be told through the pottery they crafted. While a
constant for Pueblo people, ceramics evolved to reflect the historical and cultural
anthropology, there is much more to the history of the ancient Southwest cultures than
Southwest culture and its function was ceremonial as well as utilitarian. According to
(2002) define landscape as an area that is spatially heterogeneous in at least one factor
of interest.
“Of all the arts, ceramics is the most fundamentally linked to the physical make-
up of the planet that we inhabit and best illustrates the link between science and art. It
Lapita art is best known for its ceramics, which feature intricate repeating
geometric patterns that occasionally include anthropomorphic faces and figures. The
patterns were incised into the pots before firing with a comb-like tool used to stamp
designs into the wet clay. Each stamp consisted of a single design element that was
combined with others to form elaborate patterns. Many Lapita ceramics are large
vessels thought to have been used for cooking, serving, or storing food. Some of the
designs found on Lapita pottery may be related to patterns seen in modern Polynesian
sites, as well as a single bone image representing a stylized human figure. Pots are
considered useful in the field of gardening. They serve as containers for plants, they
help beautify the landscape and sometimes they are used as practical materials for
growing plants. Ollas (pronounced “oy-yahs”) are unglazed clay/terra-cotta pots with a
bottle or tapered shape that are buried in the ground with the top/neck exposed above
the soil surface and filled with water for sub-surface irrigation of plants. This irrigation
evidence of use in China for over 4000 years and still practiced today in several
countries, notably India, Iran, Brazil (Bulten, 2006; Power, 1985; Yadav, 1974; Anon,
1978 and 1983) and Burkina Faso (Laker, 2000; AE Daka, 2001).
Ollas may be the most efficient method of local plant irrigation in drylands known
to humanity due to the micro porous (unglazed) walls that do “not allow water to flow
freely from the pot, but guides water seepage from it in the direction where suction
develops. When buried neck deep into the ground, filled with water, and crops planted
adjacent to it, the clay pot effects sub-surface irrigation as water oozes out of it due to
the suction force which attracts water molecules to the plant roots. The suction force is
created by soil moisture tension and/or plant roots themselves.” (AE Daka – 2001.) The
plant roots grow around the pots and only “pull” moisture when needed, never wasting a
single drop.
pottery dating back Egypt and 3000 B.C. in China. In this article, I’ll talk about how
wheel-thrown pottery developed and was refined as a craft and will discuss glazes and
types of clay Early pots were most likely made using hand-building techniques,
particularly coiling, and there are various theories as to how the potter’s wheel
developed out of these techniques. One that is fairly reasonable suggests that while
using two stone plates, one stacked atop another to make a turntable for coiling, ancient
potters realized that if they could spin the top plate faster, they could make smoother
pots. Early utilitarian pottery was thick-walled, uneven and typically unglazed. It likely
began with people making storage jars for food and water. But whoever could afford to
do so, certainly in ancient Egypt, used every day and ceremonial vessels made of
bronze, iron or precious metals. By the middle of the tenth century B.C., though, pottery
had developed to the point that there are historical records of a family of potters living in
a palace to do the king’s work. In fact, most of the most ancient pottery artifacts in
existence today were preserved in king’s tombs. Although much pottery was made in
the Middle East, Oriental cultures contributed most directly to the refinement of pottery
as a craft.
Boven and Morohashi (2002) point out that indigenous knowledge (IK) refers to a
people generally in rural areas, who have extended histories of interaction with the
language, naming and classification systems, practices for using resources, rituals,
spirituality and worldviews. This is similar to Shizha (2013) who argues that IK refers to
what indigenous people know and do, and what they have known and done for
generations. Similarly, Okeke, van Wyk and Phasha (2014) view IK as knowledge that
is produced in specific historical and cultural contexts, and is typically not generated by
a set of pre-specified procedures or rules, but instead it is orally passed on from one
generation to the next. IK can thus be derived from systematic observations and
Klein (2011) notes that IK can be integrated in schools by drawing on the skills
and knowledge of parents and grandparents. Several positive outcomes have been
reported as a result of this; such as a stronger focus on the indigenous cultures’ skills
and knowledge, reduced drop-out rate, better school performance of certain groups
such as girls and academically underperforming learners, and fewer disturbances and
discipline problems (Klein, 2011). Similarly, Erinosho (2013) emphasizes the importance
learners’ prior experiences and source of information that they carry to school learning.
When such learners’ prior knowledge is used to bridge the gap between home and
school, Aikenhead and Jegede (1999) refer to this phenomenon as border crossing.
Effective science learning is believed to take place in a situation that there is harmony in
the cultural experiences of the learner as determined by the school, the home and the
community in which learning takes place (Erinosho, 2013; Mavuru and Ramnarain,
2017; Shizha, 2013). Moreover, if education is the means through which learners learn
about their cultural heritage (Cocks et al., 2012) and values, it needs to integrate local
IK for sustainability that goes be-yond the economic sphere. It is further important to
note that the young genera-tion be made aware of the values of traditional practices, as
it will help preserve the practices for the next generation to come (Baquete et al., 2016;
Kasanda and Kapenda, 2015). This implies that the curriculum in schools should not
only primarily focus on Western-based scientific knowledge, but instead it should also
based on indigenous epistemology (Cocks et al., 2012; Mhakure and Otulaja, 2017).
Mhakure and Otulaja (2017) refer to such framework as culturally relevant pedagogy. It
is for this reason that this study is informed by Vygotsky’s (1978) socio-cultural theory.
Related Studies
Pottery had been known from the beginning of time. It all started with a mud that
changed – adapted. Taboc, San Juan, La Union was one of the places where in
the culture and the art of pottery were flourish and modernized. The researchers
changes in pottery over the years. 2) The lived experiences of the potters in
Taboc, San Juan, La Union. 3) The unique features of Taboc, San Juan pottery
learned the etiology of the pots in Taboc, San Juan, La Union. The collected
records were categorized based from the purpose of the study. Patterns of
were identified by the researchers. Results also showed the symbolism of pottery
in daily lives of the people of San Juan across all ages. The recovery of the
forgotten history that shaped Taboc, San Juan’s economy, that defined San Juan
“The Golden Town of Pottery in La Union” a very long time ago. Proposed
This paper aims to explain why reform-oriented local politics has gained ground
in the Philippines. It has been argued that local politics in the Philippines is
oriented local politics has emerged in many parts of the country since around the
2000s. What is the driver for the rise of reform-oriented local politics? Does this
form of politics weaken or strengthen the local political dynasties? This paper
answers the first question by arguing that links between the global neoliberal
economy and local policy entrepreneurs have facilitated the rise of reform-
oriented and business-friendly local politics. For the second question, it claims
that local elites who become successful policy entrepreneurs adopting the new
their dynasty by utilizing private capital investment. These arguments are based
on the case of the Valdez family in the municipality of San Nicolas, Ilocos Norte.
the research conducted a virtual focus group discussion with primary and secondary
put forth a conceptual model, a San Nicoleño Sustainable Cultural and Heritage
community or society
Social Dynamics. Social dynamics refer to the patterns, processes, and interactions
that shape social relationships, behaviors, and structures within a community or group.
phenomenon, or practice.
practices, skills, and teachings passed down through generations within a community or
culture.
cultural knowledge, values, and practices are passed from one generation to the next
RESEARCH METHODOLOGY
Research Design
A narrative research design is ideal for the study “Clay of Triumph: A Unique
collect and interpret stories from individuals, aiming to understand the meaning and
structure of their experiences. It allows for a holistic exploration of Mr. Isagani's life
perspectives, identifying key themes and patterns, detailing milestones and challenges,
engaging with Mr. Isagani's voice, and constructing a comprehensive storyline. This
methodological tool allows for a nuanced understanding of success within the context of
Sources of Data
Data will be obtained through the answers of the participant on the interview.
Answers will be interpreted through analysis to easily understand the obtained data and
Locale of Study
This study will be conducted on the community of Barangay Bulala, Vigan City,
Ilocos Sur
Participants of this study will be chosen by using purposive sampling. Taken from
different sections to ensure data collection is done in a diverse manner. The informants
b. Secure permission to conduct the study from the School Authorities and
Barangay Officials
d. Conduct and assist the respondents during the interview and explain the
f. Support results of the data gathered through credible sources found in the
theoretical framework.
Data Analysis
focuses on a topic and analyzes the data collected from the case studies, survey,
observation or other similar methods. For the analysis of this study, transcriptions of the
audio recording and the answers and the questionnaire were done and translation of the
answers in Iloco and Filipino were made. Lastly the researchers analyzed the answer of
the participants to come up with the data needed for the study. Through appraisal
focused strategy which is directed towards assumptions and modifying the way students
think, the analysis led the researchers to have the conclusion that may include
distancing the students from the problem or change, altering goals and values. It
postulates that discrimination is one of the factors why these individuals had a hard time
in coming out in from their closet. It further states that the effects of low self-confidence
in showing up who really, they are. The subject matter here is how the respondents
confess and tell their coming out stories that may affect if this futile standard of the
community will continue to implement physical and most especially in emotional aspect.
Ethical Considerations
This research paper was submitted to the ethics committee of the school. It was
informed consent, and maintain anonymity, confidentiality and justice and fairness.
considerations:
informants have the right to withdraw participation at any point without penalty or risk of
any kind. In case of withdrawal of participation, the researchers sought consent of other
really informants be included in the sample. The informants were expected to answer
the questionnaires honestly and faithfully. They were also expected to participate in the
discussion of the result to validate the foregoing study and to provide explanations.
Conflict of Interest. The researchers must inform the respondents that there are
and the researchers in separate schools or divisions, including financial interests and
affiliations. The researchers explained that there was no in any form of gain but
knowledge and information. The study was purely for professional advancement of the
research paper, for this reason the conductors of the research put in the letter for the
no form of force. Any time without prejudice the respondents may withdraw their
consent and not continue with their participation. Before obtaining data, respondents
had an informed consent form to confirm their desire to participate in the study. The
responders are demonstrating that they have fully comprehended the nature of the
Review of the Risk and Measure to Mitigate. There was no risk to the
respondents’ involvement in the study other than little mental activity stress as they will
be asked to answer questions and minor emotional stress as they will be asked to recall
their experiences as voters and members of the community. Rest assured that any of
the things they shared will be objectively treated, without any judgment.
the respondents what is unclear to them, they have the freedom whether or not they will
participate without penalty. They can withdraw anytime and can decline to give
information. There was a given information of how the survey will be formulated, also a
the confidentiality and anonymity of the responses. To protect the identity of the
informants, their names were not included in the research. It shall be maintained
through, but not limited to the following: giving code names to the respondents, keeping
survey form and any documents identifying the respondent’s identity and information in
a secured file in personal possession of the researchers, and disregarding data through
shredding after the analysis would be bound, presented and published. The only
individuals who can access the information are the researchers, technical panel, and
Justice and Fairness. The researchers of the study treated the respondents
fairly without any judgment or prejudice. Integrity of the conduct of the discussion was
Benefits from the Study. The benefits of the study are the results of the data