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Looks like his uniform ruffled the Indian Air Force's feathers enough to procure a disclaimer in
writing and person insisting no disrespect intended. And it's not. Targeting his mean boss, casual sex
partner and an all-knowing mystic, the lines between the man and the mask soon blur. Explore best
tools, resources, sites and blogs required to build and scale a startup He also says he didn't kill
anybody, spouts legal jargon, and throws the bunch of cops -- all clownish except for Yadav and the
over serious Mathur -- into a tizzy. Every now and then a star kid comes along and stuns us with his
or her inborn talent. Sara Ali Khan in Kedarnath is one such instance. Friends daring friends over the
same. At the centre of this dark tale of sex trafficking is a soul stirring, haunting delivery by newbie
Mrunal Thakur. While you feel sorry for Paul's loss, you are equally sympathetic towards Allen's
state of turmoil and Sneha's continuous tireless efforts to find a balance and bring the family
together. Just as you presume the movie is building towards something promising in how cadets are
encouraged to think on their feet alongside the dean's intention to turn them into corruption-tackling
antibodies, the schooling is cut short to jump directly in 1983 Mumbai. A brilliant Sree Swara plays a
young woman fed up of tending to her bed-ridden father-in-law's persistent demands. Like
Aparshakti Khurrana's cheesy Helmet, where condoms act as a catalyst in voicing its concerns about
population explosion, Rakul Preet Singh's Chhatriwali crusades to promote sex education and safe
sex in small town Karnal. Marjaavaan and Motichoor Chaknachoor are vastly different from each
other. In such thrillers, directors feel obliged to pump up the background music to arrest people's
attention. But Kanishk Verma didn't see a need for that. This list is for people who live to eat and
not eat to live. This article was first published 3 years ago Explore popular alternatives of Rediff
Movie Reviews at one place, all suggested and ranked by the CybrHome user community. In his
attempt to tell this story, Sircar seems to have forgotten to use his scissors to make the film crisper
and thrilling. Another Kaka reference pops up when Baig quotes his popular 'kutti cheez' phrase. The
writers have smartly targeted several politicians without mentioning them. Strangely, they also
contradict their own theories by claiming they are not authentic. As a result, the film moves from the
realm of political theory to social media rumour. My stomach was in knots even when I knew exactly
what was coming. One extra star purely for his evil shenanigans. This article was first published 5
years ago The movie is also sporadically naïve -- forgoing character development, causality, and
moral sobriety in favour of shocking ironies -- but its naiveté magically becomes a part of its style.
Nail-biting possibilities lie ahead but nothing her strong, silent accomplice cannot handle. This article
was first published 3 years ago This article was first published 5 years ago 'This colliding of worlds is
a feature of chawl life in Mumbai, where the clashes in one household often become prime-time
television for the neighbours; where the boundaries of good sex, lechery, and incest are frequently
blurred,' says Sreehari Nair. Ash, Madhuri raise Devdas It needs to have a gripping story, which will
do justice to the patriotic theme. This article was first published 4 years ago
Bholaa goes wild around the kohl-eyed Dobriyal or is it the other way round? A man is killed in a
Delhi bungalow, and the cops find a clean crime scene with no clues. But Bhansali's epic is
exaggerated and melodramatic Friends daring friends over the same. Later, he admits his love for
Chandramukhi, though he tells her she can never replace Paro. Meanwhile, liquor takes its toll on
Devdas. This article was first published 1 year ago The Indian Army's surgical was meant to avenge
Indian soldiers martyred in a terror attack in Uri on September 18, 2016. While it's a good mystery-
building exercise, the repetition mires the experience. With over a couple of dozen movies in
Malayalam, Tamil and Telugu cinema to his credit, Dulquer Salmaan is one of the most experienced
debuts on this list. Thankfully, there are no songs to prolong the narrative, but still, after a while, the
gruesome killings and meandering plot get a bit too much, making you lose interest. Whatever
decent ideas it has about marrying for the right reasons, chasing ambition on one's own merit and the
reality of parental exploitation are diluted when Motichoor Chaknachoor brushes off the
rampant regressiveness engulfing Nawaz-Athiya's unlikely, quaint chemistry. It's always a pleasure to
watch a Dhanush movie. His actions may go against the lawm but so long as his folks are out of
harm's way, he is convinced it's the right thing to do. (c) 2002 rediff.com India Limited. All Rights
Reserved. List of free web hosting providers. He will act. He will kill. He won't be stopped. She
quickly adapts to the world of politics and this creates friction between her and Bheema Bharti. It's
like Vijay and family, too, have already watched the original and anticipated the deceit all along. If
only the movie wasn't preoccupied with body count of baddies, his arc would be a worthy parallel to
Devgn and Tabu. But it's when things get volatile, like the intense chase sequence across roads and
railways, captured by Swapnil Sonawane, AK vs AK hits some high notes. And the real surprise of
this section is not the twist itself, but the fact that the twist broadens the range of her character and
you see Flory as a double for all those women who are honest about their stories but wily enough to
know when mis-directions ought to be employed. She informs Varun about something that was
buried deep inside him. Then we have Pramod Pathak and Kani Kusruti playing Mishraji and Kaveri
respectively. While Mishraji is loyal to Bheema Bharti, Kaveri forms a trusting association with Rani
Bharti. The treatment of the crime and criminal may seem predictable, but not quite the way you'd
imagined it to be, discovers Divya Nair. 3 Storeys is an orgy of storytelling. Rediff.com » Movies
» Review: Gumraah Fails To Impress If Bollywood's renewed love for bombastic dialogues and far-
fetched scenarios also leads to the re-emergence of the flamboyant villain, I can live with it.
On the suggestion of her spinster aunt (a zany Karuna Pandey) with whom she shares a rather
cheeky equation, Ani sets sights on the next-door neighbour's much older Dubai-based son,
Pushpinder Tyagi (Nawazuddin Siddiqui). A shower knob that controls time seems like a fun idea in
this Groundhog Dayish semi-thriller about fixing things before it is too late. A wall of four movie
posters from the year of Hero, Jaane Bhi Do Yaaro, Justice Chaudhary and Nastik at a bus stop
almost reads like options laid out before the boys at the beginning of their career. She's wonderfully
poised in the company of her neighbours, cross-legged and stiff-necked, and later when she drops
the poise and wraps herself tightly in just a bed-sheet or when she takes a swig from her husband's
rum bottle, Masumeh Makhija almost leads us through Archana's entire history of unfulfilled needs,
heartbreaks and broken promises. Rediff.com » Movies » Send us your reviews! A palpable
eagerness and energy pulsates through Ishaan Khattar's being, whether he's conveying grimy
conflicts or dancing his heart out. Footfairy is intriguing as well as shocking. O'Dwyer was pardoned
by the British government for then imposing martial law in Punjab, but Udham Singh waited 21
years for revenge. While you feel sorry for Paul's loss, you are equally sympathetic towards Allen's
state of turmoil and Sneha's continuous tireless efforts to find a balance and bring the family
together. Ever a force of nature, Tabu adds to the heft as the bitter mum in no mood to pardon. While
Radhika Madan has a ball around Spotlight's idiosyncrasies and surreal elements, Harshvardhan is
painfully lacklustre. He can neither convey the aura of a pampered star nor the mocking tone.
Everything from their clothes, wallpapers and interactions bear a spanking new, price-tag still on air -
- there's nothing lived-in about this family. At the centre of this dark tale of sex trafficking is a soul
stirring, haunting delivery by newbie Mrunal Thakur. There's a scene where a character has a
premonition that his girlfriend would get killed at a party. He manages to save her. It's a wacky
concept and at the heart of it, Bala is boldly calling out the empty, clueless generation of Kafkaesque
nightmare crying fools or hopelessly wholehearted blind bhakts. But Spotlight's energy is off and the
farce never registers. What many Indians may not know is that a freedom fighter named Sardar
Udham Singh had done precisely this -- 'Ghar mein ghuss ke maara' -- way back in 1940. The film
travels to Mumbai for action scenes which are as elegantly shot as the romance. It rambles and roars,
dances and writhes as it explores the dynamics of exploitation with a straightforwardness that
eschews any kind of cinematic deceit. Akbar gets his hands on secret documents and passes it onto
his superiors. But when the secrets come tumbling out, it's the women, in the manner of those great
Almodovar women, who show the instinct and the intelligence to cover up the blood and the bodies
with good upholstery and fine tile works. Set in Bihar, Maharani -- created by Jolly LLB director
Subhash Kapoor and directed by Karan Sharma -- isn't entirely fictional and is loosely based on real
political events. Also, the stories are 'too neatly wrapped up' and that, in a sense, locks the otherwise
freely moving characters in one place. It's a slow-burner and yawn-inducing. This is a movie in the
tradition of the best bedtime stories, and when have psychological tautness or deep insights into
human behaviour ever sent anybody to bed? The only great success of the film is its picturisation and
the movie sets. Despite having a decent storyline, Director Robbie Grewal isn't able to get us on the
edge-of-our-seats with this thriller. The trend is proving to be quite a blessing for aspiring film-
makers in Web series as well the short films format. By the time you reach the interval, you feel so
tired that you want to grab a coffee to keep awake. The title of the film, Por Thozhil (meaning the art
of war), probably inspired from Tamil poet Bharathiyar's idea of Porthozhil Pazhagu (learn the art of
war) is a fitting choice for this crime thriller in which two cops are racing against time to stop a
seemingly intelligent serial killer from claiming his next victim while learning and unlearning the rules
from each other.