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Lifestyle in Heart
Health and Disease
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Lifestyle in Heart
Health and Disease
Edited By
Ronald Ross Watson
Sherma Zibadi
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ISBN 978-0-12-811279-3
v
vi Contents
Numbers in parenthesis indicate the pages on which the authors’ Juiz de Fora, Minas Gerais; Department of Biomedical
contributions begin. Sciences, Federal University of Fluminense, Niterói,
Tolulope A. Adesiyun (99) Division of Cardiology, Rio de Janeiro, Brazil
Department of Medicine, Johns Hopkins School of Qiying Dai (87) Department of Cardiology, The First
Medicine, Baltimore, MD, United States Affiliated Hospital of Nanjing Medical University,
Amelia Aranega (285) Department of Experimental Nanjing, China; Metrowest Medical Center,
Biology, University of Jaén, Jaén, Spain Framingham, MA, United States
Lousie Balfour (227) Department of Psychology, The Houria Daimi (285) Department of Experimental Biology,
Ottawa Hospital, University of Ottawa, Ottawa, ON, University of Jaén, Jaén, Spain; Biochemistry and
Canada Molecular Biology Laboratory, Faculty of Pharmacy,
University of Monastir, Monastir, Tunisia
Eliane F.C. Banhato (233) IMEPEN Foundation, Faculty
of Medicine, Federal University of Juiz de Fora; Veronica D'Ambra (267) Department of Internal
Department of Psychology, Higher Education Center of Medicine, Section on Cardiology, Wake Forest
Juiz de Fora, Juiz de Fora, Minas Gerais, Brazil University School of Medicine, Winston-Salem, NC,
United States
Ayşegül Bayir (297) Faculty of Medicine, Emergency
Department, Selçuk University, Konya, Turkey Bárbara A.B.B. de Andrade (233) IMEPEN Foundation,
Faculty of Medicine; Institute of Human Sciences,
Yihua Bei (87) Cardiac Regeneration and Ageing Lab, School
Department of Psychology, Federal University of Juiz
of Life Science, Shanghai University, Shanghai, China
de Fora, Juiz de Fora, Minas Gerais, Brazil
Khaldoun Ben Hamda (285) Cardiology Service,
Marcela M. de Melo (233) IMEPEN Foundation, Faculty
Fattouma Bourguriba Hospital, Monastir, Tunisia
of Medicine, Federal University of Juiz de Fora, Juiz de
Courtney Boen (291) University of Pennsylvania, Fora, Minas Gerais, Brazil
Philadelphia, PA, United States
Arise G. de Siqueira Galil (233) IMEPEN Foundation,
Shannon S.D. Bredin (175) Physical Activity Promotion Faculty of Medicine, Federal University of Juiz de Fora,
and Chronic Disease Prevention Unit, University of Juiz de Fora, Minas Gerais, Brazil
British Columbia (UBC), Vancouver, BC, Canada
Edwin B. Fisher (21) Peers for Progress and Department
Cecilia Bukutu (275) Institutional Research and Program of Health Behavior, Gillings School of Global Public
Development, Concordia University of Edmonton, Health, University of North Carolina at Chapel Hill,
Edmonton, AB, Canada Chapel Hill, NC, United States
Jemni B.E. Chibani (285) Biochemistry and Molecular Ricardo Fontes-Carvalho (153) Cardiology Department,
Biology Laboratory, Faculty of Pharmacy, University of Gaia Hospital Center, Vila Nova de Gaia; Department
Monastir, Monastir, Tunisia of Surgery and Physiology, University of Porto, Porto;
Tatiane da Silva Campos (233) IMEPEN Foundation, Unidade de Investigação Cardiovascular (UnIC), Porto,
Faculty of Medicine, Federal University of Juiz de Fora, Portugal
Juiz de Fora, Minas Gerais; Faculty of Nursing, State Diego Franco (285) Department of Experimental Biology,
University of Rio de Janeiro, Rio de Janeiro, Brazil University of Jaén, Jaén, Spain
Arthur da Silva Gomes (233) IMEPEN Foundation, Siyi Fu (87) Cardiac Regeneration and Ageing Lab, School
Faculty of Medicine, Federal University of Juiz de Fora, of Life Science, Shanghai University, Shanghai, China
xiii
xiv Contributors
Sandra Gilbertson (35) Mosaic Life Care, St. Joseph, MO, Mindy Ma (11) College of Psychology, Nova Southeastern
United States University, Fort Lauderdale, FL, United States
Petro Gjini (267) Department of Internal Medicine, Hayley V. MacDonald (115) Department of Kinesiology,
Section on Cardiology, Wake Forest University School The University of Alabama, Tuscaloosa, AL, United
of Medicine, Winston-Salem, NC, United States States
Aaron Gluth (247) Division of Hospital Medicine, Sandra Mandic (187) University of Otago, Dunedin, New
Department of Psychiatry and Behavioral Sciences, Zealand
Emory University, Atlanta, GA, United States Paul A. McPherson (227) Department of Psychology, The
Pedro Gonçalves-Teixeira (153) Cardiology Department, Ottawa Hospital, University of Ottawa, Ottawa, ON,
Gaia Hospital Center, Vila Nova de Gaia, Portugal; Canada
Department of Surgery and Physiology, University of A. Menotti (47) Association for Cardiac Research, Rome,
Porto, Porto, Portugal Italy
Barbara A. Graves (35) Capstone College of Nursing, Richard V. Milani (137) Department of Cardiovascular
University of Alabama, Tuscaloosa, AL, United States Diseases, John Ochsner Heart and Vascular Institute,
Theresa L. Green (301) Queensland University of Ochsner Clinical School-University of Queensland
Technology; Royal Brisbane and Women’s Hospital, School of Medicine, New Orleans, LA, United States
Brisbane, QLD, Australia Michael D. Morledge (137) Department of Cardiovascular
José M. Grisolía (163) Department of Applied Economics, Diseases, John Ochsner Heart and Vascular Institute,
Universidad de Las Palmas de Gran Canaria, Las Palmas Ochsner Clinical School-University of Queensland
de GC, Spain School of Medicine, New Orleans, LA, United States
Mariana M. Gusmão (233) IMEPEN Foundation, Faculty Lee Moylan (301) Royal Brisbane and Women's Hospital,
of Medicine, Federal University of Juiz de Fora, Juiz de Brisbane, QLD, Australia
Fora, Minas Gerais, Brazil; Institute of Human Sciences, James H. O'Keefe (137) St. Luke’s Mid America Heart
Department of Psychology, Federal University of Juiz Institute, University of Missouri-Kansas City, Kansas
de Fora, Juiz de Fora, Minas Gerais, Brazil City, MO, United States
Amel Haj Khelil (285) Biochemistry and Molecular Thomas P. Olson (65, 199) Department of Cardiovascular
Biology Laboratory, Faculty of Pharmacy, University of Medicine, Mayo Clinic, Rochester, MN, United States
Monastir, Monastir, Tunisia
Janine Pampellonne (301) Queensland University of
Garrick Hately (187) University of Otago, Dunedin, New Technology, Brisbane, QLD, Australia
Zealand
Parham Parto (137) Department of Cardiovascular
Jacquelyn Hrzich (11) College of Psychology, Nova Diseases, John Ochsner Heart and Vascular Institute,
Southeastern University, Fort Lauderdale, FL, United Ochsner Clinical School-University of Queensland
States School of Medicine, New Orleans, LA, United States
Kathleen P. Ismond (275) Department of Pediatrics, Katha Patel (255) University of Arizona, Mel and Enid
University of Alberta, Edmonton, AB, Canada Zuckerman College of Public Health, Tucson, AZ,
Sergey Kachur (137) Department of Graduate Medical United States
Education, Ocala Regional Medical Center, Ocala, FL, Linda S. Pescatello (115) Department of Kinesiology,
United States University of Connecticut, Storrs, CT, United States
Jeffrey L. Kibler (11) College of Psychology, Nova Bert Potemans (21) Vårdcentral Rättvik, Rättvik, Sweden
Southeastern University, Fort Lauderdale, FL, United
States P.E. Puddu (47) Department of Cardiovascular, Respiratory,
Nephrological, Anesthesiological and Geriatric
John Kwagyan (3) Howard University College of Medicine, Sciences, Sapienza University of Rome, Rome, Italy
Washington, DC, United States
Otelio S. Randall (3) Howard University College of
Carl J. Lavie (137) Department of Cardiovascular Diseases, Medicine, Washington, DC, United States
John Ochsner Heart and Vascular Institute, Ochsner
Clinical School-University of Queensland School of Stacey Reading (187) Department of Exercise Sciences,
Medicine, New Orleans, LA, United States University of Auckland, Auckland, New Zealand
Yongqin Li (87) Cardiac Regeneration and Ageing Lab, Roberta A. Roas (11) College of Psychology, Nova
School of Life Science, Shanghai University, Shanghai, Southeastern University, Fort Lauderdale, FL, United
China States
Contributors xv
Anna Rolleston (187) Faculty of Medicine and Health Darren E.R. Warburton (175) Physical Activity Promotion
Science, University of Auckland, Auckland, New Zealand and Chronic Disease Prevention Unit, University of
Stuart D. Russell (99) Division of Cardiology, Department British Columbia (UBC), Vancouver, BC, Canada
of Medicine, Johns Hopkins School of Medicine, Martha Ward (247) Department of Psychiatry and
Baltimore, MD, United States Behavioral Sciences; Department of General Medicine,
Vijay Singh (223) University of Arizona, Mel and Enid Emory University, Atlanta, GA, United States
Zuckerman College of Public Health, Tucson, AZ, Ronald Ross Watson (223, 255) University of Arizona,
United States Mel and Enid Zuckerman College of Public Health,
Richard B. Stacey (267) Department of Internal Medicine, Tucson, AZ, United States
Section on Cardiology, Wake Forest University School DeJuan White (247) Department of Psychiatry and
of Medicine, Winston-Salem, NC, United States Behavioral Sciences; Department of General Medicine,
Chanuantong Tanasugarn (21) Department of Health Emory University, Atlanta, GA, United States
Education and Behavioral Science, Faculty of Public Stephanie Wiebe (227) Department of Psychology, The
Health, Mahidol University, Bangkok, Thailand Ottawa Hospital, University of Ottawa, Ottawa, ON,
Erik H. Van Iterson (65, 199) Department of Cardiovascular Canada
Medicine, Mayo Clinic, Rochester, MN, United States Junjie Xiao (87) Cardiac Regeneration and Ageing Lab,
Eduardo M. Vilela (153) Cardiology Department, Gaia School of Life Science, Shanghai University, Shanghai,
Hospital Center, Vila Nova de Gaia, Portugal China
Sunita Vohra (275) Department of Pediatrics, University of Yang C. Yang (291) Lineberger Comprehensive Cancer
Alberta, Edmonton, AB, Canada Center, University of North Carolina at Chapel Hill,
Chapel Hill, NC, United States
Ichiro Wakabayashi (213) Department of Environmental
and Preventive Medicine, Hyogo College of Medicine, Xuefeng Zhong (21) Anhui Provincial Center for Disease
Nishinomiya, Japan Control and Prevention, Hefei, China
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Acknowledgments
The work of Dr. Watson's editorial assistant, Bethany L. Stevens, in communicating with authors, editors, and w orking
on the manuscripts was critical to the successful completion of the book. It is very much appreciated. Support for
Ms. Stevens' and Dr. Watson' editing was graciously provided by the Natural Health Research Institute (http://www.natu-
ralhealthresearch.org) and Southwest Scientific Editing and Consulting, LLC. The encouragement and support of Elwood
Richard and Dr. Richard Sharpee was vital. Direction and guidance from Elsevier's staff was critical. Finally, the work of
the librarian at the Arizona Health Sciences Library, Mari Stoddard, was vital and very helpful in identifying key research-
ers who participated in the book.
xvii
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Part I
lower in Caucasian and in African Americans. Haffner and Heinrich [20] explained that the lower prevalence of the meta-
bolic syndrome among African Americans may be explained by the two separate lipid criteria defined by the NCEP (high
triglycerides and low HDL cholesterol), which offset the higher rates of hypertension and glucose intolerance observed in
this ethnic group. Among the African Americans, the metabolic syndrome has been linked with increased insulin levels,
elevated blood pressure, dyslipidemia, and endothelial dysfunction [16–18]. In a sample of adolescents, the prevalence of
the metabolic syndrome was estimated at 6.8% among overweight adolescents and 28.7% among obese adolescents [20].
Cherqaoui et al. [21] recently noted in a two-factorial analysis that even in the so-called metabolically healthy but obese,
the state of the phenotype appears to be only transient. The finding of increased risk of death or cardiovascular events for
obese individuals suggests that gaining excess weight is associated with risk that may accumulate over time, even before
metabolic and cardiovascular signs become apparent in laboratory tests.
Obesity
Risk factors
Solution(s):
Hypertension Life style changes
Hypertension
Dyslipidemia Low Salt, Low caloric diet, Low Hyperlipidemia
Diabetes mellitus sugar drinks, Exercise, Less
Hyperglycemia
stress, Medication compliance
Central obesity
Obesity
Inactivity
Hyperuricemia
Tobacco
Overeating Excessive
alcohol
Systolic Diastolic
dysfunction CHF dysfunction
measure of the overall disease risk is necessary and has been derived from the Framingham Heart Study [22], a prospective
epidemiological study of cardiovascular diseases. Elevated blood pressure and lipid levels are known to be associated with
an increasing risk of cardiovascular disease (CVD) and are part of the Framingham score algorithm.
High serum cholesterol is a known risk factor and a treatment target in primary and secondary prevention of CHD.
Results from the MESA study [25] observed that in a cohort free of CHD, there was no significant difference in the preva-
lence of dyslipidemia among African Americans, Hispanics, and Caucasians. The report showed that African Americans
and the Hispanic group were 30% less likely than Caucasians to have their dyslipidemia under control. When these metrics
were adjusted for socioeconomic status and health care access, there was attenuation of the disparity, implying that biologi-
cal differences alone were not responsible for the differences in control.
Hypertension or high blood pressure is a common disease in which blood flows through the blood vessels (arteries) at
higher than normal pressures. It is the major risk factor for atherosclerosis and by far the leading risk factor for the develop-
ment of CVD and the leading cause of death and disability [26–28].
Over time, consistently high blood pressure weakens and damages the blood vessels, which can lead to severe clinical
complications including but not limited to the development of heart failure, heart attack, chronic kidney disease, cognitive
changes, eye damage, and stroke, to list a few (NHLBI site). The prevalence and incidence of hypertension and
hypertension-related complications are reported to be disproportionately higher among African Americans than other eth-
nicities [29,30]. This has been linked with low social economic status, the lack of access to health care, and a higher non-
compliance with prescribed medication usage.
70
PP mmHg
60 56.1
53.7
52.4
50
42.6
40
30
20
10
0
1 2 3 4 or more
Number of metabolic syndrome components
FIG. 2 Relationships of pulse pressure (PP mmHg) to number of metabolic syndrome components.
TABLE 1 Prevalence Rates of the CVD Risk Factors of Hypertension, Dyslipidemia, and Diabetes Mellitus Across BMI
Categories
BMI Category
Dyslipidemia 26 34 29 26 19 27
Hypertension 63 62 53 48 63 57
Diabetes 20 29 22 20 30 24
mellitus
sex, there were no significant differences in the prevalence rates of these risk factors according to increasing BMI, suggest-
ing a threshold of between 30 and 34.99 kg/m2 for maximal appearance of these risk factors. Ninety-nine percent met the
metabolic syndrome criteria for waist circumference, 40% met the criteria for BP, and 37% for HDL. Thirty-nine percent
had exactly two features of the metabolic syndrome, and 36% were diagnosed with it. The proportion of participants who
met the MS criteria for HDL and those diagnosed with it increases significantly across BMI categories. In particular, a lo-
gistic regression analysis showed that in these obese individuals, a 5 kg/m2 rise in BMI increased the risk of the MS by 44%.
left ventricular hypertrophy (LVH) or renal damage have been noted to have little or no nocturnal fall [24,42–44]. Both
observational and longitudinal studies alike have shown that target organ damage accompanying hypertension is closely
related to 24 h ABP. Individuals with a lack of a significant nocturnal fall in BP has been linked to more serious target organ
damage and higher incidence of cardiovascular complications than those with a nocturnal fall [45–48]. Kwagyan et al. [49]
reported in a cohort of obese African Americans that 44% were nondippers in any BP component, with dipping defined as
those who exhibit a reduction in average BP by at least 10% from the day to night. The proportions of dippers in SBP were
17%, DBP 54%, and MBP 40%. Ninety-nine percent of SBP dippers were also DBP dippers. Consistent with other studies,
the report showed that increasing BMI correlated negatively with DBP dipping (P = .01). Systolic BP dipping correlated
positively with HTN (P = .02) and HR (P = .06) and negatively with DM (P = .02). The higher percentage of nondipping in
these obese African Americans is alarming. A lifestyle change in these obese populations is necessary to improve dipping
status and CV health. Evaluation of nocturnal fall in DBP may be of clinical relevance, and more research is needed to
establish its prognostic value. The high rate of nondipping in this obese population reinforces the need to reduce BMI and
improve hemodynamic and lipid profiles through therapeutic lifestyle changes. This is likely to shift nondippers to dipper
status and reduce the potential risk for target organ damage.
TABLE 2 Anthropometric, Hemodynamic, and Lipid Profiles at Baseline and 6 Months (N = 129)
Baseline Six months Percent Change P-value
Variable
Source: Ethnicity & Disease © 2015. (Kwagyan et al.). Published by ISHIB. Printed with permission. All rights reserved.
8 PART | I Overview and Mechanisms
The results show an 11% decrease in BMI, an 8% decrease in LDL, and a 10% increase in HDL. The LDL/HDL ratio
decreased from 2.3 to 2.1, while the total cholesterol/HDL ratio decreased from 4.4 to 3.4. The initial 10-year CHD risk,
as per the Framingham risk calculator, was 6% in women and 16% in men. The 10-year CHD risk prediction decreased on
average from 6% to 4% for women and 16% to 13% for men. This was accomplished by the improvements in BMI (kg/
m2), waist circumference, blood pressure, LDL, and HDL. The results clearly highlight the importance of continuous and
persistence adherence to lifestyle changes to risk reduction and cardiovascular health (see Fig. 1). Implementing similar
programs that are culturally sensitive across minority groups could significantly improve cardiovascular health and CHD
risk for an at-risk population at lower costs than long-term pharmacological treatment.
CONCLUSION
In cardiovascular research, the primary objective is to identify and attempt to prevent or reduce the onset of risk
factors that are predictive of cardiovascular disease morbidity and mortality. Obesity, and the related condition, the
metabolic syndrome, are noted to be risk factors for the development of CVD [50]. The prevalence of the major
CVD risk factors is disproportionately higher among minority populations, in general and particularly among obese
individuals. Obesity is a multifactorial condition, with some individuals suffering from an endocrine disease or from
genetic propensity. Many individuals, however, have developed the condition from poor eating habits and less or no
physical activity and have become an epidemic in minority populations. Management of obesity, metabolic syndrome,
and CVD risks consists primarily of modification or reversal of the root causes and direct therapy of the risk factors.
Moreover, the high prevalence and increasing incidence of obesity, the metabolic syndrome, and associated cardio-
vascular risk factors in adults and children emphasize the need to focus on obesity reduction in this population. There
is the report that, in the future, metabolic syndrome may overtake smoking as the leading risk factor for heart disease
(NHLBI site).
The first strategy involves weight reduction and increased physical activity, both of which can improve all components
of the CHD risk profile and components of the metabolic syndrome. Lifestyle changes are the most important target for
decreasing these risk factors. As we have discussed and others have shown that this can be achieved through a successful
diet and exercise program and likely at less cost in the long-term than through pharmacological means [39,40]. Education
and awareness are of the utmost importance in ensuring success with the diet an exercise program [51]. Understanding why
they are overweight, the consequences of excess weight and the associated deliberating complications should be empha-
sized in educational programs.
In conclusion, we emphasize that with the rise in prevalence and incidence of obesity and associated conditions world-
wide and particularly the high onset of the obesity and the metabolic syndrome among children and the adolescent, earlier
intervention through lifestyle modification to stop this epidemic will have potential benefit to the society now and the
future. This includes regularly engaging in physical activity; consumption of low-salt, low-fat diet; consumption of fruits
and vegetables; and refraining from high sugary foods and drinks. Other healthy lifestyle changes include managing stress,
having a good night sleep, quitting smoking, and adhering to prescription medication.
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FURTHER READING
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indifferent if it had not been accompanied by another, which
suddenly brought the artist into the light, and was the success of the
Salon of 1874.
During his last holiday at Damvillers, Bastien-Lepage had
conceived the idea of painting the portrait of his grandfather, in the
open air, in the little garden which the old man loved to cultivate.
Grandfather Lepage.
By Jules Bastien-Lepage.
The grandfather was represented seated in a garden chair,
holding on his knees his horn snuff-box and his handkerchief of blue
cotton. His striking face stood out well detached from the
background of trees; the black velvet cap sloping jauntily towards his
ear gave effect to the shrewd Socratic face; his blue eyes twinkled
with humour; the nose was broad and retroussé; the white forked
beard spread itself over an ancient vest of the colour of dead leaves;
the hands, painted like life, were crossed upon the grey trousers.
Before this picture, so true, so frank, of such marvellous intensity
of familiar life, the public stood delighted, and the name of Bastien-
Lepage, unknown before, figured the next day in the first place in the
articles on the Salon.
II.
It was in front of this picture that I first met Jules. Having looked in
my catalogue for the name of the painter, I was delighted to find that
he was from the Meuse, and born at that same Damvillers where I
had once lived.
The heavy soil of our department is not fruitful in artists. When it
has produced one it takes a rest for a few centuries.
Since Ligier Richier, the celebrated sculptor, born at the end of the
fifteenth century, the Meuse could only claim credit for the painter
Yard a clever decorator of churches and houses in the time of Duke
Stanislas; so I was quite proud to find that Bastien-Lepage was a
fellow countryman of mine. A few moments later a mutual friend
introduced us to each other.
I saw before me a young man, plainly dressed, small, fair, and
muscular; his pale face, with its square determined brow, short nose,
and spiritual lips, scarcely covered with a blond moustache, was
lighted up by two clear blue eyes whose straight and piercing look
told of loyalty and indomitable energy. There was roguishness as
well as manliness in that mobile face with its flattened features, and
a certain cool audacity alternated with signs of sensitiveness and
sparkling fun and gaiety.
Remembrances of our native province, our common love of the
country and of life in the open air, soon established kindly relations
between us, and after two or three meetings we had entered upon a
close friendship.
The portrait of the grandfather had won for him a third medal, and
had ensured him a place in the sunshine.
It was not yet a money success, but it was a certain degree of
fame; he might go back to his village with his heart at rest, his head
high. The State had just bought his picture, La Chanson du
Printemps (The Song of Spring), and orders were beginning to come
in.
In 1875 Bastien-Lepage reappeared in the Salon with La
Communiante (The Communicant) and the portrait of M. Simon
Hayem, two excellent works which gave, each in its way, a new mark
of his originality.
The portrait of M. Hayem was best liked by men of the world;
artists were most struck by La Communiante.
The Communicant.
By Jules Bastien-Lepage.
This young girl’s simple awkward bearing, as she stands out from
a creamy background, with all the stiffness of her starched white veil,
naïvely opening her pure hazel eyes, and crossing her fingers, ill at
ease in the white gloves, is a marvel of truthful painting. It reminds
one of the manner of Memling and of Clouet, though with quite a
modern feeling. It is interesting, as being the first of those small,
lifelike, characteristic portraits, in a style at once broad and
conscientious, which may be reckoned among the most perfect of
this painter’s works.
At the time of these successes in the Salon, Bastien joined in the
competition for the Prix de Rome. The subject chosen for 1875 was
taken from the New Testament—L’Annonciation aux Bergers (The
Annunciation to the Shepherds).
I remember as if it were yesterday that July morning when the
gates of the Palais des Beaux Arts were opened, and the crowd of
eager inquirers rushed into the hall of the competition.
After a few minutes Bastien’s picture was surrounded, and a buzz
of approval arose from the groups of young people gathered round
that work, so real, so strongly conceived and executed that the other
nine canvases disappeared as in a mist.
The artist had understood and treated the subject in a manner
utterly different from the usual style of the Academy. It was familiar
and touching, like a page of the Bible. The visit of the angel had
surprised the shepherds sleeping by their fire in the open air; the
oldest of them was kneeling before the apparition, and prostrated
himself in adoration; the youngest was gazing with half-closed eyes,
and his open lips and hands, with fingers apart, expressed
astonishment and admiration. The angel, a graceful figure, with
childlike almost feminine head, was showing with outstretched arm
to the shepherds, Bethlehem in the distance surrounded by a
miraculous halo.
This picture, which has both the charm of poetic legend and a
manly grip of real life, was executed with uncommon grace and
vigour; its very faults contributed to the realization of the effect aimed
at.
Most of those who saw this work of Lepage declared that he
would carry off the Prix de Rome with a high hand; yet the jury
decided otherwise. It was an older and more correct competitor who
was sent to the Villa Medicis at the cost of the State.
For a moment Bastien-Lepage was troubled and discouraged by
this decision. Not that he felt himself strongly attracted towards
Rome and Italian art, but he knew that many people judge of an
artist by his success. Among the people down in his province and in
his own family the Prix de Rome would have been considered as an
official recognition of his talent, and he regretted, above all, not being
able to give this satisfaction to his relations, who had undergone so
many privations in order to maintain him at Paris. That he did not
soon forget this unmerited check, we may gather from this fragment
of a letter to a friend:
“I learned my business in Paris, I shall not forget that; but my art I
did not learn there. I should be sorry to undervalue the high qualities
and the devotion of the masters who direct the school. But is it my
fault if I have found in their studio the only doubts that have
tormented me? When I came to Paris I knew nothing at all, but I had
never dreamed of that heap of formulas they pervert one with. In the
school I have drawn gods and goddesses, Greeks and Romans, that
I knew nothing about, that I did not understand, and even laughed at.
I used to say to myself that this might be high art; I wonder
sometimes now if anything has resulted from this education….”
However, he did not consider himself beaten. The following year,
at the same time that he was exhibiting his portrait of M. Wallon, he
went in again for the Prix de Rome competition. This time it was less
for his own sake than to give a satisfaction to his family and friends.
He did not enter with any real feeling into this competition, the
subject for which was: Priam suppliant Achille de lui rendre le corps
de son fils Hector (Priam begging Achilles to restore to him the body
of his son Hector). This picture, though a vigorous composition, tells
almost nothing of the deep and poignant emotion of this episode of
the Iliad.
Once more he failed to gain the prize, but this time he did not take
it much to heart. He was occupied with more absorbing prospects:
his last visit to Damvillers had bent his mind toward another ideal.
Whatever he might say, his studies in the school had not been
without their use to him. They had developed in him the critical
faculty. His repugnance to factitious and conventional art had driven
him with more force to the exact and attentive observation of nature.
At Paris he had learned to compare, and to see better. The
Meuse country, so little heroic, with its low hills, its limited horizons,
its level plains, had appeared to him suddenly more attractive and
more worthy of interest than the heroes of Greece and Rome. Our
labourers driving the plough across the field; our peasant women
with their large liquid eyes, prominent jaws, and widely opening
mouths; our vine-dressers, their backs curved with the labour of the
hoe, had revealed themselves to him as models much more
attractive than those of the atelier. It was a work for a great artist to
bring out the poetry pervading the village folk and their belongings
and to give it a real existence, as it were, by means of line and
colour. To represent the intoxicating odour of the mown grass, the
heat of the August sun on the ripe corn, the life of the village street;
to bring into relief the men and women who have their joys and
sorrows there; to show the slow movement of thought, the anxieties
about daily bread on faces with irregular and even vulgar features;—
this is human art, and consequently high art. This is what the Dutch
painters did, and they created masterpieces. Bastien, while lounging
among the orchards of Damvillers and the woods of Réville, resolved
that he would do as they had done, that he would paint the peasants
of the Meuse.
The list of studies begun or completed at this time shows us the
progress of this dominant idea: La Paysanne au Repos (The
Peasant Woman Reposing), La Prairie de Damvillers (The Meadow
at Damvillers), the two sketches for the picture Les Foins (The Hay),
Les Jardins au Printemps (Gardens in Spring), Les Foins Mûrs (Ripe
Grasses), L’Aurore (Dawn)—all these canvases bear the date of
1876.
It was in the autumn of the same year that we carried out a long-
talked-of plan for making an excursion together on foot into the
Argonne. I went to join him in September at Damvillers.
Thanks to him, I saw with a very different feeling the town that
formerly I thought so dull. Cordially and hospitably received in the
house at the corner of the great square, I made the acquaintance of
the father, with his calm, thoughtful face; of the grandfather, so
cheerful in spite of his eighty years; of the mother, so full of life, so
devoted, the best mother that one could wish for an artist. I saw what
a strong and tender union existed between the members of this
family whose idol and whose pride was Jules.
We set out along with one of my old friends and the painter’s
young brother. For a week we walked with our bags on our backs
through the forest country of the Argonne, going through woods from
Varennes to La Chalade, and from Islettes to Beaulieu. The weather
was rainy and unpleasant enough, but we were none the less gay for
that, never winking when the rain came down, visiting the glass-
works, admiring the deep gorges in the forests, the solitary pools in
the midst of the woods, the miles of green and misty avenues at the
foot of the hills.
Jules Bastien was always the leader. When we arrived at our
resting place in an evening, after a day of walking in the rain, he
almost deafened us with scraps of café-concert songs, with which
his memory was stored.
I seem still to hear in the dripping night that voice, clear and
vibrating, now silent for ever….
As we went along he told me of his plans for the future.
He wanted to tell the whole story of country life in a series of large
pictures: hay-making, harvest, seed-time, the lovers, the burial of a
young girl…. He also wanted to paint a peasant woman as Jeanne
d’Arc, at the moment when the idea of her divine mission is taking
possession of her brain; then, a Christ in the Tomb.
Together we made a plan for publishing a series of twelve
compositions: Les Mois Rustiques (The Months in the Country), for
which he was to furnish the drawings and I the text.
From time to time we stopped at the opening of a wood or at the
entrance of a village, and Jules would make a hasty sketch, little
thinking that the wild and simple peasants of the Argonne would take
us for Germans surreptitiously making notes of their roads and
passes. At Saint Rouin, while we were looking on at a Pilgrimage,
we had nearly been taken as spies. I have told this story
elsewhere.[1] The remembrance of it amused us for a long time.
After eight days of this vagabond life we separated at Saint Mihiel,
where Bastien wished to see the group of statues of the sepulchre,
the chef d’œuvre of Ligier Richier, before beginning his Christ in the
Tomb.
Shortly afterwards he gave an account of this visit in a letter to his
friend Baude, the engraver:
“Our too short walk through the Argonne has been very
interesting, and ended with a visit to the grand chef d’œuvre of Ligier
Richier at Saint Mihiel. You must see that some day. I have seen
nothing in sculpture so touching. France ought to know better and to
be prouder of that great Lorraine artist. You will see a photograph of
this masterpiece when you come to me….”
He had scarcely been six weeks at Damvillers again when he lost
his father, who was suddenly carried off by pulmonary congestion.
Death entered the house for the first time, and it was a rude shock
for a family where each loved the other so well.
“We were too young to lose such a good friend,” he wrote to me;
“in spite of all the courage one can muster, the void, the frightful void
is so great, that one is sometimes in despair….”
“… Happily remembrance remains (letter to M. Victor Klotz), and
what a remembrance it is! … the purest that is possible;—he was
goodness and self-abnegation personified; he loved us so!… What is
to be done? We must try to fill the void with love for those who
remain, and who are attached to us, always keeping in mind him
who is gone, and working much to drive away the fixed idea.”
And indeed he did work furiously: at Damvillers, at a Job that
remains unfinished, and at Paris at the full-length portrait of a lady,
which was exhibited in the Salon of 1877.
He had left the Rue Cherche Midi and had settled in the Impasse
du Maine, where his studio and his apartment occupied one floor of
a building, at the end of a narrow neglected garden, whose only
ornaments were an apricot tree and some lilac bushes.
His brother Emile, who just then came to an end of his study of
architecture in the school, lived with him.
His studio was very large, and was simply furnished with an old
divan, a few stools, and a table covered with books and sketches. It
was decorated only with the painter’s own studies and a few
hangings of Japanese material.
I used to go there every morning at this time to sit for my portrait.
I used to arrive about eight o’clock, to find Jules already up, but
with his eyes only half awake, swallowing two raw eggs, to give
himself tone, as he said.
He already complained of stomach trouble, and lived by rule. We
used to smoke a cigarette, and then he began to work. He painted
with a feverish rapidity, and with a certainty of hand quite
astonishing. Sometimes he would stop, get up and roll a cigarette,
would closely examine the face of his model, and then, after five
minutes of silent contemplation, he would sit down again with the
vivacity of a monkey and begin to paint furiously.
The portrait, sketched in during the snows of January, was almost
finished when the apricot tree began to put on its covering of white
flowers in April.
The Hayfield.
By Jules Bastien-Lepage.
Immediately after the opening of the Salon, Bastien packed up his
baggage and fled to Damvillers to prepare for his great picture Les
Foins (The Hayfield), which occupied him all the summer of 1877,
and of which he gave me news from time to time.
“July.—I shall not say much about my work; the subject is
not yet sufficiently sketched in. What I can tell you is that I am
going to give myself up to a debauch in pearly tones: half-dry
hay and flowering grasses; and this in the sunshine, looking
like a pale yellow tissue with silver threads running through it.
“The clumps of trees on the banks of the stream and in the
meadow will stand out strongly with a rather Japanese
effect….”
“15th August.—Your verses are just the picture I should
like to paint. They smell of the hay and the heat of the
meadow…. If my hay smells as well as yours I shall be
content…. My young peasant is sitting with her arms apart,
her face hot and red; her fixed eyes seeing nothing; her
attitude altogether broken and weary. I think she will give the
true idea of a peasant woman. Behind her, flat on his back,
her companion is asleep, with his hands closed; and beyond,
in the meadow, in the full sun, the haymakers are beginning to
work again. I have had hard work to set up my first ideas,
being determined to keep simply to the true aspect of a bit of
nature. Nothing of the usual willow arrangement, with its
branches drooping over the heads of the people to frame the
scene. Nothing of that sort. My people stand out against the
half-dry hay. There is a little tree in one corner of the picture
to show that other trees are near, where the men are gone to
rest in the shade. The whole tone of the picture will be a light
grey green….”
“September.—Why didn’t you come, lazy fellow? You
would have seen my Hay before it was finished. Lenoir, the
sculptor, my neighbour in the Impasse, liked it. The country
people say it is alive. I have little more than the background to
finish. I am going to harness myself to the Reapers, and to a
nude study of a Diogenes the cynic, or rather, the sceptic….”
Les Foins was sent to the Salon in 1878. It had a great success,
though it was warmly discussed.
In the hall where it was placed, among the pictures which
surrounded it, this picture gave an extraordinary sensation of light
and of the open air. It had the effect of a large open window.
The meadow, half mown, went back bathed with sunshine, under
a summer sky, flecked with light clouds. The young haymaker sitting
drooping in the heat, intoxicated with the smell of the hay, her eyes
fixed, her limbs relaxed, her mouth open, was wonderfully real.
There was nothing of the conventional peasant whose hands look as
if they had never touched a tool, but a veritable countrywoman
accustomed from childhood to outdoor work. One felt that she was
weary with fatigue, and glad to breathe a moment at her ease, after
a morning of hard work in the sun.
This picture of life in the fields, so carefully studied, so powerfully
rendered, had a considerable influence on the painting of the day.
From the time of this exhibition many young painters, many foreign
artists especially, threw themselves with enthusiasm into the new
way opened out by Bastien-Lepage, and, without intention on his
part, the painter of the Meusian peasants became the head of a
school.