Beauty in the Rosegarden


Op.4 No.3

 
Edward MacDowell

            
         
Not fast; sweetly and simply

   
   
  
  
               
   



 
   
                    
7

 

                
   


    
 
       
  
                
     
13

 
   
      
      

       




       
                 
         
19

    
      

 



well marked, almost roughly

           
    
                       
25

           
        
       
  
Pianocoda.com

    
       
                          
31

           
 

       
          
               
no pedal

       


                   retard
               
37

   
  
             
sadly

     
 



 
     
              
     
       
44


              
    


 
   
      
  
 
                   
50

 
 
           
      
      


 
    
   
         
  

   
57

 diminish 
     
          
broader and very softly

 retard
 

   
2